Chapter III: Book I: The Beginning of the Fight (2)

He mildly scandalised his neighbours by blasting--privately this time--the tree stumps yet in the ground. According to their ethics he should have accepted Harry's accident as the voice of Providence and abstained from his outlandish methods--also some felt that it was a matter of delicacy and decent feeling not to repeat that which had had such dire consequences for his brother. "I wonder he can bear to do it," said Ginner, when 'Bang! Bang!' came over the hummocks to Socknersh.

But Reuben did it because he was not going to be beaten in any respect by his land. He was not going to accept defeat in the slightest instance. So he blew up the stumps, tidied the ground, and spread manure--and more manure--and yet more manure.

Manure was his great idea at that moment. He had carefully tilled and turned the soil, and he fed it with manure as one crams chickens. It was of poor quality marl, mostly lime on the high ground, with a larger proportion of clay beside the ditch. Reuben's plan was to fatten it well before he sowed his seed. Complaints of his night-soil came all the way from Grandturzel; Vennal, humorously inclined, sent him a bag of rotten fish; on the rare occasions his work allowed him to meet other farmers at the Cocks, his talk was all of lime, guano, and rape-cake, with digressions on the possibilities of seaweed. He was manure mad.

The neighbours despised and mistrusted his enthusiasm. There he was, thinking of nothing but his land, when Harry, his only brother, lay worse than dying. But Reuben often thought of Harry.

One thing he noticed, and that was that the housework was always done for him by his mother as if there were no sickness to fill her time. Always when he came home of an evening, his supper was waiting for him, hot and savoury. He breakfasted whenever he had a mind, and there were slices of cold pie or dabs of bread and meat for him to take out and eat as he worked--he had no time to come home to dinner now. Really his mother was tumbling to things wonderfully well--she looked a little tired sometimes, it is true, and the lines of her face were growing thinner, but she was saving him seven shillings a month and the girl's food; and all that money and food was feeding the hungry earth.

Naomi helped her with the nursing, and also a little about the house. She had refused to go home to Rye, though Harry did not seem to recognise her.

"For sometimes," she said, "I think he does."

§ 10.

Towards the middle of February a change took place in Harry. At first it was little more than a faint creep of life, putting a little glow in his cheeks, a little warmth in his blood. Then the wounds which had been healing so slowly began to heal quickly, his appetite returned, and he slept long and sweetly at nights.

Mrs. Backfield's hope rekindled, but the doctor soon damped it down. This sudden recrudescence of physical health was a bad sign, for there was no corresponding revival of intellect, and now the prostration of the body could no longer account for the aberration of the mind. It was unlikely that Harry would ever recover his wits--the injuries to his skull, either with or without the shock of his blindness, had definitely affected his brain. The strong, clear will, the gay spirits, the quick understanding, the tender sensibilities which had made him so bright and lovable a being, were gone--how much of shreds and scraps they had left behind them to build up the semblance of a man, did not yet appear.

His looks would be only slightly marred. It was the optic nerve which had been destroyed, and so far there was nothing ugly in the eyes themselves, except their vacant rolling. The eyelashes and eyebrows had been burnt off, but they were growing again, and a scar on his cheek and another on his forehead were not likely to show much in a few weeks' time. But all the life, the light, the soul had gone out of his face--it was like a house which had been gutted, with walls and roof still standing, yet with its essential quality gone from it, a ruin.

Reuben thought long and anxiously about his brother. He did not speak much of him to his mother or Naomi, for he knew that they would not understand the problem that confronted him. He felt worn by the extra load of work, and his brain fretted, spoiling his good sleep. He was back in his own room now, but he slept worse than in Harry's; he would lie awake fighting mentally, just as all day he had fought physically--life was a continuous fight.

It was hard that just at the outset of his enterprise, fresh obstacles should be thrown in his way. He saw that it was practically impossible for him to go on working as he did; already he was paying for it in stiff muscles, loss of appetite, fitful sleep, and drugged wakings. Also he was growing irritable and frayed as to temper. If he went on much longer doing the work of three men--he had always done the work of two--he would end by breaking up completely, and then what would become of Odiam? He would have to engage outside help, and that would mean quite ten shillings a week--ten shillings a week, two pounds a month, twenty-six pounds a year, the figures were like blisters in his head during the long restless nights. They throbbed and throbbed through his dreams. He would have to spend twenty-six pounds a year, just when he was saving so desperately to buy more land and fatten what he already had. And in addition he would have to pay for Harry's keep. Not only must he engage a man to do his work, but he would have to support in absolute idleness Harry himself. He was quite unfit for farm work, he would be nothing but an expense and an incubus.

In those dark furious hours, Reuben would wish his brother had died. It was not as if life could be sweet to him. It was terrible to see him mouching and mumbling about the house, to hold even the brief converse with him which everyday life enforced. He had not as yet grown used to his blindness, indeed it would be difficult for him to do so without wits to stimulate and direct his other senses, and it was dreadful to see him tumbling over furniture, breaking things and crying afterwards, spilling food on his clothes and his beard--for now that he could not shave himself, and others had no time to do it for him, he wore a large fair beard, which added to his uncouthness.

