Chapter LXXI: Part II: 41 227

Conclusion to Part II 53 235

Half-title

MISCELLANEOUS POEMS [55]
Motto +Erôs aei+, &c. In many ways, &c. (four lines)
_Alice du Clos; or, the Forked Tongue. A
Ballad_ 57 469
_The Knight's Tomb_ 64 432
_Hymn to the Earth_ 65 327
_Written during a temporary blindness, 1799_ 67 305
_Mahomet_ 68 329
_Catullian Hendecasyllables_ 69 307
Duty surviving Self-Love 69 459
Phantom or Fact? a dialogue in Verse 70 484
_Phantom_ 71 393
Work without Hope 71 447
Youth and Age 72 439
A Day Dream 74 385
First Advent of Love 76 443
_Names_ 76 318
_Desire_ 77 485
_Love and Friendship opposite_ 77 484
_Not at home_ 77 484
To a Lady offended by a sportive observation 78 418
Lines suggested by the Last Words of Berengarius 79 460
_Sancti Dominici Pallium_ 80 448
The Devil's Thoughts 83 319
_The two round Spaces on the Tombstone_ 87 353
_Lines to a Comic Author_ 89 476
Constancy to an Ideal Object 90 455
The Suicide's Argument 91 419
The Blossoming of the Solitary Date Tree 92 395
_From the German_ 95 311
Fancy in Nubibus 96 435
The Two Founts 96 454
The Wanderings of Cain 99 288
Allegoric Vision 109 1091
New Thoughts on Old Subjects 117 462
The Garden of Boccaccio 127 478
_On a Cataract_ 131 308
_Love's Apparition and Evanishment_ 132 488
_Morning Invitation to a Child_ 133
_Consolation of a Maniac_ 135
_A Character_ 137 451
_The Reproof and Reply_ 140 441
_Cholera Cured beforehand_ 142
_Cologne_ 144 477
_On my joyful departure from the same City_ 144 477
_Written in an Album_ 145
_To the Author of the Ancient Mariner_ 145
_Metrical Feet. Lesson for a Boy_ 145 401
_The Homeric Hexameter described and
exemplified_ 146 307
_The Ovidian Hexameter described and
exemplified_ 146 308
_To the Young Artist, Kayser of Kayserworth_ 147 490
_Job's Luck_ 147
_On a Volunteer Singer_ 148
_On an Insignificant_ 148
_Profuse Kindness_ 148
_Charity in Thought_ 148 486
_Humility the Mother of Charity_ 149 486
_On an Infant which died before Baptism_ 149 312
_On Berkeley and Florence Coleridge_ 149
"+Gnôthi seauton+, _&c._ 150 487
"_Gently I took_," _&c._ 151 488
_My Baptismal Birthday_ 151 490
_Epitaph_ 152 491

Half-title

Remorse! / A Tragedy. / In Five Acts. / [153]
Dramatis Personae. [154] 819
Remorse. 155 820
Appendix. [237] 881

Half-title, Motto, &c.

Zapolya: / A Christmas Tale / In Two Parts / [241]
Advertisement. [242] 883
Zapolya. [243] 884

END OF VOL. II

VOLUME III

Half-title

The Piccolomini; / Or, the First Part of
Wallenstein. / A Drama. /Translated from
the German of Schiller. / [1]
Preface to the First edition [3] 598
The Piccolomini [5] 600

Half-title

The / Death of Wallenstein. / A Tragedy. / In Five
Acts: / [193]
Preface of The Translator / To the First
Edition. / [195] 724
Dramatis Personae [198] 726
The Death of Wallenstein [199] 726
Love, Hope, and Patience in Education 331 481
Erratum [332]

XXVII

THE POETICAL AND DRAMATIC WORKS of Samuel Taylor Coleridge; With a Life of the Author. London: John Thomas Cox, 84 High Holborn. MDCCCXXXVI. [8{o}, pp. lxxviii + 403.

The Life of the Author is followed by an Appendix containing 'Coleridge's Will', and 'Contemporary Notices of the Writings and Character of Coleridge'.

The Contents consist of the Poems published in 1797, together with 'The Nightingale'; 'Love'; 'The Ancient Mariner'; 'The Foster Mother's Tale'; four poems and seven sonnets reprinted from 1796; 'On a late Connubial Rupture'; and the 'Three Sonnets . . . in the manner of Contemporary Writers' reprinted from the _Poetical Register_. The Poems conclude with 'A Couplet, written in a volume of Poems presented by Mr. Coleridge to Dr. A.'--a highly respected friend, the loss of whose society he deeply regretted--

To meet, to know, to love--and then to part,
Is the sad tale of many a human heart.

For the 'Couplet', vide _ante_, p. 410, 'To Two Sisters', ll. 1, 2. Dr. A. was probably John Anster, LL.D., the translator of Goethe's _Faust_.

The Dramatic Works consist of 'The Piccolomini' and 'The Death of Wallenstein'.

XXVIII

THE POETICAL AND DRAMATIC WORKS of Samuel Taylor Coleridge, with a Life of the Author. London: Tho{s}. Allman 42 Holborn Hill 1837. [16{mo}, pp. viii + 392.

