Chapter III: Part 3

"It came straight enough, I understand. But--remember--you don't know anything about it. His name is Manuel, though;--don't dare to mention it;--that's what Mr. Laval calls him. Are you going? I wouldn't have told you a word, but you took his trouble so to heart. You see, now, it's right he should be shut up. But let on that you know anything, all the worse for me,--I mean, him!"

"Yes," said Elizabeth, "you're safe, Sandy. Thank you for telling me."

Sandy walked off with a mind relieved, for he believed in Elizabeth, and had found the facts communicated too great a burden to bear alone.

She passed through the garden-gate most remote from the fort; it opened into a lonely road which ran inland from the coast, between the woods and the prison, and to the woods she went. The shadows were gloomy to-day, for she went among them lamenting the fate of the stranger;--the mystery surrounding him had increased, not lessened, with Sandy's explanation.

Fighting against _the Church_ was an unimagined crime. Of the great conflict in which he had taken part, to the ruin of his fortunes, she knew nothing. The disputes of Christendom, had they been explained, would have seemed almost incredible to her. For, whatever was known and discussed in the circle of the Governor of the island, Drummer Montier, and such as he, kept the peace with all mankind. The Church took care of itself, and appeared neither the oppressor nor the Saviour of the world. What they had fought about in the first years of the possession of Foray, Montier could hardly have told,--and yet he was no fool. He could have given, of course, a partisan version of the struggle; but as to its real cause, or true result, he knew as little as the other five hundred men belonging to the regiment.

While Elizabeth wandered through those gloomy woods, she saw no flowers, gathered no wild fruits,--though flowers and berries were perfect and abundant. Now and then she paused in her walk to look towards the prison, glimpses of whose strong walls were to be had through the trees. At length the sound of her father's horn came loud and clear from the cliffs beyond the wood. It fell upon her sombre meditation and slightly changed the current. She hurried forward to join him, and, as she went, a gracious purpose was shining in her face.

When she returned home, it was by the unfrequented prison-way, her father playing the liveliest tunes he knew. For the first time in their lives they sat down by the side of the lonely road where they had emerged from the wood; Elizabeth's memory served her to recall every air that was sweet to her, and she listened while her father played, endeavoring to understand the sound those notes would have to "Manuel."

Montier could think of no worthier employment than the practice of his music. Especially it pleased him that his daughter should ask so much as she was now asking: he could not discern all that was passing in her heart, nor see how many shadows moved before those sweet, serious eyes.

They went home at night-fall together; and the young girl's step was not more light, now that her heart was troubled by what she must not reveal, even to him.

The next morning Sandy was very busy with Elizabeth, tying up some flowers which had been tossed about, and broken, many of them, in the night gale, when the keeper came through the gate, leading this Manuel, who, grim as a spectral shadow, that had been fearful but for its exceeding pitifulness, stood now between her and all that she rejoiced in. "There!" exclaimed Sandy. Looking up, she saw them approaching straight along the path that led past the flowerbeds.

"Your flowers had a pretty rough time of it in the storm," said Jailer Laval, as he drew near. He addressed the drummer's daughter,--but his eyes were on Sandy, with the suspicious and stern inquiry common to men who have betrayed a secret. But Sandy was busy with his delving.

"Yes," answered Elizabeth, and she looked from the ground up to the faces of these men.

"Is that a rose-bush? That was roughly handled," said Laval, pointing with his stick to the twisted rose-stalk covered with buds, over whose blighted promise she had been lamenting.

"Yes," said Elizabeth again; but she hardly knew what she said, still less was she aware of the expression her face wore when she looked at the prisoner. Yes,--even as Sandy said, big wrists were chained together; he was more like a ghost than a man; his face was pale and hopeless, and woful beyond her understanding was the majesty of his mien.

At such a price he paid for fights against _the Church!_ But in truth he had not the look of an evil, warring man. His gravity, indeed, was such as it seemed impossible to dispel. But only pity stirred the heart of Elizabeth Montier as she looked on him. Surely it was a face that never, in any excess of passion, could have looked malignance. Ah! and at such a price he purchased his sunshine, the fresh air, and a near vision of this flower-garden!--in chains!

When she looked at him, his gaze was on her,--not upon the roses. She smiled, for pity's sake; but the smile met no return. His countenance had not the habit of responding to such glances. Sombre as death was that face. Then Elizabeth turned hastily away; but as the keeper also moved on a step, she detained him with a hurried "Wait a minute," and went on plucking the finest flowers in bloom. Like an iron statue stood the prisoner while she plucked the roses,--it was but a minute's work,--then she tied the flowers together and laid them on his fettered hands; whether he would refuse them, whether the gift pained or pleased him, whether the keeper approved, she seemed afraid to know,--for, having given the flowers, she went away in haste.

It was not long after this first act of friendly courtesy, which had many a repetition,--for the keeper was at bottom a humane man, and not disposed to persecute his charge, while he was equally far from any carelessness in guarding or leniency of treatment that would have excited suspicion as to his purpose, in the minds of the authorities of the island,--not long after this day, when the fine sympathy betrayed for him by Elizabeth fell on Manuel's heart like dew, that the wife of the jailer died.