Oh that his brother had died!

One day Reuben was so tired that he fell asleep over his supper. His mother cleared the table round him, glancing at him with fond, submissive eyes. Each day she had come to love him more, with an obedient love, almost instinctive and elemental, which she had never felt for the gentle husband or considerate son. This evening she laid her shawl over his shoulders, and went to her washing-up.

Suddenly a weird noise came from the parlour, a strange groaning and wailing. Reuben woke up, and rubbed his eyes. What was that? It was horrible, it was uncanny--and for him it also had that terrifying unnaturalness which a sudden waking gives even to the most ordinary sounds.

Then gradually out of the horror beauty began to grow. The sound passed into an air, faltering at first, then flowing--"Dearest Ellen," on Harry's violin.

"I'm glad he's found something to amuse him, poor son," said Mrs. Backfield, coming in to see if Reuben had waked.

"He's not playing badly, is he, mother?"

"Not at all. They say as sometimes blind folk are unaccountable good at music."

Reuben did not answer; she knew by his attitude--chin in hand--that he was thinking.

That night he thought it out.

Munds of Starvecrow had had a brother who fiddled at fairs and weddings and earned, so Munds said, thirty pounds a year. He had also heard of others who made as good a thing of it. If Harry earned thirty pounds a year he would pay the wages of an extra farm-hand and also something towards his own keep. They must find out exactly how many of the old tunes he remembered, and get somebody musical to teach him new ones.

The idea prospered in Reuben's thoughts that night. The next morning he was full of it, and confided it to his mother and Naomi.

Naomi, a little paler and more wistful than of old, still spent an occasional day or two at Odiam. At first she had made these visits for Harry's sake, flattering herself that he was the better for her presence; then when even her faith began to fail, she still came, partly to help Mrs. Backfield, partly driven by such feelings as might drive an uneasy ghost to haunt the house of his tragedy. Reuben saw little of her, for his work claimed him, but he liked to feel she was there, helping his mother with work which it was difficult for her to carry through alone to Odiam's best advantage.

She heard of Reuben's plan with some shrinking.

"He--he wouldn't like it," she stammered after a pause.

"You'll never go sending our Harry to fiddle at fairs," said Mrs. Backfield.

"Why not? There's naun shameful in it. Munds's brother did it for twenty years. And think of the difference it'll mäake to us--thirty pound or so a year, instead of the dead loss of Harry's keep and the wages of an extra man beside. I tell you, mother, I wur fair sick about the farm till I thought of this."

"It's always the farm wud you, Reuben. You might sometimes think of your own kin."

"I tell you Harry wöan't mind--he'll like it. It'll be something to occupy him. Besides, hem it all, mother! you can't expect me to kip him idling here, wud the farm scarce started yet, and nearly the whole of Boarzell still to buy."

But it was useless to expect either Mrs. Backfield or Naomi to appreciate the momentousness of his task. Were women always, he wondered, without ambition? However, though they did not sympathise, they would not oppose him--Naomi because she was not skilful at opposition, his mother because he was gradually taking the place of Harry in her heart.

He had more trouble when a day or so later he asked Naomi to inspect Harry's musical equipment.

"You see, I döan't know one tune from another, so I can't do it myself. You might git him to play one or two things over to you, Naomi, and find out what he remembers."

"I'd rather not," said Naomi, shuddering.

"Why?"

"Oh--I just can't."

"But why?"

She could not tell him. If he did not understand how every note from Harry's violin would jab and tear the tortured memories she was trying to put to sleep--if he did not understand that of himself, she would never be able to explain it to him.

As a matter of fact he did understand, but he was resolute.

"Help me, Naomi," he pleaded, "fur I can't manage wudout you."

His eyes searched her face. People who met him only casually were generally left with the impression that he had black eyes, but as a matter of fact they were dark blue. A hidden power forced Naomi's eyes to meet them ... they were narrow and deep-set, with extraordinarily long lashes. She gazed into them for a moment without speaking. Then suddenly her own filled with an expression of hatred, and she ran out of the room.

But he had won his point. That evening Naomi made Harry play over his "tunes," while Reuben sat in the chimney corner watching them both. Harry's memory was erratic--he would play through some well-known airs quite correctly up to a certain point, and then interpolate hysterical variations of his own. At other times memory failed him altogether, but his natural quickness of ear seemed to have increased since his blindness, and it only needed Naomi to sing the passage over for him to fill up the gaps.

She took him through "The Woodpecker Tapping," "Dearest Ellen," "I'd mourn the hopes that leave me," "The Song of Seth's House," and "The Blue Bells of Scotland." Each one of them was torment to her gentle heart, as it woke memory after memory of courtship--on the gorse-slopes of Boarzell, among the chasing shadows of Iden Wood, on the Rother marshes by Thornsdale, where the river slinks up from the Fivewatering ... or in this very kitchen here, where the three of them, divided from one another by dizzy gaps of suffering, desire and darkness, were gathered together in a horrible false association.