_Note._--The 'Life of the Author' does not form part of this edition. The Contents are identical with those of No. XXVII. The frontispiece depicts the 'Ancient Mariner' and the 'Wedding Guest'. The title-page, 'Drawn and Engraved by J. Romney,' is embellished with a curious vignette depicting a man in a night-cap lying in bed. A wife, or daughter, is in attendance. The vignette was probably designed to illustrate some other work.

XXIX

THE POETICAL WORKS of Samuel Taylor Coleridge with Life of the Author. London: Charles Daly, 14, Leicester Street, Leicester Square, _n. d._ [16{mo}, pp. xxxii + [35]-384.

The Contents consist of 'The Ancient Mariner' (with the marginal glosses printed at the end of the poem); the Poems of 1796, 1797, with a few exceptions: 'The Piccolomini'; 'The Death of Wallenstein'; 'The Dark Ladié'; 'The Raven'; 'A Christmas Carol'; and 'Fire, Famine, and Slaughter'--i. e. of poems then out of copyright, or reprinted from the _Morning Post_.

XXX

The Ancient Mariner, and other Poems. By S. T. Coleridge. Price Sixpence. London: Sherwood, Gilbert, and Piper, Paternoster-Row. MDCCCXLIII. J. Scott, Printer, 50, Hatfield Street. [16{mo}, pp. iv + 148.

_Note._--This edition formed one of the 'Pocket English Classics'. An illustrated title-page depicts the 'skiff-boat' with its crew of the Ancient Mariner, the Holy Hermit, the Pilot, and the Pilot's boy, who is jumping overboard. The flag bears the legend 'The Antient Mariner and Minor Poems By S. T. Coleridge'. The Contents include 'The Ancient Mariner', with the marginal glosses printed at the end of the poem; and a selection of poems published in 1796, 1797.

XXXI

THE POEMS of S. T. Coleridge [Aldine device and motto] London William Pickering 1844. [8{o}, pp. xvi + 372.

_Note._--The Contents of this volume, issued by Mrs. H. N. Coleridge as sole editress, consist of the Poems (not the Dramatic Works) included in 1834, with the following omissions, (1) Music, (2) Devonshire Roads, (3) Inside the Coach, (4) Mathematical Problem, (5) The Nose, (6) Monody on a Tea-kettle, (7) 'The Same,' 'I too a sister had', &c., (8) On Imitation, (9) Honor, (10) Progress of Vice, (11) The Two round spaces on the Tombstone; and the following additions, already republished in _Lit. Remains_, 1836, Vol. I, (1) Epigram, 'Hoarse Mævius', &c., (2) Casimir ad Lyram, (3) On the Christening of a Friend's Child, (4) Introduction to the Tale of the Dark Ladie, (5) An Ode to the Rain, (6) The Exchange, (7) Complaint, 'How seldom, Friend', &c., (8) 'What is Life', (9) Inscription for a Time-Piece, (10) +Epitaphion autograpton.+ Four songs from the dramas were also included. The German originals of (1) Schiller's 'Lines on a Cataract', (2) Friederike Brun's 'Chamouny at Sunrise', and (3) Schiller's distiches on the 'Homeric Hexameter' and the 'Ovidian Elegiac Metre' are printed on pp. 371, 372.

XXXII

THE POEMS of S. T. Coleridge [Aldine device and motto] London William Pickering 1848. [8{o}, pp. xvi + 372.

The Contents are identical with those of No. XXXI, with the exception of two additional 'Notes' (pp. 371, 372) containing the German original of Matthisson's _Milesisches Märchen_, and two stanzas of Cotton's _Chlorinda_, of which 'Separation' (_ante_, p. 397) is an adaptation.

XXXIII

THE RAVEN, A Christmas Tale, by Samuel Taylor Coleridge, Esq. Illustrated with Eight Plates, By an Old Traveller. [_n. d._]

_Collation._--Oblong folio, pp. i-vi + eight scenes unpaged, faced by eight lithographs.

XXXIV

THE POEMS of Samuel Taylor Coleridge. Edited by Derwent and Sara
Coleridge. A New Edition. London: Edward Moxon, Dover Street. 1852.
[8{o}, pp. xxvii ('Advertisement', and 'Editors' Preface to the
Present Edition', pp. [v]-xiv) + 378 + 'Notes', pp. [379]-388.

_ADVERTISEMENT_

This volume was prepared for the press by my lamented sister, Mrs. H. N. Coleridge, and will have an additional interest to many readers as the last monument of her highly-gifted mind. At her earnest request, my name appears with hers on the title-page, but the assistance rendered by me has been, in fact, little more than mechanical. The preface, and the greater part of the notes, are her composition:--the selection and arrangement have been determined almost exclusively by her critical judgment, or from records in her possession. A few slight corrections and unimportant additions are all that have been found necessary, the first and last sheets not having had the benefit of her own revision.

DERWENT COLERIDGE.

ST. MARK'S COLLEGE, CHELSEA,
_May_ 1852.