Chapter IV: Part 4

They went out of the gallery, and into Trafalgar Square. It was a scorching afternoon in August, but there was some cooling comfort in seeing the dancing water of the fountains sparkling so brightly in the sunshine.

“Do you mind stopping here a few minutes?” he said. “I should like to sit down and watch. There is so much to see.”

She led the way to a seat, one end of which was occupied by a workman, who was sleeping soundly, and snoring too, his arms folded tightly together. He had a little clay pipe in the corner of his mouth; it seemed to be tucked in so snugly that there was not much danger of its falling to the ground. At last Helen spoke to her companion.

“What do you mean by saying that you will not be able to finish your picture? Perhaps you are not well. Indeed, you don’t look well. You make me anxious, for I have a great regard for you.”

“I am ill and suffering,” he answered, quietly. “I thought I should have died yesterday; but I made up my mind to live until I saw you again, and I thought I would ask you to spend the afternoon with me, and go with me to Westminster Abbey, and sit with me in the cloisters. I do not feel able to go by myself, and I know of no one to ask except you; and I believed you would not refuse me, for you have been very kind to me. I do not quite understand why you have been kind to me, but I am wonderfully grateful to you. Today I heard some one in the gallery say that you were plain. I turned round and I said, ‘I beg your pardon; _I_ think she is very beautiful.’ I think they laughed, and that puzzled me; for you have always seemed to me a very beautiful person.”

At that moment the little clay pipe fell from the workman’s mouth and was broken into bits. He awoke with a start, gazed stupidly at the old man and his companion, and at the broken clay pipe.

“Curse my luck!” he said, yawning. “I was fond of that damned little pipe.”

The old man drew his own pipe and his own tobacco-pouch from his pocket.

“Take these, stranger,” he said. “I don’t want them. And good luck to you.”

The man’s face brightened up as he took the pipe and pouch.

“You’re uncommon kind,” he said. “Can you spare them?” he added, holding them out half reluctantly.

“Yes,” answered the old man; “I shall not smoke again. You may as well have these matches too.”

The labourer put them in his pocket, smiled his thanks, and walked some little distance off; and Helen watched him examine his new pipe, and then fill it with tobacco and light it.

Mr. Lindall proposed that they should be getting on their way to Westminster, and they soon found themselves in the abbey. They sat together in the Poets’ Corner; a smile of quiet happiness broke over the old man’s tired face as he looked around and took in all the solemn beauty and grandeur of the resting-place of the great.

“You know,” he said, half to himself, half to his companion, “I have no belief of any kind, and no hopes and no fears; but all through my life it has been a comfort to me to sit quietly in a church or a cathedral. The graceful arches, the sun shining through the stained windows, the vaulted roof, the noble columns, have helped me to understand the mystery which all our books of philosophy cannot make clear, though we bend over them year after year, and grow old over them, old in age and in spirit. Though I myself have never been outwardly a worshipper, I have never sat in a place of worship but that, for the time being, I have felt a better man. But directly the voice of doctrine or dogma was raised the spell was broken for me, and that which I hoped was being made clear had no further meaning for me. There was only one voice which ever helped me, the voice of the organ, arousing me, thrilling me, filling me with strange longing, with welcome sadness, with solemn gladness. I have always thought that music can give an answer when everything else is of no avail. I do not know what you believe.”

“I am so young to have found out,” she said, almost pleadingly.

“Don’t worry yourself,” he answered, kindly. “Be brave and strong, and let the rest go. I should like to live long enough to see what you will make of your life. I believe you will never be false to yourself or to any one. That is rare. I believe you will not let any lower ideal take the place of your high ideal of what is beautiful and noble in art, in life. I believe that you will never let despair get the upper hand of you. If it does you may as well die; yes, you may as well. And I entreat you not to lose your entire faith in humanity. There is nothing like that for withering up the very core of the heart. I tell you, humanity and nature have so much in common with each other that if you lose part of your pleasure in the latter; you will see less beauty in the trees, the flowers, and the fields, less grandeur in the mighty mountains and the sea. The seasons will come and go, and you will scarcely heed their coming and going: winter will settle over your soul, just as it settled over mine. And you see what I am.”

They had now passed into the cloisters, and they sat down in one of the recesses of the windows, and looked out upon the rich plot of grass which the cloisters enclose. There was not a soul there except themselves; the cool and the quiet and the beauty of the spot refreshed these pilgrims, and they rested in calm enjoyment.

Helen was the first to break the silence.

“I am glad you have brought me here,” she said; “I shall never grumble now at not being able to afford a fortnight in the country. This is better than anything else.”

“It has always been my summer holiday to come here,” he said. “When I first came I was like you, young and hopeful, and I had wonderful visions of what I intended to do and to be. Here it was I made a vow that I would become a great painter, and win for myself a resting place in this very abbey. There is humour in the situation, is there not?”

“I don’t like to hear you say that,” she answered. “It is not always possible for us to fulfil all our ambitions. Still, it is better to have had them, and failed of them, than not to have had them at all.”

“Possibly,” he replied, coldly. Then he added, “I wish you would tell me about yourself. You have always interested me.”

