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Chapter III: The Resonator and Articulator (1)

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_The Resonator_.--The resonator is an irregular-shaped tube with a bend in the middle; the vertical portion is formed by the larynx and pharynx, the horizontal by the mouth. The length of the resonator, from the vocal cords to the lips, is about 6.5 to 7 inches (_vide_ fig. 12). The walls of the vertical portion are formed by the vertebral column and the muscles of the pharynx behind, the cartilages of the larynx and the muscles of the pharynx at the sides, and the thyroid cartilage, the epiglottis, and the root of the tongue in front; these structures form the walls of the throat and are all covered with a mucous membrane. This portion of the resonator passage can be enlarged to a slight degree by traction upon the larynx below (sterno-thyroid muscle), by looseness of the pharyngeal muscles, and still more by the forward placement of the tongue; the converse is true as regards diminution in size. The horizontal portion of the resonator tube (the mouth) has for its roof the soft palate and the hard palate, the tongue for its floor, and cheeks, lips, jaw, and teeth for its walls. The interior dimensions of this portion of the resonator can be greatly modified by movements of the jaw, the soft palate, and the tongue, while the shape and form of its orifice is modified by the lips.

There are accessory resonator cavities, and the most important of these is the nose; its cavity is entirely enclosed in bone and cartilage, consequently it is immovable; this cavity may or may not be closed to the sonorous waves by the elevation of the soft palate. When the mouth is closed, as in the production of the consonant m, e.g. in singing _me_, a nasal quality is imparted to the voice, and if a mirror be placed under the nostrils it will be seen by the vapour on it that the sound waves have issued from the nose; consequently the nasal portion of the resonator has imparted its characteristic quality to the sound. The air sinuses in the upper jaws, frontal bones, and sphenoid bones act as accessory resonators; likewise the bronchi, windpipe, and lungs; but all these are of lesser importance compared with the principal resonating chamber of the mouth and throat. If the mouth be closed and a tune be hummed the whole of the resonating chambers are in action, and the sound being emitted from the nose the nasal quality is especially marked. But no sound waves are produced unless the air finds an exit; thus a tune cannot be hummed if both mouth and nostrils are closed.

From the description that I have given above, it will be observed that the mouth, controlled by the movements of the jaw, tongue, and lips, is best adapted for the purpose of articulate speech; and that the throat, which is less actively movable and contains the vocal cords, must have greater influence on the sound vibrations without participating in the articulation of words. While the vocal cords serve the purpose of the reed, the resonator forms the body of the vocal instrument. Every sound passes through it; every vowel and consonant in the production of syllables and words must be formed by it, and the whole character and individual qualities of the speaking as well as the singing voice depend in great part upon the manner in which it is used.

The acoustic effect is due to the resonances generated by hollow spaces of the resonator, and Dr. Aikin, in his work on "The Voice," points out that we can study the resonances yielded by these hollow spaces by whispering the vocal sounds; but it is necessary to put the resonator under favourable conditions for the most efficient production. When a vowel sound is whispered the glottis is open (_vide_ fig. 10) and the vocal cords are not thrown into vibration; yet each vowel sound is associated with a distinct musical note, and we can produce a whole octave by alteration of the resonator in whispering the vowel sounds. In order to do this efficiently it is necessary to use the bellows and the resonator to the best advantage; therefore, after taking a deep inspiration in the manner previously described, the air is expelled through the open glottis into the resonating cavity, which (as fig. 13 shows) is placed under different conditions according to the particular vowel sound whispered. In all cases the mouth is opened, keeping the front teeth about one inch apart; the tongue should be in contact with the lower dental arch and lie as flat on the floor of the mouth as the production of the particular vowel sound will permit. When this is done, and a vowel sound whispered, a distinctly resonant note can be heard. Helmholtz and a number of distinguished German physicists and physiologists have analysed the vowel sounds in the whispering voice and obtained very different results. If their experiments show nothing else, they certainly indicate that there are no universally fixed resonances for any particular vowel sound. Some of the discrepancies may (as Aikin points out) be due to the conditions of the experiment not being conducted under the same conditions. Aikin, indeed, asserts that if the directions given above be fulfilled, there will be variations between full-grown men and women of one or two tones, and between different men and different women of one or two semi-tones, and not much more. As he truly affirms, if the tube is six inches long a variation of three-quarters of an inch could only make a difference of a whole tone in the resonance, and he implies that the different results obtained by these different experimenters were due to the faulty use of the resonator.

