Chapter III: Part 3

"I can hardly hesitate," he said, "after what you have just heard. This is the life I lead, monsieur. I will tell you the whole secret, so that you may tell it to Genevieve. She will then understand why I have not gone back to her ... and why I have not the right to do so."

He pushed a chair forward for Hortense. The two men sat down, and, without any need of further persuasion, rather as though he himself felt a certain relief in unburdening himself, he said:

"You must not be surprised, monsieur, if I tell my story with a certain flippancy, for, as a matter of fact, it is a frankly comical story and cannot fail to make you laugh. Fate often amuses itself by playing these imbecile tricks, these monstrous farces which seem as though they must have been invented by the brain of a madman or a drunkard. Judge for yourself. Twenty-seven years ago, the Manoir d'Elseven, which at that time consisted only of the main building, was occupied by an old doctor who, to increase his modest means, used to receive one or two paying guests. In this way, Madame d'Imbleval spent the summer here one year and Madame Vaurois the following summer. Now these two ladies did not know each other. One of them was married to a Breton of a merchant-vessel and the other to a commercial traveller from the Vendee.

"It so happened that they lost their husbands at the same time, at a period when each of them was expecting a baby. And, as they both lived in the country, at places some distance from any town, they wrote to the old doctor that they intended to come to his house for their confinement.... He agreed. They arrived almost on the same day, in the autumn. Two small bedrooms were prepared for them, behind the room in which we are sitting. The doctor had engaged a nurse, who slept in this very room. Everything was perfectly satisfactory. The ladies were putting the finishing touches to their baby-clothes and were getting on together splendidly. They were determined that their children should be boys and had chosen the names of Jean and Louis respectively.... One evening the doctor was called out to a case and drove off in his gig with the man-servant, saying that he would not be back till next day. In her master's absence, a little girl who served as maid-of-all-work ran out to keep company with her sweetheart. These accidents destiny turned to account with diabolical malignity. At about midnight, Madame d'Imbleval was seized with the first pains. The nurse, Mlle. Boussignol, had had some training as a midwife and did not lose her head. But, an hour later, Madame Vaurois' turn came; and the tragedy, or I might rather say the tragi-comedy, was enacted amid the screams and moans of the two patients and the bewildered agitation of the nurse running from one to the other, bewailing her fate, opening the window to call out for the doctor or falling on her knees to implore the aid of Providence.... Madame Vaurois was the first to bring a son into the world. Mlle. Boussignol hurriedly carried him in here, washed and tended him and laid him in the cradle prepared for him.... But Madame d'Imbleval was screaming with pain; and the nurse had to attend to her while the newborn child was yelling like a stuck pig and the terrified mother, unable to stir from her bed, fainted.... Add to this all the wretchedness of darkness and disorder, the only lamp, without any oil, for the servant had neglected to fill it, the candles burning out, the moaning of the wind, the screeching of the owls, and you will understand that Mlle. Boussignol was scared out of her wits. However, at five o'clock in the morning, after many tragic incidents, she came in here with the d'Imbleval baby, likewise a boy, washed and tended him, laid him in his cradle and went off to help Madame Vaurois, who had come to herself and was crying out, while Madame d'Imbleval had fainted in her turn. And, when Mlle. Boussignol, having settled the two mothers, but half-crazed with fatigue, her brain in a whirl, returned to the new-born children, she realized with horror that she had wrapped them in similar binders, thrust their feet into similar woolen socks and laid them both, side by side, _in the same cradle_, so that it was impossible to tell Louis d'Imbleval from Jean Vaurois!... To make matters worse, when she lifted one of them out of the cradle, she found that his hands were cold as ice and that he had ceased to breathe. He was dead. What was his name and what the survivor's?... Three hours later, the doctor found the two women in a condition of frenzied delirium, while the nurse was dragging herself from one bed to the other, entreating the two mothers to forgive her. She held me out first to one, then to the other, to receive their caresses--for I was the surviving child--and they first kissed me and then pushed me away; for, after all, who was I? The son of the widowed Madame d'Imbleval and the late merchant-captain or the son of the widowed Madame Vaurois and the late commercial traveller? There was not a clue by which they could tell.... The doctor begged each of the two mothers to sacrifice her rights, at least from the legal point of view, so that I might be called either Louis d'Imbleval or Jean Vaurois. They refused absolutely. 'Why Jean Vaurois, if he's a d'Imbleval?' protested the one. 'Why Louis d'Imbleval, if he's a Vaurois?' retorted the other. And I was registered under the name of Jean Louis, the son of an unknown father and mother."

Prince Renine had listened in silence. But Hortense, as the story approached its conclusion, had given way to a hilarity which she could no longer restrain and suddenly, in spite of all her efforts, she burst into a fit of the wildest laughter:

"Forgive me," she said, her eyes filled with tears, "do forgive me; it's too much for my nerves...."

