Chapter VII (1)

The next morning when the painter and the medico came to see him, they found him in a shirt torn to ribbons, his hands bitten all over, tossing about in the room and moaning with pain.

“For God’s sake!” he began to sob, seeing his comrades, “Take me anywhere you like, do what you like, but save me, for God’s sake now, now! I’ll kill myself.”

The painter went pale and was bewildered. The medico, too, nearly began to cry; but, believing that medical men must be cool and serious on every occasion of life, he said coldly:

“It’s a fit you’ve got. But never mind. Come to the doctor, at once.”

“Anywhere you like, but quickly, for God’s sake!”

“Don’t be agitated. You must struggle with yourself.”

The painter and the medico dressed Vassiliev with trembling hands and led him into the street.

“Mikhail Sergueyich has been wanting to make your acquaintance for a long while,” the medico said on the way. “He’s a very nice man, and knows his job splendidly. He took his degree in ’82, and has got a huge practice already. He keeps friends with the students.”

“Quicker, quicker....” urged Vassiliev. Mikhail Sergueyich, a stout doctor with fair hair, received the friends politely, firmly, coldly, and smiled with one cheek only.

“The painter and Mayer have told me of your disease already,” he said. “Very glad to be of service to you. Well? Sit down, please.”

He made Vassiliev sit down in a big chair by the table, and put a box of cigarettes in front of him.

“Well?” he began, stroking his knees. “Let’s make a start. How old are you?”

He put questions and the medico answered. He asked whether Vassiliev’s father suffered from any peculiar diseases, if he had fits of drinking, was he distinguished by his severity or any other eccentricities. He asked the same questions about his grandfather, mother, sisters, and brothers. Having ascertained that his mother had a fine voice and occasionally appeared on the stage, he suddenly brightened up and asked:

“Excuse me, but could you recall whether the theatre was not a passion with your mother?”

About twenty minutes passed. Vassiliev was bored by the doctor stroking his knees and talking of the same thing all the while.

“As far as I can understand your questions, Doctor,” he said. “You want to know whether my disease is hereditary or not. It is not hereditary.”

The doctor went on to ask if Vassiliev had not any secret vices in his early youth, any blows on the head, any love passions, eccentricities, or exceptional infatuations. To half the questions habitually asked by careful doctors you may return no answer without any injury to your health; but Mikhail Sergueyich, the medico and the painter looked as though, if Vassiliev failed to answer even one single question, everything would be ruined. For some reason the doctor wrote down the answers he received on a scrap of paper. Discovering that Vassiliev had already passed through the faculty of natural science and was now in the Law faculty, the doctor began to be pensive....

“He wrote a brilliant thesis last year....” said the medico.

“Excuse me. You mustn’t interrupt me; you prevent me from concentrating,” the doctor said, smiling with one cheek. “Yes, certainly that is important for the anamnesis.... Yes, yes.... And do you drink vodka?” he turned to Vassiliev.

“Very rarely.”

Another twenty minutes passed. The medico began _sotto voce_ to give his opinion of the immediate causes of the fit and told how he, the painter and Vassiliev went to S----v Street the day before yesterday.

The indifferent, reserved, cold tone in which his friends and the doctor were speaking of the women and the miserable street seemed to him in the highest degree strange....

“Doctor, tell me this one thing,” he said, restraining himself from being rude. “Is prostitution an evil or not?”

“My dear fellow, who disputes it?” the doctor said with an expression as though he had long ago solved all these questions for himself. “Who disputes it?”

“Are you a psychiatrist?”

“Yes-s, a psychiatrist.”

“Perhaps all of you are right,” said Vassiliev, rising and beginning to walk from corner to corner. “It may be. But to me all this seems amazing. They see a great achievement in my having passed through two faculties at the university; they praise me to the skies because I have written a work that will be thrown away and forgotten in three years’ time, but because I can’t speak of prostitutes as indifferently as I can about these chairs, they send me to doctors, call me a lunatic, and pity me.”

For some reason Vassiliev suddenly began to feel an intolerable pity for himself, his friends, and everybody whom he had seen the day before yesterday, and for the doctor. He began to sob and fell into the chair.

The friends looked interrogatively at the doctor. He, looking as though he magnificently understood the tears and the despair, and knew himself a specialist in this line, approached Vassiliev and gave him some drops to drink, and then when Vassiliev grew calm undressed him and began to examine the sensitiveness of his skin, of the knee reflexes....

And Vassiliev felt better. When he was coming out of the doctor’s he was already ashamed; the noise of the traffic did not seem irritating, and the heaviness beneath his heart became easier and easier as though it were thawing. In his hand were two prescriptions. One was for kali-bromatum, the other--morphia. He used to take both before.

He stood still in the street for a while, pensive, and then, taking leave of his friends, lazily dragged on towards the university.

MISFORTUNE

Sophia Pietrovna, the wife of the solicitor Loubianzev, a handsome young woman of about twenty-five, was walking quickly along a forest path with her bungalow neighbour, the barrister Ilyin. It was just after four. In the distance, above the path, white feathery clouds gathered; from behind them some bright blue pieces of cloud showed through. The clouds were motionless, as if caught on the tops of the tall, aged fir trees. It was calm and warm.

In the distance the path was cut across by a low railway embankment, along which at this hour, for some reason or other, a sentry strode. Just behind the embankment a big, six-towered church with a rusty roof shone white.

