Chapter IV: Twenty Strokes After (2)
"No, it's no good," he said at last, "I don't seem to get it. Let me try the other hand...."
I had no time to warn him. He clasped the other hand firmly; and, from the shriek that followed, it seemed that he got it. There ensued the "perfect blank" that he had insisted on all the evening. Then he pulled off the bandage, and showed a very angry face.
Well, we explained how accidental it was, and begged him to try again. He refused rather sulkily.
Suddenly Jack said: "I believe I could do it blindfold. Miss Muriel, will you look at the needle and see if you can will me?"
Simms bucked up a bit, and seemed keen on the idea. So Jack was blindfolded, the needle hid, and Muriel took his hand.
"Now, is your mind a perfect blank?" said Simms to Jack.
"It always is," said Jack.
"Very well, then. You ought soon to feel in a dreamy state, as though you were in another world. Miss Muriel, _you_ must think only of the needle."
Jack held her hand tight, and looked most idiotically peaceful. After three minutes Simms spoke again.
"Well?" he said eagerly.
"I've got the dreamy, other-world state perfectly," said Jack, and then he gave at the knees just for the look of the thing.
"This is silly," said Muriel, trying to get her hand away.
Jack staggered violently, and gripped her hand again.
"_Please_, Miss Muriel," implored Simms. "I feel sure he is just going to do it."
Jack staggered again, sawed the air with his disengaged hand, and then turned right round and marched for the door, dragging Muriel behind him. The door slammed after them....
* * * * * * * *
There is a little trick of sitting on a chair and picking a pin out of it with the teeth. I started Simms--who was all eagerness to follow the pair, and find out the mysterious force that was drawing them--upon this trick, for Jack is one of my best friends. When Jack and Muriel came back from the billiard-room, and announced that they were engaged, Simms was on his back on the floor with the chair on the top of him--explaining, for the fourth time, that if the thing had not overbalanced at the critical moment he would have secured the object. There is much to be said for this view.
BACHELOR DAYS
THE BUTTER
"You mustn't think I am afraid of my housekeeper. Not at all. I frequently meet her on the stairs, and give her some such order as "I think--if you don't mind--I might have breakfast just a _little_ later--er, yes, about eight o'clock, yes, thank you." Or I ring the bell and say, "I--I--want-my-boots." We both recognise that it is mine to command and hers to obey. But in the matter of the butter I have let things slide, until the position is rapidly becoming an untenable one. Yet I doubt if a man of imagination and feeling could have acted otherwise, given the initial error. However, you shall hear.
There are two sorts of butter, salt and fresh. Now, nobody is so fond of butter as I am; but butter (as I have often told everybody) isn't butter at all unless it is salt. The other kind is merely an inferior vaseline--the sort of thing you put on the axles of locomotives. Imagine, then, my disgust, when I took my first breakfast in these rooms eleven months ago, to find that the housekeeper had provided me with a large lump of vaseline!
I hate waste in small things. Take care of the little extravagances, I say, and the big ones will take care of themselves. My first thought on viewing this pat of butter was, "It is difficult, but I will eat it." My second, "But I must tell the housekeeper to get salt butter next time."
An ordinary-minded person would have stopped there. I went one further. My third thought was this: "Housekeepers are forgetful creatures. If I tell her now, she will never remember. Obviously I had better wait until this pound is just finished and she is about to get in some more. Then will be the time to speak." So I waited; and it was here that I made my mistake. For it turned out that it was I who was the forgetful creature. And on the fifteenth day I got up to find another large pound of vaseline on my table. The next fortnight went by slowly. I kept my eye on every day, waiting for the moment to come when I could say to the housekeeper, "You will be getting me in some more butter this morning. Would you get salt, as I don't much like the other?" Wednesday came, and there was just enough left for two days. I would speak on the morrow.
But, alas! on the morrow there was another new pound waiting. I had evidently misjudged the amount.
I forget what happened after that. I fancy I must have been very busy, so that the question of butter escaped me altogether. Sometimes, too, I would go away for a few days and the old butter would be thrown away and the new butter bought, at a time when I had no opportunity of defending myself. However it was, there came a time when I had been three months in my rooms, and was still eating fresh butter; contentedly, to all appearances--in the greatest anguish of soul, as it happened. And at the end of another month I said: "Now, then, I really must do something about this."
But what _could_ I do? After eating fresh butter for four months without protest I couldn't possibly tell the housekeeper that I didn't like it, and would she get salt in future. That would be too absurd. Fancy taking four months to discover a little thing like that! Nor could I pretend that, though I used to adore fresh butter, I had now grown tired of it. I hate instability of character, and I could not lend myself to any such fickleness. I put it to you that either of these courses would have shown deplorable weakness. No, an explanation with the housekeeper was by that time impossible; and if anything was to be done I must do it on my own responsibility. What about buying a pound of salt butter myself, and feeding on it in secret? True, I should have to get rid of a certain portion of fresh every day, but...