Her death was sudden and unlooked-for, though neither Nature nor the woman could have been blamed for the shock poor Laval experienced. Death had fairly surrounded her, disarming her at every point, so that when he called her there was no resistance.

Jailer Laval took the bereavement in a remorseful mood. The first thing to be done now was the very last he would have owned to purposing during her life-time. Release from that prison had been the woman's prayer, year in and year out, these ten years, and Death was the bearer of the answer to that prayer,--not her husband.

But now, from the day of her sudden decease, the prison had become to him dreary beyond endurance. The mantle of her discontent fell on him, and, having no other confidant beside honest, stupid Sandy, he talked to him like a man who seriously thought of abandoning his labor, and retiring to that land across the sea for which his wife had pined during ten homesick years.

Sandy, who might have regarded himself in the light of an "humble instrument," had he been capable of a particle of vanity or presumption, told Elizabeth Montier, with whom he had held many a conference concerning prison matters, since Manuel first began to walk along the southern garden-walk, where the flower-beds lay against the prison-wall. What was her answer? It came instantly, without premeditation or precaution,--

"Then we must take his place, Sandy."

"We, Miss?" said Sandy, with even greater consternation than surprise.

"Yes," she replied, too much absorbed by what she was thinking, to mind him and his blunders,--"papa must take the prison."

"Oh!"--and Sandy blushed through his tan at his absurd mistake. Then he laughed, for he saw that she had not noticed it. Then he looked grave, and wondering, and doubtful. The idea of Adolphus Montier's pretty wife and pretty daughter changing their pretty home for life in the dark prison startled him. He seemed to think it no less wrong than strange. But he did not express that feeling out and out; he was hindered, as he glanced sideways at the young girl who gazed so solemnly, so loftily, before her. At what she was looking he could not divine. He saw nothing.

"I wouldn't be overly quick about that," said he, cautiously.

"No danger!" was the prompt reply.

"For I tell _you_, of all the places I ever see, that prison makes me feel the queerest. I believe it's one reason I let the flower-garden go so long," owned Sandy. He did not speak these words without an effort; and never had Elizabeth seen him so solemn. She also was grave,--but not after his manner of gravity.

"You see what I did with the poor flower-beds, Sandy," said she. "Wait now till you see what happens to the prison."

But it is one thing to purpose, and another to execute. Far easier for Elizabeth to declare than to conduct an heroic design. One thing prevented rest day and night,--the knowledge that Laval's intended resignation must be followed by a new application and appointment. With such a degree of sympathy had the condition of the captive inspired her, that the idea of the bare possibility of cruelty or neglect or brutality assuming the jailer's authority seemed to lay upon her all the responsibility of his future. She must act, for she dared not hesitate.

One evening Adolphus took his horn, and, attended by wife and child, went out to walk. He meant to send a strain from the highest of the accessible coast-rocks. But Elizabeth changed his plan. The time was good for what she had to say. Instead of expending his enthusiasm on a flourish of notes, he was called upon to manifest it in a noble resolution.

When Elizabeth invited her father to a prospect sylvan rather than marine, to the shady path on the border of the wood between it and the prison, Montier, easily drawn from any plan that concerned his own inclination merely, let his daughter lead, and she was responsible for all that followed in the history of that little family. So love defers to love, with divine courtesy, through all celestial movements.

After playing a few airs, Montier's anticipated evening ended, and another set in. The sympathies of a condition, the opposite to that of which he had been so happily conscious, pressed too closely against him. The musician could not, for the life of him, have played with becoming spirit through any one of all the strains of victory he knew.

Near him, under a tulip-tree, sat Pauline, with her knitting in her hand, the image of peace. Not so Elizabeth. She was doubting, troubled. But when the bird her father's music moved to sing was still, she spoke, as she had promised herself she would, asking a question, of whose answer she had not the slightest doubt.

"Papa, do you know that Mr. Laval is going away?"

"Why, yes, that's the talk, I believe."

"Will they get somebody to take his place?"

"Of course. There's a prisoner on hand yet, you know,--and the house to look after."

"A big house, too, and dreadful dreary," remarked the mother of Elizabeth. "Laval's wife used to say, when she came up to see me sometimes, it was like being a prisoner to live in that building. And now she's dead and gone, he begins to think the same."

"Suppose we take Laval's place," suggested Montier, looking very seriously at his wife; but the suggestion did not alarm her. Adolphus often expressed his satisfaction with existing arrangements by making propositions of exchange for other states of life, propositions which never disturbed his wife or daughter. They understood these demonstrations of his deep content. Therefore, at these words of his, Pauline smiled, and for the reason that the words could draw forth such a smile Elizabeth looked grave.

"I wish we could, papa," said she.

"You wish we could, you child?" exclaimed her mother, wondering. "It looks so pleasant, eh?" and the fair face of Pauline turned to the prison, and surveyed it, shuddering.

"For the prisoner's sake," said Elizabeth. "Who knows but a cruel keeper may be put in Laval's place? He is almost dead with grief, that prisoner is,--I know by his face. After he is gone, there won't be any prisoner there,--and we could make it very pleasant."

"Pleasant! What do you mean by pleasant?" asked Pauline, inwardly vexed that her child had suggested the question,--and yet too just, too kindly disposed, to put the subject away with imperative refusal to consider it. "I never was in a place so horrid."