"Don't apologize, madame," said the young man, gently, in a voice free from resentment. "I warned you that my story was laughable; I, better than any one, know how absurd, how nonsensical it is. Yes, the whole thing is perfectly grotesque. But believe me when I tell you that it was no fun in reality. It seems a humorous situation and it remains humorous by the force of circumstances; but it is also horrible. You can see that for yourself, can't you? The two mothers, neither of whom was certain of being a mother, but neither of whom was certain that she was not one, both clung to Jean Louis. He might be a stranger; on the other hand, he might be their own flesh and blood. They loved him to excess and fought for him furiously. And, above all, they both came to hate each other with a deadly hatred. Differing completely in character and education and obliged to live together because neither was willing to forego the advantage of her possible maternity, they lived the life of irreconcilable enemies who can never lay their weapons aside.... I grew up in the midst of this hatred and had it instilled into me by both of them. When my childish heart, hungering for affection, inclined me to one of them, the other would seek to inspire me with loathing and contempt for her. In this manor-house, which they bought on the old doctor's death and to which they added the two wings, I was the involuntary torturer and their daily victim. Tormented as a child, and, as a young man, leading the most hideous of lives, I doubt if any one on earth ever suffered more than I did."

"You ought to have left them!" exclaimed Hortense, who had stopped laughing.

"One can't leave one's mother; and one of those two women was my mother. And a woman can't abandon her son; and each of them was entitled to believe that I was her son. We were all three chained together like convicts, with chains of sorrow, compassion, doubt and also of hope that the truth might one day become apparent. And here we still are, all three, insulting one another and blaming one another for our wasted lives. Oh, what a hell! And there was no escaping it. I tried often enough ... but in vain. The broken bonds became tied again. Only this summer, under the stimulus of my love for Genevieve, I tried to free myself and did my utmost to persuade the two women whom I call mother. And then ... and then! I was up against their complaints, their immediate hatred of the wife, of the stranger, whom I was proposing to force upon them.... I gave way. What sort of a life would Genevieve have had here, between Madame d'Imbleval and Madame Vaurois? I had no right to victimize her."

Jean Louis, who had been gradually becoming excited, uttered these last words in a firm voice, as though he would have wished his conduct to be ascribed to conscientious motives and a sense of duty. In reality, as Renine and Hortense clearly saw, his was an unusually weak nature, incapable of reacting against a ridiculous position from which he had suffered ever since he was a child and which he had come to look upon as final and irremediable. He endured it as a man bears a cross which he has no right to cast aside; and at the same time he was ashamed of it. He had never spoken of it to Genevieve, from dread of ridicule; and afterwards, on returning to his prison, he had remained there out of habit and weakness.

He sat down to a writing-table and quickly wrote a letter which he handed to Renine:

"Would you be kind enough to give this note to Mlle. Aymard and beg her once more to forgive me?"

Renine did not move and, when the other pressed the letter upon him, he took it and tore it up.

"What does this mean?" asked the young man.

"It means that I will not charge myself with any message."

"Why?"

"Because you are coming with us."

"I?"

"Yes. You will see Mlle. Aymard to-morrow and ask for her hand in marriage."

Jean Louis looked at Renine with a rather disdainful air, as though he were thinking:

"Here's a man who has not understood a word of what I've been explaining to him."

But Hortense went up to Renine:

"Why do you say that?"

"Because it will be as I say."

"But you must have your reasons?"

"One only; but it will be enough, provided this gentleman is so kind as to help me in my enquiries."

"Enquiries? With what object?" asked the young man.

"With the object of proving that your story is not quite accurate."

Jean Louis took umbrage at this:

"I must ask you to believe, monsieur, that I have not said a word which is not the exact truth."

"I expressed myself badly," said Renine, with great kindliness. "Certainly you have not said a word that does not agree with what you believe to be the exact truth. But the truth is not, cannot be what you believe it to be."

The young man folded his arms:

"In any case, monsieur, it seems likely that I should know the truth better than you do."

"Why better? What happened on that tragic night can obviously be known to you only at secondhand. You have no proofs. Neither have Madame d'Imbleval and Madame Vaurois."

"No proofs of what?" exclaimed Jean Louis, losing patience.

"No proofs of the confusion that took place."

"What! Why, it's an absolute certainty! The two children were laid in the same cradle, with no marks to distinguish one from the other; and the nurse was unable to tell...."

"At least, that's her version of it," interrupted Renine.

"What's that? Her version? But you're accusing the woman."

"I'm accusing her of nothing."

"Yes, you are: you're accusing her of lying. And why should she lie? She had no interest in doing so; and her tears and despair are so much evidence of her good faith. For, after all, the two mothers were there ... they saw the woman weeping ... they questioned her.... And then, I repeat, what interest had she ...?"

Jean Louis was greatly excited. Close beside him, Madame d'Imbleval and Madame Vaurois, who had no doubt been listening behind the doors and who had stealthily entered the room, stood stammering, in amazement:

"No, no ... it's impossible.... We've questioned her over and over again. Why should she tell a lie?..."

"Speak, monsieur, speak," Jean Louis enjoined. "Explain yourself. Give your reasons for trying to cast doubt upon an absolute truth!"

