Chapter II: Samuel Taylor Coleridge32 (2)

The gloom, however, and the weight of dejection which sat upon Coleridge's countenance and deportment at this time could not be accounted for by a disappointment (if such it were) to which time must, long ago, have reconciled him. Mrs. Coleridge, if not turning to him the more amiable aspects of her character, was at any rate a respectable partner. And the season of youth was now passed. They had been married about ten years; had had four children, of whom three survived; and the interests of a father were now replacing those of a husband. Yet never had I beheld so profound an expression of cheerless despondency. And the restless activity of Coleridge's mind, in chasing abstract truths, and burying himself in the dark places of human speculation, seemed to me, in a great measure, an attempt to escape out of his own personal wretchedness. I was right. In this instance, at least, I had hit the mark; and Coleridge bore witness himself at an after period to the truth of my divination by some impressive verses. At dinner, when a very numerous party had assembled, he knew that he was expected to talk, and exerted himself to meet the expectation. But he was evidently struggling with gloomy thoughts that prompted him to silence, and perhaps to solitude: he talked with effort, and passively resigned himself to the repeated misrepresentations of several amongst his hearers. The subject chiefly discussed was Arthur Young, not for his Rural Economy, but for his Politics.[50] It must be to this period of Coleridge's life that Wordsworth refers in those exquisite "Lines written in my pocket copy of the 'Castle of Indolence.'" The passage which I mean comes after a description of Coleridge's countenance, and begins in some such terms as these:--

"A piteous sight it was to see this man,
When he came back to us, a wither'd flow'r," &c.

Withered he was, indeed, and to all appearance blighted. At night he entered into a spontaneous explanation of this unhappy overclouding of his life, on occasion of my saying accidentally that a toothache had obliged me to take a few drops of laudanum. At what time or on what motive he had commenced the use of opium, he did not say; but the peculiar emphasis of horror with which he warned me against forming a habit of the same kind impressed upon my mind a feeling that he never hoped to liberate himself from the bondage. My belief is that he never _did_. About ten o'clock at night I took leave of him; and, feeling that I could not easily go to sleep after the excitement of the day, and fresh from the sad spectacle of powers so majestic already besieged by decay, I determined to return to Bristol through the coolness of the night. The roads, though, in fact, a section of the great highway between seaports so turbulent as Bristol and Plymouth, were as quiet as garden-walks. Once only I passed through the expiring fires of a village fair or wake: that interruption excepted, through the whole stretch of forty miles from Bridgewater to the Hot-wells, I saw no living creature but a surly dog, who followed me for a mile along a park-wall, and a man, who was moving about in the half-way town of Cross. The turnpike-gates were all opened by a mechanical contrivance from a bedroom window; I seemed to myself in solitary possession of the whole sleeping country. The summer night was divinely calm; no sound, except once or twice the cry of a child as I was passing the windows of cottages, ever broke upon the utter silence; and all things conspired to throw back my thoughts upon that extraordinary man whom I had just quitted.

[50] Arthur Young's numerous works, published between 1768 and
1812, are mainly on agricultural subjects, in the form of tours
and statistics, but include political doctrines and theories.--M.

The fine saying of Addison is familiar to most readers--that Babylon in ruins is not so affecting a spectacle, or so solemn, as a human mind overthrown by lunacy. How much more awful, then, when a mind so regal as that of Coleridge is overthrown, or threatened with overthrow, not by a visitation of Providence, but by the treachery of its own will, and by the conspiracy, as it were, of himself against himself! Was it possible that this ruin had been caused or hurried forward by the dismal degradations of pecuniary difficulties? That was worth inquiring. I will here mention briefly that I _did_ inquire two days after; and, in consequence of what I heard, I contrived that a particular service should be rendered to Mr. Coleridge, a week after, through the hands of Mr. Cottle of Bristol, which might have the effect of liberating his mind from anxiety for a year or two, and thus rendering his great powers disposable to their natural uses. That service was accepted by Coleridge.[51] To save him any feelings of distress, all names were concealed; but, in a letter written by him about fifteen years after that time, I found that he had become aware of all the circumstances, perhaps through some indiscretion of Mr. Cottle's. A more important question I never ascertained, viz. whether this service had the effect of seriously lightening his mind. For some succeeding years, he did certainly appear to me released from that load of despondency which oppressed him on my first introduction. Grave, indeed, he continued to be, and at times absorbed in gloom; nor did I ever see him in a state of perfectly natural cheerfulness. But, as he strove in vain, for many years, to wean himself from his captivity to opium, a healthy state of spirits could not be much expected. Perhaps, indeed, where the liver and other organs had, for so large a period in life, been subject to a continual morbid stimulation, it might be impossible for the system ever to recover a natural action. Torpor, I suppose, must result from continued artificial excitement; and, perhaps, upon a scale of corresponding duration. Life, in such a case, may not offer a field of sufficient extent for unthreading the fatal links that have been wound about the machinery of health, and have crippled its natural play.

[51] The service consisted in a gift by De Quincey of £300
conveyed to Coleridge through the Bristol bookseller Cottle.
Coleridge's receipt to Cottle for the money is dated 12th November
1807. Coleridge knew nothing more at the time than that the gift
came from "a young man of fortune who admired his talents." De
Quincey, who had but recently attained his majority, had then
plenty of money. He wanted, indeed, to make the gift £500; but
Cottle insisted on reducing the sum.--M.