"But if it was our home, and all our things were there," urged Elizabeth, "it would be different. It depends on who lives in a house, you know."

"Yes, that is so; it depends a little, but not entirely. It would be more than your mother could do to make a pleasant-looking place out of that prison. You see it is different in the situation, to begin with. Up where we live the sun is around us all day, if it is anywhere; and then the little rooms are so light! If you put a flower into them, you think you have a whole garden. Besides, it's Home up there, and down here it isn't."--Saying this, Adolphus rose up quickly, as though he had a mind to quit the spot.

"When they select a man to fill Laval's place, of course they will be careful to choose one as good and kind," said Pauline, with mild confidence.

"The jailer before him was not good and kind," remarked her daughter.

"They dismissed him for it," said Adolphus, quickly.

"But they said the prisoners were half-starved, and abused every way. It was a good while before it was found out. That might happen again, and less chance of any one knowing it. He is so near dead now, it wouldn't take much to kill him."

No one replied to this argument. Pauline and Adolphus talked of other things, and the musician returned to his music. But all in good time. Elizabeth was capable of patience, and at last her father said, looking around him to make sure that his remark would have only two listeners,--

"That prisoner isn't a man to be talked of about here. You never heard _me_ mention him. Laval used to give a--a--bad account of him. He had to be kept alive."

"Till he heard your music, papa, and was moved up to the room with a window. Did he tell you that?" asked Elizabeth.

"He said he thought the music did him good," acknowledged Adolphus.

"May-be it was the same as with Saul when David played for him. But he does not look like a bad man, papa. He looks grander than any of our officers. And he has fought battles, they say. He is very brave."

Both Adolphus and Pauline Montier looked at their daughter with the most profound surprise when she spoke thus. Not merely her words, but her manner of speaking, caused this not agreeable perplexity. Her emotion was not only too obvious, it was too deep for their understanding. The mother was the first to speak.

"How did you hear all this, child? _I_ never heard him talked of in this way. They don't talk about him at all,--do they, Adolphus?"

"No," he answered; but he spoke the word very mildly. The tone did not indicate a want of sympathy in the compassion of his daughter.

Elizabeth looked from her mother to her father. What friends had she, if these were not her friends?

"The jailer told Sandy, and Sandy told me," she said. "But they never talk to any other person. Oh! I was afraid to hear about it; but now I have heard, I was afraid not to speak. Would it be so dreadful for you to live here, when we could always have music and the garden? And these woods seem pleasant, when you get acquainted. Day or night I can't get him out of my mind. It is just as if you were shut up that way, papa. I am afraid to be happy when any one is so wretched."

The result was, that Elizabeth's words, and not so much her words as the state of things she contrived to make apparent by them, brought Adolphus Montier to a clear, resistless sense of the prisoner's fate. Over the features of that fate he was for days brooding. Now and then a word that indicated the direction of his thinking would escape him in his wife's hearing. Silently Pauline followed Adolphus to the end of all this thinking. Once she walked alone along the unfrequented road that ran between the prison and the wood, down to the sea; and she looked at the gloomy fortress, and tried to think about it as she should, if certain that within its walls her lot would soon be cast.

And more than once Montier walked home that way; and if it chanced that he had his horn or his drum with him, he marched at quickstep, and played the liveliest tunes, and emerged from the shadows of the wood with a spirit undaunted. He had played for the prisoner, whom he had never yet seen,--but not more for him than for himself.

One Sunday, when the little family walked out together, Adolphus and his wife fell into a pleasant train of thought,--and when they were together, thought and speech were generally simultaneous. As they passed the prison,--for Adolphus had led the way to this path,--Laval was standing in the door. They stopped to speak with him; whereat he invited them into his quarters.

In this walk, Elizabeth had fallen behind her parents. When she saw them going into the prison, she quickened her pace, for her father beckoned to her. But she was in no earnest haste to follow, as became sufficiently manifest when she was left alone.

They had not gone far in their talk, however, when she came to the doorway. Laval, in all his speech, was a deliberate man, and neither Adolphus nor his wife showed any eagerness in the conduct of the conversation now begun. The contrast between the gloom of the apartment and the light and cheerfulness of their own home was apparent to all of them. Elizabeth felt the oppression under which each of the little party seemed to labor, the instant she joined her parents. Susceptible as they all were to the influences of Nature, her sunshine and her shadow, this gloom which fell upon them was nothing more than might have been anticipated.

Jailer Laval was homesick, and innocent of a suspicion of what was passing in the minds of his guests; he was therefore free in making his complaints, and acknowledged that he was not fit to keep the prison,--it required a man of more nerve than he had. The dread of the place which his poor wife had entertained seemed to have taken possession of him since her death. All the arguments which he once used, in the endeavor to bolster her courage, he had now forgotten. He was very cautious when he began to speak of the prisoner, and tried to divert Adolphus from the point by saying that he would much prefer a house full of convicts to one so empty as this. There was at least something like society in that, and something to do.