"Because that truth is inadmissible," declared Renine, raising his voice and growing excited in turn to the point of punctuating his remarks by thumping the table. "No, things don't happen like that. No, fate does not display those refinements of cruelty and chance is not added to chance with such reckless extravagance! It was already an unprecedented chance that, on the very night on which the doctor, his man-servant and his maid were out of the house, the two ladies should be seized with labour-pains at the same hour and should bring two sons into the world at the same time. Don't let us add a still more exceptional event! Enough of the uncanny! Enough of lamps that go out and candles that refuse to burn! No and again no, it is not admissable that a midwife should become confused in the essential details of her trade. However bewildered she may be by the unforeseen nature of the circumstances, a remnant of instinct is still on the alert, so that there is a place prepared for each child and each is kept distinct from the other. The first child is here, the second is there. Even if they are lying side by side, one is on the left and the other on the right. Even if they are wrapped in the same kind of binders, some little detail differs, a trifle which is recorded by the memory and which is inevitably recalled to the mind without any need of reflection. Confusion? I refuse to believe in it. Impossible to tell one from the other? It isn't true. In the world of fiction, yes, one can imagine all sorts of fantastic accidents and heap contradiction on contradiction. But, in the world of reality, at the very heart of reality, there is always a fixed point, a solid nucleus, about which the facts group themselves in accordance with a logical order. I therefore declare most positively that Nurse Boussignol could not have mixed up the two children."

All this he said decisively, as though he had been present during the night in question; and so great was his power of persuasion that from the very first he shook the certainty of those who for more than a quarter of a century had never doubted.

The two women and their son pressed round him and questioned him with breathless anxiety:

"Then you think that she may know ... that she may be able to tell us....?"

He corrected himself:

"I don't say yes and I don't say no. All I say is that there was something in her behaviour during those hours that does not tally with her statements and with reality. All the vast and intolerable mystery that has weighed down upon you three arises not from a momentary lack of attention but from something of which we do not know, but of which she does. That is what I maintain; and that is what happened."

Jean Louis said, in a husky voice:

"She is alive.... She lives at Carhaix.... We can send for her...."

Hortense at once proposed:

"Would you like me to go for her? I will take the motor and bring her back with me. Where does she live?"

"In the middle of the town, at a little draper's shop. The chauffeur will show you. Mlle. Boussignol: everybody knows her...."

"And, whatever you do," added Renine, "don't warn her in any way. If she's uneasy, so much the better. But don't let her know what we want with her."

Twenty minutes passed in absolute silence. Renine paced the room, in which the fine old furniture, the handsome tapestries, the well-bound books and pretty knick-knacks denoted a love of art and a seeking after style in Jean Louis. This room was really his. In the adjoining apartments on either side, through the open doors, Renine was able to note the bad taste of the two mothers.

He went up to Jean Louis and, in a low voice, asked:

"Are they well off?"

"Yes."

"And you?"

"They settled the manor-house upon me, with all the land around it, which makes me quite independent."

"Have they any relations?"

"Sisters, both of them."

"With whom they could go to live?"

"Yes; and they have sometimes thought of doing so. But there can't be any question of that. Once more, I assure you...."

Meantime the car had returned. The two women jumped up hurriedly, ready to speak.

"Leave it to me," said Renine, "and don't be surprised by anything that I say. It's not a matter of asking her questions but of frightening her, of flurrying her.... The sudden attack," he added between his teeth.

The car drove round the lawn and drew up outside the windows. Hortense sprang out and helped an old woman to alight, dressed in a fluted linen cap, a black velvet bodice and a heavy gathered skirt.

The old woman entered in a great state of alarm. She had a pointed face, like a weasel's, with a prominent mouth full of protruding teeth.

"What's the matter, Madame d'Imbleval?" she asked, timidly stepping into the room from which the doctor had once driven her. "Good day to you, Madame Vaurois."

The ladies did not reply. Renine came forward and said, sternly:

"Mlle. Boussignol, I have been sent by the Paris police to throw light upon a tragedy which took place here twenty-seven years ago. I have just secured evidence that you have distorted the truth and that, as the result of your false declarations, the birth-certificate of one of the children born in the course of that night is inaccurate. Now false declarations in matters of birth-certificates are misdemeanours punishable by law. I shall therefore be obliged to take you to Paris to be interrogated ... unless you are prepared here and now to confess everything that might repair the consequences of your offence."

The old maid was shaking in every limb. Her teeth were chattering. She was evidently incapable of opposing the least resistance to Renine.

"Are you ready to confess everything?" he asked.

"Yes," she panted.

"Without delay? I have to catch a train. The business must be settled immediately. If you show the least hesitation, I take you with me. Have you made up your mind to speak?"

"Yes."

He pointed to Jean Louis:

"Whose son is this gentleman? Madame d'Imbleval's?"

"No."

"Madame Vaurois', therefore?"

"No."

A stupefied silence welcomed the two replies.

"Explain yourself," Renine commanded, looking at his watch.

Then Madame Boussignol fell on her knees and said, in so low and dull a voice that they had to bend over her in order to catch the sense of what she was mumbling:

"Some one came in the evening ... a gentleman with a new-born baby wrapped in blankets, which he wanted the doctor to look after. As the doctor wasn't there, he waited all night and it was he who did it all."

"Did what?" asked Renine. "What did he do? What happened?"