Meantime--to resume the thread of my wandering narrative--on this serene summer night of 1807, as I moved slowly along, with my eyes continually settling upon the northern constellations, which, like all the fixed stars, by their immeasurable and almost spiritual remoteness from human affairs, naturally throw the thoughts upon the perishableness of our earthly troubles, in contrast with their own utter peace and solemnity--I reverted, at intervals, to all I had ever heard of Coleridge, and strove to weave it into some continuous sketch of his life. I hardly remember how much I then knew; I know but little now: that little I will here jot down upon paper.

* * * * *

Samuel Taylor Coleridge was the son of a learned clergyman--the vicar of Ottery St. Mary, in the southern quarter of Devonshire.[52] It is painful to mention that he was almost an object of persecution to his mother; why, I could never learn. His father was described to me, by Coleridge himself, as a sort of Parson Adams, being distinguished by his erudition, his inexperience of the world, and his guileless simplicity. I once purchased in London, and, I suppose, still possess, two elementary books on the Latin language by this reverend gentleman; one of them, as I found, making somewhat higher pretensions than a common school grammar.[53] In particular, an attempt is made to reform the theory of the cases; and it gives a pleasant specimen of the rustic scholar's _naïveté_, that he seriously proposes to banish such vexatious terms as the _accusative_; and, by way of simplifying the matter to tender minds, that we should call it, in all time to come, the "_quale-quare-quidditive_" case, upon what incomprehensible principle I never could fathom. He used regularly to delight his village flock, on Sundays, with Hebrew quotations in his sermons, which he always introduced as the "immediate language of the Holy Ghost." This proved unfortunate to his successor: he also was a learned man, and his parishioners admitted it, but generally with a sigh for past times, and a sorrowful complaint that he was still far below Parson Coleridge--for that _he_ never gave them any "immediate language of the Holy Ghost." I presume that, like the reverend gentleman so pleasantly sketched in "St. Ronan's Well," Mr. Coleridge, who resembled that person in his oriental learning, in his absence of mind, and in his simplicity, must also have resembled him in shortsightedness, of which his son used to relate this ludicrous instance. Dining in a large party, one day, the modest divine was suddenly shocked by perceiving some part, as he conceived, of his own snowy shirt emerging from a part of his habiliments, which we will suppose to have been his waistcoat. It was _not_ that; but for decorum we will so call it. The stray portion of his own supposed tunic was admonished of its errors by a forcible thrust back into its proper home; but still another _limbus_ persisted to emerge, or seemed to persist, and still another, until the learned gentleman absolutely perspired with the labour of re-establishing order. And, after all, he saw with anguish that some arrears of the snowy indecorum still remained to reduce into obedience. To this remnant of rebellion he was proceeding to apply himself--strangely confounded, however, at the obstinacy of the insurrection--when, the mistress of the house rising to lead away the ladies from the table, and all parties naturally rising with her, it became suddenly apparent to every eye that the worthy Orientalist had been most laboriously stowing away into the capacious receptacles of his own habiliments--under the delusion that it was his own shirt--the snowy folds of a lady's gown, belonging to his next neighbour; and so voluminously that a very small portion of it, indeed, remained for the lady's own use; the natural consequence of which was, of course, that the lady appeared inextricably yoked to the learned theologian, and could not in any way effect her release, until after certain operations upon the vicar's dress, and a continued refunding and rolling out of snowy mazes upon snowy mazes, in quantities which at length proved too much for the gravity of the company. Inextinguishable laughter arose from all parties, except the erring and unhappy doctor, who, in dire perplexity, continued still refunding with all his might--perspiring and refunding--until he had paid up the last arrears of his long debt, and thus put an end to a case of distress more memorable to himself and his parishioners than any "_quale-quare-quidditive_" case that probably had ever perplexed his learning.

[52] Coleridge was born there 21st October 1772, the youngest of a
family of nine brothers and four sisters, three of the sisters by
a previous marriage of his father.--M.

[53] _A Critical Latin Grammar_, published for the author in 1772,
and _Sententiæ Excerptæ, explaining the Rules of Grammar_, printed
for the author in 1777. He also published a political sermon.
Besides being vicar of Ottery St. Mary, he was master of the
grammar school there.--M.

In his childish days, and when he had become an orphan, Coleridge was removed to the heart of London, and placed on the great foundation of Christ's Hospital.[54] He there found himself associated, as a school-fellow, with several boys destined to distinction in after life; particularly the brilliant Leigh Hunt, and more closely with one who, if not endowed with powers equally large and comprehensive as his own, had, however, genius not less original or exquisite--viz. the inimitable Charles Lamb. But, in learning, Coleridge outstripped all competitors, and rose to be the captain of the school. It is, indeed, a memorable fact to be recorded of a boy, that, before completing his fifteenth year, he had translated the Greek Hymns of Synesius into English Anacreontic verse. This was not a school task, but a labour of love and choice. Before leaving school, Coleridge had an opportunity of reading the sonnets of Bowles, which so powerfully impressed his poetic sensibility that he made forty transcripts of them with his own pen, by way of presents to youthful friends. From Christ's Hospital, by the privilege of his station at school, he was transferred to Jesus College, Cambridge.[55] It was here, no doubt, that his acquaintance began with the philosophic system of Hartley, for that eminent person had been a Jesus man. Frend also, the mathematician, of heretical memory (he was judicially tried, and expelled from his fellowship, on some issue connected with the doctrine of the Trinity), belonged to that college, and was probably contemporary with Coleridge.[56] What accident, or imprudence, carried him away from Cambridge before he had completed the usual period of study, I never heard. He had certainly won some distinction as a scholar, having obtained the prize for a Greek ode in Sapphic metre, of which the sentiments (as he observes himself) were better than the Greek. Porson was accustomed, meanly enough, to ridicule the Greek _lexis_ of this ode; which was to break a fly upon the wheel. The ode was clever enough for a boy; but to such skill in Greek as could have enabled him to compose with critical accuracy Coleridge never made pretensions.

