Chapter M: Macfarren, Sir George, 29, 30, 272

Macaulay, 257.

Madeleine, the, 145.

Magelone, 255, 260.

Majorca, 129-131.

Malfatti, Dr, 114.

Malherbe, 185, 186.

Malibran, 117.

Malvezzi Theresa, 128.

Manchester, 144.

Mannheim, 255.

Marienbad, 122, 123.

Marienlieder, 247.

Marliani, Mdme., 133.

Marseilles, 132.

Marsyas, 97.

Marxsen, 232, 233.

Mathias George, 135.

Matthew Arnold, 125, 126, 139, 149, 216

Mazurkas (Chopin), 91, 119, 136, 137, 152, 153, 154, 161, 167.

Meine Liebe ist Grün, 295.

Meiningen, 269.

Meistersinger, 192, 254.

Mendelssohn, illustrations from, 31, 40, 63, 64, 87, 95, 113, 118,
120, 122, 149, 168, 207, 219, 243.

Merimée, 79.

Messiah, the, 11, 51, 80, 206.

Meyerbeer, 28, 136.

Mickiewiez, 133.

Michael Angelo, 43, 168, 282.

Mikuli, 135.

Milan, 110.

Millet, 213.

Milton, 35, 43, 113, 157, 296.

Minuet (Haydn), 48; (Mozart), 49.

Missa Papæ Marelli, 57, 277.

Monteverde, 19, 44.

Moravian duets, 200.

Moresca, 44.

Morlacchi, 101.

Morland, 212.

Mors et Vita, 42.

Moscheles, 119, 158, 164.

Mozart, illustrations from, 17, 39, 47, 49, 67, 79, 80, 87, 97, 123,
132, 156, 192, 223, 247, 253, 280, 284, 288.

Munich, 115, 265.

Music, inductive method in, 8, 9;
intuitive reason in, 11, 12;
sensuous element in, 15-20;
emotional element, 21-23;
rational element, 23-25;
emotional basis, 26-32;
style, 35-43;
structure, 44-56;
function, 58, 63-69;
national element, 210-216;
the five landmarks, 276-282.

Myslivecek, 183.

N.

Nänie, 269.

Natal, 235.

Neckereien, 255.

Nelahozeves, 173.

Neue Berliner Musikzeitung, 241.

Neue Zeitschrift, 232, 239, 246.

New Bohemian Theatre, 202.

New York, 208.

Niecks, Professor, 108, 121, 127, 139, 145.

Niederrheinische Musikfest, 120.

Nissen Johanna, 231.

Nocturnes (Chopin), 60, 93, 119, 123, 136, 137, 154, 158, 161, 162,
163, 167.

Nohant, 129, 132, 133, 134, 137, 140, 142.

Novotny, 195.

Numa Roumestan, 141.

Nun danket alle Gott, 41.

O.

Odyssey, 74.

Offenbach, 296.

Oldenburg, 255.

Omar Khayyam, 39.

Orfeo, 44.

Organism in music, 33;
in melody, 38;
in harmony, 40;
in style, 41;
in structure, 44-55.

Othello, 69.

Oxford, 182, 267.

P.

Paër, 116.

Paganini, 96, 255.

Palestrina, illustrations from, 40, 168, 275, 278, 281.

Paradise Lost, 296.

Paris, 87, 102, 106, 110, 115, 116, 118-123, 125, 131, 133, 134,
140, 143, 144, 145, 146, 182, 183, 213, 217, 257.

Parry, illustrations from, 46, 62, 283.

Pasta, 107, 117.

Pater, 36.

Pathétique, Sonata, 39, 47, 51.

Pauline, 233.

Peer Gynt, 42.

Penzing, 254.

Père la Chaise, 146.

Pericles, prologue to, 51.

Perpignan, 129.

Persius, 79.

Philharmonic (Vienna), 262, 265.

Pierret, 126.

Pixis, 100.

Platen, Count, 237.

Plato, 12, 59, 230, 276.

Pleyel, 120, 135.

Poe, 29.

Poland, 83, 84, 110, 116, 152.

Polonaises (Chopin), 93, 105, 123, 131, 136, 158.

Polonaise-Fantasie, 137.

Portraits Contemporains, 126.

Posen, 93, 96.

Prague, 99, 100, 111, 175, 179, 184, 187, 188, 191, 196, 198, 203,
208.

Preludes (Chopin), 131, 136, 156, 158, 166.

Pressnitz, 175.

Prince Karol, 139, 141.

Prince of Venosa, 19.

Purcell, 47.

Q.

Quartetts (Dvořák), 197, 208, 224.

Quartetts (Brahms), 247, 249, 252, 253, 255, 260, 264, 266, 285, 291,
309, 302.

Quintetts (Dvořák), 190, 207, 220, 221.

Quintetts (Brahms), 255, 271, 291, 297, 300, 301.

R.

Racine, 254.

Radziwill, Prince, 92, 96, 105, 110.

Raff, 266.

Rameau, 31, 47, 279.

Ramorino, 116.