In ordinary conversation much faulty pronunciation is overlooked so long as the words themselves are intelligible, but in singing and public speaking every misuse of the resonator is magnified and does not pass unnoticed. Increased loudness of the voice will not improve its carrying power if the resonator is improperly used; it will often lead to a rise of pitch and the production of a harsh, shrill tone associated with a sense of strain and effort. Aikin claims that by studying the whispering voice we can find for every vowel sound that position of the resonator which gives us the maximum of resonance. By percussing[A] the resonator in the position for the production of the various vowel sounds you will observe a distinct difference in the pitch of the note produced. I will first produce the vowel sound _oo_ and proceed with the vowel sounds to _i_; you will observe that the pitch rises an octave; that this is due to the changes in the form of the resonator is shown when I percuss the resonator in the position of the different vowel sounds. You will observe that I start the scale of C with _oo_ on f and proceed through a series of vowel sounds as in whispering _who_, _owe_, _or_, _on_, _ah_. I rise a fifth from f to c, and the diagram shows the change in the form of the resonator cavity to be mainly due to the position of the dorsum of the tongue. Proceeding from _ah_ to the middle tone of the speaking register, we ascend the scale to _i_ as in _me_, and the dorsum of the tongue now reaches the roof of the mouth; but the tongue not only rises, it comes forward, and the front segment of the resonator is made a little smaller at every step of the scale while the back segment becomes a little larger. I consider this diagram of Aikin to be more representative of the changes in the resonator than the description of Helmholtz, who stated that the form of the resonator during the production of the vowel sound _u_ and _o_ is that of a globular flask with a short neck; during the production of _a_ that of a funnel with the wide extremity directed forward; of _e_ and _i_ that of a globular flask with a long narrow neck.

[Footnote A: This was done by the lecturer placing his left forefinger on the outside of the right cheek, then striking it with the tip of the middle finger of the right hand, just in the same way as he would percuss the chest.--F.W.M.]

[Description: FIG. 13.--Diagram after Aikin.

1. To show position of tongue and lips in the production of the vowel sounds _a, o, oo_.

2. To show successive positions of the tongue in the production of the vowel sounds _a, ei, e, i_.]

I have already said that Helmholtz showed that each vowel sound has its particular overtones, and the quality or "timbre" of the voice depends upon the proportional strength of these overtones. Helmholtz was able by means of resonators to find out what were the overtones for each vowel sound when a particular note was sung. The flame manometer of König (_vide_ fig. 14) shows that if the same note be sung with different vowels the serrated flame image in the mirror is different for each vowel, and if a more complicated form of this instrument be used (such as I show you in a picture on the screen) the overtones of the vowel sounds can be analysed. You will observe that this instrument consists of a number of resonators placed in front of a series of membranes which cover capsules, each capsule being connected with a jet of gas.

Four-sided revolving mirror

Images of gas jets

Resonators, with capsules connected with gas jets]

[Description: FIG. 14.--König's flame manometer. The fundamental note C is sung on a vowel sound in front of the instrument; the lowest resonator is proper to that note and the air in it is thrown into corresponding periodic rhythmical vibrations, which are communicated through an intervening membrane to the gas in the capsule at the back of the resonator; but the gas is connected with the lighted jet, the flame of which is reflected in the mirror, the result being that the flame vibrates. When the mirror is made to revolve by turning the handle the reflected image shows a number of teeth corresponding to the number of vibrations produced by the note which was sung. The remaining resonators of the harmonic series with their capsules and gas-jets respond in the same manner to the overtones proper to each vowel sound when the fundamental note is sung.]

Each resonator corresponds from below upwards to the harmonics of the fundamental note c. In order to know if the sound of the voice contains harmonics and what they are, it is necessary to sing the fundamental note c on some particular vowel sound; the resonators corresponding to the particular harmonics of the vowel sound are thus set in action, and a glance at the revolving mirror shows which particular gas jets vibrate. Experiments conducted with this instrument show that the vowel _U=oo_ is composed of the fundamental note very strong and the third harmonic (viz. g) is fairly pronounced.

_O_ (_on_) contains the fundamental note, the second harmonic (the octave c') very strong, and the third and fourth harmonics but weak.

The vowel _A_ (_ah_) contains besides the fundamental note, the second harmonic, weak; the third, strong; and the fourth, weak.

The vowel _E_ (_a_) has relatively a feeble fundamental note, the octave above, the second harmonic, is weak, and the third weak; whereas the fourth is very strong, and the fifth weak.

The vowel _I_ (_ee_) has very high harmonics, especially the fifth, which is strongly marked.

We see from these facts that there is a correspondence between the existence of the higher harmonics and the diminished length of the resonator. They are not the same in all individuals; for they depend also upon the _timbre_ of the voice of the person pronouncing them, or the special character of the language used, as well as upon the pitch of the fundamental notes employed.

Helmholtz inferred that if the particular quality of the vowel sounds is due to the reinforcement of the fundamental tone by particular overtones, he ought to be able to produce synthetically these vowel sounds by combining the series of overtones with the fundamental note. This he actually accomplished by the use of stopped organ pipes which gave sensibly simple notes.

* * * * *

Having thus shown that the fundamental note is dependent upon the tension of the vocal cords--the reed portion of the instrument--and the quality, timbre, or "klang" upon the resonator, I will pass on to the formation of syllables and words of articulate speech by the combination of vowel sounds and consonants.

"The articulate sounds called consonants are sounds produced by the vibrations of certain easily movable portions of the mouth and throat; and they have a different sound according as they are accompanied by voice or not" (Hermann).

The emission of sounds from the resonator may be modified by interruption or constriction in three situations, at each of which added vibrations may occur, (1) At the lips, the constriction being formed by the two lips, or by the upper or lower lip with the lower or upper dental arch. (2) Between the tongue and the palate, the constriction being caused by the opposition of the tip of the tongue to the anterior portion of the hard palate or the posterior surface of the dental arch. (3) At the fauces, the constriction being due to approximation of the root of the tongue and the soft palate. Consonants can only be produced in conjunction with a vowel sound, consequently the air is thrown into sonorous waves of a complex character, in part dependent upon the shape of the resonator for the production of the vowel, in part dependent upon the vibrations at each of these situations mentioned above. Consonants may accordingly be classified as they are formed at the three places of interruption--lips, teeth, and fauces respectively: (1) labial; (2) dental; (3) guttural.