But Harry's face was blank, no memories seemed to stir for him, he just fiddled on, now and then receiving Naomi's corrections with an outbreak of childish temper. On these occasions Reuben would stamp his foot and speak to him in a loud, angry voice which inevitably made him behave himself.

Naomi always took advantage of these returns to docility, but later that evening in the dairy, she suddenly swung round on Mrs. Backfield and exclaimed petulently:

"I hate that Ben of yours!"

§ 11.

Harry made good progress, and Reuben decided that he was to start his career at the October Fair. There had been a fiddler at the Fair for years, partly for the lasses and lads to dance to, partly for the less Bacchic entertainments of their elders. It was at the Fair that men took his measure, and engaged him accordingly for weddings and such festivals. Luck would have it that for the last two years there had been no official fiddler--old Abel Pinch having been seduced by a semi-urban show, which wandered round London, camping on waste grounds and commons. The musical element had been supplied by strays, and Reuben had no doubt but that he should now be able to instal his brother honourably as chief musician.

He advertised him in the neighbourhood for some weeks beforehand, and gossip ran high. Condemnation of Backfield's ruthlessness in exploiting his brother was combined with a furtive admiration of his smartness as a business man. It was extraordinary how little he cared about "lowering himself," a vital matter with the other farmers of his position. Just as he had thought nothing of working his own farm instead of indulging in the dignity of hired labour, so he thought nothing of making money at Boarzell Fair with the gipsies and pikers.

Naomi no longer protested. For one thing Harry seemed to like his fiddling, and was quite overjoyed at the prospect of playing at the Fair. Strangely enough, he remembered the Fair and its jollities, though he had forgotten all weightier matters of life and love.

"Where shall I stand?--by the gipsies' tent?--or right forrard by the stalls? I'd like to stand by the stalls, and then maybe when I'm not fiddling they'll give me sweeties."

"You must behave yourself," said Reuben, in the tones he would have used to a child--"you mustn't go vrothering people to give you sweeties."

"I'll give you some sweeties, Harry," said Naomi.

"Oh, will you?--Then I'll love you!"

Naomi turned away with a shudder, her eyes full of inexpressible pain.

Reuben looked after her as she went out of the room, then he took a couple of strides and caught her up in the passage.

"It's I who'm täaking you to the Fair, remember," he said, his hand on her arm.

"Oh, no ... I couldn't go to the Fair."

"Nonsense--you're coming wud me."

"Oh, Ben, don't make me go."

It was the cry of her weakness to his purpose.

"I shall mäake you ... dear."

She flung herself from him, and ran upstairs. That night at supper she took no notice of him, talking garrulously all the time to Mrs. Backfield.

But she went to the Fair.

In the soft grey gown that the first of the cold demanded she walked with her arm through Reuben's up the Moor. Her bonnet was the colour of heather, tied with wide ribbons that accentuated the milkiness of her chin. Reuben wore his Sunday clothes--drab shorts and a sprigged waistcoat, and a wide-brimmed hat under which his face looked strangely handsome and dark. Harry shuffled along, clutching his brother's coat-sleeve to guide himself. Mrs. Backfield preferred to stay at home, and Reuben had not tried to make her come.

All Peasmarsh went to the Fair. It was a recognised holiday. All farm work--except the most barely necessary--was put aside, and the ploughman and dairymaid rollicked with their betters. The road across Boarzell was dark with them, coming from all quarters--Playden, Iden, Beckley, Northiam, Bodiam--Old Turk's Farm, Baron's Grange, Corkwood, Kitchenhour--even from Blackbrook and Ethnam on the Kentish border.

The tents and stalls were blocked as usual round the central crest of pines. It was all much as it had been five years ago on the day of the Riot. There was the outer fringe of strange dwellings--tents full of smoke and sprawling squalling children, tilt carts with soup-pots hanging from their axles over little fires, and gorgeously painted caravans which stood out aristocratically amidst the prevalent sacking. There was a jangle of voices--the soft Romany of the gipsies, the shriller cant of the pikers and half-breeds, the broad drawling Sussex of the natives. Head of all the Fair, and superintending the working of the crazy merry-go-round, was Gideon Teazel, a rock-like man, son, he said, of a lord and a woman of the Rosamescros or Hearnes. He stood six foot eight in his boots and could carry a heifer across his shoulders. His wife Aurora, a pure-bred gipsy, told fortunes, and was mixed up in more activities than would appear from her sleepy manner or her invariable position, pipe in mouth, on the steps of her husband's caravan. Gideon loved to display his devotion for her by grotesque endearments and elephantine caresses--due no doubt to the gaujo strain in him, for the true gipsies always treated their women in public as chattels or beasts of burden, though privately they were entirely under their thumbs.