“I have nothing to tell you about myself,” she answered, frankly. “I am alone in the world, without friends and without relations. The very name I use is not a real name. I was a foundling. At times I am sorry I do not belong to any one, and at other times I am glad. You know I am fond of books and of art, so my life is not altogether empty; and I find my pleasure in hard work. When I saw you at the gallery I wished to know you, and I asked one of the students who you were. He told me you were a misanthrope. Then I did not care so much about knowing you, until one day you spoke to me about my painting, and that was the beginning of our friendship.”

“Forty years ago,” he said, sadly, “the friend of my boyhood deceived me. I had not thought it possible that he could be false to me. He screened himself behind me, and became prosperous and respected at the expense of my honour. I vowed I would never again make a friend. A few years later, when I was beginning to hold up my head, the woman whom I loved deceived me. Then I put from me all affection and all love. Greater natures than mine are better able to bear these troubles, but my heart contracted and withered up.”

He paused for a moment, many recollections overpowering him. Then he went on telling her the history of his life, unfolding to her the story of his hopes and ambitions, describing to her the very home where he was born, and the dark-eyed sister whom he had loved, and with whom he had played over the daisied fields, and through the carpeted woods, and all among the richly tinted bracken. One day he was told she was dead, and that he must never speak her name; but he spoke it all the day and all the night,--Beryl, nothing but Beryl,--and he looked for her in the fields and in the woods and among the bracken. It seemed as if he had unlocked the casket of his heart, closed for so many years, and as if all the memories of the past and all the secrets of his life were rushing out, glad to be free once more, and grateful for the open air of sympathy.

“Beryl was as swift as a deer!” he exclaimed. “You would have laughed to see her on the moor. Ah, it was hard to give up all the thoughts of meeting her again. They told me I should see her in heaven, but I did not care about heaven. I wanted Beryl on earth, as I knew her, a merry laughing sister. I think you are right: we don’t forget; we become resigned in a dead, dull kind of way.”

Suddenly he said, “I don’t know why I have told you all this. And yet it has been such a pleasure to me. You are the only person to whom I could have spoken about myself, for no one else but you would have cared.”

“Don’t you think,” she said gently, “that you made a mistake in letting your experiences embitter you? Because you had been unlucky in one or two instances it did not follow that all the world was against you. Perhaps you unconsciously put yourself against all the world, and therefore saw every one in an unfavourable light. It seems so easy to do that. Trouble comes to most people, doesn’t it? And your philosophy should have taught you to make the best of it. At least, that is my notion of the value of philosophy.”

She spoke hesitatingly, as though she gave utterance to these words against her will.

“I am sure you are right, child,” he said, eagerly.

He put his hands to his eyes, but he could not keep back the tears.

“I have been such a lonely old man,” he sobbed; “no one can tell what a lonely, loveless life mine has been. If I were not so old and so tired I should like to begin all over again.”

He sobbed for many minutes, and she did not know what to say to him of comfort; but she took his hand within her own, and gently caressed it, as one might do to a little child in pain. He looked up and smiled through his tears.

“You have been very good to me,” he said, “and I dare say you have thought me ungrateful. You mended my coat for me one morning, and not a day has passed but that I have looked at that darn and thought of you. I liked to remember that you had done it for me. But you have done far more than this for me: you have put some sweetness into my life. Whatever becomes of me hereafter, I shall never be able to think of my life on earth as anything but beautiful, because you thought kindly of me and acted kindly for me. The other night, when this terrible pain came over me, I wished you were near me; I wished to hear your voice. There is very beautiful music in your voice.”

“I would have come to you gladly,” she said, smiling quietly at him. “You must make a promise that when you feel ill again you will send for me. Then you will see what a splendid nurse I am, and how soon you will become strong and well under my care, strong enough to paint many more pictures, each one better than the last. Now will you promise?”

“Yes,” he said, and he raised her hand reverently to his lips.

“You are not angry with me for doing that?” he asked, suddenly. “I should not like to vex you.”

“I am not vexed,” she answered, kindly.

“Then perhaps I may kiss it once more?” he asked.

“Yes,” she answered; and again he raised her hand to his lips.

“Thank you,” he said quietly; “that was kind of you. Do you see that broken sun-ray yonder? Is it not golden? I find it very pleasant to sit here; and I am quite happy, and almost free from pain. Lately I have been troubled with a dull thudding pain near my heart; but now I feel so strong that I believe I shall finish that Andrea del Sarto after all.”

“Of course you will,” she answered, cheerily, “and I shall have to confess that yours is better than mine! I am quite willing to yield the palm to you.”

“I must alter the expression of the mouth,” he replied. “That is the part which has worried me. I don’t think I told you that I have had a commission to copy Rembrandt’s ‘Old Jew.’ I must set to work on that next week.”

“But you have given me your palette and brushes!” she laughed.

“You must be generous enough to lend them to me,” he said, smiling. “By the way, I intend to give you my books, all of them. Some day I must show them to you. I especially value my philosophical books; they have been my faithful companions through many years. I believe you do not read Greek. That is a pity, because you would surely enjoy Aristotle. I think I must teach you Greek; it would be an agreeable legacy to leave you when I pass away into the Great Silence.”