The sounds formed at each of the places of interruption are divided into-- 1. _Explosives_.--At one of the situations mentioned the resonator is suddenly opened or closed during the expulsion of air--(_a_) without the aid of voice, p, t, k; (_b_) with the aid of voice, b, d, g. When one of these consonants begins a syllable, opening of the resonator is necessary, e.g. pa; when it ends a syllable, closure is necessary, e.g. ap. No sharp distinction is possible between p and b, t and d, and k and g if they are whispered.

2. _Aspirates_.--The resonator is constricted at one of the points mentioned so that the current of air either expired or inspired rushes through a small slit. Here again we may form two classes: (_a_) without the aid of the voice, f, s (sharp), ch, guttural; (_b_) with the aid of voice, v, z, y. The consonants s and l are formed when the passage in front is closed by elevation of the tongue against the upper dental arch so that the air can only escape at the sides between the molar teeth: sh is formed by the expulsion of the current of air through two narrow slits, viz. (1) between the front of the tongue and the hard palate, the other between the nearly closed teeth. If a space be left between the tip of the tongue and the upper teeth two consonant sounds can be produced, one without the aid of the voice--th (hard) as in that; the other with the aid of voice--th (soft) as in thunder. Ch is a guttural produced near the front of the mouth, e.g. in Christ, or near the back as in Bach.

3. _Resonants_.--In the production of the consonant m, and sometimes n, the nasal resonator comes into play because the soft palate is not raised at all and the sound waves produced in the larynx find a free passage through the nose, while the mouth portion of the resonator is completely closed by the lips. The sounds thus produced are very telling in the singing voice.

4. _Vibratory Sounds_.--There are three situations in which the consonant r may be formed, but in the English language it is produced by the vibration of the tip of the tongue in the constricted portion of the cavity of the mouth, formed by the tongue and the teeth.

The consonants have been grouped by Hermann as follows:--

| |Labials.|Dentals. |Gutturals.|
|1. Explosives-- | | | |
|a. Without the voice|P |T |K |
|b. With the voice |B |D |G |
|2. Aspirates-- | | | |
|a. Without the voice|F |S (hard), L, Sh,|Ch |
| | |Th (hard) | |
|b. With the voice |V |Z, L, Th, Zh |Y in yes |
| | |(soft) | |
|3. Resonants |M |N |N (nasal) |
|4. Vibratory sounds|Labial R|Lingual R |Guttural R|

H is the sound produced in the larynx by the quick rushing of the air through the widely opened glottis.

Hermann's classification which I have given is especially valuable as regards the speaking voice, but Aikin classifies the consonants from the singing point of view, according to the more or less complete closure of the resonator.

CLASSIFICATION OF CONSONANTS (AIKIN)

Jaw fully open H, L, K, G
" less " T, D, N, R
" nearly closed, lips closed P, B, M
" " " upper lip on lower teeth F, V
" quite closed S, Z, J, N, Ch, Sh

Aikin, moreover, points out that the English language is so full of closures that it is difficult to keep the resonator open, and that accounts for one of the principal difficulties in singing it.

"The converse of this may be said of Italian, in which most words end in pure vowels which keep the resonator open. In fact, it is this circumstance which has made the Italian language the basis of every point of voice culture and the producer of so many wonderful singers." As an example compare the English word 'voice,' which begins with closure and ends with closure, and the Italian 'voce,' pronounced _voché_, with its two open vowel sounds. The vowel sound ah on the note c is the middle tone of the speaking register, and as we know, can be used all day long without fatigue; therefore in training the voice the endeavour should be made to develop the register above and below this middle tone. In speaking there is always a tendency under emotional excitement, especially if associated with anger, to raise the pitch of the voice, whereas the tender emotions lead rather to a lowering of the pitch. Interrogation generally leads to a rise of the pitch; thus, as Helmholtz pointed out, in the following sentence there is a decided fall in the pitch--"I have been for a walk"; whereas in "Have you been for a walk?" there is a decided rise of pitch. If you utter the sentence "Who are you?" there is a very definite rise of pitch on 'are.'

PATHOLOGICAL DEGENERATIVE CHANGES PRODUCING SPEECH DEFECTS AND WHAT THEY TEACH

As I have before remarked, children utter vowel sounds before consonants, and I used this as an argument that phonation preceded articulation; but there is another reason for supposing that articulate sounds are of later development phylogenetically, as well as ontogenetically. Not only are they more dependent for their proper production on intelligence, but in those disorders of speech which occur as a result of degenerative processes of the central nervous system the difficulty of articulate speech precedes that of phonation. Take, for example, bulbar paralysis, a form of progressive muscular atrophy, a disease due to a progressive decay and destruction of the motor nerve cells presiding over the movements of the tongue, lips, and larynx, hence often called glosso-labial-laryngeal palsy. In this disease the lips, tongue, throat, and often the larynx are paralysed on both sides. "The symptoms are, so to speak, grouped about the tongue as a centre, and it is in this organ that the earliest symptoms are usually manifested." (Gowers). Imperfect articulation of those sounds in which the tongue is chiefly concerned, viz. the lingual consonants l, r, n, and t, causing indistinctness of speech, is the first symptom; the lips then become affected and there is difficulty in the pronunciation of sounds in which the lips are concerned, viz. u, o, p, b, and m. Eventually articulate speech becomes impossible, and the only expression remaining to the patient is laryngeal phonation, slightly modulated and broken into the rhythm of formless syllables.