“I did not expect to meet you here,” Sophia Pietrovna was saying, looking down and touching the last year’s leaves with the end of her parasol. “But now I am glad to have met you. I want to speak to you seriously and finally. Ivan Mikhailovich, if you really love and respect me I implore you to stop pursuing me! You follow me like a shadow--there’s such a wicked look in your eye--you make love to me--write extraordinary letters and ... I don’t know how all this is going to end--Good Heavens! What can all this lead to?”

Ilyin was silent. Sophia Pietrovna took a few steps and continued:

“And this sudden complete change has happened in two or three weeks after five years of friendship. I do not know you any more, Ivan Mikhailovich.”

Sophia Pietrovna glanced sideways at her companion. He was staring intently, screwing up his eyes at the feathery clouds. The expression of his face was angry, capricious and distracted, like that of a man who suffers and at the same time must listen to nonsense.

“It is annoying that you yourself can’t realise it!” Madame Loubianzev continued, shrugging her shoulders. “Please understand that you’re not playing a very nice game. I am married, I love and respect my husband. I have a daughter. Don’t you really care in the slightest for all this? Besides, as an old friend, you know my views on family life ... on the sanctity of the home, generally.”

Ilyin gave an angry grunt and sighed:

“The sanctity of the home,” he murmured, “Good Lord!”

“Yes, yes. I love and respect my husband and at any rate the peace of my family life is precious to me. I’d sooner let myself be killed than be the cause of Andrey’s or his daughter’s unhappiness. So, please, Ivan Mikhailovich, for goodness’ sake, leave me alone. Let us be good and dear friends, and give up these sighings and gaspings which don’t suit you. It’s settled and done with! Not another word about it. Let us talk of something else!”

Sophia Pietrovna again glanced sideways at Ilyin. He was looking up. He was pale, and angrily he bit his trembling lips. Madame Loubianzev could not understand why he was disturbed and angry, but his pallor moved her.

“Don’t be cross. Let’s be friends,” she said, sweetly.

“Agreed! Here is my hand.”

Ilyin took her tiny plump hand in both his, pressed it and slowly raised it to his lips.

“I’m not a schoolboy,” he murmured. “I’m not in the least attracted by the idea of friendship with the woman I love.”

“That’s enough. Stop! It is all settled and done with. We have come as far as the bench. Let us sit down....”

A sweet sense of repose filled Sophia Pietrovna’s soul. The most difficult and delicate thing was already said. The tormenting question was settled and done with. Now she could breathe easily and look straight at Ilyin. She looked at him, and the egotistical sense of superiority that a woman feels over her lover caressed her pleasantly. She liked the way this big strong man with a virile angry face and a huge black beard sat obediently at her side and hung his head. They were silent for a little while. “Nothing is yet settled and done with,” Ilyin began. “You are reading me a sermon. ‘I love and respect my husband ... the sanctity of the home....’ I know all that for myself and I can tell you more. Honestly and sincerely I confess that I consider my conduct as criminal and immoral. What else? But why say what is known already? Instead of sermonizing you had far better tell me what I am to do.”

“I have already told you. Go away.”

“I have gone. You know quite well. I have started five times and half-way there I have come back again. I can show you the through tickets. I have kept them all safe. But I haven’t the power to run away from you. I struggle frightfully, but what in Heaven’s name is the use? If I cannot harden myself, if I’m weak and faint-hearted. I can’t fight nature. Do you understand? I cannot! I run away from her and she holds me back by my coattails. Vile, vulgar weakness.”

Ilyin blushed, got up, and began walking by the bench:

“How I hate and despise myself. Good Lord, I’m like a vicious boy--running after another man’s wife, writing idiotic letters, degrading myself. Ach!” He clutched his head, grunted and sit down.

“And now comes your lack of sincerity into the bargain,” he continued with bitterness. “If you don’t think I am playing a nice game--why are you here? What drew you? In my letters I only ask you for a straightforward answer: Yes, or No; and instead of giving it me, every day you contrive that we shall meet ‘by chance’ and you treat me to quotations from a moral copy-book.”

Madame Loubianzev reddened and got frightened. She suddenly felt the kind of awkwardness that a modest woman would feel at being suddenly discovered naked.

“You seem to suspect some deceit on my side,” she murmured. “I have always given you a straight answer; and I asked you for one to-day.”

“Ah, does one ask such things? If you had said to me at once ‘Go away,’ I would have gone long ago, but you never told me to. Never once have you been frank. Strange irresolution. My God, either you’re playing with me, or....”

Ilyin did not finish, and rested his head in his hands. Sophia Pietrovna recalled her behaviour all through. She remembered that she had felt all these days not only in deed but even in her most intimate thoughts opposed to Ilyin’s love. But at the same moment she knew that there was a grain of truth in the barrister’s words. And not knowing what kind of truth it was she could not think, no matter how much she thought about it, what to say to him in answer to his complaint. It was awkward being silent, so she said shrugging her shoulders:

“So I’m to blame for that too?”

“I don’t blame you for your insincerity,” sighed Ilyin. “It slipped out unconsciously. Your insincerity is natural to you, in the natural order of things as well. If all mankind were to agree suddenly to become serious, everything would go to the Devil, to ruin.”

Sophia Pietrovna was not in the mood for philosophy; but she was glad of the opportunity to change the conversation and asked:

“Why indeed?”