“I should like to learn,” she said, wondering to hear him speak so unreservedly. It seemed as if some vast barrier had been rolled aside, and as if she were getting to know him better, having been allowed to glance into his past life, to sympathise with his past mistakes, and with the failure of his ambitions, and with the deadening of his heart.

“You must read AEschylus,” he continued, enthusiastically; “and, if I mistake not, the Agamemnon will be an epoch in your life. You will find that all these studies will serve to ennoble your art, and you will be able to put mind into your work, and not merely form and colour. Do you know, I feel so well that I believe I shall not only live to finish Andrea del Sarto, but also to smoke another pipe?”

“You have been too rash to-day,” she laughed, “giving away your pipe and pouch, your palette and brushes, in this reckless manner! I must get you a new pipe to-morrow. I wonder you did not part with your venerable Lucretius.”

“That reminds me,” he said, fumbling in his pocket; “I think I have dropped my Lucretius. I fancy I left it somewhere in the Poets’ Corner. It would grieve me to lose that book.”

“Let me go and look for it,” she said, and she advanced a few steps, and then came back to him.

“You have been saying many kind words to me,” she said, as she put her hand on his arm, “and I have not told you that I value your friendship, and am grateful to you for letting me be more than a mere stranger to you. I have been very lonely in my life, for I am not one to make friends easily, and it has been a great privilege to me to talk with you. I want you to know this: for if I have been anything to you, you have been a great deal to me. I have never met with much sympathy from those of my own age: I have found them narrow and unyielding, and they found me dull and uninteresting. They had passed through few experiences and knew nothing about failure or success, and some of them did not even understand the earnestness of endeavour, and laughed at me when I spoke of a high ideal. So I withdrew into myself, and should probably have grown still more isolated than I was before, but that I met you, and, as time went on, we became friends. I shall always remember your teaching, and I will try to keep to a high ideal of life and art and endeavour, and I will not let despair creep into my heart, and I will not lose my faith in humanity.”

As she spoke a lingering ray of sunshine lit up her face and gently caressed her soft brown hair; slight though her form, sombre her clothes, and unlovely her features, she seemed a gracious presence because of her earnestness.

“Now,” she said, cheerily, “you rest here until I come back with your Lucretius, and then I think I must be getting on my way home. But you must fix a time for our first Greek lesson, for we must begin to-morrow.”

When she had gone he walked in the cloisters, holding his hat in his hand and his stick under his arm. There was a quiet smile on his face, which was called forth by pleasant thoughts in his mind, and he did not look quite so shrunken and shrivelled as usual. His eyes were fixed on the ground, but he raised them, and observed a white cat creeping toward him. It came and rubbed itself against his foot, and, purring with all its might, seemed determined to win some kind of notice from him. The old man stooped down to stroke it, and was just touching its sleek coat when he suddenly withdrew his hand and groaned deeply. He struggled to the recess, and sank back. The stick fell on the stone with a clatter, and the battered hat rolled down beside it, and the white cat fled away in terror; but realising that there was no cause for alarm, it came back and crouched near the silent figure of the old man, watching him intently. Then it stretched out its paw and played with his hand, doing its utmost to coax him into a little fun; but he would not be coaxed, and the cat lost all patience with him, and left him to himself.

Meanwhile Helen Stanley was looking for the lost Lucretius in the Poets’ Corner. She found it laying near Chaucer’s tomb, and was just going to take it to her friend when she saw the workman to whom they had spoken in Trafalgar Square. He recognised her at once, and came toward her.

“I’ve been having a quiet half-hour here,” he said. “It does me a sight of good to sit in the abbey.”

“You should go into the cloisters,” she said, kindly. “I have been sitting there with my friend. He will be interested to hear that you love this beautiful abbey.”

“I should like to see him again,” said the workman. “He had a kind way about him, and that pipe he gave me is an uncommon good one. Still, I am sorry I smashed the little clay pipe. I’d grown used to it. I’d smoked it ever since my little girl died and left me alone in the world. I used to bring my little girl here, and now I come alone. But it isn’t the same thing.”

“No, it could not be the same thing,” said Helen, gently. “But you find some comfort here?”

“Some little comfort,” he answered. “One can’t expect much.”

They went together into the cloisters, and as they came near the recess where the old man rested Helen said:

“Why, he has fallen asleep! He must have been very tired. And he has dropped his hat and stick. Thank you. If you will put them down there, I will watch by his side until he wakes up. I don’t suppose he will sleep for long.”

The workman stooped down to pick up the hat and stick, and glanced at the sleeper. Something in the sleeper’s countenance arrested his attention. He turned to the girl, and saw that she was watching him.

“What is it?” she asked anxiously. “What is the matter with you?”

He tried to speak, but his voice failed him, and all he could do was to point with trembling hand to the old man.

Helen looked, and a loud cry broke from her lips. The old man was dead.