The laryngeal palsy _rarely_ becomes complete. The nervous structures in the _physiological mechanism_ of speech and phonation are affected in this disease; but there are degenerative diseases of the brain in which the _psychical mechanism_ of speech is affected, e.g. General Paralysis of the Insane, in which the affection of speech and hand-writing is quite characteristic. There is at first a hesitancy which may only be perceptible to practised ears, but in which there is no real fault of articulation once it is started; sometimes preparatory to and during the utterance there is a tremulous motion about the muscles of the mouth. The hesitation increases, and instead of a steady flow of modulated, articulate sounds, speech is broken up into a succession of irregular, jerky, syllabic fragments, without modulation, and often accompanied by a tremulous vibration of the voice. Syllables are unconsciously dropped out, blurred, or run into one another, or imperfectly uttered; especially is difficulty found with consonants, particularly explosive sounds, b, p, m; again, linguals and dentals are difficult to utter. Similar defects occur in written as in vocal speech; the syllables and even the letters are disjointed; there is a fine tremor in the writing, and inco-ordination in the movements of the pen. Silent thoughts leave out syllables and words in the framing of sentences; consequently they are not expressed by the hand. The ideation of a written or spoken word is based upon the association of the component syllables, and the difficulty arises primarily from the progressive impairment of this function of association upon which spoken and written language so largely depends. Examination of the brain in this disease explains the cause of the speech trouble and the progressive dementia (loss of mind) and paralysis with which it is associated. There is a wasting of the cerebral hemispheres, especially of the frontal lobes, a portion of the brain which, later on, we shall see is intimately associated with the function of articulate speech.

THE CEREBRAL MECHANISM OF SPEECH AND SONG

Neither vocalisation nor articulation are essentially human. Many of the lower animals, e.g. parrots, possess the power of articulate speech, and birds can be taught to pipe tunes. The essential difference between the articulate speech of the parrot and the human being is that the parrot merely imitates sounds, it does not employ these articulate sounds to express judgments; likewise there are imbecile human beings who, parrot-like, repeat phrases which are meaningless. Articulate speech, even when employed by a primitive savage, always expresses a judgment. Even in the simple psychic process of recalling the name aroused by the sight of a common object in daily use, and in affixing the verbal sign to that object, a judgment is expressed. But that judgment is based upon innumerable experiences primarily acquired through our special senses, whereby we have obtained a knowledge of the properties and uses of the object. This statement implies that the whole brain is consciously and unconsciously in action. There is, however, a concentration of psychic action in those portions of the brain which are essential for articulate speech; consequently the word, as it is mentally heard, mentally seen, and mentally felt (by the movements of the jaw, tongue, lips, and soft palate), occupies the field of clear consciousness; but the concept is also the nucleus of an immense constellation of subconscious psychic processes with which it has been associated by experiences in the past. In language, articulate sounds are generally employed as objective signs attached to objects with which they have no natural tie.

In considering the relation of the Brain to the Voice we have not only a physiological but a psychological problem to deal with. Since language is essentially a human attribute, we can only study the relation of the Brain to Speech by observations on human beings who during life have suffered from various speech defects, and then correlate these defects with the anatomical changes found in the brain after death.

Between the vocal instrument of the primitive savage and that of the most cultured singer or orator there is little or no discoverable difference; neither by careful naked-eye inspection of the brain, nor aided by the highest powers of the microscope, should we be able to discover any sufficient structural difference to account for the great difference in the powers of performance of the vocal instrument of the one as compared with that of the other; nor is there any sufficient difference in size or minute structure of the brain to account for the vast store of intellectual experiences and knowledge of the one as compared with the other. The cultured being descended from cultured beings inherits tendencies whereby particular modes of motion or vibration which have been experienced by ancestors are more readily aroused in the central nervous system; when similar stimuli producing similar modes of motion affect the sense organs. But suppose there were an island inhabited only by deaf mutes, upon which a ship was wrecked, and the sole survivors of the wreck were infants who had never used the voice except for crying, would these infants acquire articulate speech and musical vocalisation? I should answer, No. They would only be able to imitate the deaf mutes in their gesture language and possibly the musical sounds of birds; for the language a child learns is that which it hears; they might however develop a simple natural language to express their emotions by vocal sounds. The child of English-speaking parents would not be able spontaneously to utter English words if born in a foreign country and left soon after birth amongst people who could not speak a word of English, although it would possess a potential facility to speak the language of its ancestors and race.