[54] This was in July 1782.--M.

[55] In February 1791.--M.

[56] The Rev. William Frend (1757-1831), a very eminent scholar,
had been ejected from his tutorship in Jesus College in 1788,
because of his Unitarian opinions and general liberalism, but was
still about the University in Coleridge's time, battling stoutly
with the authorities.

The incidents of Coleridge's life about this period, and some account of a heavy disappointment in love, which probably it was that carried him away from Cambridge, are to be found embodied (with what modifications I know not) in the novel of "Edmund Oliver," written by Charles Lloyd. It is well known that, in a frenzy of unhappy feeling at the rejection he met with from the lady of his choice, Coleridge enlisted as a private into a dragoon regiment.[57] He fell off his horse on several occasions, but perhaps not more than raw recruits are apt to do when first put under the riding-master. But Coleridge was naturally ill framed for a good horseman.

[57] He enlisted in the 15th Light Dragoons, 3d December 1793,
under the name of Silas Titus Comberback. So says a very minute
memoir of him prefixed to Messrs. Macmillan's edition of his
Poetical and Dramatic Works in four volumes, 1880.--M.

He is also represented in "Edmund Oliver" as having found peculiar difficulty or annoyance in grooming his horse. But the most romantic incident in that scene of his life was in the circumstances of his discharge. It is said (but I vouch for no part of the story) that Coleridge, as a private, mounted guard at the door of a room in which his officers were giving a ball. Two of them had a dispute upon some Greek word or passage when close to Coleridge's station. He interposed his authentic decision of the case. The officers stared as though one of their own horses had sung "Rule Britannia"; questioned him; heard his story; pitied his misfortune; and finally subscribed to purchase his discharge. So the story has been told; and also otherwise.[58] Not very long after this, Coleridge became acquainted with the two celebrated Wedgwoods of Etruria, both of whom, admiring his fine powers, subscribed to send him into North Germany, where, at the University of Göttingen, he completed his education according to his own scheme. The most celebrated professor whose lectures he attended was the far-famed Blumenbach, of whom he continued to speak through life with almost filial reverence. Returning to England, he attended Mr. Thomas Wedgwood, as a friend, throughout the afflicting and anomalous illness which brought him to the grave. It was supposed by medical men that the cause of Mr. Wedgwood's continued misery was a stricture of the colon. The external symptoms were torpor and morbid irritability, together with everlasting restlessness. By way of some relief to this latter symptom, Mr. Wedgwood purchased a travelling carriage, and wandered up and down England, taking Coleridge as his companion. And, as a desperate attempt to rouse and irritate the decaying sensibility of his system, I have been assured, by a surviving friend, that Mr. Wedgwood at one time opened a butcher's shop, conceiving that the affronts and disputes to which such a situation would expose him might act beneficially upon his increasing torpor. This strange expedient[59] served only to express the anguish which had now mastered his nature; it was soon abandoned; and this accomplished but miserable man at length sank under his sufferings. What made the case more memorable was the combination of worldly prosperity which forced into strong relief and fiery contrast this curse written in the flesh. He was rich, he was young, he was popular, distinguished for his scientific attainments, publicly honoured for patriotic services, and had before him, when he first fell ill, every prospect of a career even nationally splendid.

[58] Somewhat otherwise in the memoir mentioned in last note,
where the date of his discharge is given as 10th April 1794, and
the place as Hounslow. He returned to Cambridge for a few months,
and then, after shifting about a little, settled in Bristol with
Southey, where he married, 4th October 1795, Sara Fricker, the
sister of Southey's wife. De Quincey seems to misdate his first
visit to Germany.--M.

[59] Which, however, his brother denied as a pure fable. On
reading this account, he wrote to me, and in very courteous terms
assured me that I had been misinformed. I now retain the story
simply as a version, partially erroneous, no doubt, of perhaps
some true anecdote that may have escaped the surviving Mr.
Wedgwood's knowledge; my reason for thinking thus being that the
same anecdote essentially but varied in the circumstances, has
reached me at different periods from parties having no connexion
whatsoever.

By the death of Mr. Wedgwood, Coleridge succeeded to a regular annuity of £75, which that gentleman had bequeathed to him. The other Mr. Wedgwood granted him an equal allowance. Now came his marriage, his connexion with politics and political journals, his residence in various parts of Somersetshire, and his consequent introduction to Mr. Wordsworth. In his politics, Mr. Coleridge was most sincere and most enthusiastic. No man hailed with profounder sympathy the French Revolution; and, though he saw cause to withdraw his regard from many of the democratic zealots in this country, and even from the revolutionary interest as it was subsequently conducted, he continued to worship the original revolutionary cause in a pure Miltonic spirit; and he continued also to abominate the policy of Mr. Pitt in a degree which I myself find it difficult to understand. The very spirited little poem of "Fire, Famine, and Slaughter," who are supposed to meet in conference, to describe their horrid triumphs, and then to ask in a whisper _who_ it was that unchained them,--to which each in turn replies,