THE OMNIBUS, By Quiller-Couch

All that follows was spoken in a small tavern, a stone’s throw from Cheapside, the day before I left London. It was spoken in a dull voice, across a greasy table-cloth, and amid an atmosphere so thick with the reek of cooking that one longed to change it for the torrid street again, to broil in an ampler furnace. Old Tom Pickford spoke it, who has been a clerk for fifty-two years in Tweedy’s East India warehouse, and in all that time has never been out of London, but when he takes a holiday spends it in hanging about Tweedy’s, and observing that unlovely place of business from the outside. The dust, if not the iron, of Tweedy’s has entered into his soul; and Tweedy’s young men know him as “the Mastodon.” He is a thin, bald septuagenarian, with sloping shoulders, and a habit of regarding the pavement when he walks, so that he seems to steer his way by instinct rather than sight. In general he keeps silence while eating his chop; and on this occasion there was something unnatural in his utterance, a divorce of manner between the speaker and his words, such as one would expect in a sibyl disclaiming under stress of the god. I fancied it had something to do with a black necktie that he wore instead of the blue bird’s-eye cravat familiar to Tweedy’s, and with his extraordinary conduct in refusing to-day the chop that the waiter brought, and limiting his lunch to cheese and lettuce.

Having pulled the lettuce to pieces, he pushed himself back a little from the table, looked over his spectacles at me, then at the table-cloth, and began in a dreamy voice:

“Old Gabriel is dead. I heard the news at the office this morning, and went out and bought a black tie. I am the oldest man in Tweedy’s now--older by six years than Sam Collins, who comes next; so there is no mistake about it. Sam is looking for the place; I saw it in his eye when he told me, and I expect he’ll get it. But I’m the oldest clerk in Tweedy’s. Only God Almighty can alter that, and it’s very satisfactory to me. I don’t care about the money. Sam Collins will be stuck up over it, like enough; but he’ll never write a hand like Gabriel’s, not if he lives to be a hundred; and he knows it, and knows I’ll be there to remind him of it. Gabriel’s was a beautiful fist--so small, too, if he chose. Why, once, in his spare hours, he wrote out all the Psalms, with the headings, on one side of a folio sheet, and had it framed and hung up in his parlour, out at Shepherd’s Bush. He died in the night--oh yes, quite easily. He was down at the office all yesterday, and spoke to me as brisk as a bird. They found him dead in his bed this morning.

“I seem cut up about it? Well, not exactly. Ah, you noticed that I refused my chop to-day. Bless your soul, that’s not on Gabriel’s account. I am well on in years, and I suppose it would be natural of me to pity old men, and expect pity. But I can’t; no, _it’s only the young that I pity_. If you _must_ know, I didn’t take the chop to-day because I haven’t the money in my pocket to pay for it. You see, there was this black tie that I gave eighteenpence for; but something else happened this morning that I’ll tell you about.

“I came down in a ‘bus, as usual. You remember what muggy weather it was up to ten o’clock--though you wouldn’t think it, to feel the heat now. Well, the ‘bus was packed, inside and out. At least, there was just room for one more inside when we pulled up by Charing Cross, and there he got in--a boy with a stick and a bundle in a blue handkerchief.

“He wasn’t more than thirteen; bound for the docks, you could tell at a glance; and by the way he looked about you could tell as easily that in stepping outside Charing Cross station he’d set foot on London stones for the first time. God knows how it struck him--the slush and drizzle, the ugly shop-fronts, the horses slipping in the brown mud, the crowd on the pavement pushing him this side and that. The poor little chap was standing in the middle of it with dazed eyes, like a hare’s, when the ‘bus pulled up. His eyelids were pink and swollen; but he wasn’t crying, though he wanted to. Instead, he gave a gulp as he came on board with stick and bundle, and tried to look brave as a lion.

“I’d have given worlds to speak to him, but I couldn’t. On my word, sir, I should have cried. It wasn’t so much the little chap’s look. But to the knot of his bundle there was tied a bunch of cottage flowers,--sweet-williams, boy’s-love, and a rose or two,--and the sight and smell of them in that stuffy omnibus were like tears on thirsty eyelids. It’s the young that I pity, sir. For Gabriel, in his bed up at Shepherd’s Bush, there’s no more to be said, as far as I can see; and as for me, I’m the oldest clerk in Tweedy’s, which is very satisfactory. It’s the young faces, set toward the road along which we have travelled, that trouble me. Sometimes, sir, I lie awake in my lodgings and listen, and the whole of this London seems filled with the sound of children’s feet running, and I can sob aloud. You may say that it is only selfishness, and what I really pity is my own boyhood. I dare say you’re right. It’s certain that, as I kept glancing at the boy and his sea kit and his bunch of flowers, my mind went back to the January morning, sixty-five years back, when the coach took me off for the first time from the village where I was born to a London charity-school. I was worse off than the boy in the omnibus, for I had just lost father and mother. Yet it was the sticks and stones and flower-beds that I mostly thought of. I went round and said good-bye to the lilacs, and told them to be in flower by the time I came back. I said to the rose-bush, ‘You must be as high as my window next May; you know you only missed it by three inches last summer.’ Then I went to the cow-house, and kissed the cows, one by one. They were to be sold by auction the very next week, but I guessed nothing of it, and ordered them not to forget me. And last I looked at the swallows’ nests under the thatch,--the last year’s nests,--and told myself that they would be filled again when I returned. I remembered this, and how I stretched out my hands to the place from the coach-top; and how at Reading, where we stopped, I spent the two shillings that I possessed in a cocoanut and a bright clasp-knife; and how, when I opened it, the nut was sour; and how I cried myself to sleep, and woke in London.