Adolphus, in spite of his discontent at hearing merely these deductions of experience, when his desire was to know something of Manuel, heard nothing of importance. The speech of the jailer on this subject was not to be had. His mind seemed to be wandering, except when his wife, or his native land, was referred to; then he brightened into speech, but never once into cheerfulness. As he sat there in the middle of his chamber, he seemed to represent the genius of the place,--and anything less enlivening or desirable in the way of human life could hardly be imagined. Pauline looked at him and sighed. She looked at Adolphus;--a pang shot through her heart; the shadow of the man seemed to overshadow him. Out of this place, where all appeared to be fast changing into "goblins damned"!

It was she who led the way; but, pausing in the court-yard, Elizabeth evinced still greater haste to be gone, for she ran on with fleet step, and a heart heavy with foreboding as to the result of this interview. She was also impatient to get into the open sunlight, and did not rest in this progress she was making outward till she had come to the sea-shore. Elizabeth Montier was in a state of dire perplexity just then, and if she had been asked whether she would really choose to effect the change proposed in their way of living, it would have been no easy matter for her to discover her mind.

By the sea-shore she sat down, and her father and mother followed slowly on. They were not talking as they came. But as they approached the beach, Adolphus could not resist the prospect before them. Loud was the blast he blew upon his horn, nor did he cease playing until his music had restored him to a more natural mood than that in which the interview with Laval left him. The prison was becoming a less startling image of desolate dreariness to him. And Adolphus was the master-spirit in his family. If he was gay, it was barely possible for his wife and child to be sad. Of the prison not one word was spoken by either. They had not revealed to each other their inmost mind when they went into Laval's quarters; they did not reveal it when they came thence. But as they strolled along the rocky shore, or returned homeward, they thought of little beside the prison and the prisoner. As to Elizabeth, nothing required of her that she should urge the matter further. She had neither heart nor courage for such urging.

It was Adolphus himself who spoke to Pauline the next day, after he had deliberately thrown himself in the way of the prisoner, that he might with his own eyes see what manner of man he was; for seeing was believing.

"Pauline," said he, almost persuaded of the truth of his own words, "you and Elizabeth would make a different place of that prison from what it is now. I should like to see it tried."

Pauline Montier made no haste to answer; she was afraid that she knew what he expected of her.

"Do you see," continued Adolphus, "Elizabeth won't speak of it again? But what must she think of us? He is a man. They say we are all brothers."

"I know it," said, almost sighed, his wife.

"Looking out for our own comfort!" exclaimed Adolphus. "So mighty afraid of doing what we'd have done for us! Besides, I believe we could make it pretty pleasant. Cool in summer, and warm in winter. I'd whitewash pretty thorough. And if the windows were rubbed up, your way, the light might get through."

"Poor Joan Laval!" said Pauline. "Body and mind gave out. She was different at first."

"Do you think it was the prison?" asked Adolphus, quickly, like a man halting between two opinions,--there was no knowing which way he would jump.

"Something broke her down," replied his wife. She was looking from one window,--he from another.

"Joan Laval was Joan Laval," said Adolphus, with an effort. "Always was. Frightened at her own shadow, I suppose. But--there! we won't think of it. I know how it looks to you, Pauline. Very well,--I don't see why we should make ourselves miserable for the sake of somebody who has got to be miserable anyhow,--and deserves it, I suppose, or he wouldn't be where he is."

"Poor fellow!" sighed Pauline,--as if it were now her turn on the rack.

Here Adolphus let the matter rest. He had overcome his own scruples so far as honestly to make this proposal to his wife. But he would do no more than propose,--not for an instant urge the point. Surely, that could not be required of him. Charity, he remembered, begins at home.

But Pauline could not let the matter rest here. Her struggle was yet to come. It was she, then, who alone was unwilling to sacrifice her present home for the sake of a stranger and prisoner!

Now Pauline Montier was a good Christian woman, and various words of holy utterance began herewith to trouble her. And from a by no means tranquil musing over them, she began to ask herself, What, after all, was home? Was happiness indeed dependent on locality when the heart of love was hers? Could she not give up so little as a house, in order to secure the comfort of a son of misfortune,--a solitary man,--a dying prisoner? What she would not give up freely might any day be taken from her. If fire did not destroy it, the government, which took delight in interference, might see fit to order that the house they occupied should be used again for the original purpose of storage.

And then the discomforts of the prison began to appear very questionable. She remembered that Joan Laval was, as Adolphus hinted, weakly, nervous, 'frightened at her own shadow,'--a woman who had never, for any single day of her life, lived with a lofty purpose,--a cumberer of the ground, who could only cast a shadow.

She perceived that they would be close to the flower-garden; a minute's walk would lead them to the pleasant woods,--and Pauline Montier always loved the woods.

Indeed, when she began to take this ground, the first steps of occupation alone could be timid or doubtful. After that, her humanity, her sympathy, her confidence in her husband and daughter, drew the woman on, till she forgot how difficult the first steps had been.

She surprised both husband and daughter by saying to Adolphus, the moment she came to her conclusion, that he had better make inquiry of Laval whether he had signified his intention to resign, and forthwith seek the appointment from the Governor of the island.

When Pauline said this, she attested her sincerity by making ready to accompany Adolphus at once to the prison, that they might run no risk of losing the situation by delay. Seeing that they were of one mind, and entirely confiding in each other, they all went together to the prison to consult with Laval. Thus it came to pass, that, before the week ended, the charge of the prison had been transferred to Adolphus Montier.