“Because only savages and animals are sincere. Since civilisation introduced into society the demand, for instance, for such a luxury as woman’s virtue, sincerity has been out of place.”

Angrily Ilyin began to thrust his stick into the sand. Madame Loubianzev listened without understanding much of it; she liked the conversation. First of all, she was pleased that a gifted man should speak to her, an average woman, about intellectual things; also it gave her great pleasure to watch how the pale, lively, still angry, young face was working. Much she did not understand; but the fine courage of modern man was revealed to her, the courage by which he without reflection or surmise solves the great questions and constructs his simple conclusions.

Suddenly she discovered that she was admiring him, and it frightened her.

“Pardon, but I don’t really understand,” she hastened to say. “Why did you mention insincerity? I entreat you once more, be a dear, good friend and leave me alone. Sincerely, I ask it.”

“Good--I’ll do my best. But hardly anything will come of it. Either I’ll put a bullet through my brains or ... I’ll start drinking in the stupidest possible way. Things will end badly for me. Everything has its limit, even a struggle with nature. Tell me now, how can one struggle with madness? If you’ve drunk wine, how can you get over the excitement? What can I do if your image has grown into my soul, and stands incessantly before my eyes, night and day, as plain as that fir tree there? Tell me then what thing I must do to get out of this wretched, unhappy state, when all my thoughts, desires, and dreams belong, not to me, but to some devil that has got hold of me? I love you, I love you so much that I’ve turned away from my path, given up my career and my closest friends, forgot my God. Never in my life have I loved so much.”

Sophia Pietrovna, who was not expecting this turn, drew her body away from Ilyin, and glanced at him frightened. Tears shone in his eyes. His lips trembled, and a hungry, suppliant expression showed over all his face.

“I love you,” he murmured, bringing his own eyes near to her big, frightened ones. “You are so beautiful. I’m suffering now; but I swear I could remain so all my life, suffering and looking into your eyes, but.... Keep silent, I implore you.”

Sophia Pietrovna as if taken unawares began, quickly, quickly, to think out words with which to stop him. “I shall go away,” she decided, but no sooner had she moved to get up, than Ilyin was on his knees at her feet already. He embraced her knees, looked into her eyes and spoke passionately, ardently, beautifully. She did not hear his words, for her fear and agitation. Somehow now at this dangerous moment when her knees pleasantly contracted, as in a warm bath, she sought with evil intention to read some meaning into her sensation. She was angry because the whole of her instead of protesting virtue was filled with weakness, laziness, and emptiness, like a drunken man to whom the ocean is but knee-deep; only in the depths of her soul, a little remote malignant voice teased: “Why don’t you go away? Then this is right, is it?”

Seeking in herself an explanation she could not understand why she had not withdrawn the hand to which Ilyin’s lips clung like a leech, nor why, at the same time as Ilyin, she looked hurriedly right and left to see that they were not observed.

The fir-trees and the clouds stood motionless, and gazed at them severely like broken-down masters who see something going on, but have been bribed not to report to the head. The sentry on the embankment stood like a stick and seemed to be staring at the bench. “Let him look!” thought Sophia Pietrovna.

“But ... But listen,” she said at last with despair in her voice. “What will this lead to? What will happen afterwards?”

“I don’t know. I don’t know,” he began to whisper, waving these unpleasant questions aside.

The hoarse, jarring whistle of a railway engine became audible. This cold, prosaic sound of the everyday world made Madame Loubianzev start.

“It’s time, I must go,” she said, getting up quickly. “The train is coming. Audrey is arriving. He will want his dinner.”

Sophia Pietrovna turned her blazing cheeks to the embankment. First the engine came slowly into sight, after it the carriages. It was not a bungalow train, but a goods train. In a long row, one after another like the days of man’s life, the cars drew past the white background of the church, and there seemed to be no end to them.

But at last the train disappeared, and the end car with the guard and the lighted lamps disappeared into the green. Sophia Pietrovna turned sharply and not looking at Ilyin began to walk quickly back along the path. She had herself in control again. Red with shame, offended, not by Ilyin, no! but by the cowardice and shamelessness with which she, a good, respectable woman allowed a stranger to embrace her knees. She had only one thought now, to reach her bungalow and her family as quickly as possible. The barrister could hardly keep up with her. Turning from the path on to a little track, she glanced at him so quickly that she noticed only the sand on his knees, and she motioned with her hand at him to let her be.

Running into the house Sophia Pietrovna stood for about five minutes motionless in her room, looking now at the window then at the writing table.... “You disgraceful woman,” she scolded herself; “disgraceful!” In spite of herself she recollected every detail, hiding nothing, how all these days she had been against Ilyin’s love-making, yet she was somehow drawn to meet him and explain; but besides this when he was lying at her feet she felt an extraordinary pleasure. She recalled everything, not sparing herself, and now, stifled with shame, she could have slapped her own face.

“Poor Andrey,” she thought, trying, as she remembered her husband, to give her face the tenderest possible expression--“Varya, my poor darling child, does not know what a mother she has. Forgive me, my dears. I love you very much ... very much!...”