Reuben brought Naomi and Harry into the middle of the Fair. Many people stared at them. It was Harry's first public appearance since his illness, and one or two comments louder than the general hum came to Naomi's ears and made them pink.

Harry was soon established on the upturned cask beside the fighting booth which had always been the fiddler's place. He began to play at once--"Nice Young Maidens"--to all appearances quite indifferent to the jostle round him. Naomi could not help marvelling at Reuben, too--he was so cool, possessed and assured, so utterly without anything in the way of embarrassment or self-consciousness.

Wonder was succeeded by wrath--how dare he be calm in the face of such terrible things? She tried to pull her hand out of his arm, but he held his elbow close to his side, and the little hand lay there like an imprisoned mouse.

"Let's go away," she whispered, half nervously and half angrily, "I hate standing here."

"I want to see how he's going to manage," said Reuben. "What'll he do when he comes to the end of this tune?"

"Oh, do let's go away."

He did not answer, but stood there imperturbable, till Harry, having successfully finished "Nice Young Maidens," started "The Woodpecker Tapping" without any ado.

"He's safe enough now--we may as well go and have a look round."

Naomi followed him out of the little crowd which had grouped round Harry, and they wandered into the Panorama tent to see the show. After having sat for half an hour on a crowded bench, in an atmosphere thick with foul tobacco and the smell of clothes long stored away--watching "The Coronation of Queen Victoria" and "Scenery on the West Coast of Scotland" rumble slowly past with many creaks--they moved on to the sparring booth, where Buck Washington, now a little knotted and disabled by a bout of rheumatism, arranged scraps between the ploughboys of the neighbouring farms.

Unluckily, the object of sparring, as practised locally, was to draw as much blood from the adversary as possible. The combatants went straight for each others' noses, in spite of the conjurations of Buck, and Naomi soon exercised her privilege as a town girl, and said she felt faint. Reuben took her out, and they walked round the stalls, at one of which he bought her a cherry ribbon for her fairing. At another they bought gingerbread. Gradually her spirits began to revive--she applauded his power at the shooting gallery, and when they came to the cocoanut shie, she was laughing out loud.

Reuben seemed to have an endless supply of money. He, whom she had seen deny himself white bread and tobacco, and scold his mother if she used eggs to make a pudding, did not seem now to care how much he spent for her amusement. He vowed, laughing, that she should not leave the shie till she had brought down a nut, and the showman pocketed pennies till he grinned from ear to ear, while Naomi threw the wooden balls in all directions, hitting the showman and the spectators and once even Reuben himself. At last he took her arm, and putting himself behind her managed after one or two attempts to guide a successful throw. They went off laughing with her prize, and came once more to the open ground where Harry was still playing his fiddle.

Evidently he had pleased the multitude, for there was now a thick crowd in the central space, and already dancing had begun. Farm-hands in clean smocks, with bright-coloured handkerchiefs round their necks, gambolled uncouthly with farm-girls in spotted and striped muslins. Young farmers' wives, stiff with the sedateness of their bridehead, were drawn into reluctant capers. Despairing virgins renewed their hope, and tried wives their liveliness in unaccustomed arms. Even the elders danced, stumping together on the outskirts of the whirl as long as their breath allowed them.

Harry played "The Song of Seth's House," which in spite of--or because of--its sadness was a good dancing tune. There was no definite step, just anything the dancers fancied. Some kicked up their heels vigorously, others slid them sedately, some held their partners by the hand, others with both arms round their waist.

Then suddenly Naomi found herself in the thick of the crowd, at once crushed and protected by Reuben's six foot three of strength. At first she was shocked, chilled--she had never danced at a fair before, and it seemed dreadful to be dancing here with Reuben while Harry fiddled. But gradually the jovial movement, the vigour and gay spirits of her partner, wore down her reluctance. Once more she was impressed by that entire absence of self-consciousness and false pride which characterised him. After all, why should they not dance here together? Why should they stand glum while everyone else was merrymaking? Harry did not notice them, and if he did he would not care.

"The blackbird flew out from the eaves of the Manor,
The Manor of Seth in the Sussex countrie,
And he carried a prayer from the lad of the Manor,
A prayer and a tear to his faithless ladie."

She found herself bending to the rhythm of the music, swaying in Reuben's arms. He held her lightly, and it was wonderful how clever he was in avoiding concussion with the other dancers, most of whom bumped about regardless of anybody else.

"To the lady who lives in the Grange by the water,
The water of Iron in the Sussex countrie,
The lad of Seth's House prays for comfort and pity--
Have pity, my true love, have pity on me!"

A sudden weariness passed over Naomi, and Reuben led her out of the dance and brought her a drink of mild icy ale. He did not offer to take her home, and she did not ask to go. If he had offered she would have gone, but she had no will of her own--all desire, all initiative was drowned in the rhythm of the dance and the sadness of the old tune.

"O why when we loved like the swallows in April,
Should beauty forget now their nests have grown cold?
O why when we kissed 'mid the ewes on the hanger,
Should you turn from me now that they winter in fold?"