The family made great efforts in order to impart an air of cheerfulness and home-comfort to their new dwelling-place. Adolphus whitewashed, according to promise; Pauline scrubbed, according to nature; they arranged and rearranged their little stock of furniture,--set the loud-ticking day-clock on the mantel-shelf, and displayed around it the china cups, the flower-vase, and the little picture of their native town which Adolphus cut from a sheet of letter-paper some old friend had sent him, and framed with more tender feeling than skill. They did their best, each one, and said to one another, that, when they got used to the place, to the large rooms and high ceilings and narrow windows, it would of course seem like home, to them, because--it _was_ their HOME. Were they not all together? were not these their own household goods, around them? Still, they needed all this mutual encouragement and heartiness of coöperation which was so nobly, so generously manifested; and it was sincere enough to insure the very result of contentment and satisfaction which they were so wise as to anticipate. But the Governor thought,--_The Drummer is getting ambitious; he wants a big house, and authority!_

Ex-jailer Laval was exceedingly active in assisting his own outgoing and the incoming of Montier. He helped Adolphus in the heavy labors of removal, and laughed more during the conduct of these operations than he had been known to do in years. He said nothing to Prisoner Manuel of the intended change in jail-administration until the afternoon when for the last time he walked out with him.

The information was received with apparent indifference, without question or comment, until Laval, half vexed, and wholly sorrowful for the sad state of the prisoner, said,--

"I am sorry for you, Sir. I can say that, now I'm going off. I've been as much a prisoner as you have, I believe. And I wish you were going to be set free to-night, as I am. I am going home! But I leave you in good care,--better than mine. I never have gone ahead of my instructions in taking care of you. I never took advantage of your case, to be cruel or neglectful. If anything has ever passed that made you think hard of me, I hope you will forgive it, for I can say I have done the best I could or dared."

Thus called upon to speak, the prisoner said merely, "I believe you."

Whereat the jailer spoke again, and with a lighter heart.

"I am glad you're in luck this time,--for you are. You don't know who is coming to take the charge,--come, I mean, for they are all in, and settled. That's Montier, the little girl's father. He is a drummer, and a little of everything else. It's his horn that you hear sometimes. And you know Elizabeth, who was always so kind about the flowers. His wife, too, she's a pretty woman, and kind as kind can be."

"What have they come here for?" asked the prisoner, amazed.

"I'll tell you," said Laval, more generous than he had designed to be; but he knew how he should wish, when the sea rolled between him and Foray, that he had spoken every comfortable word in his knowledge to this man; he knew it by his recent experiences of remorse in reference to his buried wife, and was wise enough to profit by the knowledge;--"I'll tell you. It's on your account. They were afraid somebody that didn't know how long you have been here, and how much you have suffered, would get the place; so they all came together and asked for it. They had a pretty little house up nigh the barracks, but they gave it up to come here. You'll see Montier to-night. For when I go back to your room with you, then I'm going off to--to"----he hesitated, for foremost among his instructions was this, that he should remain silent about his purpose of returning home; he was not to go as a messenger for the prisoner across the ocean to their native land----"to my business," he said. "If you'll be kind to him, you will make something by it. I thought I would tell you,--so, when you saw a strange face in your room, you would know what it meant without asking."

"I thank you," said the prisoner; and to the jailer it now seemed as if the figure of the man beside him grew in height and strength,--as if he trod the ground less feebly and listlessly while he spoke these words. A divine consolation must have strengthened him even then, or he could never have added with such emphasis, "Wherever you go, take this my assurance with you,--you have not been cruel or careless. You have done as well as you could. I thank you for it."

"You don't ask me where I'm going," said the jailer, after a silence that seemed but brief to him,--such a deal of argument he had dispatched, so many difficulties he had overcome in those few moments, whose like, for mental activity and conclusiveness, he had never seen before, and never would see again. "I shall be asked if I have told you. But--where did you come from? Do not tell me your name. But whom did you leave behind you that you would care most should know you are alive and in good hands?"

These questions, asked in good faith, would have had their answer; but while the prisoner was preparing such reply as would have proceeded, brief and wholly to the point, from the confusion of hope and surprise, the Governor of Foray came in sight, drew near, and, suspicious, as became him, walked in silence by the prisoner's side, while Laval obeyed his mute instructions, leading Manuel back to his cell. A vessel was approaching the shore of Foray.

Having disposed of his prisoner, the jailer in turn was marched, like one under arrest, up to the fort, where he remained, an object of suspicion, until his time came for sailing, and, without knowing it, he went home under guard.

When Adolphus Montier ascended to the prisoner's room that night, he found him standing by the window. After Laval left him, he had looked from out that window, and seen the white sail of a vessel; he could not see it now, but there he stood, watching, as though he knew not that his chance of hope was over.

As Adolphus entered the room, the prisoner turned immediately to him,--asking quietly, as if he had not been suddenly tossed into a gulf of despair by the breeze that brought him hope,--

"Has Laval sailed?"

"When the cannon fired," was the answer.