And wishing to convince herself that she was still a good wife and mother, that corruption had not yet touched those “sanctities” of hers, of which she had spoken to Ilyin, Sophia Pietrovna ran into the kitchen and scolded the cook for not having laid the table for Andrey Ilyitch. She tried to imagine her husband’s tired, hungry look, and pitying him aloud, she laid the table herself, a thing which she had never done before. Then she found her daughter Varya, lifted her up in her hands and kissed her passionately; the child seemed to her heavy and cold, but she would not own it to herself, and she began to tell her what a good, dear, splendid father she had.

But when, soon after, Andrey Ilyitch arrived, she barely greeted him. The flow of imaginary feelings had ebbed away without convincing her of anything; she was only exasperated and enraged by the lie. She sat at the window, suffered, and raged. Only in distress can people understand how difficult it is to master their thoughts and feelings. Sophia Pietrovna said afterwards a confusion was going on inside her as hard to define as to count a cloud of swiftly flying sparrows. Thus from the fact that she was delighted at her husband’s arrival and pleased with the way he behaved at dinner, she suddenly concluded that she had begun to hate him. Andrey Ilyitch, languid with hunger and fatigue, while waiting for the soup, fell upon the sausage and ate it greedily, chewing loudly and moving his temples.

“My God,” thought Sophia Pietrovna. “I do love and respect him, but ... why does he chew so disgustingly.”

Her thoughts were no less disturbed than her feelings. Madame Loubianzev, like all who have no experience of the struggle with unpleasant thought, did her best not to think of her unhappiness, and the more zealously she tried, the more vivid Ilyin became to her imagination, the sand on his knees, the feathery clouds, the train....

“Why did I--idiot--go to-day?” she teased herself. “And am I really a person who can’t answer for herself?”

Fear has big eyes. When Andrey Ilyitch had finished the last course, she had already resolved to tell him everything and so escape from danger.

“Andrey, I want to speak to you seriously,” she began after dinner, when her husband was taking off his coat and boots in order to have a lie down.

“Well?”

“Let’s go away from here!”

“How--where to? It’s still too early to go to town.”

“No. Travel or something like that.”

“Travel,” murmured the solicitor, stretching himself. “I dream of it myself, but where shall I get the money, and who’ll look after my business.”

After a little reflection he added:

“Yes, really you are bored. Go by yourself if you want to.”

Sophia Pietrovna agreed; but at the same time she saw that Ilyin would be glad of the opportunity to travel in the same train with her, in the same carriage....

She pondered and looked at her husband, who was full fed but still languid. For some reason her eyes stopped on his feet, tiny, almost womanish, in stupid socks. On the toe of both socks little threads were standing out. Under the drawn blind a bumble bee was knocking against the window pane and buzzing. Sophia Pietrovna stared at the threads, listened to the bumble bee and pictured her journey.... Day and night Ilyin sits opposite, without taking his eyes from her, angry with his weakness and pale with the pain of his soul. He brands himself as a libertine, accuses her, tears his hair; but when the dark comes he seizes the chance when the passengers go to sleep or alight at a station and falls on his knees before her and clasps her feet, as he did by the bench....

She realised that she was dreaming....

“Listen. I am not going by myself,” she said. “You must come, too!”

“Sophochka, that’s all imagination!” sighed Loubianzev. “You must be serious and only ask for the possible....”

“You’ll come when you find out!” thought Sophia Pietrovna.

Having decided to go away at all costs, she began to feel free from danger; her thoughts fell gradually into order, she became cheerful and even allowed herself to think about everything. Whatever she may think or dream about, she is going all the same. While her husband still slept, little by little, evening came....

She sat in the drawing-room playing the piano. Outside the window the evening animation, the sound of music, but chiefly the thought of her own cleverness in mastering her misery gave the final touch to her joy. Other women, her easy conscience told her, in a position like her own would surely not resist, they would spin round like a whirlwind; but she was nearly burnt up with shame, she suffered and now she had escaped from a danger which perhaps was nonexistent! Her virtue and resolution moved her so much that she even glanced at herself in the glass three times.

When it was dark visitors came. The men sat down to cards in the dining-room, the ladies were in the drawing room and on the terrace. Ilyin came last, he was stern and gloomy and looked ill. He sat down on a corner of the sofa and did not get up for the whole evening. Usually cheerful and full of conversation, he was now silent, frowning, and rubbing his eyes. When he had to answer a question he smiled with difficulty and only with his upper lip, answering abruptly and spitefully. He made about five jokes in all, but his jokes seemed crude and insolent. It seemed to Sophia Pietrovna that he was on the brink of hysteria. But only now as she sat at the piano did she acknowledge that the unhappy man was not in the mood to joke, that he was sick in his soul, he could find no place for himself. It was for her sake he was ruining the best days of his career and his youth, wasting his last farthing on a bungalow, had left his mother and sisters uncared for, and, above all, was breaking down under the martyrdom of his struggle. From simple, common humanity she ought to take him seriously....

All this was clear to her, even to paining her. If she were to go up to Ilyin now and say to him “No,” there would be such strength in her voice that it would be hard to disobey. But she did not go up to him and she did not say it, did not even think it.... The petty selfishness of a young nature seemed never to have been revealed in her as strongly as that evening. She admitted that Byin was unhappy and that he sat on the sofa as if on hot coals. She was sorry for him, but at the same time the presence of the man who loved her so desperately filled her with a triumphant sense of her own power. She felt her youth, her beauty, her inaccessibility, and--since she had decided to go away--she gave herself full rein this evening. She coquetted, laughed continually, she sang with singular emotion, and as one inspired. Everything made her gay and everything seemed funny. It amused her to recall the incident of the bench, the sentry looking on. The visitors seemed funny to her, Ilyin’s insolent jokes, his tie pin which she had never seen before. The pin was a little red snake with tiny diamond eyes; the snake seemed so funny that she was ready to kiss and kiss it.