"Well, what happened was that it was not one child but the two of them that died: Madame d'Imbleval's and Madame Vaurois' too, both in convulsions. Then the gentleman, seeing this, said, 'This shows me where my duty lies. I must seize this opportunity of making sure that my own boy shall be happy and well cared for. Put him in the place of one of the dead children.' He offered me a big sum of money, saying that this one payment would save him the expense of providing for his child every month; and I accepted. Only, I did not know in whose place to put him and whether to say that the boy was Louis d'Imbleval or Jean Vaurois. The gentleman thought a moment and said neither. Then he explained to me what I was to do and what I was to say after he had gone. And, while I was dressing his boy in vest and binders the same as one of the dead children, he wrapped the other in the blankets he had brought with him and went out into the night."

Mlle. Boussignol bent her head and wept. After a moment, Renine said:

"Your deposition agrees with the result of my investigations."

"Can I go?"

"Yes."

"And is it over, as far as I'm concerned? They won't be talking about this all over the district?"

"No. Oh, just one more question: do you know the man's name?"

"No. He didn't tell me his name."

"Have you ever seen him since?"

"Never."

"Have you anything more to say?"

"No."

"Are you prepared to sign the written text of your confession?"

"Yes."

"Very well. I shall send for you in a week or two. Till then, not a word to anybody."

He saw her to the door and closed it after her. When he returned, Jean Louis was between the two old ladies and all three were holding hands. The bond of hatred and wretchedness which had bound them had suddenly snapped; and this rupture, without requiring them to reflect upon the matter, filled them with a gentle tranquillity of which they were hardly conscious, but which made them serious and thoughtful.

"Let's rush things," said Renine to Hortense. "This is the decisive moment of the battle. We must get Jean Louis on board."

Hortense seemed preoccupied. She whispered:

"Why did you let the woman go? Were you satisfied with her statement?"

"I don't need to be satisfied. She told us what happened. What more do you want?"

"Nothing.... I don't know...."

"We'll talk about it later, my dear. For the moment, I repeat, we must get Jean Louis on board. And immediately.... Otherwise...."

He turned to the young man:

"You agree with me, don't you, that, things being as they are, it is best for you and Madame Vaurois and Madame d'Imbleval to separate for a time? That will enable you all to see matters more clearly and to decide in perfect freedom what is to be done. Come with us, monsieur. The most pressing thing is to save Genevieve Aymard, your _fiancee_."

Jean Louis stood perplexed and undecided. Renine turned to the two women:

"That is your opinion too, I am sure, ladies?"

They nodded.

"You see, monsieur," he said to Jean Louis, "we are all agreed. In great crises, there is nothing like separation ... a few days' respite. Quickly now, monsieur."

And, without giving him time to hesitate, he drove him towards his bedroom to pack up.

Half an hour later, Jean Louis left the manor-house with his new friends.

"And he won't go back until he's married," said Renine to Hortense, as they were waiting at Carhaix station, to which the car had taken them, while Jean Louis was attending to his luggage. "Everything's for the best. Are you satisfied?"

"Yes, Genevieve will be glad," she replied, absently.

When they had taken their seats in the train, Renine and she repaired to the dining-car. Renine, who had asked Hortense several questions to which she had replied only in monosyllables, protested:

"What's the matter with you, my child? You look worried!"

"I? Not at all!"

"Yes, yes, I know you. Now, no secrets, no mysteries!"

She smiled:

"Well, since you insist on knowing if I am satisfied, I am bound to admit that of course I am ... as regards my friend Genevieve, but that, in another respect--from the point of view of the adventure--I have an uncomfortable sort of feeling...."

"To speak frankly, I haven't 'staggered' you this time?"

"Not very much."

"I seem to you to have played a secondary part. For, after all, what have I done? We arrived. We listened to Jean Louis' tale of woe. I had a midwife fetched. And that was all."

"Exactly. I want to know if that _was_ all; and I'm not quite sure. To tell you the truth, our other adventures left behind them an impression which was--how shall I put it?--more definite, clearer."

"And this one strikes you as obscure?"

"Obscure, yes, and incomplete."

"But in what way?"

"I don't know. Perhaps it has something to do with that woman's confession. Yes, very likely that is it. It was all so unexpected and so short."

"Well, of course, I cut it short, as you can readily imagine!" said Renine, laughing. "We didn't want too many explanations."

"What do you mean?"

"Why, if she had given her explanations with too much detail, we should have ended by doubting what she was telling us."

"By doubting it?"

"Well, hang it all, the story is a trifle far-fetched! That fellow arriving at night, with a live baby in his pocket, and going away with a dead one: the thing hardly holds water. But you see, my dear, I hadn't much time to coach the unfortunate woman in her part."

Hortense stared at him in amazement:

"What on earth do you mean?"

"Well, you know how dull-witted these countrywomen are. And she and I had no time to spare. So we worked out a little scene in a hurry ... and she really didn't act it so badly. It was all in the right key: terror, _tremolo_, tears...."

"Is it possible?" murmured Hortense. "Is it possible? You had seen her beforehand?"

"I had to, of course."

"But when?"

"This morning, when we arrived. While you were titivating yourself at the hotel at Carhaix, I was running round to see what information I could pick up. As you may imagine, everybody in the district knows the d'Imbleval-Vaurois story. I was at once directed to the former midwife, Mlle. Boussignol. With Mlle. Boussignol it did not take long. Three minutes to settle a new version of what had happened and ten thousand francs to induce her to repeat that ... more or less credible ... version to the people at the manor-house."