It is necessary, however, before proceeding further, to say a few words explanatory of the brain and its structure, and the reader is referred to figs. 15, 16, 17. The brain consists of (1) the great brain or cerebrum, (2) the small brain or cerebellum, and (3) the stem of the brain, which is continuous with the spinal cord. The cerebro-spinal axis consists of grey matter and white matter. The grey matter covers the surface of the cerebrum and cerebellum, the white matter being internal. The stem of the brain, the medulla oblongata, and the spinal cord, consists externally of white matter, the grey matter being internal. The grey matter consists for the most part of nerve cells (ganglion cells), and the white matter consists of nerve fibres; it is white on account of the phosphoretted fatty sheath--myelin--that covers the essential axial conducting portion of the nerve fibres. If, however, the nervous system be examined microscopically by suitable staining methods, it will be found that the grey and white matters are inseparably connected, for the axial fibres of the nerves in the white matter are really prolongations of the ganglion cells of the grey matter; in fact the nervous system consists of countless myriads of nervous units or neurones; and although there are structural differences in the nervous units or neurones, they are all constructed on the same general architectural plan (_vide_ fig. 15). They may be divided into groups, systems, and communities; but there are structural differences of the separate systems, groups, and communities which may be correlated with differences of function. The systems may be divided into: (1) afferent sensory, including the special senses and general sensibility; (2) motor efferent; (3) association.

[Description: FIG. 15.--Diagrammatic representation of a motor neurone magnified 300 diameters. Whereas the nerve cell and its branching processes (the dendrons) form but a minute speck of protoplasm, the nerve fibre which arises from it, although microscopic in diameter, extends a very long distance; in some cases it is a yard long; consequently only a minute fraction of the nerve fibre is represented in the diagram.]

The great brain or cerebrum consists of two halves equal in weight, termed hemispheres, right and left; and the grey matter covering their surface is thrown into folds with fissures between, thus increasing enormously the superficial area of the grey matter and of the neurones of which it consists without increasing the size of the head. The pattern of the folds or convolutions shows a general similarity in all human beings, certain fissures being always present; and around these fissures which are constantly present are situated fibre systems and communities of neurones having particular functions (_vide_ fig. 16.) Thus there is a significance in the convolutional pattern of the brain. But just as there are no two faces alike, so there are no two brains alike in their pattern; and just as it is rare to find the two halves of the face quite symmetrical, so the two halves of the brain are seldom exactly alike in their pattern. Although each hemisphere is especially related to the opposite half of the body, the two are unified in function by a great bridge of nerve fibres, called the corpus callosum, which unites them. The cortical centres or structures with specialised functions localised in particular regions of one hemisphere are associated by fibres passing to the same region in the opposite hemisphere by this bridge.

[Description: FIG. 16.--Diagram of the left hemisphere of the brain showing localised centres, of which the functions are known. It will be observed that the centres for the special senses, tactile, muscular, hearing, and vision, are all situated behind the central fissure. The tactile-motor kinæsthetic sense occupies the whole of the post-central convolution; the centre for hearing (and in the left hemisphere memory of words) is shown at the end of the first temporal convolution, but the portion shaded by no means indicates the whole of the grey cortex which possesses this function; a large portion of this centre cannot be seen because it lies within the fissure forming the upper surface of the temporal lobe. Behind this is the angular gyrus which is connected with visual word memory. The half-vision centre, and by this is meant the portion of brain which receives impressions from each half of the field of vision, is situated for the most part on the inner (unseen) surface of the occipital lobe. In front of the central fissure is situated the motor area, or that region destruction of which causes paralysis of the muscles moving the structures of the opposite half of the body. If the situations indicated by black dots be excited by an interrupted electric current, movements of the limbs, trunk, and face occur in the precise order shown, from the great toe to the larynx. In front of this precentral convolution are the three frontal convolutions, and it would seem that the functions of these convolutions are higher movements and attention in fixation of the eyes; moreover, in the lowest frontal region, indicated by fine dots, we have Broca's convolution, which is associated with motor speech; above at the base of the second middle frontal convolution is the portion of cortex in which is localised the function of writing. Taste and smell functions reside in brain cortex only a small portion of which can be seen, viz. that at the tip of the temporal lobe.]

Muscles and groups of muscles on the two sides of the body which invariably act together may thus be innervated from either hemisphere, e.g. the muscles of the larynx, the trunk, and upper part of the face.

Gall, the founder of the doctrine of Phrenology, wrecked his fame as a scientist by associating mental faculties with conditions of the skull instead of conditions of the brain beneath; nevertheless, he deserves the highest credit for his discoveries and deductions, for he was the first to point out that that part of the brain with which psychic processes are connected must be the cerebral hemispheres. He said, if we compare man with animals we find that the sensory functions of animals are much finer and more highly developed than in man; in man, on the other hand, we find intelligence much more highly developed than in animals. Upon comparing the corresponding anatomical conditions, we see, he said, that in animals the deeper situated parts of the brain are relatively more developed and the hemispheres less developed than in man; in man, the hemispheres so surpass in development those of animals that we can find no analogy. Gall therefore argued that we must consider the cerebral hemispheres to be the seat of the higher functions of the mind. We must moreover acknowledge that the following deductions of Gall are quite sound: "The convolutions ought to be recognised as the parts where the instincts, feelings, thoughts, talents, the affective qualities in general, and the moral and intellectual forces are exercised." The Paris Academy of Science appointed a commission of inquiry, May, 1808, which declared the doctrine of Gall to be erroneous. Gall moreover surmised that the faculty of language lay in the frontal lobes, and Bouillaud supported Gall's proposition by citing cases in which speech had been affected during life, and in which after death the frontal lobes were found to be damaged by disease. A great controversy ensued in France; popular imagination was stirred up especially in the republic by the doctrine of Gall, which was an attempt to materialise and localise psychic processes. Unfortunately Gall's imagination, encouraged by a widespread wave of popular sympathy, overstepped his judgment and launched him into speculative hypotheses unsupported by facts. His doctrine of Phrenology was shown to be absolutely illogical; consequently it was forgotten that he was the pioneer of cerebral localisation.