Then Adolphus placed the dish containing the prisoner's supper on the table; he had already lighted the lamp in the hall. And now he wanted to say something, on this his first appearance in the capacity of keeper, and he knew what to say,--he had prepared himself abundantly, he thought. But both the heart and the imagination of Adolphus Montier stood in the way of such utterance as he had prepared. The instant his eyes fell on that figure, lonely and forlorn, the instant he heard that question, his kind heart became weakness, he stood in the prisoner's place,--he saw the vessel sailing on its homeward voyage,--he beheld men stepping from sea to shore, walking in happy freedom through the streets of home;--a vision that filled his eyes with tears was before him, and he was long in controlling his emotion sufficiently to say,--

"We are in Laval's place, Sir, and we hope you will have no cause to regret the change. I don't know how to be cruel and severe,--but I must do my duty. But I wasn't put here for a tyrant."

"I know why you are here; Laval told me," said the prisoner.

"Then we're friends, a'n't we?" asked Adolphus; "though I must do my duty by them that employ me. You understand. I'd set every door and window of this building wide open for you, if I had my way; though I don't know what you're here for. But I swear before heaven and earth, nothing will tempt me to forget my duty to the government;--if you should escape, it would be over my dead body. So you see my position."

"Yes," said the prisoner; and if anything could have tempted a smile from him, this manner of speech would have done it. But Adolphus was far enough from smiling.

"Come, eat something," said he, with tremulous persuasion. "My wife knows how to get up such things. She will do the best for you she can."

"Thank you."

The prisoner again looked out of the window. It was growing dark; the outline of sea and land was fading out of sight; dreary looked the world without,--but within the lamp seemed shining with a brighter light than usual. And here was a person and a speech, a human sympathy, that almost warmed and soothed him.

He approached the table where Adolphus had spread his supper. He sat in the chair that was placed for him, and the Drummer waited on him, recommending Pauline's skill again, much as he might have presented a petition. The prisoner ate little, but he praised Pauline, and said outright that he had tasted nothing so palatable as her supper these five years. This cheered Montier a little, but still his spirits were almost at the lowest point of depression.

"You seem to pity me," remarked the prisoner, when Adolphus was gathering up the remains of the frugal supper.

"My God!--yes!" exclaimed Adolphus, stopping short, and looking at the man.

It was a sort of sympathy that could not harm the person on whom it was bestowed.

"I consider myself well off to-night," said he, quietly. "It is your little daughter that works in the garden so much? I have often watched her."

"Yes," said Adolphus, almost with a sob.

"And you are the man whose music has been so cheering many a time?"

"I want to know what airs you like best," said the poor Drummer, hurriedly.

"I never heard you play one that I did not like."--Precious praise!

"Then you like music? I can be pretty tolerably severe, Sir, if I make up my mind!" said Adolphus, as if addressing his own conscience, to set that at rest by this open avowal. "There's no danger of my doing wrong by the government. I'd have to pay for you with my life. Yes,--for it would be with my liberty. And there's my wife and child. So you understand where I am, as I told you before; but, by thunder! you shall have all the music you want, and all the flowers; and my little girl can sing pretty well,--her mother taught her. And if you're sick, there a'n't a better nurse in the hospital than Pauline Montier. There! good night!"

Adolphus took up the tray and hurried out of the room,--and forgot to fasten the door behind him until he had gone half way down the stairs. He came back in haste, and turned the great key with half the blood in his body burning in his face,--not merely an evidence of the exertion made in that operation, which he endeavored to perform noiselessly. He was ashamed of this caging business; but he would have argued you out of countenance then and there, had you ventured a word against the government,--though, as he said, he was in the dark concerning the prisoner's crime.

When he went down stairs he found supper prepared, and Pauline and their daughter waiting for him. He sat down in silence, seeking to avoid the questioning eyes which turned toward him so expectant and so hopeful. Discerning his mood, neither wife nor daughter troubled him with questions; at last, of himself, he broke out vehemently,--

"I wouldn't for the world have lost the chance! Laval wasn't the man to take care of that gentleman. But he don't say a word against Laval, mind you. He spoke about the flowers and the music. Oh, hang it!"

Here, in spite of himself, the Drummer was wholly overcome. He bowed his head to the table and broke into violent weeping. Another barrier gave way beside. Elizabeth flew to him. He seemed not to heed her, nor the sudden cry, "Oh, father!" that escaped her. She sat down by his side,--she wept as he was weeping. It was a stormy emotion that raged through her heart, when her tears burst forth. She was not weeping for pity merely, nor because her father wept. Long before he lifted his head, she was erect, and quiet, and hopeful,--but a child no more. She was a woman to love, a woman to dare,--fit and ready for the guiding of an angel. By-and-by Adolphus said to Pauline,--"If any one else had undertaken this job in our place, we should have deserved to be shut out of heaven for it. Thinking twice about it! I'm ashamed of myself. Why,--why,--he looks like a ghost. But he won't look that way long! We aren't here to browbeat a man, and kill him by inches, I take it."

"No, indeed!" said Pauline, as if the bare idea filled her with indignation. The three were surely one now.

[To be continued.]

* * * * *

WALDEINSAMKEIT.

I do not count the hours I spend
In wandering by the sea;
The forest is my loyal friend,
Like God it useth me.