“The young men in Tweedy’s, though they respect my long standing there, make fun of me at times because I never take a holiday in the country. Why, sir, _I dare not_. I should wander back to my old village, and--Well, I know how it would be then. I should find it smaller and meaner; I should search about for the flowers and nests, and listen for the music that I knew sixty-five years ago, and remember; and they would not be discoverable. Also every face would stare at me, for all the faces I know are dead. Then I should think I had missed my way and come to the wrong place; or (worse) that no such spot ever existed, and I have been cheating myself all these years; that, in fact, I was mad all the while, and have no stable reason for existing--I, the oldest clerk in Tweedy’s! To be sure, there would be my parents’ headstones in the churchyard. But what are they, if the churchyard itself is changed?

“As it is, with three hundred pounds per annum, and enough laid by to keep him, if I fail, an old bachelor has no reason to grumble. But the sight of that little chap’s nosegay, and the thought of the mother who tied it there, made my heart swell as I fancy the earth must swell when rain is coming. His eyes filled once, and he brushed them under the pretence of pulling his cap forward, and stole a glance round to see if any one had noticed him. The other passengers were busy with their own thoughts, and I pretended to stare out of the window opposite; but there was the drop, sure enough, on his hand as he laid it on his lap again.

“He was bound for the docks, and thence for the open sea, and I, that was bound for Tweedy’s only, had to get out at the top of Cheapside. I know the ‘bus conductor,--a very honest man,--and, in getting out, I slipped half a crown into his hand to give to the boy, with my blessing, at his journey’s end. When I picture his face, sir, I wish I had made it five shillings, and gone without a new tie and dinner altogether.”

THE HIRED BABY, By Marie Corelli

A dark, desolate December night, a night that clung to the metropolis like a wet black shroud, a night in which the heavy, low-hanging vapours melted every now and then into a slow, reluctant rain, cold as icicle-drops in a rock cavern. People passed and repassed in the streets like ghosts in a bad dream; the twinkling gas-light showed them at one moment rising out of the fog, and then disappearing from view as though suddenly engulfed in a vaporous ebon sea. With muffled, angry shrieks, the metropolitan trains deposited their shoals of shivering, coughing travelers at the several stations, where sleepy officials, rendered vicious by the weather, snatched the tickets from their hands with offensive haste and roughness. Omnibus conductors grew ill-tempered and abusive without any seemingly adequate reason; shopkeepers became flippant, disobliging, and careless of custom; cabmen shouted derisive or denunciatory language after their rapidly retreating fares; in short, everybody was in a discontented, almost spiteful humour, with the exception of those few aggressively cheerful persons who are in the habit of always making the best of everything, even bad weather. Down the long wide vista of the Cromwell Road, Kensington, the fog had it all its own way; it swept on steadily, like thick smoke from a huge fire, choking the throats and blinding the eyes of foot-passengers, stealing through the crannies of the houses, and chilling the blood of even those luxurious individuals who, seated in elegant drawing-rooms before blazing fires, easily forgot that there were such bitter things as cold and poverty in that outside world against which they had barred their windows. At one house in particular--a house with gaudy glass doors and somewhat spoiled yellow silk curtains at the windows, a house that plainly said to itself, “Done up for show!” to all who cared to examine its exterior--there stood a closed brougham, drawn by a prancing pair of fat horses. A coachman of distinguished appearance sat on the box; a footman of irreproachable figure stood waiting on the pavement, his yellow-gloved hand resting elegantly on the polished silver knob of the carriage door. Both these gentlemen were resolute and inflexible of face; they looked as if they had determined on some great deed that should move the world to wild applause; but, truth to tell, they had only just finished a highly satisfactory “meat-tea,” and before this grave silence had fallen upon them, they had been discussing the advisability of broiled steak and onions for supper. The coachman had inclined to plain mutton-chops as being easier of digestion; the footman had earnestly asseverated his belief in the superior succulence and sweetness of the steak and onions, and in the end he had gained his point. This weighty question being settled, they had gradually grown reflective on the past, present, and future joys of eating at some one else’s expense, and in this bland and pleasing state of meditation they were still absorbed. The horses were impatient, and pawed the muddy ground with many a toss of their long manes and tails, the steam from their glossy coats mingling with the ever-thickening density of the fog. On the white stone steps of the residence before which they waited was an almost invisible bundle, apparently shapeless and immovable. Neither of the two gorgeous personages in livery observed it; it was too far back in a dim corner, too unobtrusive, for the casual regard of their lofty eyes. Suddenly the glass doors before mentioned were thrown apart with a clattering noise, a warmth and radiance from the entrance-hall thus displayed streamed into the foggy street, and at the same instant the footman, still with grave and imperturbable countenance, opened the brougham. An elderly lady, richly dressed, with diamonds sparkling in her gray hair, came rustling down the steps, bringing with her faint odours of patchouly and violet-powder. She was followed by a girl of doll-like prettiness, with a snub nose and petulant little mouth, who held up her satin-and-lace skirts with a sort of fastidious disdain, as though she scorned to set foot on earth that was not carpeted with the best velvet pile. As they approached their carriage the inert dark bundle, crouched in the corner, started into life--a woman, with wild hair and wilder eyes, whose pale lips quivered with suppressed weeping as her piteous voice broke into sudden clamour:

“Oh, lady!” she cried, “for the love of God, a trifle! Oh, lady, lady!”