Sophia Pietrovna, nervously sang romantic songs, with a kind of half-intoxication, and as if jeering at another’s sorrow she chose sad, melancholy songs that spoke of lost hopes, of the past, of old age.... “And old age is approaching nearer and nearer,” she sang. What had she to do with old age?

“There’s something wrong going on in me,” she thought now and then through laughter and singing.

At twelve o’clock the visitors departed. Ilyin was the last to go. She still felt warm enough about him to go with him to the lower step of the terrace. She had the idea of telling him that she was going away with her husband, just to see what effect this news would have upon him.

The moon was hiding behind the clouds, but it was so bright that Sophia Pietrovna could see the wind playing with the tails of his overcoat and with the creepers on the terrace. It was also plain how pale Ilyin was, and how he twisted his upper-lip, trying to smile. “Sonia, Sonichka, my dear little woman,” he murmured, not letting her speak. “My darling, my pretty one.”

In a paroxysm of tenderness with tears in his voice, he showered her with endearing words each tenderer than the other, and was already speaking to her as if she were his wife or his mistress. Suddenly and unexpectedly to her, he put one arm round her and with the other hand he seized her elbow.

“My dear one, my beauty,” he began to whisper, kissing the nape of her neck; “be sincere, come to me now.”

She slipped out of his embrace and lifted her head to break out in indignation and revolt. But indignation did not come, and of all her praiseworthy virtue and purity, there was left only enough for her to say that which all average women say in similar circumstances:

“You must be mad.”

“But really let us go,” continued Ilyin. “Just now and over there by the bench I felt convinced that you, Sonia, were as helpless as myself. You too will be all the worse for it. You love me, and you are making a useless bargain with your conscience.”

Seeing that she was leaving him he seized her by her lace sleeve and ended quickly:

“If not to-day, then to-morrow; but you will have to give in. What’s the good of putting if off? My dear, my darling Sonia, the verdict has been pronounced. Why postpone the execution? Why deceive yourself?”

Sophia Pietrovna broke away from him and suddenly disappeared inside the door. She returned to the drawing-room, shut the piano mechanically, stared for a long time at the cover of a music book, and sat down. She could neither stand nor think.... From her agitation and passion remained only an awful weakness mingled with laziness and tiredness. Her conscience whispered to her that she had behaved wickedly and foolishly to-night, like a madwoman; that just now she had been kissed on the terrace, and even now she had some strange sensation in her waist and in her elbow. Not a soul was in the drawing-room. Only a single candle was burning. Madame Loubianzev sat on a little round stool before the piano without stirring as if waiting for something, and as if taking advantage of her extreme exhaustion and the dark a heavy unconquerable desire began to possess her. Like a boa-constrictor, it enchained her limbs and soul. It grew every second and was no longer threatening, but stood clear before her in all its nakedness.

She sat thus for half an hour, not moving, and not stopping herself from thinking of Ilyin. Then she got up lazily and went slowly into the bed-room. Andrey Ilyitch was in bed already. She sat by the window and gave herself to her desire. She felt no more “confusion.” All her feelings and thoughts pressed lovingly round some clear purpose. She still had a mind to struggle, but instantly she waved her hand impotently, realising the strength and the determination of the foe. To fight him power and strength were necessary, but her birth, up-bringing and life had given her nothing on which to lean.

“You’re immoral, you’re horrible,” she tormented herself for her weakness. “You’re a nice sort, you are!”

So indignant was her insulted modesty at this weakness that she called herself all the bad names that she knew and she related to herself many insulting, degrading truths. Thus she told herself that she never was moral, and she had not fallen before only because there was no pretext, that her day-long struggle had been nothing but a game and a comedy....

“Let us admit that I struggled,” she thought, “but what kind of a fight was it? Even prostitutes struggle before they sell themselves, and still they do sell themselves. It’s a pretty sort of fight. Like milk, turns in a day.” She realised that it was not love that drew her from her home nor Ilyin’s personality, but the sensations which await her.... A little week-end _type_ like the rest of them.

“When the young bird’s mother was killed,” a hoarse tenor finished singing.

If I am going, it’s time, thought Sophia Pietrovna. Her heart began to beat with a frightful force.

“Andrey,” she almost cried. “Listen. Shall we go away? Shall we? Yes?”

“Yes.... I’ve told you already. You go alone.”

“But listen,” she said, “if you don’t come too, you may lose me. I seem to be in love already.”

“Who with?” Andrey Ilyitch asked.

“It must be all the same for you, who with,” Sophia Pietrovna cried out.

Andrey Ilyitch got up, dangled his feet over the side of the bed, with a look of surprise at the dark form of his wife.

“Imagination,” he yawned.

He could not believe her, but all the same he was frightened. After having thought for a while, and asked his wife some unimportant questions, he gave his views of the family, of infidelity.... He spoke sleepily for about ten minutes and then lay down again. His remarks had no success. There are a great many opinions in this world, and more than half of them belong to people who have never known misery.

