Chapter V: The Condemned Meat Industry
“The Jungle” had been accepted in advance by the Macmillan Company. Mr. Brett, president of the company, read the manuscript, and asked me to cut out some of the more shocking and bloody details, assuring me that he could sell ten times as many copies of the book if I would do this. So here again I had to choose between my financial interest and my duty. I took the proposition to Lincoln Steffens, who said: “The things you tell are unbelievable. I have a rule in my own work—I don’t tell things that are unbelievable, even when they are true.”
Nevertheless, I was unwilling to make the changes. I offered the book to four other publishers, whose names I do not now remember; then I began preparations to publish it myself. I wrote to Jack London, who came to my help with his usual impetuous generosity, writing a resounding call to the Socialists of the country, which was published in the “Appeal to Reason.” The result was that in a couple of months I took in four thousand dollars. The Socialists had been reading the story in the “Appeal,” and were thoroughly aroused.
I had the book set up and the plates made, when some one suggested Doubleday, Page and Company, so I showed the work to them. Walter H. Page sent for me. He was a dear old man, the best among business-men I have met. There were several hustling young money-makers in his firm, who saw a fortune in “The Jungle,” and desperately wanted to publish it. But Page was anxious; he must be sure that every word was true. We had a luncheon conference, and I was cross-questioned on every point. A week or two passed, and I was summoned again, and Herbert S. Houston of the firm explained that he had a friend, James Keeley, editor of the “Chicago Tribune,” to whom he had taken the liberty of submitting my book. Here was a letter from Keeley—I read the letter—saying that he had sent his best reporter, a trusted man, to make a thorough report upon “The Jungle.” And here was the report, thirty-two typewritten pages, taking up every statement about conditions in the yards, and denying one after another.
I read the report, and recall one amusing detail. On page one hundred and sixteen of “The Jungle” is a description of the old packing-houses, their walls covered with grease and soaked with warm moist steam. “In these rooms the germs of tuberculosis might live for two years.” The comment upon this statement was: “Unproven theory.” So it was necessary for me to consult the text-books on bacteriology, and demonstrate to Doubleday, Page and Company that unicellular parasitic organisms are sometimes endowed with immortality!
I said: “This is not an honest report. The thing you have to do, if you really wish to know, is to send an investigator of your own, somebody in whom you have confidence.” They decided this must be done, and picked a young lawyer, McKee by name, and sent him to Chicago. He spent some time there, and when he came back his verdict was that I had told the truth. I went to dinner at McKee’s home and spent the evening hearing his story—incidentally getting one of the shocks of my life.
McKee had done what I had urged him not to do: he had gone first to the packers, to see what they had officially to show him. They had placed him in charge of a man—I do not recall the name, but we will say Jones—their publicity agent, a former newspaper man, who served as host and entertainer to inquiring visitors. He had taken McKee in charge and shown him around, and in the course of their conversation McKee mentioned that he was looking into the charges made in a novel called “The Jungle.” “Oh, yes!” said Jones. “I know that book. I read it from beginning to end. I prepared a thirty-two page report on it for Keeley of the ‘Tribune’.”
So here was a little glimpse behind the curtain of the newspaper world of Chicago! James Keeley was, and still is the _beau ideal_ of American newspaper men; I have never met him, but I have read articles about him, the kind of “write-ups” which the capitalist system gives to its heroes. He had begun life as a poor boy and risen from the ranks by sheer ability and force of character—you know the “dope.” Now he was one of the high gods of newspaperdom; and when it was a question of protecting the great predatory interest which subsidizes all the newspapers of Chicago and holds the government of the city in the hollow of its hand, this high god sent to Armour and Company and had a report prepared by their publicity-agent, and sent this report to a friend in New York as the result of a confidential investigation by a trusted reporter of the “Chicago Tribune” staff!
And maybe you think this must be an unusual incident; you think that capitalist Journalism would not often dare to play a trick like that! I happen to be reading “Socialism versus the State,” by Emile Vandervelde, Belgian Minister of State, and come upon this paragraph:
It will be remembered, for example, that the “London Times” published,
a few years ago, a series of unsigned articles, emanating, it was said
from an impartial observer, against the municipal lighting systems in
England. These articles made the tour of Europe. They furnish, even
today, arguments for the opponents of municipalization. Now, a short
time after their publication, it was learned that the “impartial
observer” was the general manager of one of the big electric light and
power companies of London.