"Letters four do form his name!"--

expresses his horror of Mr. Pitt personally in a most extravagant shape, but merely for the purpose of poetic effect; for he had no real unkindness in his heart towards any human being; and I have often heard him disclaim the hatred which is here expressed for Mr. Pitt, as he did also very elaborately and earnestly in print. Somewhere about this time, Coleridge attempted, under Sheridan's countenance, to bring a tragedy upon the stage of Drury Lane; but his prospect of success, as I once heard or read, was suddenly marred by Mr. Sheridan's inability to sacrifice what he thought a good jest. One scene presented a cave with streams of water weeping down the sides; and the first words were, in a sort of mimicry of the sound, "Drip, drip, drip!" Upon which Sheridan repeated aloud to the assembled green-room, expressly convoked for the purpose of hearing the play read, "Drip, drip, drip!--why, God bless me, there's nothing here but _dripping_!" and so arose a chorus of laughter amongst the actors fatal for the moment to the probationary play.

About the latter end of the century, Coleridge visited North Germany again, in company with Mr. and Miss Wordsworth.[60] Their tour was chiefly confined to the Hartz Forest and its neighbourhood. But the incident most worthy of remembrance in their excursion was a visit made to Klopstock; either at Hamburgh, or, perhaps, at the Danish town of Altona, on the same river Elbe; for Klopstock was a pensioner of the Danish king. An anonymous writer, who attacked Coleridge most truculently in an early number of "Blackwood," and with an _acharnement_ that must astonish the neutral reader, has made the mistake of supposing Coleridge to have been the chief speaker, who did not speak at all. The case was this: Klopstock could not speak English, though everybody remembers the pretty broken English[61] of his second wife. Neither Coleridge nor Wordsworth, on the other hand, was able to _speak_ German with any fluency. French, therefore, was the only medium of free communication; that being pretty equally familiar to Wordsworth and to Klopstock. But Coleridge found so much difficulty even in _reading_ French that, wherever (as in the case of Leibnitz's "Theodicée") there was a choice between an original written in French and a translation, though it might be a very faulty one, in German, he always preferred the latter. Hence it happened that Wordsworth, on behalf of the English party, was the sole supporter of the dialogue. The anonymous critic says another thing, which certainly has an air of truth--viz. that Klopstock plays a very secondary _rôle_ in the interview (or words to that effect). But how was this to be avoided in reporting the case, supposing the fact to have been such? Now, the plain truth is that Wordsworth, upon his own ground, was an incomparable talker; whereas "Klubstick" (as Coleridge used to call him) was always a feeble and slovenly one, because a loose and incoherent thinker. Besides, he was now old and decaying. Nor at any time, nor in any accomplishment, could Klopstock have shone, unless in the respectable art of skating. _There_ he had a real advantage. The author of "The Messiah," I have authority for saying, skated with the ease and grace of a regular artist; whereas the poet of the "Excursion" sprawled upon the ice like a cow dancing a cotillon. Wordsworth did the very opposite of that with which he was taxed; for, happening to look down at Klopstock's swollen legs, and recollecting his age, he felt touched by a sort of filial pity for his helplessness. And he came to the conclusion that it would not seem becoming in a young and as yet obscure author to report too consciously the real superiority which he found it easy to maintain in such a colloquy.

[60] He was absent on this tour in Germany from September 1798 to
November 1799.--M.

[61] Published in Richardson's Correspondence.

But neither had Klopstock the pretensions as a poet which the Blackwood writer seems to take for granted. Germany, the truth is, wanted a great epic poet. Not having produced one in that early and plastic stage of her literary soil when such a growth is natural and spontaneous, the next thing was to bespeak a substitute. The force of Coleridge's well-known repartee, when, in reply to a foreigner asserting for Klopstock the rank of German Milton, he said, "True, sir; a very _German_ Milton," cannot be fully appreciated but by one who is familiar with the German poetry, and the small proportion in which it is a natural, racy, and domestic growth. It has been often noticed as the misfortune of the Roman literature that it grew up too much under the oppression of Grecian models, and of Grecian models depraved by Alexandrian art--a fact, so far as it _was_ a fact, which tended to cripple the _genial_ and characteristic spirit of the national mind. But this evil, after all, did not take effect except in a partial sense. Rome had cast much of her literature in her own moulds before these exotic models had begun to domineer. In fact, the reproach is in a very narrow sense true. Not so with Germany. Her literature, since its revival in the last century (and the revival upon the impulse of what cattle!--Bodmer on the one hand, and Gottsched, the never-enough-to-be-despised Gottsched, on the other!) has hardly moved a step in the freedom of natural grace. England for nineteen, and France for the twentieth, of all her capital works, has given the too servile law: and, with regard to Klopstock, if ever there was a good exemplification of the spurious and the counterfeit in literature, seek it in "The Messiah." He is verily and indeed the _Birmingham_ Milton. This Klopstockian dialogue, by the way, was first printed (hardly _published_) in the original, or Lake edition of "The Friend." In the recast of that work it was omitted; nor has it been printed anywhere else that I am aware of.