In spite of the late hour, the bungalow people were still moving behind their windows. Sophia Pietrovna put on a long coat and stood for a while, thinking. She still had force of mind to say to her sleepy husband:

“Are you asleep? I’m going for a little walk. Would you like to come with me?”

That was her last hope. Receiving no answer, she walked out. It was breezy and cool. She did not feel the breeze or the darkness but walked on and on.... An irresistible power drove her, and it seemed to her that if she stopped that power would push her in the back. “You’re an immoral woman,” she murmured mechanically. “You’re horrible.”

She was choking for breath, burning with shame, did not feel her feet under her, for that which drove her along was stronger than her shame, her reason, her fear....

AFTER THE THEATRE

Nadya Zelenina had just returned with her mother from the theatre, where they had been to see a performance of “Eugene Oniegin.” Entering her room, she quickly threw off her dress, loosened her hair, and sat down hurriedly in her petticoat and a white blouse to write a letter in the style of Tatiana.

“I love you,”--she wrote--“but you don’t love me; no, you don’t!”

The moment she had written this, she smiled.

She was only sixteen years old, and so far she had not been in love. She knew that Gorny, the officer, and Gronsdiev, the student, loved her; but now, after the theatre, she wanted to doubt their love. To be unloved and unhappy--how interesting. There is something beautiful, affecting, romantic in the fact that one loves deeply while the other is indifferent. Oniegin is interesting because he does not love at all, and Tatiana is delightful because she is very much in love; but if they loved each other equally and were happy, they would seem boring, instead.

“Don’t go on protesting that you love me,” Nadya wrote on, thinking of Gorny, the officer, “I can’t believe you. You’re very clever, educated, serious; you have a great talent, and perhaps, a splendid future waiting, but I am an uninteresting poor-spirited girl, and you yourself know quite well that I shall only be a drag upon your life. It’s true I carried you off your feet, and you thought you had met your ideal in me, but that was a mistake. Already you are asking yourself in despair, ‘Why did I meet this girl?’ Only your kindness prevents you from confessing it.”

Nadya pitied herself. She wept and went on.

“If it were not so difficult for me to leave mother and brother I would put on a nun’s gown and go where my eyes direct me. You would then be free to love another. If I were to die!”

Through her tears she could not make out what she had written. Brief rainbows trembled on the table, on the floor and the ceiling, as though Nadya were looking through a prism. Impossible to write. She sank back in her chair and began to think of Gorny.

Oh, how fascinating, how interesting men are! Nadya remembered the beautiful expression of Gorny’s face, appealing, guilty, and tender, when someone discussed music with him,--the efforts he made to prevent the passion from sounding in his voice. Passion must be concealed in a society where cold reserve and indifference are the signs of good breeding. And he does try to conceal it, but he does not succeed, and everybody knows quite well that he has a passion for music. Never-ending discussions about music, blundering pronouncements by men who do not understand--keep him in incessant tension. He is scared, timid, silent. He plays superbly, as an ardent pianist. If he were not an officer, he would be a famous musician.

The tears dried in her eyes. Nadya remembered how Gorny told her of his love at a symphony concert, and again downstairs by the cloak-room.

“I am so glad you have at last made the acquaintance of the student Gronsdiev,” she continued to write. “He is a very clever man, and you are sure to love him. Yesterday he was sitting with us till two o’clock in the morning. We were all so happy. I was sorry that you hadn’t come to us. He said a lot of remarkable things.”

Nadya laid her hands on the table and lowered her head. Her hair covered the letter. She remembered that Gronsdiev also loved her, and that he had the same right to her letter as Gorny. Perhaps she had better write to Gronsdiev? For no cause, a happiness began to quicken in her breast. At first it was a little one, rolling about in her breast like a rubber ball. Then it grew broader and bigger, and broke forth like a wave. Nadya had already forgotten about Gorny and Gronsdiev. Her thoughts became confused. The happiness grew more and more. From her breast it ran into her arms and legs, and it seemed that a light fresh breeze blew over her head, stirring her hair. Her shoulders trembled with quiet laughter. The table and the lampglass trembled. Tears from her eyes splashed the letter. She was powerless to stop her laughter; and to convince herself that she had a reason for it, she hastened to remember something funny.

“What a funny poodle!” she cried, feeling that she was choking with laughter. “What a funny poodle!”

She remembered how Gronsdiev was playing with Maxim the poodle after tea yesterday; how he told a story afterwards of a very clever poodle who was chasing a crow in the yard. The crow gave him a look and said:

“Oh, you swindler!”

The poodle did not know he had to do with a learned crow. He was terribly confused, and ran away dumfounded. Afterwards he began to bark.

“No, I’d better love Gronsdiev,” Nadya decided and tore up the letter.

She began to think of the student, of his love, of her own love, with the result that the thoughts in her head swam apart and she thought about everything, about her mother, the street, the pencil, the piano. She was happy thinking, and found that everything was good, magnificent. Her happiness told her that this was not all, that a little later it would be still better. Soon it will be spring, summer. They will go with mother to Gorbiki in the country. Gorny will come for his holidays. He will walk in the orchard with her, and make love to her. Gronsdiev will come too. He will play croquet with her and bowls. He will tell funny, wonderful stories. She passionately longed for the orchard, the darkness, the pure sky, the stars. Again her shoulders trembled with laughter and she seemed to awake to a smell of wormwood in the room; and a branch was tapping at the window.