Doubleday, Page and Company published “The Jungle,” and it became the best-selling book, not only in America, but also in Great Britain and its colonies, and was translated into seventeen languages. It became also the subject of a terrific political controversy.
The packers, fighting for their profits, brought all their batteries to bear. To begin with, there appeared in the “Saturday Evening Post” a series of articles signed by J. Ogden Armour, but written, I was informed, by Forrest Crissey, one of the staff of the “Post.” The editor of this paper, George Horace Lorimer, was for nine years an employee of the Armours; he is author of “The Letters of a Self-Made Merchant to His Son,” a text-book of American business depravity. From first to last his paper was at the service of the packers, as it has always been at the service of every great financial interest.
Some of the statements made under Armour’s signature made me boil, and I sat down to write an answer, “The Condemned Meat Industry.” I had the facts at my fingers ends, and wrote the article in a few hours, and jumped on the train and came up to New York with it. I took it to the office of “Everybody’s Magazine” and asked to see E. J. Ridgway, the publisher. I was wise enough by this time to understand that it is the publisher, not the editor, you need to see. I read the article to Ridgway, and he stopped the presses on which “Everybody’s Magazine” was being printed, and took out a short story and shoved in “The Condemned Meat Industry.”
“Everybody’s Magazine” at this time was on the crest of a wave of popularity. It had finished Tom Lawson’s exposé of Wall Street, upon the strength of which it had built up a circulation of half a million. Its publishers, Ridgway and Thayer, were advertising men who had bought a broken-down magazine from John Wanamaker, and had made the discovery that there was a fortune to be made by the simple process of letting the people have the truth. They wanted to go on making fortunes, and so they welcomed my article. It gave the affidavits of men whom the Armours had employed to take condemned meat out of the destructors and sell it in Chicago. It told the story of how the Armours had bribed these men to retract their confessions. It gave the reports of State health authorities, who showed how the Armours had pleaded guilty to adulterating foods. It was a mass of such facts fused in a white heat of indignation. United States Senator Beveridge told me that he considered the article the greatest piece of controversial writing he had ever read.
You may find it in the library, “Everybody’s” for May, 1906. Whatever you think of its literary style, you will see that it is definite and specific, and revealed a most frightful condition in the country’s meat supply, an unquestionable danger to the public health. It was therefore a challenge to every public service agency in the country; above all, it was a challenge to the newspapers, through which the social body is supposed to learn of its dangers and its needs.
It was my first complete test of American Journalism. Hitherto I had tried the newspapers as a young poet, clamoring for recognition; they had called me a self-seeker, and although I felt that the charge was untrue, I was powerless to disprove it to others. But now I tried them in a matter that was obviously in the public interest—too obviously so for dispute. I was still naïve enough to be shocked by the result. I had expected that every newspaper which boasted of public spirit would take up these charges, and at least report them; but instead of that, there was silence—silence almost complete! I employed two clipping-bureaus on this story, and received a few brief items from scattered papers here and there. Of all the newspapers in America, not one in two hundred went so far as to mention “The Condemned Meat Industry.”
Meantime “The Jungle” had been published in book form. I will say of “The Jungle” just what I said of the magazine article—whatever you may think of it as literature, you must admit that it was packed with facts which constituted an appeal to the American conscience. The book was sent to all American newspapers; also it was widely advertised, it was boosted by one of the most efficient publicity men in the country. And what were the results? I will give a few illustrations.
The most widely read newspaper editor in America is Arthur Brisbane. Brisbane poses as a liberal, sometimes even as a radical; he told me that he drank in Socialism with his mother’s milk. And Brisbane now took me up, just as Robbie Collier had done; he invited me to his home, and wrote one of his famous two-column editorials about “The Jungle”—a rare compliment to a young author. This editorial treated me personally with kindness; I was a sensitive young poet who had visited the stockyards for the first time, and had been horrified by the discovery that animals had blood inside them. With a fatherly pat on the shoulder, Brisbane informed me that a slaughter-house is not an opera-house, or words to that effect.