I don't know if you have ever tried to get rid of a certain portion of fresh butter every day, when you are living in a flat at the very top of chambers in London. Drop it out of the window once or twice, and it is an accident. Three times, and it is a coincidence. Four times, and the policeman on duty begins to think that there is more in it (if I may say so) than meets the eye.... But what about the fire, you will ask. Ah, yes; but I could foresee a day when there would be no fire. One has to look ahead.
Besides, as I said, I hate waste. As any cook will tell you, the whole art of housekeeping can be summed up in three words--_Watch the butter_.
More months passed and more pats of vaseline. Every day made an explanation more hopeless. I had thoughts at one time of an anonymous letter. Something in this style:
"MADAM,--One who is your friend says beware of vaseline. All is discovered. Fly before it is too late. What is it makes the sea so salt? NaCl. Sodium Chloride. THE BLACK HAND"
That would give her the impression, at any rate, that there _were_ two kinds of butter. Confound it all, by what right did she assume without asking that I had a preference for fresh?
I have now been in my rooms nearly a year. Something must be done soon. My breakfasts are becoming a farce. Meals which I used to enjoy I now face as an ordeal. Is there to be no hope for me in the future?
Well, there _is_ a chance? I shall have to wait until July; but with something definite in view I am content to wait.
In July I hope to go to Switzerland for a month. Two days before returning home I shall write to my housekeeper. Having announced the day of my return, and given one or two instructions, I shall refer briefly to the pleasant holiday which I have been enjoying. I shall remark perhaps on the grandeur of the mountains and the smiling beauty of the valleys, I may mention the area in square miles of the country....
And I shall dwell upon the habits of the native.
"... They live (I shall write) in extraordinary simplicity, chiefly upon the products of their farms. Their butter is the most delightful I have ever tried. It is a little salt to the taste, but after four weeks of it I begin to feel that I shall never be able to do without salt butter again! No doubt, as made in London it would be different from this, but I really think I must give it a trial. So when you are ordering the things I mentioned for me, will you ask for salt butter...."
And if that fails there remains only the one consolation. In three years my lease is up. I shall take a new flat somewhere, and on the very first day I shall have a word with the new housekeeper.
"By the way," I shall say, "about the butter...."
THE WASHING
Of course, it is quite possible to marry for love, but I suspect that a good many bachelors marry so that they may not have to bother about the washing any more. That, anyhow, will be one of the reasons with me. "I offer you," I shall say, "my hand and heart--and the washing; and, oh, _do_ see that six tablecloths and my footer shorts don't get sent _every_ week."
We affect Hampstead for some reason. Every week a number of shirts and things goes all the way out to Hampstead and back. I once sent a Panama to Paris to be cleaned, and for quite a year afterwards I used to lead the conversation round to travel, and then come out with, "Ah, I well remember when my Panama was in Paris...." So now, when I am asked at a dance, "Do you know Hampstead at all?" I reply, "Well, I only know it slightly myself; but my collars spend about half the year there. They are in with all the best people."
I can believe that I am not popular in Hampstead, for I give my laundress a lot of trouble. Take a little thing like handkerchiefs. My rooms, as I have mentioned, are at the very top of the building, and there is no lift. Usually I wait till I am just out into the street before I discover that I have forgotten my handkerchief. It is quite impossible to climb all the stairs again, so I go and buy one for the day. This happens about three times a week. The result is that nearly all my handkerchiefs are single ones--there are no litters of twelve, no twins even, or triplets. Now when you have a lot of strangers in a drawer like this, with no family ties (or anything) to keep them together, what wonder if they gradually drift away from each other?
My laundress does her best for them. She works a sort of birthmark in red cotton in the corner of each, so that she shall know them again. When I saw it first I was frightened. It looked like the password of some secret society.
"Are there many aliens in Hampstead?" I asked the housekeeper.
"I don't know, sir."
"Well, look here, what I found on my handkerchief. That's a secret signal of some sort, you know, that's what it is. I shall get mixed up in some kind of anarchist row before I know where I am. Will you arrange about getting my clothes washed somewhere else, please?"
"That's because you haven't got your name on it. She must mark them somehow."
"Then, why doesn't she mark them with my name? So much simpler."
"It isn't her business to mark your clothes," said the housekeeper.
That, I suppose, is true; but it seems to me that she is giving us both a lot of unnecessary trouble. Every week I pick out this decorative design with a penknife, and every week she works it in again. When you consider the time and the red cotton wasted it becomes clear that a sixpenny bottle of marking ink and a quill pen would be cheaper to her in the long run.
But she has a weakness for red cotton. The holes in the handkerchiefs she works round with it--I never quite understand why. To call my attention to them, perhaps, and to prevent me from falling through. Or else to say, "_You_ did this. I only washed up to the red, so it can't be _my_ fault."
If I were married and had a house of my own, there would be no man below; consequently he wouldn't wear the absurd collars he does. I get about two of them a week (so even red cotton is not infallible); and if they were the right size and a decent shape I shouldn't grumble so much. But I do object to my collars mixing in town with these extraordinary things of his. At Hampstead, it may be, they have to meet on terms of equality, more or less; force of circumstances throws them together a good deal. But in town no collar of mine could be expected to keep up the acquaintance. "You knew me in the bath," I can imagine one of his monstrosities saying; and, "When I am in the bath I shall know you again," would be the dignified reply of my "16-Golf."