She went to her bed and sat down. She did not know what to do with her great happiness. It overwhelmed her. She stared at the crucifix which hung at the head of her bed and saying:

“Dear God, dear God, dear God.”

THAT WRETCHED BOY

Ivan Ivanich Lapkin, a pleasant looking young man, and Anna Zamblizky, a young girl with a little snub nose, walked down the sloping bank and sat down on the bench. The bench was close to the water’s edge, among thick bushes of young willow. A heavenly spot! You sat down, and you were hidden from the world. Only the fish could see you and the catspaws which flashed over the water like lightning. The two young persons were equipped with rods, fish hooks, bags, tins of worms and everything else necessary. Once seated, they immediately began to fish.

“I am glad that we’re left alone at last,” said Lapkin, looking round. I’ve got a lot to tell you, Anna--tremendous ... when I saw you for the first time ... you’ve got a nibble ... I understood then--why I am alive, I knew where my idol was, to whom I can devote my honest, hardworking life.... It must be a big one ... it is biting.... When I saw you--for the first time in my life I fell in love--fell in love passionately! Don’t pull. Let it go on biting.... Tell me, darling, tell me--will you let me hope? No! I’m not worth it. I dare not even think of it--may I hope for.... Pull!

Anna lifted her hand that held the rod--pulled, cried out. A silvery green fish shone in the air.

“Goodness! it’s a perch! Help--quick! It’s slipping off.” The perch tore itself from the hook--danced in the grass towards its native element and ... leaped into the water.

But instead of the little fish that he was chasing, Lapkin quite by accident caught hold of Anna’s hand--quite by accident pressed it to his lips. She drew back, but it was too late; quite by accident their lips met and kissed; yes, it was an absolute accident! They kissed and kissed. Then came vows and assurances.... Blissful moments! But there is no such thing as absolute happiness in this life. If happiness itself does not contain a poison, poison will enter in from without. Which happened this time. Suddenly, while the two were kissing, a laugh was heard. They looked at the river and were paralysed. The schoolboy Kolia, Anna’s brother, was standing in the water, watching the young people and maliciously laughing.

“Ah--ha! Kissing!” said he. “Right O, I’ll tell Mother.”

“I hope that you--as a man of honour,” Lapkin muttered, blushing. “It’s disgusting to spy on us, it’s loathsome to tell tales, it’s rotten. As a man of honour....”

“Give me a shilling, then I’ll shut up!” the man of honour retorted. “If you don’t, I’ll tell.”

Lapkin took a shilling out of his pocket and gave it to Kolia, who squeezed it in his wet fist, whistled, and swam away. And the young people did not kiss any more just then.

Next day Lapkin brought Kolia some paints and a ball from town, and his sister gave him all her empty pill boxes. Then they had to present him with a set of studs like dogs’ heads. The wretched boy enjoyed this game immensely, and to keep it going he began to spy on them. Wherever Lapkin and Anna went, he was there too. He did not leave them alone for a single moment.

“Beast!” Lapkin gnashed his teeth. “So young and yet such a full fledged scoundrel. What on earth will become of him later!”

During the whole of July the poor lovers had no life apart from him. He threatened to tell on them; he dogged them and demanded more presents. Nothing satisfied him--finally he hinted at a gold watch. All right, they had to promise the watch.

Once, at table, when biscuits were being handed round, he burst out laughing and said to Lapkin: “Shall I let on? Ah--ha!”

Lapkin blushed fearfully and instead of a biscuit he began to chew his table napkin. Anna jumped up from the table and rushed out of the room.

And this state of things went on until the end of August, up to the day when Lapkin at last proposed to Anna. Ah! What a happy day that was! When he had spoken to her parents and obtained their consent Lapkin rushed into the garden after Kolia. When he found him he nearly cried for joy and caught hold of the wretched boy by the ear. Anna, who was also looking for Kolia came running up and grabbed him by the other ear. You should have seen the happiness depicted on their faces while Kolia roared and begged them:

“Darling, precious pets, I won’t do it again. O-oh--O-oh! Forgive me!” And both of them confessed afterwards that during all the time they were in love with each other they never experienced such happiness, such overwhelming joy as during those moments when they pulled the wretched boy’s ears.

ENEMIES

About ten o’clock of a dark September evening the Zemstvo doctor Kirilov’s only son, six-year-old Andrey, died of diphtheria. As the doctor’s wife dropped on to her knees before the dead child’s cot and the first paroxysm of despair took hold of her, the bell rang sharply in the hall.

When the diphtheria came all the servants were sent away from the house, that very morning. Kirilov himself went to the door, just as he was, in his shirt-sleeves with his waistcoat unbuttoned, without wiping his wet face or hands, which had been burnt with carbolic acid. It was dark in the hall, and of the person who entered could be distinguished only his middle height, a white scarf and a big, extraordinarily pale face, so pale that it seemed as though its appearance made the hall brighter....

“Is the doctor in?” the visitor asked abruptly.

“I’m at home,” answered Kirilov. “What do you want?”

“Oh, you’re the doctor? I’m so glad!” The visitor was overjoyed and began to seek for the doctor’s hand in the darkness. He found it and squeezed it hard in his own. “I’m very ... very glad! We were introduced ... I am Aboguin ... had the pleasure of meeting you this summer at Mr. Gnouchev’s. I am very glad to have found you at home.... For God’s sake, don’t say you won’t come with me immediately.... My wife has been taken dangerously ill.... I have the carriage with me....”