About the close of the first revolutionary war it must have been, or in the brief interval of peace, that Coleridge resorted to the English Lakes as a place of residence.[62] Wordsworth had a natural connexion with that region, by birth, breeding, and family alliances. Wordsworth must have attracted Coleridge to the Lakes; and Coleridge, through his affinity to Southey, eventually attracted _him_. Southey, as is known to all who take an interest in the Lake colony, married a sister of Mrs. Coleridge's; and, as a singular eccentricity in the circumstances of that marriage, I may mention that, on his wedding-day, and from the very portico of the church, Southey left his bride to embark for Lisbon. His uncle, Dr. Herbert, was chaplain to the English factory in that city; and it was to benefit by the facilities in that way opened to him for seeing Portugal that Southey now went abroad. He extended his tour to Spain; and the result of his notices was communicated to the world in a volume of travels. By such accidents of personal or family connexion as I have mentioned was the Lake colony gathered; and the critics of the day, unaware of the real facts, supposed them to have assembled under common views in literature--particularly with regard to the true functions of poetry, and the true theory of poetic diction. Under this original blunder, laughable it is to mention that they went on to _find_ in their writings all the agreements and common characteristics which their blunder had presumed; and they incorporated the whole community under the name of the _Lake School_. Yet Wordsworth and Southey never had one principle in common; their hostility was even flagrant. Indeed, Southey troubled himself little about abstract principles in anything; and, so far from agreeing with Wordsworth to the extent of setting up a separate school in poetry, he told me himself (August 1812) that he highly disapproved both of Mr. Wordsworth's theories and of his practice. It is very true that one man may sympathize with another, or even follow his leading, unconscious that he does so; or he may go so far as, in the very act of virtual imitation, to deem himself in opposition; but this sort of blind agreement could hardly be supposed of two men so discerning and so self-examining as Wordsworth and Southey. And, in fact, a philosophic investigation of the difficult questions connected with this whole slang about schools, Lake schools, &c., would show that Southey has not, nor ever had, any _peculiarities_ in common with Wordsworth, beyond that of exchanging the old prescriptive diction of poetry, introduced between the periods of Milton and Cowper, for the simpler and profounder forms of daily life in some instances, and of the Bible in others. The bold and uniform practice of Wordsworth was here adopted, on perfectly independent views, by Southey. In this respect, however, Cowper had already begun the reform; and his influence, concurring with the now larger influence of Wordsworth, has operated so extensively as to make their own original differences at this day less perceptible.

[62] It was in 1800 that Coleridge removed from London to Keswick,
Wordsworth being then at Grasmere.--M.

By the way, the word _colony_ reminds me that I have omitted to mention in its proper place some scheme for migrating to America which had been entertained by Coleridge and Southey about the year 1794-95, under the learned name of _Pantisocracy_. So far as I ever heard, it differed little, except in its Grecian name, from any other scheme for mitigating the privations of a wilderness by settling in a cluster of families, bound together by congenial tastes and uniform principles, rather than in self-depending, insulated households. Steadily pursued, it might, after all, have been a fortunate plan for Coleridge. "Soliciting my food from daily toil," a line in which Coleridge alludes to the scheme, implies a condition of life that would have upheld Coleridge's health and happiness somewhat better than the habits of luxurious city life as now constituted in Europe. But, returning[63] to the Lakes, and to the Lake colony of poets: So little were Southey and Wordsworth connected by any personal intercourse in those days, and so little disposed to be connected, that, whilst the latter had a cottage in Grasmere, Southey pitched his tent at Greta Hall, on a little eminence rising immediately from the river Greta and the town of Keswick. Grasmere is in Westmoreland; Keswick in Cumberland; and they are thirteen good miles apart. Coleridge and his family were domiciliated in Greta Hall; sharing that house, a tolerably large one, on some principle of amicable division, with Mr. Southey. But Coleridge personally was more often to be found at Grasmere--which presented the threefold attractions of loveliness so complete as to eclipse even the scenery of Derwentwater; a pastoral state of society, free from the deformities of a little town like Keswick; and, finally, for Samuel Taylor Coleridge, the society of Wordsworth. Not before 1815 or 1816 could it be said that Southey and Wordsworth were even upon friendly terms; so entirely is it untrue that they combined to frame a school of poetry. Up to that time, they viewed each other with mutual respect, but also with mutual dislike; almost, I might say, with mutual disgust. Wordsworth disliked in Southey the want of depth, or the apparent want, as regards the power of philosophic abstraction. Southey disliked in Wordsworth the air of dogmatism, and the unaffable haughtiness of his manner. Other more trivial reasons combined with these.

[63] This peculiar usage of an unrelated participle is pretty
frequent with De Quincey, and is perhaps the only recurring
peculiarity of his grammar to which a purist would object.--M.