He led her back into the crowd, and once more she felt his arms round her, so light, so strong, while her feet spun with his, tricked by magic. She became acutely conscious of his presence--the roughness of his coat-sleeve, the faint scent of the sprigged waistcoat, which had been folded away in lavender. And all the while she had another picture of him in her heart, not in his Sunday best, but in corduroys and the blue shirt which had stood out of the January dusk, the last piece of colour in the day. She remembered the swing of his arm, the crash of the axe on the trunk, the bending of his back as he pulled it out, the muscles swelled under the skin ... and then the tingling creep in her own heart, that sudden suffocating thrill which had come to her there beside Harry in the gloam....

The dusk was falling now, splashed by crude flares over the stalls, and once more that creep--delicious, tingling, suffocating--was in her heart, the intoxication of the weak by the strong. It seemed as if he were holding her closer. She grew warm, and yet she would not stop. There was sweat on her forehead, she felt her woollen gown sticking to her shoulders--but she would not rest. The same old tune jigged on--it was good to dance to, and Harry liked playing it.

"O why, because sickness hath wasted my body,
Should you do me to death with your dark treacherie?
O why, because brothers and friends all have left me,
Should you leave me too, O my faithless ladie?"

The dance was becoming more of a rout. Hats fell back, even Naomi's heather-coloured bonnet became disorderly. Kerchiefs were crumpled and necks bare. Arms grew tighter, there were few merely clasping hands now. Then a lad kissed his partner on the neck while they danced, and soon another couple were spinning round with lips clinging together. The girls' hair grew rough and blew in their boys' eyes--there were sounds of panting--of kissing--Naomi grew giddy, round her was a whirl of colour, hands, faces, the dusk and flaring lights. She clung closer to Reuben, and his arms tightened about her.

"One day when your pride shall have brought you to sorrow,
And years of despair and remorse been your fate,
Perhaps your cold heart will remember Seth's Manor,
And turn to your true love--and find it too late."

§ 12.

Reuben was pleased with the results of that Fair Day. Harry had been a complete success. Even on the day itself he was engaged to fiddle at a local wedding, and thenceforth no festival was complete without him. He became the fashion in Peasmarsh. His birth and family gave proceedings an air of gentility, and his tragic story imparted romance. Also his real musical gifts were appreciated by some, as well as his tirelessness and good nature. Occasionally he would have fits of crazy ill-temper, but only required firm handling. Reuben saw that his brother, instead of being entirely on the debit side of Odiam's accounts, would add materially to its revenues. He became exceedingly kind to Harry, and gave him apples and sweets.

That autumn he had sown his oats. He sowed English Berlie, after wavering for some time between that and Barbachlaw. Quantities of rape cake had been delivered in the furrows with the seed, and now the fields lay, to the eye, wet and naked--to the soul, to Reuben's farmer-soul, full of the hidden promise which should sprout with May.

He had a man to help him on the farm, Beatup, an uncouth coltish lad, with an unlimited capacity for work. Reuben never let him touch the new ground, but kept him busy in barn and yard with the cattle. Mrs. Backfield worked in the house as usual, and she now also had charge of the poultry; for Reuben having given them up to her when he was single-handed, had not taken them back--he had to look after Beatup, who wanted more watching than Harry, and he also had bought two more pigs as money-makers. He was saving, stinting, scraping to buy more land.

Mrs. Backfield sometimes had Naomi to help her. Naomi often came to stay at Odiam. She did not know why she came; it was not for love of Mrs. Backfield, and the sight of Harry wrung her heart. She had fits of weeping alternating with a happy restlessness.

Ever since the day of the Fair a strange feeling had possessed her, sometimes just for fitful moments, sometimes for long days of panic--the feeling of being pursued. She felt herself being hunted, slowly, but inevitably, by one a dozen times more strong, more knowing, more stealthy than herself. She heard his footsteps in the night, creeping after her down long labyrinths of thought, sometimes his shadow sped before her with her own. And she knew that one day he would seize her--though she struggled, wept and fled, she knew that one day she would be his at last, and of her own surrender. The awful part of that seizing would be that it would be a matter of her will as well as his....

She was afraid of Reuben, she fled before him like a poor little lamb, trembling and bleating--and yet she would sometimes long for the inevitable day when he would grasp her and fling her across his shoulders.

She could not discipline her attitude towards him--sometimes she was composed, distant even in her thoughts; at others a kind of delirious excitement possessed her, she flushed and held down her head in his presence, could not speak to him, and groped blindly for escape. She would, on these occasions, end by returning to Rye, but away from Reuben a restless misery tormented her, driving her back to Odiam.

She sometimes asked herself if she loved him, and in cold blood there was only one answer to that question--No. What she felt for him was not love, but obsession--if she had never loved she might have mistaken it, but with her memories of Harry she could not. And the awful part of it was that her heart was still Harry's, though everything else was Reuben's. Her desires, her thoughts, her will were all Reuben's--by a slow remorseless process he was making them his own--but her heart, the loving, suffering part of her, was still Harry's, and might always be his.