Collars trouble me a good deal one way or another. Whenever I buy a new dozen, all the others seem suddenly to have become old-fashioned in shape, and of the wrong size. Nothing will induce me to wear one of them again. They get put away in boxes. Covered with dust, they lie forgotten.
Forgotten, did I say? No. The housekeeper finds them and sends them to the wash. About a month later she finds them again. She is always finding clothes which have been discarded for ever, and sending them to the wash.
The mistake is, that we have not yet come to an agreement as to what really _is_ to go to the wash, and what isn't. There is a tacit understanding that everything on the floor on Monday morning is intended for Hampstead. The floor is the linen-basket. It seemed a good idea at the time, but it has its faults. Things gets on to the floor somehow, which were never meant for the north-west--blankets, and parts of a tweed suit, and sofa cushions. Things have a mysterious way of dropping. Half-a-dozen pairs of white flannel trousers dropped from a shelf one December. A pair of footer shorts used to go every week--a pair which I would carefully put down to take the bath water when I had finished with it. I wonder what those shorts thought they were doing. Probably they quite fancied themselves at football, and boasted about the goals they shot to companions whom they met at Hampstead.
"You're _always_ here!" a pair of local wanderers would say.
"My dear man, I play so hard, I don't care how dirty I get."
The irony of it!
But, worst of all, the laundry-book. Every week the housekeeper says to me, "Would you pay your book now, as it's been owing for a month?" And every week I pay. That sounds absurd, but I swear it's true. Or else the weeks go very quickly.
And such amounts! Great ninepences for a counterpane or a tablecloth or a white tie. Immense numbers of handkerchiefs, counting (apparently) twelve as thirteen. Quaint hieroglyphics, which don't mean anything but seem to get added into the price. And always that little postscript, "As this has been owing for a month, we must request...."
And yet they want to put a tax on bachelors!
TAKING STOCK
Beatrice has been spring-cleaning me to-day, or rather my clothes. I said, wasn't it rather early for it, as none of the birds were singing properly yet, and she had much better wait till next year; but no, she _would_ do it _now_. Beatrice is my sister-in-law, and she said---- Well, I forget what she did say, but she took a whole bundle of things away with her in a cab; and I _know_ John will be wearing that purple shirt of mine to-morrow. As a matter of fact, it was a perfectly new one, and I was only waiting till Lent was over.
Beatrice said the things were all lying about anyhow, and how I ever found anything to put on she didn't know; but I could have told her that they were all arranged on a symmetrical plan of my own. Beatrice doesn't understand the symmetry of a bachelor's mind. I like a collar in each drawer, and then, whatever drawer you open, there's a collar ready for you. Beatrice puts them all in one drawer, and then if you're in a hurry, and open the wrong drawer by mistake, you probably go up to the office in two waistcoats and no collar at all. That would be very awkward.
Beatrice actually wanted a braces drawer (if she hadn't married John I should never let her talk to me about braces), but I explained that I had only one pair, and was wearing those, so that it would be absurd. I expect she wanted me to think that John had two pairs. All I can say, is, that, if he has, he ought to be above taking my best shirt....
I don't think the waistcoat drawer will be a success. There are twenty-three of them, and some of them don't blend at all well. Twenty-three in one drawer--you know there are bound to be disputes. I see _William_ has got to the top already. Ah! he was a fine fellow, the first I ever had. I don't quite know how to describe him, but in colour he was emerald green, with bits of red silk peeping through. Sort of open-work, you know, only where you would expect to see me there was more of _William_. I wore him at Beatrice's wedding. He _would_ come. Only he wouldn't let me into the vestry. I wanted to sign my name; all the others were. I have never worn him since that day, but Beatrice has fished him out, and now he lies on the very top of the drawer.
Of course it's awfully good of Beatrice to take so much trouble about my clothes, and I'm extremely grateful, and after all she did marry my brother John; but I think sometimes she---- Well, here's a case. You know, when you have twenty-three waistcoats you perhaps run a bit short of--of other things. So, naturally, the few you _have_ got left, you---- Well, Beatrice took them all away, and said that as I couldn't possibly wear them again she'd cut them up for house-cloths. And really--half-way between winter and summer is a very awkward time for restocking. But I suppose it is going to be warmer now?
_House-cloths_! I bet John has a go at them first.
Beatrice found what they call in the profession a "morning-coat and vest" under the bed, and said that she would take it away and sell it for me. I like the way she "finds" things which I have been keeping for years under the bed. It is absurd to talk about "finding" anything in a small flat, because, of course, it's there all the time: but Beatrice thought that I ought to be grateful to her for the discovery, so I pretended I was. She said she would get at least half-a-crown for it; but I said I would rather have the coat. However, it turned out that I wasn't even to have had the half-crown....