SPEECH AND RIGHT-HANDEDNESS

The next step in Cerebral Localisation was made by a French physician, Marc Dax, who first observed that disease of the left half of the cerebrum producing paralysis of the right half of the body (right hemiplegia) was associated with loss of articulate speech. This observation led to the establishment of a most important fact in connection with speech, viz. that right-handed people use their left cerebral hemisphere as the executive portion of the brain in speech. Subsequently it was shown that when left-handed people were paralysed on the left side by disease of the right hemisphere, they lost their powers of speech. But the great majority of people are born right-handed, consequently the right hand being especially the instrument of the mind in the majority of people, the left hemisphere is the leading hemisphere; and since probably specialisation of function of the right hand (dexterity) has been so closely associated with that other instrument of the mind, the vocal instrument of articulate speech, the two have now become inseparable; for are not graphic signs and verbal signs intimately interwoven in the development of language and human intelligence?

What has determined the predominance of the left hemisphere in speech? I can find no adequate anatomical explanation. There is no difference in weight of the two hemispheres in normal brains. Moreover, I am unable to subscribe to the opinion that there is any evidence to show that the left hemisphere receives a larger supply of blood than the right. Another theory advanced to explain localisation of speech and right-handedness in the left hemisphere is that the heavier organs, lung and liver, being on the right side have determined a mechanical advantage which has led to right-handedness in the great majority of people. This theory has, however, been disposed of by the fact that cases in which there has been a complete transposition of the viscera have not been left-handed in a larger proportion of cases. The great majority of people, modern and ancient, civilised and uncivilised, use the right hand by preference. Even graphic representations on the sun-baked clay records of Assyria, and the drawings on rocks, tusks, and horns of animals of the flint-weapon men of prehistoric times show that man was then right-handed. There is a difference of opinion whether anthropoid apes use the right hand in preference to the left. Professor Cunningham, who made a special study of this subject, asserts that they use either hand indifferently; so also does the infant at first, and the idiot in a considerable number of cases. Then why should man, even primitive, have chosen the right hand as the instrument of the mind? Seeing that there is no apparent anatomical reason, we may ask ourselves the question: Is it the result of an acquired useful habit to which anatomical conditions may subsequently have contributed as a co-efficient? Primitive man depended largely upon gesture language, and the placing of the hand over the heart is universally understood to signify love and fidelity. Uneducated deaf mutes, whose only means of communicating with their fellow-men is by gestures, not only use this sign, but imply hatred also by holding the hand over the heart accompanied by the sign of negation. Moreover, pointing to the heart accompanied by a cry of pain or joy would indicate respectively death of an enemy or friend. Again, primitive man protected himself from the weapons of his enemies by holding the shield in his left hand, thus covering the heart and leaving the right hand free to wield his spear. The question whether it would have been to his advantage to use either hand indifferently for spear and shield has been, to my mind, solved by the fact that in the long procession of ages evolution has determined right-handed specialisation as being more advantageous to the progress of mankind than ambidexterity. Right-handedness is an inherited character in the same sense as the potential power of speech.

LOCALISATION OF SPEECH CENTRES IN THE BRAIN

In 1863 Broca showed the importance in all right-handed people (that is in about ninety-five per cent of all human beings) of the third _left_ frontal convolution for speech (_vide_ figs. 16 and 17); when this is destroyed by disease, although the patient can understand what is said and can understand written and printed language, the power of articulate speech is lost. _Motor Aphasia_. This portion of the brain is concerned with the revival of the motor images, and has been termed by Dr. Bastian "the glosso-kinæsthetic centre," or the cortical grey matter, in which the images of the sense of movement of the lips and tongue are formed (_vide_ fig. 17). A destruction of a similar portion of the cortex in a right-handed person produces no loss of speech; but if the person is left-handed there is aphasia, because he, being left-handed, uses the third _right_ inferior frontal convolution for speech. These facts have for long been accepted by most neurologists, but recently doubts have been cast upon this fundamental principle of cerebral localisation by a most distinguished French neurologist, M. Marie; he has pointed out that a destructive lesion of the cortex may be accompanied by subcortical damage, which interrupts fibres coming from other parts of the brain connected with speech.

In the study of speech defects it is useful to employ a diagram; a certain part of the brain corresponds to the _Speech Zone_ there indicated, and lesions injuring any part of this area in the left hemisphere cause speech defects (_vide_ fig. 17). All neurologists, M. Marie included, admit this, and the whole question therefore is: Is a destruction of certain limited regions of the superficial grey matter the cause of different forms of speech defects, or are they not due more to the destruction of subcortical systems of fibres, which lie beneath this cortical speech zone?