She was not continuously conscious of this--sometimes she forgot Harry, sometimes he repulsed her, often she was afraid of him. But in moments of quiet her heart always gave her the same message, like distant music, drowned in a storm.

One day she was in the dairy at Odiam, skimming the cream-pans. The sunshine, filtered to a watery yellow by the March afternoon, streamed in on her, putting a yellow tinge into her white skin and white apron. Her hair was the colour of fresh butter, great pats and cakes of which stood on the slabs beside her. There was a smell of butter and standing milk in the cold, rather damp air. Naomi skimmed the cream off the pans and put it into a brown bowl.

Suddenly she realised that Reuben had come into the dairy, and was standing beside her, a little way behind.

"Hullo, Ben," she said nervously--it was one of her nervous days.

"How's the cream to-day?"

"Capital."

He dipped his finger into the pan, and sucked it.

"Oughtn't it to stand a bit longer?"

"I don't think so."

"Taste it----"

He dipped his finger again, and suddenly thrust it between her lips.

She drew her head away almost angrily, and moved to the next pan.

Then he stooped and kissed her quite roughly on the neck, close to the nape.

She cried out and turned round on him, but he walked out of the dairy.

For a moment Naomi stood stockish, conscious only of two sensations in her body--the taste of cream on her lips, and a little cold place at the back of her neck. She began to tremble, then suddenly the colour left her cheeks, for in the doorway of the wash-house, three yards off, stood Harry.

He did not move, and for some unaccountable reason she felt sure that he knew Reuben had kissed her. A kind of sickness crept up to her heart; she held out her hands before her, and tottered a little. She felt faint.

"Harry!" she called.

He came shuffling up to her, and for a moment stood straining his blind eyes into her face.

"Harry--will you--will you take this basin of cream to your mother?"

He was still looking into her eyes, and she was visited by a terrible feeling that came to her sometimes and went as quickly--that he was not so mad as people thought.

"Will you take it?"

He nodded.

She gave him the cream bowl. Their hands accidentally touched; she pulled hers away, and the bowl fell and was broken.

§ 13.

The next day Naomi left for Rye, where she stayed three weeks. She was mistaken, however, in thinking she had found a place of refuge, the hunt still went on. Reuben knew that his kiss had given him a definite position with regard to her, and Naomi knew that he knew. Twice he came over and visited her at Rye. He never attempted to kiss her again, and carefully avoided all talk of love. Indeed, her father was generally in the room. He was much taken with young Backfield, who was ready to talk shipping and harbour-work with him for hours.

"He's a solider man than ever poor Harry was," said old Gasson to Naomi, "more dependable, I should think. Reckon he'll do well for himself at Odiam. She'll be a lucky girl whom he marries."

Naomi had no mother.

Reuben was pleased with the impression he had made. He was now working definitely. At first he had merely drifted, drawn by the charm of the female creature, so delicate, soft and weak. Then commonsense had taken the rudder--he had seen Naomi's desirableness from a practical point of view; she was young, good-looking, sound if scarcely robust, well dowered, and of good family--fit in every way to be the mother of his children. Since Harry was debarred from marrying her, his brother could even more profitably take his place. Her money would then go direct to his ambition; he realised the enormous advantage of a little reserve capital and longed for a relaxation of financial strain. The Gassons were an old and respected family, and an alliance with them would give lustre to Odiam. Also he wanted children. He was fond of Naomi for her own sake. Poor little chicken! Her weakness appealed to him, and he rather enjoyed seeing her fluttering before his feet.

Towards the middle of April she came back to the farm to help Mrs. Backfield with her house-cleaning. She clung to the older woman all day, but she knew that Reuben would at last find her alone.

He did. She was laying the supper while Mrs. Backfield finished mending a curtain upstairs, when he marched suddenly into the room. He had come in from the yard, and his clothes smelt of the cow-stalls and of the manure that he loved. His face was moist; he stood in front of her and mopped his brow.

"I'm hungry, Naomi. Wot have you got fur me?"

"There's eggs...."

"Wot else?"

"Bread ... cheese...."

She could scarcely frame the homely words. For some unaccountable reason she felt afraid, felt like some poor creature in a trap.

"Wot else?"

"That's all."

"All! But I'm still hungry. Wot more do you think I want?"

She licked her lips.

He leaned over the table towards her.

"Wot more have you got fur me?"

"Nothing, I--I'm going upstairs. Let me pass, please."

"Maybe I want a kiss."

"Oh, no, no!" she cried, trying to edge between him and the wall.

"Why not?"

He put his hands on her shoulders, she felt the warmth and heaviness of them, and was more frightened than ever because she liked it.

"Maybe I want more than a kiss."

She was leaning against the wall, if he had released her she could not have run away. She was like a rabbit, paralysed with fear.