But the “lady,” with a contemptuous sniff and a shake of her scented garments, passed her before she could continue her appeal, and she turned with a sort of faint hope to the softer face of the girl.

“Oh, my dear, do have pity! Just the smallest little thing, and God will bless you! You are rich and happy--and I am starving! Only a penny! For the baby--the poor little baby!” And she made as though she would open her tattered shawl and reveal some treasure hidden therein, but shrunk back, repelled by the cold, merciless gaze that fell upon her from those eyes, in which youth dwelt without tenderness.

“You have no business on our door step,” said the girl, harshly. “Go away directly, or I shall tell my servant to call a policeman.”

Then, as she entered the brougham after her mother, she addressed the respectable footman angrily, giving him the benefit of a strong nasal intonation.

“Howard, why do you let such dirty beggars come near the carriage? What are you paid for, I should like to know? It is perfectly disgraceful to the house!”

“Very sorry, miss!” said the footman, gravely. “I didn’t see the--the person before.” Then shutting the brougham door, he turned with a dignified air to the unfortunate creature, who still lingered near, and, with a sweeping gesture of his gold-embroidered coat-sleeve, said majestically:

“Do you ‘ear? Be hoff!”

Then, having thus performed his duty, he mounted the box beside his friend the coachman, and the equipage rattled quickly away, its gleaming lights soon lost in the smoke-laden vapours that drooped downward like funeral hangings from the invisible sky to the scarcely visible ground. Left to herself, the woman who had vainly sought charity from those in whom no charity existed, looked up despairingly, as one distraught, and seemed as though she would have given vent to some fierce exclamation, when a feeble wail came pitifully forth from the sheltering folds of her shawl. She restrained herself instantly, and walked on at a rapid pace, scarcely heeding whither she went, till she reached the Catholic church known as the “Oratory.” Its unfinished facade loomed darkly out of the fog; there was nothing picturesque or inviting about it, yet there were people passing softly in and out, and through the swinging to and fro of the red baize-covered doors there came a comforting warm glimmer of light. The woman paused, hesitated, and then, having apparently made up her mind, ascended the broad steps, looked in, and finally entered. The place was strange to her; she knew nothing of its religious meaning, and its cold, uncompleted appearance oppressed her. There were only some half-dozen persons scattered about, like black specks, in its vast white interior, and the fog hung heavily in the vaulted dome and dark little chapels. One corner alone blazed with brilliancy and colour; this was the altar of the Virgin. Toward it the tired vagrant made her way, and on reaching it sank on the nearest chair as though exhausted. She did not raise her eyes to the marble splendours of the shrine--one of the masterpieces of old Italian art; she had been merely attracted to the spot by the glitter of the lamps and candles, and took no thought as to the reason of their being lighted, though she was sensible of a certain comfort in the soft lustre shed around her. She seemed still young; her face, rendered haggard by long and bitter privation, showed traces of past beauty, and her eyes, full of feverish trouble, were large, dark, and still lustrous. Her mouth alone--that sensitive betrayer of the life’s good and bad actions--revealed that all had not been well with her; its lines were hard and vicious, and the resentful curve of the upper lip spoke of foolish pride, not unmixed with reckless sensuality. She sat for a moment or two motionless; then, with exceeding care and tenderness, she began to unfold her thin, torn shawl by gentle degrees, looking down with anxious solicitude at the object concealed within. Only a baby--and withal a baby so tiny and white and frail that it seemed as though it must melt like a snowflake beneath the lightest touch. As its wrappings were loosened it opened a pair of large, solemn blue eyes, and gazed at the woman’s face with a strange, pitiful wistfulness. It lay quiet, without moan, a pinched, pale miniature of suffering humanity--an infant with sorrow’s mark painfully impressed upon its drawn, small features. Presently it stretched forth a puny hand and feebly caressed its protectress, and this, too, with the faintest glimmer of a smile. The woman responded to its affection with a sort of rapture; she caught it fondly to her breast and covered it with kisses, rocking it to and fro with broken words of endearment. “My little darling!” she whispered, softly. “My little pet! Yes, yes, I know! So tired, so cold and hungry! Never mind, baby, never mind! We will rest here a little; then we will sing a song presently, and get some money to take us home. Sleep awhile longer, deary! There! now we are warm and cosey again.”