I used to have thirty pairs of old white gloves in a drawer. I would take them out sometimes, and stroke them affectionately, and say, "Ah, yes, those were the ones I wore at that absolutely ripping dance when I first met Cynthia, and we had supper together. You can see where I spilt the ice pudding." Or--"This was that Hunt Ball, when I knew nobody and danced with Hildegarde all the time. She wore black; just look at them now." Well, Beatrice had _that_ drawer out pretty quick. And now they are on their way to Perth or Paris, or wherever it is; except Hildegarde's pair, which will just do for the girl when she cleans the grates. I expect she really will get them you know; because John doesn't dance.
You know, you mustn't make too much fun of Beatrice; she has ripping ideas sometimes. She filled a "summer-trunk" for me--a trunk full of all the clothes I am going to want in the summer. She started with a tennis-racquet (which, strictly speaking, isn't clothes at all), and went on with some of the jolliest light waistcoats you ever saw; it made me quite hot to look at them. Well, now, that's really a good idea so far as it goes. But what will happen when the summer does come? Why, we shall have to go through the whole business all over again. And who'll arrange the winter-trunk? Beatrice. And who'll get the pink pyjamas and the green socks that there's really no room for, dear? Why, John.
Yet I am sorry for John. He was once as I am. What a life is his now. Beatrice is a dear, and I will allow no one to say a word against her, but she doesn't understand that trousers must be folded, not hung; that a collar which has once been a collar can never be opened out and turned into a cuff (supposing one wore cuffs); and that a school eleven blazer, even if it happens to be pink, must not be cut down into a dressing-jacket for the little one. Poor John! Yes, I am glad now that he has that shirt of mine. It is perhaps a _little_ too bright for his complexion, perhaps he has not _quite_ the air to carry it off; but I am glad that it is his. Now I think of it I have a tie and a pair of socks that would go well with it; and even _William_--can I part with _William_?--yes, he shall have _William_. Oh, I see that I must be kind to John.
Dear Beatrice! I wonder when I shall have everything straight again.
MEDES AND PERSIANS
I have already said that I am not afraid of my housekeeper, so there is no need for me to say it again. There are other motives than fear which prevent a man from arguing with housekeepers; dislike of conversation with his intellectual inferiors may be one, the sporting instinct is certainly another. If one is to play "Medes and Persians" properly, one must be a sportsman about it. Of course, I could say right out to her "Do this," and she might do it. Or she could say right out to me, "Do that," and I would reply, "Don't be absurd." But that wouldn't be the game.
As I play it, a "Mede" is a law which _she_ lays down, and to which (after many a struggle) in the end I submit; a "Persian" is a law which _I_ lay down, and to which ... after many a struggle ... in the end ... (when it is too late).... Well, there are many Medes, but so far I have only scored one Persian of note.
The first Mede was established last winter. For many weeks I had opened my bedroom door of a morning to find a small jug of cold water on the mat outside. The thing puzzled me. What do I want with a small jug of cold water, I asked myself, when I have quite enough in the bath as it is? Various happy thoughts occurred to me--as that it was lucky, that it collected the germs, or (who knows?) indicated a wife with five thousand a year--but it was a month before the real solution flashed across my mind. "Perhaps," I said, "it was hot once. But," I added, "it must have been a long time ago."
The discovery upset me a good deal. In the first place, it is annoying suddenly to have all one's hopes of a rich wife and protection from disease dashed to the ground; in the second, I object to anybody but a relation interfering with my moral character. Here was a comparative stranger trying to instil the habit of early rising into me by leaving shaving-water outside the door at three A.M. Was this a thing to be taken lying down?
Decidedly. So I stayed in bed and ignored the water-jug; save that each morning, as I left my rooms, I gave it a parting sneer. It was gone by the evening, but turned up again all right next day. After a month I began to get angry. My housekeeper was defying me; very well, we would see who could last the longer.
But after two months it was a Mede. Yet I have this triumph over her. That though I take the water in I ... pour it into the bath and slip back into bed again. I don't think she knows that.
Since then there have been many Medes. Little ones as to the position of the chairs; bigger ones as to the number of blankets on the bed. You mustn't think, though, that I always submit so easily. Sometimes I am firm. In the matter of "Africa Joe" I have been very firm. Here, I know, I have right on my side.
A year ago I was presented with a model of an Irish jolting car (with horse and driver complete), which had been cut out of some sort of black wood. The thing used to stand over my fireplace. Later on I acquired, at different times, a grey hippopotamus (in china) and a black elephant. These I harnessed on in front of the horse; and the whole affair made a very pretty scene, which was known to my friends as "Sunday in the Forest: Africa Joe drives his Family to Church." Besides all these I had yet another animal--a green frog climbing a cardboard ladder. I leant this against the clock. One had the illusion that the frog was climbing up in order to look at the works--which was particularly pleasing because the clock didn't go.
Very well. You have the two scenes on the same mantelboard. One, the frog as Bond Street watchmaker and jeweller, and the other (such is Empire), Africa Joe in the heart of the forest. And what does the housekeeper do? If you will believe me, she takes the frog down from the clock and props him up behind the car, just as though he were getting on to it in order to go to church with the others!