"A quite incredible version!"

"Not so bad as all that, my child, seeing that you believed it ... and the others too. And that was the essential thing. What I had to do was to demolish at one blow a truth which had been twenty-seven years in existence and which was all the more firmly established because it was founded on actual facts. That was why I went for it with all my might and attacked it by sheer force of eloquence. Impossible to identify the children? I deny it. Inevitable confusion? It's not true. 'You're all three,' I say, 'the victims of something which I don't know but which it is your duty to clear up!' 'That's easily done,' says Jean Louis, whose conviction is at once shaken. 'Let's send for Mlle. Boussignol.' 'Right! Let's send for her.' Whereupon Mlle. Boussignol arrives and mumbles out the little speech which I have taught her. Sensation! General stupefaction ... of which I take advantage to carry off our young man!"

Hortense shook her head:

"But they'll get over it, all three of them, on thinking!"

"Never! Never! They will have their doubts, perhaps. But they will never consent to feel certain! They will never agree to think! Use your imagination! Here are three people whom I have rescued from the hell in which they have been floundering for a quarter of a century. Do you think they're going back to it? Here are three people who, from weakness or a false sense of duty, had not the courage to escape. Do you think that they won't cling like grim death to the liberty which I'm giving them? Nonsense! Why, they would have swallowed a hoax twice as difficult to digest as that which Mlle. Boussignol dished up for them! After all, my version was no more absurd than the truth. On the contrary. And they swallowed it whole! Look at this: before we left, I heard Madame d'Imbleval and Madame Vaurois speak of an immediate removal. They were already becoming quite affectionate at the thought of seeing the last of each other."

"But what about Jean Louis?"

"Jean Louis? Why, he was fed up with his two mothers! By Jingo, one can't do with two mothers in a life-time! What a situation! And when one has the luck to be able to choose between having two mothers or none at all, why, bless me, one doesn't hesitate! And, besides, Jean Louis is in love with Genevieve." He laughed. "And he loves her well enough, I hope and trust, not to inflict two mothers-in-law upon her! Come, you may be easy in your mind. Your friend's happiness is assured; and that is all you asked for. All that matters is the object which we achieve and not the more or less peculiar nature of the methods which we employ. And, if some adventures are wound up and some mysteries elucidated by looking for and finding cigarette-ends, or incendiary water-bottles and blazing hat-boxes as on our last expedition, others call for psychology and for purely psychological solutions. I have spoken. And I charge you to be silent."

"Silent?"

"Yes, there's a man and woman sitting behind us who seem to be saying something uncommonly interesting."

"But they're talking in whispers."

"Just so. When people talk in whispers, it's always about something shady."

He lit a cigarette and sat back in his chair. Hortense listened, but in vain. As for him, he was emitting little slow puffs of smoke.

Fifteen minutes later, the train stopped and the man and woman got out.

"Pity," said Renine, "that I don't know their names or where they're going. But I know where to find them. My dear, we have a new adventure before us."

Hortense protested:

"Oh, no, please, not yet!... Give me a little rest!... And oughtn't we to think of Genevieve?"

He seemed greatly surprised:

"Why, all that's over and done with! Do you mean to say you want to waste any more time over that old story? Well, I for my part confess that I've lost all interest in the man with the two mammas."

And this was said in such a comical tone and with such diverting sincerity that Hortense was once more seized with a fit of giggling. Laughter alone was able to relax her exasperated nerves and to distract her from so many contradictory emotions.

IV

THE TELL-TALE FILM

"Do look at the man who's playing the butler," said Serge Renine.

"What is there peculiar about him?" asked Hortense.

They were sitting in the balcony at a picture-palace, to which Hortense had asked to be taken so that she might see on the screen the daughter of a lady, now dead, who used to give her piano-lessons. Rose Andree, a lovely girl with lissome movements and a smiling face, was that evening figuring in a new film, _The Happy Princess_, which she lit up with her high spirits and her warm, glowing beauty.

Renine made no direct reply, but, during a pause in the performance, continued:

"I sometimes console myself for an indifferent film by watching the subordinate characters. It seems to me that those poor devils, who are made to rehearse certain scenes ten or twenty times over, must often be thinking of other things than their parts at the time of the final exposure. And it's great fun noting those little moments of distraction which reveal something of their temperament, of their instinct self. As, for instance, in the case of that butler: look!"

The screen now showed a luxuriously served table. The Happy Princess sat at the head, surrounded by all her suitors. Half-a-dozen footmen moved about the room, under the orders of the butler, a big fellow with a dull, coarse face, a common appearance and a pair of enormous eyebrows which met across his forehead in a single line.

"He looks a brute," said Hortense, "but what do you see in him that's peculiar?"

"Just note how he gazes at the princess and tell me if he doesn't stare at her oftener than he ought to."

"I really haven't noticed anything, so far," said Hortense.

"Why, of course he does!" Serge Renine declared. "It is quite obvious that in actual life he entertains for Rose Andree personal feelings which are quite out of place in a nameless servant. It is possible that, in real life, no one has any idea of such a thing; but, on the screen, when he is not watching himself, or when he thinks that the actors at rehearsal cannot see him, his secret escapes him. Look...."