So saying, she rearranged her shawl in closer and tighter folds, so as to protect the child more thoroughly. While she was engaged in this operation a lady in deep mourning passed close by her, and, advancing to the very steps of the altar, knelt down, hiding her face with her clasped hands. The tired wayfarer’s attention was attracted by this; she gazed with a sort of dull wonder at the kneeling figure robed in rich rustling silk and crape, and gradually her eyes wandered upward, upward, till they rested on the gravely sweet and serenely smiling marble image of the Virgin and Child. She looked and looked again--surprised--incredulous; then suddenly rose to her feet and made her way to the altar railing. There she paused, staring vaguely at a basket of flowers, white and odorous, that had been left there by some reverent worshipper. She glanced doubtfully at the swinging silver lamps, the twinkling candles; she was conscious, too, of a subtle, strange fragrance in the air, as though a basket full of spring violets and daffodils had just been carried by; then, as her wandering gaze came back to the solitary woman in black, who still knelt motionless near her, a sort of choking sensation came into her throat and a stinging moisture struggled in her eyes. She strove to turn this hysterical sensation to a low laugh of disdain.

“Lord, Lord!” she muttered beneath her breath, “what sort of place is this, where they pray to a woman and a baby?”

At that moment the woman in black rose; she was young, with a proud, fair, but weary face. Her eyes lighted on her soiled and poverty-stricken sister, and she paused with a pitying look. The street wanderer made use of the opportunity thus offered, and in an urgent whisper implored charity. The lady drew out a purse, then hesitated, looking wistfully at the bundle in the shawl.

“You have a child there?” she asked, in gentle accents. “May I see it?”

“Yes, lady,” and the wrapper was turned down sufficiently to disclose the tiny white face, now more infinitely touching than ever in the pathos of sleep.

“I lost my little one a week ago,” said the lady, simply, as she looked at it. “He was all I had.” Her voice trembled; she opened her purse, and placed a half-crown in the hand of her astonished supplicant. “You are happier than I am; perhaps you will pray for me. I am very lonely!”

Then dropping her long crape veil so that it completely hid her features, she bent her head and moved softly away. The woman watched her till her graceful figure was completely lost in the gloom of the great church, and then turned again vaguely to the altar.

“Pray for her!” she thought. “I! As if I could pray!” And she smiled bitterly. Again she looked at the statue in the shrine; it had no meaning at all for her. She had never heard of Christianity save through the medium of a tract, whose consoling title had been “Stop! You are Going to Hell!” Religion of every sort was mocked at by those among whom her lot was cast, the name of Christ was only used as a convenience to swear by, and therefore this mysterious, smiling, gently inviting marble figure was incomprehensible to her mind.

“As if I could pray!” she repeated, with a sort of derision. Then she looked at the broad silver coin in her hand and the sleeping baby in her arms. With a sudden impulse she dropped on her knees.

“Whoever you are,” she muttered, addressing the statue above her, “it seems you’ve got a child of your own; perhaps you’ll help me to take care of this one. It isn’t mine; I wish it was! Anyway, I love it more than its own mother does. I dare say you won’t listen to the likes of me, but if there was God anywhere about I’d ask Him to bless that good soul that’s lost her baby. I bless her with all my heart, but my blessing ain’t good for much. Ah!” and she surveyed anew the Virgin’s serene white countenance, “you just look as if you understood me; but I don’t believe you do. Never mind, I’ve said all I wanted to say this time.”

Her strange petition, or rather discourse, concluded, she rose and walked away. The great doors of the church swung heavily behind her as she stepped out and stood once more in the muddy street. It was raining steadily--a fine, cold, penetrating rain. But the coin she held was a talisman against outer discomforts, and she continued to walk on till she came to a clean-looking dairy, where for a couple of pence she was able to replenish the infant’s long ago emptied feeding bottle; but she purchased nothing for herself. She had starved all day, and was now too faint to eat. Soon she entered an omnibus, and was driven to Charing Cross, and alighting at the great station, brilliant with its electric light, she paced up and down outside it, accosting several of the passers-by and imploring their pity. One man gave her a penny; another, young and handsome, with a flushed, intemperate face, and a look of his fast-fading boyhood still about him, put his hand in his pocket and drew out all the loose coppers it contained, amounting to three pennies and an odd farthing, and, dropping them into her outstretched palm, said, half gaily, half boldly: “You ought to do better than that with those big eyes of yours!” She drew back and shuddered; he broke into a coarse laugh, and went his way. Standing where he had left her, she seemed for a time lost in wretched reflections; the fretful, wailing cry of the child she carried roused her, and hushing it softly, she murmured, “Yes, yes, darling, it is too wet and cold for you; we had better go.” And acting suddenly on her resolve, she hailed another omnibus, this time bound for Tottenham Court Road, and was, after some dreary jolting, set down at her final destination--a dirty alley in the worst part of Seven Dials. Entering it, she was hailed with a shout of derisive laughter from some rough-looking men and women, who were standing grouped round a low gin-shop at the corner.

“Here’s Liz!” cried one. “Here’s Liz and the bloomin’ kid!”

“Now, old gel, fork out! How much ‘ave you got, Liz? Treat us to a drop all round!”