From the visitor’s voice and movements it was evident that he had been in a state of violent agitation. Exactly as though he had been frightened by a fire or a mad dog, he could hardly restrain his hurried breathing, and he spoke quickly in a trembling voice. In his speech there sounded a note of real sincerity, of childish fright. Like all men who are frightened and dazed, he spoke in short, abrupt phrases and uttered many superfluous, quite unnecessary, words.

“I was afraid I shouldn’t find you at home,” he continued. “While I was coming to you I suffered terribly.... Dress yourself and let us go, for God’s sake.... It happened like this. Papchinsky came to me--Alexander Siemionovich, you know him.... We were chatting.... Then we sat down to tea. Suddenly my wife cries out, presses her hands to her heart, and falls back in her chair. We carried her off to her bed and ... and I rubbed her forehead with sal-volatile, and splashed her with water.... She lies like a corpse.... I’m afraid that her heart’s failed.... Let us go.... Her father too died of heart-failure.”

Kirilov listened in silence as though he did not understand the Russian language.

When Aboguin once more mentioned Papchinsky and his wife’s father, and once more began to seek for the doctor’s hand in the darkness, the doctor shook his head and said, drawling each word listlessly:

“Excuse me, but I can’t go.... Five minutes ago my ... my son died.”

“Is that true?” Aboguin whispered, stepping back. “My God, what an awful moment to come! It’s a terribly fated day ... terribly! What a coincidence ... and it might have been on purpose!”

Aboguin took hold of the door handle and drooped his head in meditation. Evidently he was hesitating, not knowing whether to go away, or to ask the doctor once more.

“Listen,” he said eagerly, seizing Kirilov by the sleeve. “I fully understand your state! God knows I’m ashamed to try to hold your attention at such a moment, but what can I do? Think yourself--who can I go to? There isn’t another doctor here besides you. For heaven’s sake come. I’m not asking for myself. It’s not I that’s ill!”

Silence began. Kirilov turned his back to Aboguin, stood still for a while and slowly went out of the hall into the drawing-room. To judge by his uncertain, machine-like movement, and by the attentiveness with which he arranged the hanging shade on the unlighted lamp in the drawing-room and consulted a thick book which lay on the table--at such a moment he had neither purpose nor desire, nor did he think of anything, and probably had already forgotten that there was a stranger standing in his hall. The gloom and the quiet of the drawing-room apparently increased his insanity. As he went from the drawing-room to his study he raised his right foot higher than he need, felt with his hands for the door-posts, and then one felt a certain perplexity in his whole figure, as though he had entered a strange house by chance, or for the first time in his life had got drunk, and now was giving himself up in bewilderment to the new sensation. A wide line of light stretched across the bookshelves on one wall of the study; this light, together with the heavy stifling smell of carbolic acid and ether came from the door ajar that led from the study into the bed-room.... The doctor sank into a chair before the table; for a while he looked drowsily at the shining books, then rose and went into the bed-room.

Here, in the bed-room, dead quiet reigned. Everything, down to the last trifle, spoke eloquently of the tempest undergone, of weariness, and everything rested. The candle which stood among a close crowd of phials, boxes and jars on the stool and the big lamp on the chest of drawers brightly lit the room. On the bed, by the window, the boy lay open-eyed, with a look of wonder on his face. He did not move, but it seemed that his open eyes became darker and darker every second and sank into his skull. Having laid her hands on his body and hid her face in the folds of the bed-clothes, the mother now was on her knees before the bed. Like the boy she did not move, but how much living movement was felt in the coil of her body and in her hands! She was pressing close to the bed with her whole being, with eager vehemence, as though she were afraid to violate the quiet and comfortable pose which she had found at last for her weary body. Blankets, cloths, basins, splashes on the floor, brushes and spoons scattered everywhere, a white bottle of lime-water, the stifling heavy air itself--everything died away, and as it were plunged into quietude.

The doctor stopped by his wife, thrust his hands into his trouser pockets and bending his head on one side looked fixedly at his son. His face showed indifference; only the drops which glistened on his beard revealed that he had been lately weeping.

The repulsive terror of which we think when we speak of death was absent from the bed-room. In the pervading dumbness, in the mother’s pose, in the indifference of the doctor’s face was something attractive that touched the heart, the subtle and elusive beauty of human grief, which it will take men long to understand and describe, and only music, it seems, is able to express. Beauty too was felt in the stern stillness. Kirilov and his wife were silent and did not weep, as though they confessed all the poetry of their condition. As once the season of their youth passed away, so now in this boy their right to bear children had passed away, alas! for ever to eternity. The doctor is forty-four years old, already grey and looks like an old man; his faded sick wife is thirty-five. Audrey was not merely the only son but the last.

In contrast to his wife the doctor’s nature belonged to those which feel the necessity of movement when their soul is in pain. After standing by his wife for about five minutes, he passed from the bed-room, lifting his right foot too high, into a little room half filled with a big broad divan. From there he went to the kitchen. After wandering about the fireplace and the cook’s bed, he stooped through a little door and came into the hall.

Here he saw the white scarf and the pale face again.

“At last,” sighed Aboguin, seizing the doorhandle. “Let us go, please.”

The doctor shuddered, glanced at him and remembered.

“Listen. I’ve told you already that I can’t go,” he said, livening. “What a strange idea!”