At this time, when Coleridge first settled at the Lakes, or not long after, a romantic and somewhat tragical affair drew the eyes of all England, and, for many years, continued to draw the steps of tourists, to one of the most secluded Cumberland valleys, so little visited previously that it might be described almost as an undiscovered chamber of that romantic district. Coleridge was brought into a closer connexion with this affair than merely by the general relation of neighbourhood; for an article of his in a morning paper, I believe, unintentionally furnished the original clue for unmasking the base impostor who figured as the central actor in this tale. The tale was at that time dramatized, and scenically represented by some of the minor theatres in London, as noticed by Wordsworth in the "Prelude." But other generations have arisen since that time, who must naturally be unacquainted with the circumstances; and on their account I will here recall them:--One day in the Lake season there drove up to the Royal Oak, the principal inn at Keswick, a handsome and well-appointed travelling carriage, containing one gentleman of somewhat dashing exterior. The stranger was a picturesque-hunter, but not of that order who fly round the ordinary tour with the velocity of lovers posting to Gretna, or of criminals running from the police; his purpose was to domiciliate himself in this beautiful scenery, and to see it at his leisure. From Keswick, as his head-quarters, he made excursions in every direction amongst the neighbouring valleys; meeting generally a good deal of respect and attention, partly on account of his handsome equipage, and still more from his visiting cards, which designated him as "The Hon. Augustus Hope." Under this name, he gave himself out for a brother of Lord Hopetoun's. Some persons had discernment enough to doubt of this; for the man's breeding and deportment, though showy, had an under-tone of vulgarity about it; and Coleridge assured me that he was grossly ungrammatical in his ordinary conversation. However, one fact, soon dispersed by the people of a little rustic post-office, laid asleep all demurs; he not only received letters addressed to him under this assumed name--_that_ might be through collusion with accomplices--but he himself continually _franked_ letters by that name. Now, this being a capital offence, being not only a forgery, but (as a forgery on the Post-Office) sure to be prosecuted, nobody presumed to question his pretensions any longer; and, henceforward, he went to all places with the consideration attached to an earl's brother. All doors flew open at his approach; boats, boatmen, nets, and the most unlimited sporting privileges, were placed at the disposal of the "Honourable" gentleman: and the hospitality of the district was put on its mettle, in offering a suitable reception to the patrician Scotsman. It could be no blame to a shepherd girl, bred in the sternest solitude which England has to show, that she should fall into a snare which many of her betters had not escaped. Nine miles from Keswick, by the nearest bridle-road through Newlands, but fourteen or fifteen by any route which the honourable gentleman's travelling-carriage could traverse, lies the Lake of Buttermere. Its margin, which is overhung by some of the loftiest and steepest of the Cumbrian mountains, exhibits on either side few traces of human neighbourhood; the level area, where the hills recede enough to allow of any, is of a wild pastoral character, or almost savage; the waters of the lake are deep and sullen; and the barrier mountains, by excluding the sun for much of his daily course, strengthen the gloomy impressions. At the foot of this lake (that is, at the end where its waters issue) lie a few unornamented fields, through which rolls a little brook-like river, connecting it with the larger lake of Crummock; and at the edge of this miniature domain, upon the roadside, stands a cluster of cottages, so small and few that in the richer tracts of England they would scarcely be complimented with the name of hamlet. One of these, and I believe the principal, belonged to an independent proprietor, called, in the local dialect, a "_Statesman_"[64]; and more, perhaps, for the sake of attracting a little society than with much view to pecuniary profit at that era, this cottage offered the accommodations of an inn to the traveller and his horse. Rare, however, must have been the mounted traveller in those days, unless visiting Buttermere for itself, and as a _terminus ad quem_; since the road led to no further habitations of man, with the exception of some four or five pastoral cabins, equally humble, in Gatesgarthdale.

[64] _i.e._--A 'Statesman elliptically for an Estatesman,--a
native dalesman possessing and personally cultivating a
patrimonial landed estate.

Hither, however, in an evil hour for the peace of this little brotherhood of shepherds, came the cruel spoiler from Keswick. His errand was, to witness or to share in the char-fishing; for in Derwentwater (the Lake of Keswick) no char is found, which breeds only in the deep waters, such as Windermere, Crummock, Buttermere, and Coniston--never in the shallow ones. But, whatever had been his first object, _that_ was speedily forgotten in one more deeply interesting. The daughter of the house, a fine young woman of eighteen, acted as waiter.[65] In a situation so solitary, the stranger had unlimited facilities for enjoying her company, and recommending himself to her favour. Doubts about his pretensions never arose in so simple a place as this; they were overruled before they could well have arisen by the opinion now general in Keswick, that he really was what he pretended to be: and thus, with little demur, except in the shape of a few natural words of parting anger from a defeated or rejected rustic admirer, the young woman gave her hand in marriage to the showy and unprincipled stranger. I know not whether the marriage was, or could have been, celebrated in the little mountain chapel of Buttermere. If it were, I persuade myself that the most hardened villain must have felt a momentary pang on violating the altar of such a chapel; so touchingly does it express, by its miniature dimensions, the almost helpless humility of that little pastoral community to whose spiritual wants it has from generation to generation administered. It is not only the very smallest chapel by many degrees in all England, but is so mere a toy in outward appearance that, were it not for its antiquity, its wild mountain exposure, and its consecrated connexion with the final hopes and fears of the adjacent pastoral hamlet--but for these considerations, the first movement of a stranger's feelings would be towards loud laughter; for the little chapel looks not so much a mimic chapel in a drop-scene from the Opera House as a miniature copy from such a scene; and evidently could not receive within its walls more than half a dozen of households. From this sanctuary it was--from beneath the maternal shadow, if not from the very altar,[66] of this lonely chapel--that the heartless villain carried off the flower of the mountains. Between this place and Keswick they continued to move backwards and forwards, until at length, with the startling of a thunder-clap to the affrighted mountaineers, the bubble burst: officers of justice appeared: the stranger was easily intercepted from flight, and, upon a capital charge, was borne away to Carlisle. At the ensuing assizes he was tried for forgery on the prosecution of the Post-Office, found guilty, left for execution, and executed accordingly.[67] On the day of his condemnation, Wordsworth and Coleridge passed through Carlisle, and endeavoured to obtain an interview with him. Wordsworth succeeded; but, for some unknown reason, the prisoner steadily refused to see Coleridge; a caprice which could not be penetrated. It is true that he had, during his whole residence at Keswick, avoided Coleridge with a solicitude which had revived the original suspicions against him in some quarters, after they had generally gone to sleep. But for this his motive had then been sufficient: he was of a Devonshire family, and naturally feared the eye, or the inquisitive examination of one who bore a name immemorially associated with the southern part of that county.