The man was standing still. It was the end of dinner. The princess was drinking a glass of champagne and he was gloating over her with his glittering eyes half-hidden behind their heavy lids.

Twice again they surprised in his face those strange expressions to which Renine ascribed an emotional meaning which Hortense refused to see:

"It's just his way of looking at people," she said.

The first part of the film ended. There were two parts, divided by an _entr'acte_. The notice on the programme stated that "a year had elapsed and that the Happy Princess was living in a pretty Norman cottage, all hung with creepers, together with her husband, a poor musician."

The princess was still happy, as was evident on the screen, still as attractive as ever and still besieged by the greatest variety of suitors. Nobles and commoners, peasants and financiers, men of all kinds fell swooning at her feet; and prominent among them was a sort of boorish solitary, a shaggy, half-wild woodcutter, whom she met whenever she went out for a walk. Armed with his axe, a formidable, crafty being, he prowled around the cottage; and the spectators felt with a sense of dismay that a peril was hanging over the Happy Princess' head.

"Look at that!" whispered Renine. "Do you realise who the man of the woods is?"

"No."

"Simply the butler. The same actor is doubling the two parts."

In fact, notwithstanding the new figure which he cut, the butler's movements and postures were apparent under the heavy gait and rounded shoulders of the woodcutter, even as under the unkempt beard and long, thick hair the once clean-shaven face was visible with the cruel expression and the bushy line of the eyebrows.

The princess, in the background, was seen to emerge from the thatched cottage. The man hid himself behind a clump of trees. From time to time, the screen displayed, on an enormously enlarged scale, his fiercely rolling eyes or his murderous hands with their huge thumbs.

"The man frightens me," said Hortense. "He is really terrifying."

"Because he's acting on his own account," said Renine. "You must understand that, in the space of three or four months that appears to separate the dates at which the two films were made, his passion has made progress; and to him it is not the princess who is coming but Rose Andree."

The man crouched low. The victim approached, gaily and unsuspectingly. She passed, heard a sound, stopped and looked about her with a smiling air which became attentive, then uneasy, and then more and more anxious. The woodcutter had pushed aside the branches and was coming through the copse.

They were now standing face to face. He opened his arms as though to seize her. She tried to scream, to call out for help; but the arms closed around her before she could offer the slightest resistance. Then he threw her over his shoulder and began to run.

"Are you satisfied?" whispered Renine. "Do you think that this fourth-rate actor would have had all that strength and energy if it had been any other woman than Rose Andree?"

Meanwhile the woodcutter was crossing the skirt of a forest and plunging through great trees and masses of rocks. After setting the princess down, he cleared the entrance to a cave which the daylight entered by a slanting crevice.

A succession of views displayed the husband's despair, the search and the discovery of some small branches which had been broken by the princess and which showed the path that had been taken. Then came the final scene, with the terrible struggle between the man and the woman when the woman, vanquished and exhausted, is flung to the ground, the sudden arrival of the husband and the shot that puts an end to the brute's life....

* * * * *

"Well," said Renine, when they had left the picture-palace--and he spoke with a certain gravity--"I maintain that the daughter of your old piano-teacher has been in danger ever since the day when that last scene was filmed. I maintain that this scene represents not so much an assault by the man of the woods on the Happy Princess as a violent and frantic attack by an actor on the woman he desires. Certainly it all happened within the bounds prescribed by the part and nobody saw anything in it--nobody except perhaps Rose Andree herself--but I, for my part, have detected flashes of passion which leave not a doubt in my mind. I have seen glances that betrayed the wish and even the intention to commit murder. I have seen clenched hands, ready to strangle, in short, a score of details which prove to me that, at that time, the man's instinct was urging him to kill the woman who could never be his."

"And it all amounts to what?"

"We must protect Rose Andree if she is still in danger and if it is not too late."

"And to do this?"

"We must get hold of further information."

"From whom?"

"From the World's Cinema Company, which made the film. I will go to them to-morrow morning. Will you wait for me in your flat about lunch-time?"

At heart, Hortense was still sceptical. All these manifestations of passion, of which she denied neither the ardour nor the ferocity, seemed to her to be the rational behaviour of a good actor. She had seen nothing of the terrible tragedy which Renine contended that he had divined; and she wondered whether he was not erring through an excess of imagination.

"Well," she asked, next day, not without a touch of irony, "how far have you got? Have you made a good bag? Anything mysterious? Anything thrilling?"

"Pretty good."

"Oh, really? And your so-called lover...."

"Is one Dalbreque, originally a scene-painter, who played the butler in the first part of the film and the man of the woods in the second and was so much appreciated that they engaged him for a new film. Consequently, he has been acting lately. He was acting near Paris. But, on the morning of Friday the 18th of September, he broke into the garage of the World's Cinema Company and made off with a magnificent car and forty thousand francs in money. Information was lodged with the police; and on the Sunday the car was found a little way outside Dreux. And up to now the enquiry has revealed two things, which will appear in the papers to-morrow: first, Dalbreque is alleged to have committed a murder which created a great stir last year, the murder of Bourguet, the jeweller; secondly, on the day after his two robberies, Dalbreque was driving through Le Havre in a motor-car with two men who helped him to carry off, in broad daylight and in a crowded street, a lady whose identity has not yet been discovered."