Ranz des Vaches variations, 90.

Raphael, 7.

Rasoumoffsky Quartetts, 43, 51, 55, 258.

Raven, Poe's essay on, 29.

Redemption, the, 42.

Reicha, 183.

Reinecke, 270.

Rellstab, 120.

Reményi, 235, 236, 237, 238.

Requiem (Dvořák), 20, 60, 208, 223;
(Mozart), 145.

Reynolds, 202.

Rhapsodies (Dvořák), 202, 222;
(Brahms), 260, 266.

Richter, 251, 265, 272.

Rieter-Biedermann, 246, 261.

Rinaldo, 260.

Rizner, 261.

Romantic movement in music, 53, 155, 233, 280, 281, 283, 284-286.

Rome, 213.

Romeo and Juliet, prologue to, 51.

Rondo, growth of, 46-47;
Chopin's in C minor, 91, 93.

Roskosny, 191.

Rossini, 64.

Rouen, 129.

Rubinstein, 243, 264.

Rue Pigalle, 133.

Ruskin, 30.

Russia, 83, 84, 106, 113-116, 260.

S.

Sadowa, 188, 263.

St Adalbert, church of, 194, 198.

St Cæcilia (Handel), 94.

St Ludmila, 206, 207, 216.

Sainte Beuve, 126, 134.

Samberk, 203.

Sand, George, 102, 121-127, 129, 131, 133, 136-142, 144.

Sand, Maurice, 129, 137, 138, 142.

Sand, Solange, 129, 138, 144.

Sappho, 79.

Sartoris, Mrs, 144.

Saul, 94, 264.

Scarlatti, 31, 279.

Schadow, 120.

Scherzos (Chopin), 123, 129, 136, 153.

Scherzo Capriccioso, 220.

Schicksalslied, 62, 70, 262, 263, 297.

Schönbüchel, 183.

Schubert, illustrations from, 33, 80, 114, 132, 201, 214, 247, 249,
250, 252, 260, 270, 284, 297.

Schubring, Dr, 235.

Schumann, illustrations from, 19, 31, 39, 53, 54, 57, 72, 93, 107,
120, 122, 123, 149, 152, 154, 156, 165, 168, 232, 233, 237,
239, 240, 241, 244, 246, 250, 285, 286, 290, 291, 297.

Schumann, Madame, 122, 255, 259.

Schuppanzigh, 98.

Scott, 206, 219.

Scudérys, the, 133.

Sebor, 191.

Sensuous element in music, 15-20.

Serenades (Brahms), 245, 246, 253, 255.

Serenade Trio, 221.

Sestetts (Dvořák), 202;
(Brahms), 247, 253, 256, 257.

Seyfried, 114.

Shakespear, illustrations from, 7, 35, 43, 51, 67, 68, 106, 168,
281, 301, 303.

Shelley, 13, 71, 82, 122, 168.

Simrock, 200, 202.

Singakademie (Berlin), 94, 95;
(Vienna), 255.

Skarbeks, the, 83, 84.

Slavik, 115.

Slavische Tänze, 200, 205.

Smetana, 185, 186, 187, 191, 192, 196, 215, 221.

Soldatenlieder, 258.

Sommerabend, 269.

Sonatas (Chopin), 93, 136, 137, 138, 143;
(Dvořák), 202;
(Brahms), 233, 240, 256, 266, 270, 271.

Sonata form, growth of, 44-56, 286-291.

Sonntag Henrietta, 107.

Sophocles, 35, 301.

Spectre's Bride, the, 206, 207, 216, 219, 223.

Spencer, Herbert, 26.

Spitz, 176.

Spohr, 149.

Spontini, 95.

Spring song, 152.

Stabat Mater (Rossini), 64;
(Dvořák), 199, 202, 205, 223.

Stary, 194.

Sleeker, Dr, 191.

Stevenson, R. L., 252.

Strauss, 31, 39, 114, 250, 260.

Structure in music. 44-56, 286-291.

Stubborn Heads, the, 196.

Stuttgart, 115, 269.

Style in music, 35-43, 298-302.

Suvorov, 84.

Symphonic Fantastique, 32.

Symphonies (Dvořák), 190, 194, 197, 198, 202, 207;
(Brahms), 265, 269, 270, 284, 290, 297.

Szafarnia, 90.

T.

Tacitus, 272.

Tannhäuser, 195.

Tellefsen, 135, 143.

Tennyson, 35.

Teplitz, 100.

Thalberg, 114, 158.

Thirty Years' War, 182.

Tieck, 255.

Tilly, 182.

Tintoret, 282, 294.

Titian, 12, 43, 157, 282.

Treitschke, 270.

Trios (Chopin); 93, 96, 119;
(Dvořák), 198, 200, 207, 208;
(Brahms), 42, 255, 267, 272.

Triple Concerto (Beethoven), 243.

Tristan, 21, 57, 254, 296.

Triumphlied, 262, 263.

Tyl, 184, 203.

U.

Uhland, 151.

Une contemporaine; 124, 138.