Now I do put it to you that this is simply spoiling the picture altogether. Here we have a pleasant domestic episode, such as must occur frequently in the African forests. Black Joe harnesses his horse, elephant, hippopotamus, or what not, and drives his family to the eleven o'clock service. And into this scene of rural simplicity a mere housekeeper elbows her way with irrevelant frogs and ladders!
It is a mystery to me that she cannot see how absurd her contribution is. To begin with, the family is in black (save the hippopotamus, who is in a quiet grey), so is it likely that they would tolerate the presence of a garish green-and-yellow stranger? (More than likely Joe is a churchwarden, and has not only himself to think of.) Then, again, consider the title of the scene: "Africa Joe _drives_ his Family"--not "Africa Joe about to drive." The horse is trotting, the elephant has one leg uplifted, and even the hippopotamus is not in a position of rest. How then could the frog put a ladder up against a moving cart, and climb in? No; here anyhow was a Mede that must be resisted at all costs. On the question of Africa Joe I would not be dictated to.
But, after re-emphasising my position daily for three weeks, I saw that there was only one thing to do. The frog must be sacrificed to the idea of Empire. So I burnt him.
But it is time I mentioned my one Persian. It was this way. In the winter I used always to dry myself after the bath in front of my sitting-room fire. Now, I know all about refraction, and the difficulty of seeing into a room from outside, and so forth, but this particular room is unusually light, having six large windows along one of its sides. I thought it proper, therefore, to draw down the three end blinds by the fireplace; more especially as the building directly opposite belonged to the Public House Reform Association. In the fierce light that beats from reform associations one cannot be too careful.
Little things like blinds easily escape the memory, and it was obvious that it would be much pleasanter if the housekeeper could be trained always to leave the end three down. The training followed its usual course.
Every morning I found the blinds up and every morning I drew them down and left them there. After a month it seemed impossible that I could ever establish my Persian. But then she forgot somehow; and one day I woke up to find the three blinds down.
By a real stroke of genius I drew them up as soon as my dressing was over. Next morning they were down again. I bathed, dried, dressed and threw them up. She thought it was a Mede, and pulled them down.
But it was a Persian, and, as I pulled them up, I knew that I had scored.
Yet, after all, I am not so sure. For it is now the summer, and I have no fire, and I do not want the blinds left down. And when I pull them up every morning I really want to find them up next morning. But I find them down. So perhaps it really is a Mede. To tell the truth, the distinction between the two is not so clear as it ought to be. I must try to come to some arrangement with the housekeeper about it.
THE CUPBOARD
It was the landlord who first called my attention to the cupboard; I should never have noticed it myself.
"A very useful cupboard you see there," he said, "I should include that in the fixtures."
"Indeed," said I, not at all surprised; for the idea of his taking away the cupboard had not occurred to me.
"You won't find many rooms in London with a cupboard like that."
"I suppose not," I said. "Well, I'll let you have my decision in a few days. The rent with the cupboard, you say, is----" And I named the price.
"Yes, with the cupboard."
So that settled the cupboard question.
Settled it so far as it concerned him. For me it was only the beginning. In the year that followed my eyes were opened, so that I learned at last to put the right value on a cupboard. I appreciate now the power of the mind which conceived this thing, the nobility of the great heart which included it among the fixtures. And I am not ungrateful.
You may tell a newly married man by the way he talks of his garden. The pretence is that he grows things there--verbenas and hymantifilums and cinerarias, anything which sounds; but of course one knows that what he really uses it for is to bury in it things which he doesn't want. Some day I shall have a garden of my own in which to conduct funerals with the best of them; until that day I content myself with my cupboard.
It is marvellous how things lie about and accumulate. Until they are safely in the cupboard we are never quite at ease; they have so much to say outside, and they put themselves just where you want to step, and sometimes they fall on you. Yet even when I have them in the cupboard I am not without moments of regret. For later on I have to open it to introduce companions, and then the sight of some old friend saddens me with the thought of what might have been. "Oh, and I did mean to hang you up over the writing-desk," I say remorsefully.
I am thinking now of a certain picture--a large portrait of my old headmaster. It lay in a corner for months, waiting to be framed, getting more dingy and dirty every day. For the first few weeks I said to myself, "I must clean that before I send it to the shop. A piece of bread will do it." Later, "It's extraordinary how clever these picture people are. You'd think it was hopeless now, but I've no doubt, when I take it round to-morrow----"
A month after that somebody trod on it....
Now, then, I ask you--what could I do with it but put it in the cupboard? You cannot give a large photograph of a headmaster, bent across the waistcoat, to a housekeeper, and tell her that you have finished with it. Nor would a dustman make it his business to collect pedagogues along with the usual cabbage stalks. A married man would have buried it under the begonia; but having no garden....