In plains that room for shadows make
Of skirting hills to lie,
Bound in by streams which give and take
Their colors from the sky,

Or on the mountain-crest sublime,
Or down the oaken glade,
Oh, what have I to do with time?
For this the day was made.

Cities of mortals woebegone
Fantastic care derides,
But in the serious landscape lone
Stern benefit abides.

Sheen will tarnish, honey cloy,
And merry is only a mask of sad;
But sober on a fund of joy
The woods at heart are glad.

There the great Planter plants
Of fruitful worlds the grain,
And with a million spells enchants
The souls that walk in pain.

Still on the seeds of all he made
The rose of beauty burns;
Through times that wear, and forms that fade,
Immortal youth returns.

The black ducks mounting from the lake,
The pigeon in the pines,
The bittern's boom, a desert make
Which no false art refines.

Down in yon watery nook,
Where bearded mists divide,
The gray old gods that Chaos knew,
The sires of Nature, hide.

Aloft, in secret veins of air,
Blows the sweet breath of song;
Ah! few to scale those uplands dare,
Though they to all belong.

See thou bring not to field or stone
The fancies found in books;
Leave authors' eyes, and fetch your own,
To brave the landscape's looks.

And if, amid this dear delight,
My thoughts did home rebound,
I should reckon it a slight
To the high cheer I found.

Oblivion here thy wisdom is,
Thy thrift the sleep of cares;
For a proud idleness like this
Crowns all life's mean affairs.

* * * * *

THE GERMAN POPULAR LEGEND OF DOCTOR FAUSTUS.

We doubt whether any popular legend has ever taken deeper root among the common people and spread farther in the world than the story of Dr. Faustus and his reckless compact with the Evil One. We do not intend to compare it, of course, to those ancient traditions which seem to have constituted a tie of relationship between the most distant nations in times anterior to history. These are mostly of a mythological character,--as, for instance, those referring to the existence of elementary spirits. Their connection with mankind has, in the earliest times, occupied the imagination of the most widely different races. A certain analogy we can easily explain by the affinity of human hearts and human minds. But when we find that exactly the same tradition is reëchoed by the mountains of Norway and Sweden in the ballad of "Sir Olaf and the Erl-king's Daughter," which the milkmaid of Brittany sings in the lay of the "Sieur Nann and the Korigan," and in a language radically different from the Norse,--when, here and there, the same _forms_ of superstition meet us in the ancient popular poetry of the Servians and modern Greeks, which were familiar to the Teutonic and Cambrian races of early centuries,--must we not believe in a primeval intimate connection between distant nations? are we not compelled to acknowledge that there must have existed, in those remote times, means of communication unknown to us?

We repeat, however, that, in calling the legend of Dr. Faustus the most widely-spread we know of, we cannot allude to these primitive traditions, the circulation of which is perfectly mysterious. We speak of such popular legends as admit of their origin being traced. Among these the Faustus-tradition may be called comparatively new. To us Americans, indeed, whose history commences only with the modern history of Europe, a period of three hundred years seems quite a respectable space of time. But to the Germans and the Scandinavians, from whose popular lore the names of Horny Siegfried and Dietric of Berne, (Theodoric the Great,) and of Roland, are not yet completely erased, a story of the sixteenth century must appear comparatively modern.

The popularity of the legend of Faustus, although of German origin, was, almost from its first rise, not confined to German lands. The French, Dutch, and English versions of the poor Doctor's adventurous life are but very little younger than his German biographies; and it was about the same time that he was made the subject of a tragedy by Marlowe, one of the most gifted of Shakspeare's dramatic predecessors. We are not afraid of erring, when we ascribe the uncommon popularity and rapid circulation of this legend principally to its deep and intrinsic _moral_ interest. Faustus's time of action was exactly the period of the great religious reformation which shook all Europe. During the sixteenth century, even the untaught and illiterate classes learned to watch more closely over the salvation of their souls than when they felt themselves safe beneath the guardianship of the Holy Mother Church. And to those who remained under the guidance of the latter, the dangers of learning and independent thinking, and of meddling with forbidden subjects, were pointed out by the monks with two-fold zeal. It cannot, therefore, surprise us, that the life and death of a famous contemporary, who for worldly goods and worldly wisdom placed his soul at stake, excited a deep and general interest. In one feature, indeed, his history bears decidedly the stamp of the great moral revolution of the time: we mean its awful end. There are two legends of the Middle Ages--and perhaps many more--in which the fundamental ideas are the same. The two Saints, Cyprianus, (the "Magico Prodigioso" of Calderon,) and Bishop Theophilus, (the hero of Conrad of Würzburg,) were both tempted by the Devil with worldly goods and worldly prosperity, and allured into the pool of sin perhaps deeper than Faustus; but repentance and penitence saved them, and secured to them finally a place among the saints of the Church. But for Faustus there is no compromise; his awful compact is binding; and whatever hope of his salvation modern poetry has excited for the unfortunate Doctor is, to say the least, in direct contradiction of the popular legend.