"Rose Andree?" asked Hortense, uneasily.

"I have just been to Rose Andree's: the World's Cinema Company gave me her address. Rose Andree spent this summer travelling and then stayed for a fortnight in the Seine-inferieure, where she has a small place of her own, the actual cottage in _The Happy Princess_. On receiving an invitation from America to do a film there, she came back to Paris, registered her luggage at the Gare Saint-Lazare and left on Friday the 18th of September, intending to sleep at Le Havre and take Saturday's boat."

"Friday the 18th," muttered Hortense, "the same day on which that man...."

"And it was on the Saturday that a woman was carried off by him at Le Havre. I looked in at the Compagnie Transatlantique and a brief investigation showed that Rose Andree had booked a cabin but that the cabin remained unoccupied. The passenger did not turn up."

"This is frightful. She has been carried off. You were right."

"I fear so."

"What have you decided to do?"

"Adolphe, my chauffeur, is outside with the car. Let us go to Le Havre. Up to the present, Rose Andree's disappearance does not seem to have become known. Before it does and before the police identify the woman carried off by Dalbreque with the woman who did not turn up to claim her cabin, we will get on Rose Andree's track."

There was not much said on the journey. At four o'clock Hortense and Renine reached Rouen. But here Renine changed his road.

"Adolphe, take the left bank of the Seine."

He unfolded a motoring-map on his knees and, tracing the route with his finger, showed Hortense that, if you draw a line from Le Havre, or rather from Quillebeuf, where the road crosses the Seine, to Dreux, where the stolen car was found, this line passes through Routot, a market-town lying west of the forest of Brotonne:

"Now it was in the forest of Brotonne," he continued, "according to what I heard, that the second part of _The Happy Princess_ was filmed. And the question that arises is this: having got hold of Rose Andree, would it not occur to Dalbreque, when passing near the forest on the Saturday night, to hide his prey there, while his two accomplices went on to Dreux and from there returned to Paris? The cave was quite near. Was he not bound to go to it? How should he do otherwise? Wasn't it while running to this cave, a few months ago, that he held in his arms, against his breast, within reach of his lips, the woman whom he loved and whom he has now conquered? By every rule of fate and logic, the adventure is being repeated all over again ... but this time in reality. Rose Andree is a captive. There is no hope of rescue. The forest is vast and lonely. That night, or on one of the following nights, Rose Andree must surrender ... or die."

Hortense gave a shudder:

"We shall be too late. Besides, you don't suppose that he's keeping her a prisoner?"

"Certainly not. The place I have in mind is at a cross-roads and is not a safe retreat. But we may discover some clue or other."

The shades of night were falling from the tall trees when they entered the ancient forest of Brotonne, full of Roman remains and mediaeval relics. Renine knew the forest well and remembered that near a famous oak, known as the Wine-cask, there was a cave which must be the cave of the Happy Princess. He found it easily, switched on his electric torch, rummaged in the dark corners and brought Hortense back to the entrance:

"There's nothing inside," he said, "but here is the evidence which I was looking for. Dalbreque was obsessed by the recollection of the film, but so was Rose Andree. The Happy Princess had broken off the tips of the branches on the way through the forest. Rose Andree has managed to break off some to the right of this opening, in the hope that she would be discovered as on the first occasion."

"Yes," said Hortense, "it's a proof that she has been here; but the proof is three weeks old. Since that time...."

"Since that time, she is either dead and buried under a heap of leaves or else alive in some hole even lonelier than this."

"If so, where is he?"

Renine pricked up his ears. Repeated blows of the axe were sounding from some distance, no doubt coming from a part of the forest that was being cleared.

"He?" said Renine, "I wonder whether he may not have continued to behave under the influence of the film and whether the man of the woods in _The Happy Princess_ has not quite naturally resumed his calling. For how is the man to live, to obtain his food, without attracting attention? He will have found a job."

"We can't make sure of that."

"We might, by questioning the woodcutters whom we can hear."

The car took them by a forest-road to another cross-roads where they entered on foot a track which was deeply rutted by waggon-wheels. The sound of axes ceased. After walking for a quarter of an hour, they met a dozen men who, having finished work for the day, were returning to the villages near by.

"Will this path take us to Routot?" ask Renine, in order to open a conversation with them.

"No, you're turning your backs on it," said one of the men, gruffly.

And he went on, accompanied by his mates.

Hortense and Renine stood rooted to the spot. They had recognized the butler. His cheeks and chin were shaved, but his upper lip was covered by a black moustache, evidently dyed. The eyebrows no longer met and were reduced to normal dimensions.

* * * * *

Thus, in less than twenty hours, acting on the vague hints supplied by the bearing of a film-actor, Serge Renine had touched the very heart of the tragedy by means of purely psychological arguments.

"Rose Andree is alive," he said. "Otherwise Dalbreque would have left the country. The poor thing must be imprisoned and bound up; and he takes her some food at night."

"We will save her, won't we?"

"Certainly, by keeping a watch on him and, if necessary, but in the last resort, compelling him by force to give up his secret."

They followed the woodcutter at a distance and, on the pretext that the car needed overhauling, engaged rooms in the principal inn at Routot.