[65] "_Waiter_":--Since this was first written, social changes in
London, by introducing females very extensively into the office
(once monopolized by men) of attending the visitors at the tables
of eating-houses have introduced a corresponding new word--viz.,
_waitress_; which word, twenty-five years back, would have been
simply ludicrous; but now is become as indispensable to precision
of language as the words traitress, heiress, inheritrix, &c.

[66] My doubt is founded upon the varying tenure of these secluded
chapels as to privileges of marrying or burying. The mere name of
chapel, though, of course, in regular connexion with some mother
church, does not of itself imply whether it has or has not the
power to solemnize a marriage.

[67] At Carlisle, 3d September 1803. His marriage with Mary
Robinson, the Beauty of Buttermere, had been on 3d October 1802,
when he was forty-three years of age. Originally he had been a
commercial traveller; and his early marriage with an illegitimate
daughter of a younger son of an English nobleman seems to have had
much to do with his subsequent career. Deserting this wife and her
children in 1782, he had lived a life of swindling ever since, had
married a second wife and deserted her, and was wooing a young
Irish lady at the very time when the Buttermere girl became his
victim. "His manners were extremely polished and insinuating, and
he was possessed of qualities which might have rendered him an
ornament of society," is the pleasant character I find of him in
one _Newgate Calendar_ compendium.--M.

Coleridge, however, had been transplanted so immaturely from his native region that few people in England knew less of its family connexions. That, perhaps, was unknown to this malefactor; but, at any rate, he knew that all motive was now at an end for disguise of any sort; so that his reserve, in this particular, had now become unintelligible. However, if not him, Coleridge saw and examined his very interesting papers. These were chiefly letters from women whom he had injured, pretty much in the same way, and by the same impostures, as he had so recently practised in Cumberland; and, as Coleridge assured me, were in part the most agonizing appeals that he had ever read to human justice and pity. The man's real name was, I think, Hatfield. And amongst the papers were two separate correspondences, of some length, with two young women, apparently of superior condition in life (one the daughter of an English clergyman), whom this villain had deluded by marriage, and, after some cohabitation, abandoned,--one of them with a family of young children. Great was the emotion of Coleridge when he recurred to his remembrance of these letters, and bitter, almost vindictive, was the indignation with which he spoke of Hatfield. One set of letters appeared to have been written under too certain a knowledge of _his_ villany to whom they were addressed; though still relying on some possible remains of humanity, or perhaps (the poor writer might think) on some lingering preference for herself. The other set was even more distressing; they were written under the first conflicts of suspicions, alternately repelling with warmth the gloomy doubts which were fast arising, and then yielding to their afflicting evidence; raving in one page under the misery of alarm, in another courting the delusions of hope, and luring back the perfidious deserter,--here resigning herself to despair, and there again labouring to show that all might yet be well. Coleridge said often, in looking back upon that frightful exposure of human guilt and misery, that the man who, when pursued by these heart-rending apostrophes, and with this litany of anguish sounding in his ears, from despairing women and from famishing children, could yet find it possible to enjoy the calm pleasures of a Lake tourist, and deliberately to hunt for the picturesque, must have been a fiend of that order which fortunately does not often emerge amongst men. It is painful to remember that, in those days, amongst the multitudes who ended their career in the same ignominious way, and the majority for offences connected with the forgery of bank notes, there must have been a considerable number who perished from the very opposite cause--viz., because they felt, too passionately and profoundly for prudence, the claims of those who looked up to them for support. One common scaffold confounds the most flinty hearts and the tenderest. However, in this instance, it was in some measure the heartless part of Hatfield's conduct which drew upon him his ruin: for the Cumberland jury honestly declared their unwillingness to hang him for having forged a frank; and both they, and those who refused to aid his escape when first apprehended, were reconciled to this harshness entirely by what they heard of his conduct to their injured young fellow-countrywoman.