That is my difficulty. For a bachelor in chambers who cannot bury, there should be some other consuming element than fire. In the winter I might possibly have burnt it is small quantities--Monday the head, Tuesday the watch-chain--but in the summer what does one do with it? And what does one do with the thousands of other things which have had their day--the old magazines, letters, papers, collars, chair legs, broken cups? You may say that, with the co-operation of my housekeeper, a firmer line could be adopted towards some of them. Perhaps so; but, alas! she is a willing accessory to my weakness. I fancy that once, a long time ago, she must have thrown away a priceless MS. in an old waistcoat; now she takes no risks with either. In principle it is a virtue; in practice I think I would chance it.
It is a big cupboard; you wouldn't find many rooms in London with a cupboard like that; and it is included in the fixtures. Yet in the ordinary way, I suppose, I could not go on putting things in for ever. One day, however, I discovered that a family of mice had heard of it too. At first I was horrified. Then I saw that it was all for the best; they might help me to get rid of things. In a week they had eaten three pages of a nautical almanac; interesting pages which would be of real help to a married man at sea who wished to find the latitude by means of two fixed stars, but which, to a bachelor on the fourth floor, were valueless.
The housekeeper missed the point. She went so far as to buy me an extremely patent mousetrap. It was a silly trap, because none of the mice knew how to work it, although I baited it once with a cold poached egg. It is not for us to say what our humbler brethren should like and dislike; we can only discover by trial and error. It occurred to me that, if they _did_ like cold poached eggs, I should be able to keep on good terms with them, for I generally had one over of a morning. However, it turned out that they preferred a vegetable diet--almanacs and such....
The cupboard is nearly full. I don't usually open it to visitors, but perhaps you would care to look inside for a moment?
That was once a top-hat. What do you do with your old top-hats? Ah, yes, but then I only have a housekeeper here at present.... That is a really good pair of boots, only it's too small.... All that paper over there? Manuscript.... Well, you see it _might_ be valuable one day....
Broken batting glove. Brown paper--I always keep brown paper, it's useful if you're sending off a parcel. _Daily Mail_ war map. Paint-pot--doesn't belong to me really, but it was left behind, and I got tired of kicking it over. Old letters--all the same handwriting, bills probably....
Ah, no, they are not bills, you mustn't look at those. (I didn't know they were there--I swear I didn't. I thought I had burnt them.) Of course I see now that she was quite right.... Yes, that was the very sweet one where she ... well, I knew even then that ... I mean I'm not complaining at all, we had a very jolly time....
Still, if it _had_ been a little different--if that last letter.... Well, I might by now have had a garden of my own in which to have buried all this rubbish.
THE POST BAG
The other day I received a letter from some very old friends of mine who live in Queen Victoria Street.
_Memo from Messrs Robinson, Cigar Shippers_
MY DEAR SIR,--We have been very anxious at not having heard from you for nearly a year. We trust that you are in good health and that no illness or bereavement has kept you from writing to us. As you know, it is our one ambition to satisfy you in the matter of cigars, and your long silence on the subject has naturally made us apprehensive. Until we hear from you, however, we shall refuse to believe that the last lot you had from us were fatal.
Write to us frankly on the subject. How did you like the cigars we sent you last Christmas? Were they brown enough? Did they smoke to a finish strongly? One third shipper, who went to Havana especially to select this lot for you, writes us that in this respect they were fit for an ambassador or (we may add) an actor manager. What is it, then, that you are keeping back from us? Perhaps you could not light them? If this was the case you should have written to us before, and we would either have sent you others of a more porous quality or forwarded you our special gimlet, with which you could have brought about the necessary draught. Lay bare your heart to us about these cigars. Do you mind the green spots?
A connoisseur like yourself will, of course, understand that, though we guarantee that all the cigars sent out by us _can_ be smoked, yet the quality of the cigar must necessarily vary with the price. This being so, perhaps you would care to try a slightly higher-priced cigar this time. We have referred to our books and we see that last year we had the pleasure of sending you a box of our famous _Flor di Cabajo_ at 8s. 6d. the hundred. A nicer-coloured cigar is the _Blanco Capello_ at 9s. 6d.; but we are hoping this Christmas that you will see your way to giving our celebrated _Pompadoros_, at £5 the hundred, a trial. They have all the features of the _Cabajo_ which you approved, together with a breadth and charm of flavour of their own. May we send you a box of these?
Our other special lines are:
The _I am Coming_--a spirited young cigar at 7s. 6d. the hundred, of which we enclose a sample.
The _Mañana_--prompt and impressive--10s. the hundred. (_Note.--This cigar has a band._)
The _There and Back_--a good persevering cigar. Only 10s. 6d. Never comes undone.
However we are quite sure that none of these will appeal to such a fastidious palate as yours must be by now, and that we may confidently rely on your order for a box of _Pompadoros_.
We may say that if you should unfortunately have completely lost your taste for cigars we shall be happy to send a box to any friend of yours. Nothing could make a more acceptable present, and nothing would endear your friend or his relatives to you so completely.
Now please write to us and tell us what you feel about it. We desire to make friends of our customers; we do not wish our business to be a mere commercial undertaking. Talk to us as freely as you would to your old college chum or fellow-clubman. We insist on being of service to you. Hoping to hear from you within a day or two, we are, etc.,
ROBINSON & Co.