Faustus was the Cagliostro of the sixteenth century. It is not an easy task to find the few grains of historical truth referring to him, among the chaff of popular fiction that several centuries have accumulated around his name. A halo so mysterious and miraculous surrounds his person, that not only have various other famous individuals, who lived long before or after him, been completely amalgamated with him, but even his real existence has been denied, and not much over a hundred years after his death he was declared by scholars to be a mere myth. A certain J.C. Duerr attempted to prove, in a learned "Dissertatio Epistolica de Johanne Fausto," (printed at Altorf, in 1676,) that the magician of that name had never existed, and that all the strange things which had been related of him referred to the printer John Faust, or Fust,--who had, indeed, been confounded with him before, although he lived nearly a century earlier. And when we think of the superstitious fear and monkish prejudice with which the great invention of printing was at first regarded, such a confusion of two persons of similar name, and both, in the eyes of a dark age, servants of Satan, cannot surprise us. Our John Faustus was also sometimes confounded with two younger contemporaries, one of whom was called Faustus Socinus, and made Poland the chief theatre of his operations; the other, George Sabellicus, expressly named himself Faustus Junior, also Faustus Minor. Both were celebrated necromancers and astrologers, who probably availed themselves of the advantage derived from the adoption of the famous name of Faustus.[1]

A second attempt to prove the historical nonentity of Dr. Faustus was made at Wittenberg, in the year 1683. Some of his popular biographers had claimed for him a professorship at that celebrated university, or at least brought him into connection with it,--a pretension which the actual professors of that learned institution thought rather prejudicial to their honor, and which they were desirous of seeing refuted. Stimulated, as it would seem, by a zeal of this kind, J.G. Neumann wrote a "Dissertatio de Fausto Praestigiatore," in which he not only tried to prove that Dr. Faustus had never been at Wittenberg, but pronounced his whole story fabulous. An attempt like this would not surprise us in our own time, the age of historical skepticism; but the seventeenth century gave credit to narratives having much slighter foundation. Although this dissertation was full of historical mistakes and erroneous statements, it made some sensation, as is proved by its four successive editions. It was also translated into German. All Neumann's endeavors, however, could not stand against the testimony of contemporaries, who partly had known Faustus personally, partly had heard of him from living witnesses, and allude to his death as an occurrence of recent date.

John Faustus, or rather, after the German form of his name, Faust, was born in the last quarter of the fifteenth century, probably not before the year 1490. According to the oldest "Volksbuch" (People's Book) which bears his name,[2] his parents then lived at Roda, in the present Duchy of Saxe-Weimar. The same place is likewise named as his native village by G.R. Widmann, his first regular biographer, who says that his father was a peasant.[3] Although these two works are the foundation of the great number of later ones referring to the same subject, some of these latter deviate with respect to Faustus's birthplace. J.N. Pfitzer, for instance, who, seventy years after Widmann, published a revised and much altered edition of his book, makes Faust see the light at Saltwedel, a small town belonging then to the principality of Anhalt, and must have had his reasons for this amendment. A confusion of this kind may, indeed, have early arisen from a change of residence of our hero's parents during his infancy. But the oldest Volksbuch was written nearly forty years after the death of Faustus, and Widmann's work appeared even ten years later,--both, indeed, professing to be founded on the Doctor's writings, as well as on an autobiographical manuscript, discovered in his library after his death. Perhaps, however, the assertion of two of his contemporaries, one of whom was personally acquainted with him, is more entitled to credit in this respect. Joh. Manlius and Joh. Wier--the latter in his biography of Cornelius Agrippa--name Kundlingen, in Würtemberg, as his birthplace.

Manlius, in his work, "Collectanea Locorum Communium," (Basel, 1600,) speaks of him as of an acquaintance. He says that Faustus studied at Krakow, in Poland, where there was a regular professorship of Magic, as was the case at several universities. Others let him make his studies at Ingolstadt, and acquire there the honors of a Doctor of Medicine. Both these statements may be true, as also that he was for some time the companion and pupil of Cornelius Agrippa, of Nettesheim, the celebrated scholar, whose learning and mysterious researches after the philosopher's stone brought him, like many other wise men of the age, into suspicion of witchcraft. Agrippa had a pet dog, black, like the mystical companion of Dr. Faustus, and, in the eyes of a superstitious multitude, like him, the representative of the Evil One. Black dogs seem to have been everywhere considered as rather suspicious creatures. The Pope Sylvester II. had also a favorite black poodle, in whom the Devil was supposed to have taken up his abode. According to Wier, however, Agrippa's black dog was quite a harmless beast, and remarkable only for the childlike attachment which the great philosopher had for him. It may be worth remarking, that this writer, although he speaks of Faustus in his biography of Agrippa, makes no mention of his ever having been a friend or scholar of the latter.

In several of the old stories of Faustus, we read that he had a cousin at Wittenberg, who took him as a boy to his house, brought him up, and made him his heir when he died. If this was true, it would be more probable that he was a native of Saxony than of Suabia. It is, however, more probable that this narrative rests on one of the numerous cases found in old writings in general, and above all in the history of Faustus, in which the names Wittenberg and Würtemberg are confounded. Our hero's abode at the former place was very probably merely that of a traveller; he left there, as we shall soon see, a very unenviable reputation. It is true that Saxony was the principal scene of the Doctor's achievements; but this very circumstance makes it improbable that he was born and brought up there, as it is well known that "a prophet hath no honor in his own country."