Chapter I: Introduction
The text and illustrations in this book are intended to depict a strange and picturesque country, with some of its interesting wild life, and a few of the unique human characters that inhabit it.
The big ranges of sand dunes that skirt the southern and eastern shores of Lake Michigan, and the strip of sparsely settled broken country back of them, contain a rich fund of material for the artist, poet, and nature lover, as well as for those who would seek out the oddities of human kind in by-paths remote from much travelled highways.
In the following pages are some of the results of numerous sketching trips into this region, covering a series of years. Much material was found that was beyond the reach of the etching needle or the lead pencil, but many things seemed to come particularly within the province of those mediums, and they have both been freely used.
While many interesting volumes could be filled by pencil and pen, this story of the dunes and the “back country” has been condensed as much as seems consistent with the portrayal of their essential characteristics.
We are lured into the wilds by a natural instinct. Contact with nature’s forms and moods is a necessary stimulant to our spiritual and intellectual life. The untrammelled mind may find inspiration and growth in congenial isolation, for in it there are no competitive or antagonistic influences to divert or destroy its fruitage.
Comparatively isolated human types are usually more interesting, for the reason that individual development and natural ruggedness have not been rounded and polished by social attrition.
Social attrition would have ruined “old Sipes,” a part of whose story is in this book, and if it had ever been mentioned to him he probably would have thought that it was something that lived up in the woods that he had never seen.
Fictitious names have, for various reasons, been substituted for some of the characters in the following chapters. One of the old derelicts objected strenuously to the use of his name. “I don’t want to be in no book,” said he. “You can draw all the pitchers o’ me you want to, an’ use ’em, but as fer names, there’s nothin’ doin’.”
“Old Sipes” suggested that if “Doc Looney’s pitcher was put in a book, some o’ them females might see it an’ locate ’im,” but as the “Doc” has now disappeared this danger is probably remote.
E. H. R.
CONTENTS.
CHAPTER PAGE
I. THE DUNE COUNTRY 15
II. THE GULLS AND TERNS 39
III. THE TURTLES 47
IV. THE CROWS 55
V. “OLD SIPES” 73
VI. “HAPPY CAL” 97
VII. “CATFISH JOHN” 115
VIII. “DOC LOONEY” 149
IX. THE MYSTERIOUS PROWLER 169
X. “J. LEDYARD SYMINGTON” 179
XI. THE BACK COUNTRY 193
XII. JUDGE CASSIUS BLOSSOM 229
XIII. THE WINDING RIVER 255
XIV. THE RED ARROW 279
THE DUNE COUNTRY
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The Dune CountryChapter I: Introduction
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