She, meantime, under the name of _The Beauty of Buttermere_, became an object of interest to all England; melodramas were produced in the London suburban[68] theatres upon her story; and, for many a year afterwards, shoals of tourists crowded to the secluded lake, and the little homely cabaret, which had been the scene of her brief romance; It was fortunate for a person in her distressing situation that her home was not in a town: the few and simple neighbours, who had witnessed her imaginary elevation, having little knowledge of worldly feelings, never for an instant connected with her disappointment any sense of the ludicrous, or spoke of it as a calamity to which her vanity might have co-operated. They treated it as unmixed injury, reflecting shame upon nobody but the wicked perpetrator. Hence, without much trial to her womanly sensibilities, she found herself able to resume her situation in the little inn; and this she continued to hold for many years. In that place, and that capacity, I saw her repeatedly, and shall here say a word upon her personal appearance, because the Lake poets all admired her greatly. Her figure was, in my eyes, good; but I doubt whether most of my readers would have thought it such. She was none of your evanescent, wasp-waisted beauties; on the contrary, she was rather large every way; tallish, and proportionably broad. Her face was fair, and her features feminine; and, unquestionably, she was what all the world would have agreed to call "good-looking." But, except in her arms, which had something of a statuesque beauty, and in her carriage, which expressed a womanly grace, together with some degree of dignity and self-possession, I confess that I looked in vain for any _positive_ qualities of any sort or degree. _Beautiful_, in any emphatic sense, she was not. Everything about her face and bust was negative; simply without offence. Even this, however, was more than could be said at all times; for the expression of her countenance _could_ be disagreeable. This arose out of her situation; connected as it was with defective sensibility and a misdirected pride. Nothing operates so differently upon different minds and different styles of beauty as the inquisitive gaze of strangers, whether in the spirit of respectful admiration or of insolence. Some I have seen upon whose angelic beauty this sort of confusion settled advantageously, and like a softening veil; others, in whom it meets with proud resentment, are sometimes disfigured by it. In Mary of Buttermere it roused mere anger and disdain; which, meeting with the sense of her humble and dependent situation, gave birth to a most unhappy aspect of countenance. Men who had no touch of a gentleman's nature in their composition sometimes insulted her by looks and by words, supposing that they purchased the right to do this by an extra half-crown; and she too readily attributed the same spirit of impertinent curiosity to every man whose eyes happened to settle steadily upon her face. Yet, once at least, I must have seen her under the most favourable circumstances: for, on my first visit to Buttermere, I had the pleasure of Mr. Southey's company, who was incapable of wounding anybody's feelings, and to Mary, in particular, was well known by kind attentions, and I believe by some services. Then, at least, I saw her to advantage, and perhaps, for a figure of her build, at the best age; for it was about nine or ten years after her misfortune, when she might be twenty-seven or twenty-eight years old. We were alone, a solitary pair of tourists: nothing arose to confuse or distress her. She waited upon us at dinner, and talked to us freely. "This is a respectable young woman," I said to myself; but nothing of that enthusiasm could I feel which beauty, such as I _have_ beheld at the Lakes, would have been apt to raise under a similar misfortune. One lady, not very scrupulous in her embellishments of facts, used to tell an anecdote of her which I hope was exaggerated. Some friend of hers (as she affirmed), in company with a large party, visited Buttermere within one day after that upon which Hatfield suffered; and she protested that Mary threw upon the table, with an emphatic gesture, the Carlisle paper containing an elaborate account of his execution.

[68] In connexion with this mention of "suburban" and minor
theatres, it is but fair to cite a passage expressly relating to
Mary of Buttermere from the Seventh Book (entitled "Residence in
London") of Wordsworth's "Prelude":--

"Here, too, were _forms and pressures of the time_,
Rough, bold, as Grecian comedy display'd
When Art was young; dramas of living men,
And recent things yet warm with life; a sea-fight,
Shipwreck, or some domestic incident
Divulged by Truth, and magnified by Fame;
Such as the daring brotherhood of late
Set forth, too serious theme for that light place--
I mean, O distant friend! a story drawn
From our own ground--the Maid of Buttermere,
And how, unfaithful to a virtuous wife,
Deserted and deceived, the spoiler came
And wooed the artless daughter of the hills,
And wedded her, in cruel mockery
Of love and marriage bonds. These words to thee
Must needs bring back the moment when we first,
Ere the broad world rang with the maiden's name,
Beheld her serving at the cottage inn,
Both stricken, as she enter'd or withdrew,
With admiration of her modest mien
And carriage, mark'd by unexampled grace.
We since that time not unfamiliarly
Have seen her--her discretion have observed,
Her just opinions, delicate reserve,
Her patience and humility of mind,
Unspoiled by commendation and the excess
Of public notice--an offensive light
To a meek spirit suffering inwardly."

The "distant friend" here apostrophized is Coleridge, then at Malta.
But it is fair to record this memorial of the fair mountaineer--going
perhaps as much beyond the public estimate of her pretensions as my own
was below it. It should be added that William Wordsworth and Samuel
Taylor Coleridge (to whom the writer appeals as in general sympathy
with himself) had seen Mary more frequently, and had conversed with her
much more freely, than myself.

It is an instance of Coleridge's carelessness that he, who had as little of fixed ill-nature in his temper as any person whom I have ever known, managed, in reporting this story at the time of its occurrence, to get himself hooked into a personal quarrel, which hung over his head unsettled for nine or ten years. A Liverpool merchant, who was then meditating a house in the Vale of Grasmere, and perhaps might have incurred Coleridge's anger by thus disturbing, with inappropriate intrusions, this loveliest of all English landscapes, had connected himself a good deal with Hatfield during his Keswick masquerade; and was said even to have carried his regard to that villain so far as to have christened one of his own children by the names of "Augustus Hope." With these and other circumstances, expressing the extent of the infatuation amongst the swindler's dupes, Coleridge made the public merry. Naturally, the Liverpool merchant was not amongst those who admired the facetiousness of Coleridge on this occasion, but swore vengeance whenever they should meet. They never _did_ meet, until ten years had gone by; and then, oddly enough, it was in the Liverpool man's own house--in that very nuisance of a house which had, I suppose, first armed Coleridge's wrath against him. This house, by time and accident, in no very wonderful way, had passed into the hands of Wordsworth as tenant. Coleridge, as was still less wonderful, had become the visitor of Wordsworth on returning from Malta; and the Liverpool merchant, as was also natural, either seeking his rent, or on the general errand of a friendly visit, calling upon Wordsworth, met Coleridge in the hall. Now came the hour for settling old accounts. I was present, and can report the case. Both looked grave, and coloured a little. But ten years work wonders: an armistice of that duration heals many a wound; and Samuel Taylor Coleridge, requesting his enemy's company in the garden, entered upon a long metaphysical dissertation, bordering upon what you might call _philosophical rigmarole_, and rather puzzling to answer. It seemed to be an expansion, by Thomas Aquinas, of that parody upon a well-known passage in Shenstone, where the writer says--

"He kick'd me down-stairs with such a sweet grace
That I thought he was handing me up."