He bent towards her and his lips closed on hers. She nearly fainted, but she did not struggle or try to scream. It seemed years that they stood linked by that unwilling kiss. At last he raised his head.

"Will you marry me, Naomi?"

"No---- Oh, no!"

"Why?"

"No--no--I can't--I won't!"

Strength came to her suddenly; it was like awaking from a nightmare. She thrust him from her, slipped past, and ran out of the room.

The next morning she returned to Rye. But she could not stay there. Her heart was all restlessness and dissatisfaction. Soon Mrs. Backfield announced that she was coming back.

"I reckoned she would," said Reuben.

She arrived in the swale. A tender grey mist was in the air, smeething Boarzell, mingling with the smoke of Odiam chimneys, that curled out wood-scented into the dark. As Naomi climbed from the carrier's cart which had brought her, she smelled the daffodils each side of the garden path. The evening was full of pale perfumes, of ghostly yellows, massing faintly amidst the grey.

Reuben stood in the doorway and watched her come up the path, herself dim and ghostly, like the twilight and the flowers. When she was close he held out his arms to her, and she fell on his breast.

§ 14.

From thenceforward there was no looking back. Preparations for the wedding began at once. Old Gasson was delighted, and dowered his girl generously. As for Naomi, she gave herself up to the joys of bride-elect. Her position as Reuben's betrothed was much more important than as Harry's. It was more definite, more exalted, the ultimate marriage loomed more largely and more closely in it. She and Reuben were not so much sweethearts as husband and wife to be. Their present semi-attached state scarcely counted, it was just an unavoidable interval of preparation for a more definite relationship.

She was glad in a way that everything was so different, glad that Reuben's love-making was so utterly unlike Harry's. Otherwise she could never have plunged herself so deep into forgetfulness. She was quite without regrets--she could never have imagined she could be so free of them. She lived for the present, and for the future which was not her own. She was at rest. No longer the pursuing feet came after her, making her life a nightmare of long flights--she was safe in her captor's grasp, borne homeward on his shoulder.

She was not exaltedly happy or wildly expectant. Her anticipations were mostly material, buyings and stitchings. She looked forward to her position as mistress of Odiam, and stocked her linen cupboard. As for Reuben, her attitude towards him had changed at once with surrender. If he no longer terrified, also he no longer thrilled. She had grown fond of him, peacefully and domestically so, in a way she could never have been fond of Harry. She loved to feel his strong arm round her, his shoulder under her head, she loved to nestle close up to him and feel his warmth. His kisses were very different from Harry's, more lingering, more passionate, but, paradoxically, they thrilled her less. There had always been a touch of the wild and elfin in Harry's love-making which suggested an adventure in fairyland, whereas Reuben's suggested nothing but earth, and the earth is not exciting to those who have been in faery.

At last the wedding-day came--an afternoon in May, gloriously white and blue. Naomi stood before her mirror with delicious qualms, while one or two girl friends took the place of her mother and helped her to dress. She wore white silk, very full in the skirt, with a bunch of lilies of the valley in the folds of the bodice, which was cut low, showing the soft neck that in contrast to the dead white of the silk had taken a delicious creamy cowslip tint. Her lovable white hat was trimmed with artificial lilies of the valley, and she had white kid gloves and tiny white kid shoes.

She was very happy, and if she thought of Harry and what might have been, it only brought a delightful sad-smiling melancholy over her happiness like a bridal veil.

"How do I look?" she asked her friends.

"You look charming!"--"how well your hat becomes you!"--"how small your feet seem in your new shoes!"--"how sweet you smell!"--chorused the girls, loving her more than ever because they envied her, after the manner of girls.

Naomi walked to church on her father's arm. She held her head down, and her bridesmaids saw her neck grow pink below the golden fluff on the nape. She hid her face from Reuben and would not look at him as they stood side by side before Rye altar. No one could hear her responses, they were spoken so faintly, she was the typical Victorian bride, all shy, trembling, and blushing.

Only once she dared look up, and that was when they were walking solemnly from the communion table to the vestry--then she suddenly looked up and saw Reuben's great strong shoulder towering above her own, his face rather flushed under its sunburn, and his hair unusually sleek and shining with some oil.

They did not speak to each other till he had her in his gig, driving up Playden Hill. Then he muttered--"Liddle Naomi--my wife," and kissed her on the neck and lips. She did not want him to kiss her, because she wished to avoid crumpling her gown, and also she was afraid Reuben's horse might choose that moment to kick or run away. But of course such reasons did not appeal to him, and it was a dishevelled and rather cross little bride whom he lifted out at Odiam.

The wedding supper was to be held at the bridegroom's house, as old Gasson's rooms were not large enough, and he objected to "having the place messed up." During the marriage service Mrs. Backfield had been worrying about her pie-crusts--indeed she almost wished she had stayed at home. Naomi helped her dish up the supper, while Reuben received the guests who were beginning to arrive, some from Rye, some from the neighbouring farms. There had been a certain amount of disgusted comment when it became known that Backfield was marrying his brother's sweetheart; but criticism of Reuben always ended in reluctant admiration for his smartness as a business man.