Liz waked past them steadily; the conspicuous curve of her upper lip came into full play, and her eyes flashed disdainfully, but she said nothing. Her silence exasperated a tangle-haired, cat-faced girl of seventeen years, who, more than half drunk, sat on the ground, clasping her knees with both arms and rocking herself lazily to and fro.

“Mother Mawks!” cried she, “Mother Mawks! You’re wanted! Here’s Liz come back with your babby!”

As if her words had been a powerful incantation to summon forth an evil spirit, a door in one of the miserable houses was thrown open, and a stout woman, nearly naked to the waist, with a swollen, blotched, and most hideous countenance, rushed out furiously, and darting at Liz, shook her violently by the arm.

“Where’s my shullin’?” she yelled, “where’s my gin? Out with it! Out with my shullin’ an’ fourpence! None of yer sneakin’ ways with me; a bargain’s a bargain all the world over! Yer’re making a fortin’ with my babby--yer know y’ are; pays yer a good deal better than yer old trade! Don’t say it don’t--yer know it do. Yer’ll not find such a sickly kid anywheres, an’ it’s the sickly kids wot pays an’ moves the ‘arts of the kyind ladies an’ good gentlemen”--this with an imitative whine that excited the laughter and applause of her hearers. “Yer’ve got it cheap, I kin tell yer, an’ if yer don’t pay up reg’lar, there’s others that’ll take the chance, an’ thankful too!”

She stopped for lack of breath, and Liz spoke quietly:

“It’s all right, Mother Mawks,” she said, with an attempt at a smile; “here’s your shilling, here’s the four pennies for the gin. I don’t owe you anything for the child now.” She stopped and hesitated, looking down tenderly at the frail creature in her arms; then added, almost pleadingly, “It’s asleep now. May I take it with me to-night?”

Mother Mawks, who had been testing the coins Liz had given her by biting them ferociously with her large yellow teeth, broke into a loud laugh.

“Take it with yer! I like that! Wot imperence! Take it with yer!” Then, with her huge red arms akimbo, she added, with a grin, “Tell yer wot, if yer likes to pay me ‘arf a crown, yer can ‘ave it to cuddle, an’ welcome!”

Another shout of approving merriment burst from the drink-sodden spectators of the little scene, and the girl crouched on the ground removed her encircling hands from her knees to clap them loudly, as she exclaimed:

“Well done, Mother Mawks! One doesn’t let out kids at night for nothing! ‘T ought to be more expensive than daytime!”

The face of Liz had grown white and rigid.

“You know I can’t give you that money,” she said, slowly. “I have not tasted bit or drop all day. I must live, though it doesn’t seem worth while. The child”--and her voice softened involuntarily--“is fast asleep; it’s a pity to wake it, that’s all. It will cry and fret all night, and--and I will make it warm and comfortable if you’d let me.” She raised her eyes hopefully and anxiously. “Will you?”

Mother Mawks was evidently a lady of an excitable disposition. The simple request seemed to drive her nearly frantic. She raised her voice to an absolute scream, thrusting her dirty hands through her still dirtier hair as the proper accompanying gesture to her vituperative oratory.

“Will I! Will I!” she screeched. “Will I let out my hown babby for the night for nuthin’? Will I? No, I won’t! I’ll see yer blowed into the middle of next week fust! Lor’ ‘a’ mussey! ‘ow ‘igh an’ mighty we are gittin’, to be sure! The babby’ll be quiet with you, Miss Liz, will it, hindeed! An’ it will cry an’ fret with its hown mother, will it, hindeed!” And at every sentence she approached Liz more nearly, increasing in fury as she advanced. “Yer low hussy! D’ye think I’d let ye ‘ave my babby for a hour unless yer paid for ‘it? As it is, yer pays far too little. I’m an honest woman as works for my livin’ an’ wot drinks reasonable, better than you by a long sight, with yer stuck-up airs! A pretty drab you are! Gi’ me the babby; ye ‘a’n’t no business to keep it a minit longer.” And she made a grab at Liz’s sheltering shawl.

“Oh, don’t hurt it!” pleaded Liz, tremblingly. “Such a little thing--don’t hurt it!”

Mother Mawks stared so wildly that her blood-shot eyes seemed protruding from her head.

“‘Urt it! Hain’t I a right to do wot I likes with my hown babby? ‘Urt it! Well, I never! Look ‘ere!”--and she turned round on the assembled neighbours--“hain’t she a reg’lar one? She don’t care for the law, not she! She’s keepin’ back a child from its hown mother!” And with that she made a fierce attack on the shawl, and succeeded in dragging the infant from Liz’s reluctant arms. Wakened thus roughly from its slumbers, the poor mite set up a feeble wailing; its mother, enraged at the sound, shook it violently till it gasped for breath.

“Drat the little beast!” she cried. “Why don’t it choke an’ ‘ave done with it!”

And, without heeding the terrified remonstrances of Liz, she flung the child roughly, as though it were a ball, through the open door of her lodgings, where it fell on a heap of dirty clothes, and lay motionless; its wailing had ceased.

“Oh, baby, baby!” exclaimed Liz, in accents of poignant distress. “Oh, you have killed it, I am sure! Oh, you are cruel, cruel! Oh, baby, baby!”