There is a certain portion of the speech zone which is assumed to be connected with the revival of written or printed language, and is called the _visual word-centre_. There is another region connected with the memory of spoken words--the _auditory word-centre_; you will observe that it is situated in the posterior third of the first temporal convolution, but this does not comprise nearly the whole of it, for there is an extensive surface of grey matter lying unseen within the fissure, called the transverse convolutions, or gyri. Lesions of either of these regions give rise to _Sensory Aphasia_, which means a loss of speech due to inability to revive in memory the articulate sounds which serve as verbal symbols, or the graphic signs which serve as visual symbols for language.

[Description: FIG. 17.--Diagram to illustrate the Speech Zone of the left hemisphere (Bastian). This scheme is used to explain the mechanism of speech, but probably the centres are not precisely limited, as shown in the diagram; it serves, however, to explain disorders of speech. Destruction of the brain substance in front of the central fissure gives rise to what is termed Motor Aphasia and Motor Agraphia, because the patient no longer recalls the images of the movements necessary for expressing himself in articulate speech or by writing. Destructive lesions behind the central fissure may damage the portion of the brain connected with the mental perception of the sounds of articulate language, or the portion of the brain connected with the mental perception of language in the form of printed or written words--Sensory Aphasia; the former entails inability to speak, the latter inability to read.

This speech zone acts as a whole, and many disorders of speech may arise from destructive lesions within its limits. It has a special arterial supply, viz. the middle cerebral, which divides into two main branches--an anterior, which supplies the motor portion, and a posterior, which supplies the posterior sensory portion. The anterior divides into two branches and the posterior into three branches, consequently various limited portions of the speech zone may be deprived of blood supply by blocking of one of these branches. The speech zone of the left hemisphere directly controls the centres in the medulla oblongata that preside over articulation and phonation; innervation currents are represented by the arrows coming from the higher to the lower centres.]

These several cortical regions are connected by systems of subcortical fibres to two regions in front of the ascending frontal convolution (_vide_ fig. 17), called respectively the "glosso-kinæsthetic" (sense of movement of tongue) and the "cheiro-kinæsthetic" (sense of movement of hand) centres. Now a person may become hemiplegic and lose his speech owing either to the blood clotting in a diseased vessel, or to detachment of a small clot from the heart, which, swept into the circulation, may plug one of the arteries of the brain. The arteries branch and supply different regions, consequently a limited portion of the great brain may undergo destruction, giving rise to certain localising symptoms, according to the situation of the area which has been deprived of its blood supply. Upon the death of the patient, a correlation of the symptoms observed during life and the loss of brain substance found at the _post-mortem_ examination has enabled neurologists to associate certain parts of the brain surface with certain functions; but M. Marie very rightly says: None of the older observations by Broca and others can be accepted because they were not examined by methods which would reveal the extent of the damage; the only cases which should be considered as scientifically reliable are those in which a careful examination by sections and microscopic investigation have determined how far subcortical structures and systems of fibres uniting various parts of the cortex in the speech zone have been damaged. Marie maintains that the speech zone cannot be separated into these several centres, and that destruction of Broca's convolution does not cause loss of speech (_vide_ figs. 16, 17). There are at present two camps--those who maintain the older views of precise cortical centres, and those who follow Marie and insist upon a revision.

Herbert Spencer says that "our intellectual operations are indeed mostly confined to the auditory feelings as integrated into words and the visual feelings as integrated into ideas of objects, their relations and their motions."

Stricker by introspection and concentration of attention upon his own speech-production came to the conclusion that the primary revival of words was by the feeling of movements of the muscles of articulation; but there is a fallacy here, for the more the attention is concentrated upon any mental process the more is the expressive side brought into prominence in consciousness. This can be explained by the fact that there is in consequence of attention an increased outflow of innervation currents to special lower executive centres, thence to the muscles, but every change of tension in the speech muscles is followed by reciprocal incoming impressions appertaining to the sense and feeling of the movement. The more intense the sense of movement, the greater will be the effect upon consciousness. In fact, a person who reads and thinks by articulating the words, does so because experience has taught him that he can concentrate his attention more perfectly; therefore his memory or understanding of the subject read or thought of will be increased. Very many people think and commit to memory by this method of concentrating attention; they probably do not belong to the quick, perceptive, imaginative class, but rather to those who have power of application and who have educated their minds by close voluntary attention. Galton found a large proportion of the Fellows of the Royal Society were of this motor type. But the fact that certain individuals make use of this faculty more than others does not destroy the arguments in favour of the primary revival of words in the great majority of persons by a subconscious process in the auditory centre, which is followed immediately by correlated revival of sensori-motor images. Although the sensori-motor images of speech can be revived, it is almost impossible without moving the hand to revive kinæsthetic impressions concerned in writing a word. Both Ballet and Stricker admit this fact, and it tends to prove that the sense of hearing is the primary incitation to speech.