I remember talking about this editorial with Adolph Smith, representative of the “London Lancet.” He remarked with dry sarcasm that in a court of justice Brisbane would be entirely safe; his statement that a slaughter-house is not an opera-house was strictly and literally accurate. But if you took what the statement was meant to convey to the reader—that a slaughter-house is necessarily filthy, then the statement was false. “If you go to the municipal slaughter-houses of Germany, you find them as free from odor as an opera-house,” said Adolph Smith; and five or six years later, when I visited Germany, I took the opportunity to verify this statement. But because of the kindness of American editorial writers to the interests which contribute full-page advertisements to newspapers, the American people still have their meat prepared in filth.
Or take the “Outlook.” The “Outlook” poses as a liberal publication; its editor preaches what he calls “Industrial Democracy,” a very funny joke. I have dealt with this organ of the “Clerical Camouflage” in five sections of “The Profits of Religion”; I will not repeat here, except to quote how the pious “Outlook” dealt with “The Jungle.” The “Outlook” had no doubt that there were genuine evils in the packing-plants; the conditions of the workers ought of course to be improved, BUT—
To disgust the reader by dragging him through every conceivable
horror, physical and moral, to depict with lurid excitement and with
offensive minuteness the life in jail and brothel—all this is to
overreach the object.... Even things actually terrible may become
distorted when a writer screams them out in a sensational way and in a
high pitched key.... More convincing if it were less hysterical.
Also Elbert Hubbard rushed to the rescue of his best advertising clients. Later in this book you will find a chapter dealing especially with the seer of East Aurora; for the present I will merely quote his comments on my packing-house revelations. His attack upon “The Jungle” was reprinted by the Chicago packers, and mailed out to the extent of a million copies; every clergyman and every physician in the country received one. I have a copy of his article, as it was sent out by a newspaper syndicate in the form of “plate-matter.” It occupies four newspaper columns, with these headlines:
ELBERT HUBBARD LASHES THE MUCK-RAKER CROWD.
Says “The Jungle” Book is a Libel and an Insult to Intelligence, and
that This Country is Making Headway as Fast as Stupidity of Reformers
Will Admit.
After which it will suffice to quote one paragraph, as follows:
Can it be possible that any one is deceived by this insane rant and
drivel?
And also the friend of my boyhood, my beloved “New York Evening Post”! This organ of arm-chair respectability—I have reference to the large leather receptacles which you find in the Fifth Avenue clubs—had upbraided me for a harmless prank, “The Journal of Arthur Stirling.” Now comes “The Jungle”; and the “Evening Post” devotes a column to the book. It is “lurid, overdrawn.... If the author had been a man who cared more for exact truth,” etc. Whereupon I sit myself down and write a polite letter to the editor of the “Evening Post,” asking will he please tell me upon what he bases this injurious charge. I have made patient investigations in the stockyards, and the publishers of “The Jungle” have done the same. Will the “Evening Post” state what investigations _it_ has made? Or does it make this injurious charge against my book without investigation, trusting that its readers will accept its word, and that it will never be brought to book?
This is a fair question, is it not? The organs of arm-chair respectability ought not to make loose charges against radicals, they ought not condemn without knowledge. So I appeal to my beloved “Evening Post,” which I have read six times per week for ten or twelve years; and the answer comes: “It is not our custom to permit authors to reply to book-reviews, and we see no reason for departing from our practice in order to permit you to advertise your book and to insult us.” And so the matter rests, until a couple of months later, the President of the United States makes an investigation, and his commission issues a report which vindicates every charge I have made. And now what? Does the “Evening Post” apologize to me? Does it do anything to make clear to its readers that it has erred in its sneers at “The Jungle”? The “Evening Post” says not one word; but it still continues to tell the public that I am unworthy of confidence, because I once played a harmless joke with “The Journal of Arthur Stirling”!
Comments
Log in to leave a comment.
The Brass Check: A Study of American JournalismChapter V: The Condemned Meat Industry
0%11 min left in chapter