Attached to the inn was a small cafe from which they were separated by the entrance to the yard and above which were two rooms, reached by a wooden outer staircase, at one side. Dalbreque occupied one of these rooms and Renine took the other for his chauffeur.

Next morning he learnt from Adolphe that Dalbreque, on the previous evening, after all the lights were out, had carried down a bicycle from his room and mounted it and had not returned until shortly before sunrise.

The bicycle tracks led Renine to the uninhabited Chateau des Landes, five miles from the village. They disappeared in a rocky path which ran beside the park down to the Seine, opposite the Jumieges peninsula.

Next night, he took up his position there. At eleven o'clock, Dalbreque climbed a bank, scrambled over a wire fence, hid his bicycle under the branches and moved away. It seemed impossible to follow him in the pitchy darkness, on a mossy soil that muffled the sound of footsteps. Renine did not make the attempt; but, at daybreak, he came with his chauffeur and hunted through the park all the morning. Though the park, which covered the side of a hill and was bounded below by the river, was not very large, he found no clue which gave him any reason to suppose that Rose Andree was imprisoned there.

He therefore went back to the village, with the firm intention of taking action that evening and employing force:

"This state of things cannot go on," he said to Hortense. "I must rescue Rose Andree at all costs and save her from that ruffian's clutches. He must be made to speak. He must. Otherwise there's a danger that we may be too late."

That day was Sunday; and Dalbreque did not go to work. He did not leave his room except for lunch and went upstairs again immediately afterwards. But at three o'clock Renine and Hortense, who were keeping a watch on him from the inn, saw him come down the wooden staircase, with his bicycle on his shoulder. Leaning it against the bottom step, he inflated the tires and fastened to the handle-bar a rather bulky object wrapped in a newspaper.

"By Jove!" muttered Renine.

"What's the matter?"

In front of the cafe was a small terrace bordered on the right and left by spindle-trees planted in boxes, which were connected by a paling. Behind the shrubs, sitting on a bank but stooping forward so that they could see Dalbreque through the branches, were four men.

"Police!" said Renine. "What bad luck! If those fellows take a hand, they will spoil everything."

"Why? On the contrary, I should have thought...."

"Yes, they will. They will put Dalbreque out of the way ... and then? Will that give us Rose Andree?"

Dalbreque had finished his preparations. Just as he was mounting his bicycle, the detectives rose in a body, ready to make a dash for him. But Dalbreque, though quite unconscious of their presence, changed his mind and went back to his room as though he had forgotten something.

"Now's the time!" said Renine. "I'm going to risk it. But it's a difficult situation and I've no great hopes."

He went out into the yard and, at a moment when the detectives were not looking, ran up the staircase, as was only natural if he wished to give an order to his chauffeur. But he had no sooner reached the rustic balcony at the back of the house, which gave admission to the two bedrooms than he stopped. Dalbreque's door was open. Renine walked in.

Dalbreque stepped back, at once assuming the defensive:

"What do you want? Who said you could...."

"Silence!" whispered Renine, with an imperious gesture. "It's all up with you!"

"What are you talking about?" growled the man, angrily.

"Lean out of your window. There are four men below on the watch for you to leave, four detectives."

Dalbreque leant over the terrace and muttered an oath:

"On the watch for me?" he said, turning round. "What do I care?"

"They have a warrant."

He folded his arms:

"Shut up with your piffle! A warrant! What's that to me?"

"Listen," said Renine, "and let us waste no time. It's urgent. Your name's Dalbreque, or, at least, that's the name under which you acted in _The Happy Princess_ and under which the police are looking for you as being the murderer of Bourguet the jeweller, the man who stole a motor-car and forty thousand francs from the World's Cinema Company and the man who abducted a woman at Le Havre. All this is known and proved ... and here's the upshot. Four men downstairs. Myself here, my chauffeur in the next room. You're done for. Do you want me to save you?"

Dalbreque gave his adversary a long look:

"Who are you?"

"A friend of Rose Andree's," said Renine.

The other started and, to some extent dropping his mask, retorted:

"What are your conditions?"

"Rose Andree, whom you have abducted and tormented, is dying in some hole or corner. Where is she?"

A strange thing occurred and impressed Renine. Dalbreque's face, usually so common, was lit up by a smile that made it almost attractive. But this was only a flashing vision: the man immediately resumed his hard and impassive expression.

"And suppose I refuse to speak?" he said.

"So much the worse for you. It means your arrest."

"I dare say; but it means the death of Rose Andree. Who will release her?"

"You. You will speak now, or in an hour, or two hours hence at least. You will never have the heart to keep silent and let her die."

Dalbreque shrugged his shoulders. Then, raising his hand, he said:

"I swear on my life that, if they arrest me, not a word will leave my lips."

"What then?"

"Then save me. We will meet this evening at the entrance to the Parc des Landes and say what we have to say."

"Why not at once?"

"I have spoken."

"Will you be there?"

"I shall be there."

Renine reflected. There was something in all this that he failed to grasp. In any case, the frightful danger that threatened Rose Andree dominated the whole situation; and Renine was not the man to despise this threat and to persist out of vanity in a perilous course. Rose Andree's life came before everything.

He struck several blows on the wall of the next bedroom and called his chauffeur.

"Adolphe, is the car ready?"

"Yes, sir."