I replied at once:
_Memo from Me_
DEAR OLD FRIEND,--A thousand thanks for your sympathetic letter, and the book with the pictures. Upon my word, I don't know which of the cigars I like best; they all look so jolly. Are they photographs or water-colours? I mean, are they really as brown as that? I like the tall, well set-up one on page 7. I see you say that it smokes strongly to a finish. That is all very well, Oswald, but what I want to know is, Does it hang the beginning at all? Some of these cigars with a strong finish are very slow forward, you know.
Many thanks for the sample. Bless you, Rupert, I didn't mind the green spots. What do they mean? That the cigar isn't quite ripe yet, I suppose. But I think you overdo the light brown spots. Or are they lucky, like those little strangers in the tea?
Yes, I think I must have some of your _Pompadoros_. Send a box at Christmas to Mr Smithson, of 199 Cornhill, with our love--yours and mine and the third shipper's. I'll pay. Not at all, Percy, it's a pleasure. He sent me some last Christmas; as it happened, I left 'em in the train before I had smoked one; but that wasn't his fault, was it? I'll get some for myself later on, if I may. You won't mind waiting?
Dear old soul, you make a mistake when you say I had some cigars from you last year. I assure you I've never heard of your name till to-day. That was why I didn't write on your birthday. You'll forgive me, won't you?
Now it is your turn to write. Tell me all about yourself, and your children, and the third shipper, and the light brown spots and everything. Good-bye! Your very loving college chum.
The correspondence concluded thus:
DEAR SIR,--We have received your esteemed order, which shall be promptly executed. Though the _Pompadoros_ will not be despatched to your friend till Christmas, they are now being selected and will be put aside to cool.
We have referred again to our books and find that a box of our celebrated young _Cabajos_ was indeed despatched to your address last year, on the advice of Mr Smithson, of 199 Cornhill. This was why we were so anxious at your long silence. We are, etc.,
ROBINSON & Co.
DEAR OLD SPORT,--I am afraid you misunderstood my last letter. The _Pompadoros_ are for myself; it was a hundred _I am Comings_ which I wanted for my friend Mr Smithson. I must tell you a funny thing about him; as a friend of both of us you will be interested. He collects cigar bands! I have no use for them myself; so, if it isn't troubling you, would you send the _Pompadoro_ bands to _him_, as the _I am Comings_ haven't any of their own? You might put them on the cigars to save packing. Ever your devoted fellow-clubman.
GOING OUT
Alone, I can get through an At Home with a certain amount of credit. No doubt, I make mistakes; no doubt people look at me and say: "Who is that person sitting all by himself in the corner, and keeping on eating muffins?" but at any rate I can make the function a tolerable one. When, however, I flutter in under the wing of my sister-in-law, with my hair nicely brushed and my tie pulled straight (she having held a review on the doorstep), then it is another matter altogether. It is then that I feel how necessary it is to say the right thing. Beatrice has pretty ears, but they are long-distance ones. We drifted apart immediately but I was sure she was listening.
I found myself introduced to a tall, athletic-looking girl.
"There's a great crowd, isn't there?" I said. "Can I find you some tea, or anything?"
"Oh, please," she said, with a smile.
I noted the smile, and thanked heaven that I had read my Lady Grove. In the ordinary way I say to strangers: "Will you take a dish of tea with me?" but just in time Lady Grove had warned me that this was wrong. Left to myself I hit upon the word "find." "Can I find you some tea?" It gives the idea of pursuit. And the "or anything" rounds it off well--as much as to say, "If I _should_ happen to come back with a sardine on toast, don't blame _me_."
I found some tea after a long struggle, but by that time I had lost the athlete. It was a pity, because I was going to have talked to her about Surrey's victory over Kent at ladies' hockey. I don't know anything about hockey, but it's obvious that Surrey must play Kent some time, and it would be an even chance that Surrey would win. The good conversationalist takes risks cheerfully.
Well, the international having disappeared, I was going to drink the tea myself, when I caught Beatrice's eye on me.
"Will you have some tea?" I said to my neighbour.
"I think a little coffee, thank you."
"Certainly."
I pressed the tea into the hand of a retired colonel, and hurried off. Now that shows you. Alone, I should have quoted _The Lancet_ on coffee microbes, and insisted on her having my cup of tea. This would have led us easily and naturally to a conversation on drinks and modern journalism. We should have become friends. I should have had an invitation from her mother to lunch; and I should have smoked two of her father's best cigars.
As it was I said "Certainly," fetched the coffee, coughed, and observed that there was rather a crowd. She said "Yes" and turned away to somebody else. Two good cigars thrown away because of Beatrice!
I was slowly recovering from my loss when Beatrice herself came up to say that she wanted to introduce me to a very nice girl called Jane something. In the ordinary way, very nice girls aren't called Jane anything, so here evidently was something exceptional. I buttoned my coat boldly, and followed her, unbuttoning it nervously on the way.
"Here he is," she said, and left us.