"He'll go far, that young feller," said Realf of Grandturzel.

"Where's Harry?" Vennal asked.

"Sh-sh--döan't you go asking ork'ard questions."

"They wöan't have him to fiddle, I reckon," said Realf.

"I shud say even young Ben wudn't do that."

"Why not?" put in Ditch--"he döan't know naun about it. He's forgotten she ever wur his girl."

"You can't be sure o' that, Mus' Ditch--only the Lard knows wot mad folkses remember and wot they forget. But there's the supper ready; git moving or we'll have to sit by the door."

Odiam's strict rule had been relaxed in honour of the wedding, and a lavish, not to say luxurious, meal covered two long tables laid end to end across the kitchen. There was beef and mutton, there was stew, there were apple and gooseberry pies, and a few cone-shaped puddings, pink and white and brown, giving an aristocratic finish to the supper.

Naomi and Reuben sat at the head of the table, Mr. Gasson and Mrs. Backfield on either side of them. Harry was not present, for his methods of feeding made him rather a disgusting object at meals. Naomi had put herself tidy, but somehow she still felt disordered and flustered. She hated all this materialism encroaching on her romance. The sight of the farmers pushing for places at the table filled her with disgust--the slightest things upset her, the untidy appearance of the dishes after they had been helped, some beer stains on the cloth, even her husband's hearty appetite and not quite noiseless eating. The room soon became insufferably hot, and she felt herself getting damp and sticky--a most unlovely condition for a bride.

When the actual feeding was over there were speeches and toasts. Vennal of Burntbarns proposed the health of the bride, and Realf of Grandturzel that of the groom. Then Mrs. Backfield's health was drunk, then Mr. Gasson's. There were more toasts, and some songs--"Oh, no, I never mention her," "The Sussex Whistling Song," and old farmhouse ballads, such as:

"Our maid she would a hunting go,
She'd never a horse to ride;
She mounted on her master's boar,
And spurred him on the side.
Chink! chink! chink! the bridle went,
As she rode o'er the downs.
So here's unto our maiden's health,
Drink round, my boys! drink round!"

Naomi felt bored and sick; twice she yawned, and she stretched her tired shoulders under her dress. At last Reuben noticed her discomfort.

"You're tired--you'd better go to bed," he whispered, and she at once gladly rose and slipped away, though she would not have gone without his suggestion.

"Can I help you, dear?" asked Mrs. Backfield as she passed her chair. But Naomi wanted to be alone.

She stole out of the kitchen into the peace of the dark house, ran up the stairs, and found the right door in the unlighted passage. The bedroom was very big and cold, and on the threshold she wrinkled up her nose at a strange scent, something like hay and dry flowers.

She groped her way to the chimney-piece and found a candle and a tinder-box. The next minute a tiny throbbing flame fought unsuccessfully with the darkness which still massed in the corners and among the cumbrous bits of furniture. Naomi's new kid shoes were hurting her, and she bent down to untie them; but even as she bent, her eyes were growing used to the dim light, and she noticed something queer about the room. She lifted her head and saw that the outlines of the dressing-table and bed were rough ... the scent of dry grass suddenly revolted her.

She looked round, and this time she saw clearly. About the mirror, along the bed-head, and garlanding the posts, were crude twists and lumps of field flowers--dandelions buttercups, moon daisies, oxlips, fennel, and cow-parsley, all bunched up with hay grass, all dry, withered, rotting, and malodorous. There was a great sheaf of them on her pillow, an armful torn up from a hay-field, still smelling of the sun that had blasted it....

In a flash Naomi knew who had put them there. No sane mind could have conceived such a decoration or seeing eyes directed it. Harry, exiled from church and feast, had spent his time in a crazy effort to honour the happy pair. He knew she was to marry Reuben, but had not seemed to take much interest. Doubtless the general atmosphere of festivity and adornment had urged him to this.

How dreadful! Already she saw an insect crawling over the bed--probably there were lots of others about the room; and these flowers, all parched, dead, and evil-smelling, gave a sinister touch to her wedding day. A lump rose in her throat, the back of her eyes was seared by something hot and sudden.... Oh, Harry ... Harry....

Then misery turned to rage. It was Reuben who had brought her to this, who had stolen her from Harry, forced her into marrying him, and exposed her to this anguish. She hated Reuben. She hated him. With all the fierceness of her conquered soul and yielded body she hated him. She would have nothing more to do with him, she would be revenged on him, punish him ... a little hoarse scream of rage burst from her lips, and she turned suddenly and ran out of that dreadful room.

She ran down the passage, panting and sobbing with rage. Then at the stair head something even blacker than the darkness met her. It seized her, it swung her up, she was powerless as a little bird in its grasp. Her struggles were crushed in the kind strong arms that held her, and rage was stifled from her lips with kisses.