Charcot in reference to the interpretation of speech defects divided persons into four classes--auditives, visuals, motors, and indifferents. There are really no separate classes, but only different kinds of word-memory in different degrees of excellence as regards the first three; and as regards the fourth there is no one kind of memory developed to a preponderating degree. Bastian doubts the second class, but does not deny that the visual type may exist; for Galton has undoubtedly shown that visual memory and power of recall of visual word images varies immensely in different individuals, and it is unquestionable that certain individuals possess the visualising faculty to an extraordinary degree; some few, moreover, can see mentally every word that is uttered; they give their attention to the visual symbolic equivalent and not to the auditory. Such persons may, as Ribot supposes, habitually think and represent objects by visual typographic images. Lord Macaulay and Sir James Paget were notable possessors of this visualising faculty. The former is said to have been able to read a column of "The Times" and repeat it _verbatim_; the latter could deliver his lectures _verbatim_ as he had written them. Both saw mentally the print or MS. in front of them.

Nevertheless it is a question of degree how much motor images enter into silent thought and into the primary revival of words in different individuals. Mach in "Analysis of Sensations" says: "It is true that in my own case words (of which I think) reverberate loudly in my ear. Moreover, I have no doubt that thoughts may be directly excited by the ringing of a house-bell, by the whistle of a locomotive, etc., that small children and even dogs understand words which they cannot repeat. Nevertheless I have been convinced by Stricker that the ordinary and most familiar, though not the only possible way, by which speech is comprehended is really _motor_ and that we should be badly off if we were without it. I can cite corroborations of this view from my own experience. I frequently see strangers who are endeavouring to follow my remarks slightly moving their lips."

THE PRIMARY SITE OF REVIVAL OF WORDS IN SILENT THOUGHT

Since destructive lesions of the speech zone of the left hemisphere in right-handed persons leads to inability to revive the memory pictures of the sounds of words as heard in ordinary speech, the revival of visual impressions as seen in printed or written characters, and of the kinæsthetic (sense of movement) impressions concerned with the alterations of the minute tensions of the muscle structures employed in the articulation of words, it must be presumed that the left hemisphere in right-handed persons is dominant in speech and silent thought; it may even dominate the use of the left hand for many movements. But does not the right hemisphere take a part? Yes; and I will give my reasons later for supposing that the whole brain is in action. During the voluntary recall of words in speech and thought by virtue of the intimate association tracts connecting the grey matter of the whole speech zone, it is not a single part of this zone which is in action, but the whole of it; and when we assign to definite parts of the speech zone different functions in connection with language, we really refer to areas in which the process is most active or is primarily initiated, for the whole brain is in action just as it is in the recognition of an object which we see, hear, feel, or move. What really comes before us is contributed more by the mind itself than by the present object.

There is, however, a direct functional association between the auditory and glosso-kinæsthetic (sense of movement of the tongue) centres on the one hand and the visual and cheiro-kinæsthetic (sense of movement of the hand) on the other. No less intimate must be the connection between the auditory word-centre and the visual word-centre; they must necessarily be called into association actively in successive units of time, as in reading aloud or writing from dictation. Educated deaf mutes think with revived visual symbols either of lips or fingers. Words are to a great extent symbols whereby we carry on thought, and thinking becomes more elaborate and complex as we rise in the scale of civilisation, because more and more are verbal symbols instituted for concrete visual images.

In which portion of the brain are words primarily and principally revived during the process of thinking? I have already alluded to the views of Stricker and those who follow him, viz. that words are the revived images of the feelings of the sense of movement, caused by the alteration in the tension of the muscles of articulation occurring during speech, with or without phonation. There is another which I think the correct view, that words are revived in thought primarily as auditory images, so that the sense of hearing is essential for articulation as well as phonation; the two operations of the vocal organ as an instrument of the mind being inseparable. The arguments in favour of this are:--

1. The part of the brain concerned with the sense of hearing develops earlier and the nerve fibres found in this situation are myelinated[1] at an earlier period of development of the brain than the portion connected with the sense of movement of the muscles of articulation.

[Footnote 1: The covering of the fibres by a sheath of phosphoretted fat serving to insulate the conductile portion of the nerve is an indication that the fibre has commenced to function as a conductor of nervous impulses.]

2. As a rule, the child's first ideas of language come through the sense of hearing; articulate speech is next evolved, in fact the child speaks only that which it has heard; it learns first to repeat the names of persons and objects with which it comes into relation, associating visual images with auditory symbols.

An example of this was communicated by Darwin to Romanes. One of his children who was just beginning to speak, called a duck a "quack." By an appreciation of the resemblance of qualities it next extended the term "quack" to denote all birds and insects on the one hand, and all fluid objects on the other. Lastly, by a still more delicate appreciation of resemblance the child called all coins "quack" because on the back of a French sou it had seen the representation of an eagle (Romanes' "Mental Evolution in Man," p. 183). Later on, children who have been educated acquire a knowledge of the application of visual symbols, and how to represent them by drawing and writing, and associate them with persons and objects.

3. There is more definiteness of impression and readiness of recall for auditory than for articulatory motor sense feelings.

4. After the acquirement of speech by the child, auditory feelings are still necessary for articulate speech processes; for if it were not so, how could we explain the fact that a child up to the fifth or sixth year in full possession of speech will become dumb if it loses the sense of hearing from middle-ear disease, unless it be educated later by lip language.

5. Cases have been recorded of bilateral lesion of the auditory centre of the brain producing loss of hearing and loss of speech, the motor centres being unaffected. This is called Wernicke's sensory aphasia. The following case occurring in my own practice is probably the most complete instance recorded.

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The Brain and the Voice in Speech and SongChapter III: The Resonator and Articulator (1)

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