This is what they call introducing.
"How do you do?" I started.
"I've heard such a lot about you," began Jane brightly.
I never know what to say to that. There must be a right answer, if only Lady Grove would tell us. As it was I said "Thank you."
That felt wrong, so I added, "So have I."
"About you," I explained hurriedly. To myself I said, "You know you're not really carrying this off well. It's idle to pretend that you are."
"_What_ have you heard, I wonder?" beamed Jane.
Only that her name was Jane something.
"Ah!" I said.
"Oh, you _must_ tell me!"
"I mean, I've heard friends of yours mention your name."
"Oh," she said disappointedly, "I thought you meant----"
"But, of course, everybody has heard of Jane--h'r'r'm--of Miss--er, um--I think my sister-in-law--yes, thank you, we have a train to catch, oh, must you really go?--er--good-bye."
I staggered away in pursuit of Beatrice. She dragged me up to an American girl, as I judged her.
"Here he is," she said, and passed on.
"So glad to make your acquaintance," said the American.
There _is_ no answer to that, I know. I ignored it altogether, and said:
"Have you seen the Budget?"
"No. What's that?"
"Oh, you must see that."
"I will. We'll go to-morrow. Where is it?"
I don't think Americans see as much of Addison Road as they ought to. I gave the usual guide-book directions for getting there, and was just beginning to be interested when I saw Beatrice's inquiring look. "Are you behaving nicely?" it said. I passed on hastily.
I was very lonely for a while after that. Three times I got a plate of cucumber sandwiches safely into a corner, and three times a sisterly eye dragged us out again. After the third failure I saw that it was hopeless, so I wandered about and tried to decide which was the ugliest hat in the room. A man is the only possible judge in a competition of that sort. A woman lets herself be prejudiced by such facts as that it is so fashionable, or that she saw one just like it in Bond Street, my dear, at five guineas.
I had narrowed the competitors down to five, two of which were, on form, certain for a place, when I turned round and saw, in a corner behind me--
(I don't know if you will believe me)--
A man with a plate of cucumber sandwiches!
I rubbed my eyes in amazement. A man ... at an At Home ... sitting down and eating cucum---- Why, where was his sister-in-law?
There was only one thing to be done. The favourite in my competition (green, pink hoops) was disengaged for the moment. I went up to the man, took him by the arm, and dragged him away from his corner. He still held the plate in his hand, and I helped myself to a sandwich. "Must introduce you," I whispered in his ear. "Famous prize-winner." We pushed our way up to the lady.
"Here he is," I said.
And I looked round triumphantly for Beatrice.
THE SIDESMAN
(For the Third Day running)
For what seemed weeks, but was the last two days,
I'd pottered up and down that blessed baize--
Sorting out aunts in browns and aunts in greys.
For what seemed always, but was only twice
(Looking, if I may say so, rather nice),
I'd lent a hand with hymn-sheets and with rice.
Once more the dear old bells ring out; once more
I linger, pink but anxious, at the door--
This is the third time. Here she comes! Oh, lor'!
* * * * * * *
Something on these occasions goes and thrills
My fancy waistcoat at the first "I will's";
It can't be hopeless love--it must be chills.
Something--a sinking feeling--round the heart
Clutches me closely from the very start,
And tells me I am fairly in the cart.
Something.... And yet the fiercest unconcern
So masks me that the vergers never learn
How underneath my chest I yearn and yearn.
* * * * * * *
"_Wilt thou?_" And (there you are!) profoundly stirred,
A gleam of hope strikes through me--wild, absurd ...
"No luck!" I sigh. "He's on it like a bird."
"_I, Edward John_"--and lonely at the back
I wish my name were Edward; I could hack
Myself that I was never christened Jack.
"_I, Amabel_ (O Amabel!) _take thee_"--
I groan, and give profoundly at the knee:
"There, but for someone else," I say, "goes Me."
* * * * * * *
Fair friends o' mine, what is it tries to shove
My heart into my watch-chain, as above?
It can't be hopeless chills, it must be love.
Yet not for Amabel. No weight of care
Clogs me as I pursue that happy pair
Into the vestry and admire them there;
Save this: I take the clergyman aside--
"Tell me," I whisper--"you're the third I've tried--
Do I, or do I not, embrace the bride?"
AN AWKWARD CASE
This is one of those really difficult cases (being the seventh of the quarter) where the editor of _The Perfect Lady_ simply has to ask his readers what _A._ should have done. The sort of reply that will be given is; "_A._ should have carried it off easily." Remarks like that are unhesitatingly included among the "_Answers adjudged idiotic._"
The thing happened in the train, while I was returning to town after a couple of nights in the country. The scene--an empty carriage, myself in one corner. On the seat opposite lay my dressing-case. I had unlocked it in order to take out a book, and was deep in this when we stopped at a wayside station. The opening of the door woke me suddenly; somebody was daring to get into my compartment. Luckily one only--a girl.
Comments
Log in to leave a comment.
The day's playChapter IV: Twenty Strokes After (2)
0%37 min left in chapter