Chapter VII: Epilogue: To the Poet's Sitter (2)

Cast wide the folding doorways of the East,
For now is light increased!
And the wind-besomed chambers of the air,
See they be garnished fair;
And look the ways exhale some precious odours,
And set ye all about wild-breathing spice,
Most fit for Paradise.
Now is no time for sober gravity,
Season enough has Nature to be wise;
But now distinct, with raiment glittering free,
Shake she the ringing rafters of the skies
With festal footing and bold joyance sweet,
And let the earth be drunken and carouse!
For lo, into her house
Spring is come home with her world-wandering feet,
And all things are made young with young desires;
And all for her is light increased
In yellow stars and yellow daffodils,
And East to West, and West to East,
Fling answering welcome-fires,
By dawn and day-fall, on the jocund hills.
And ye, winged minstrels of her fair meinie,
Being newly coated in glad livery,
Upon her steps attend,
And round her treading dance and without end
Reel your shrill lutany.
What popular breath her coming does out-tell
The garrulous leaves among!
What little noises stir and pass
From blade to blade along the voluble grass!
O Nature, never-done
Ungaped-at Pentecostal miracle,
We hear thee, each man in his proper tongue!
Break, elemental children, break ye loose
From the strict frosty rule
Of grey-beard Winter's school.
Vault, O young winds, vault in your tricksome courses
Upon the snowy steeds that reinless use
In coerule pampas of the heaven to run,
Foaled of the white sea-horses,
Washed in the lambent waters of the sun.
Let even the slug-abed snail upon the thorn
Put forth a conscious horn!
Mine elemental co-mates, joy each one;
And ah, my foster-brethren, seem not sad--
No, seem not sad,
That my strange heart and I should be so little glad.
Suffer me at your leafy feast
To sit apart, a somewhat alien guest,
And watch your mirth,
Unsharing in the liberal laugh of earth;
Yet with a sympathy,
Begot of wholly sad and half-sweet memory--
The little sweetness making grief complete;
Faint wind of wings from hours that distant beat,
When I, I too,
Was once, O wild companions, as are you,
Ran with such wilful feet.

* * * * *

Hark to the _Jubilate_ of the bird
For them that found the dying way to life!
And they have heard,
And quicken to the great precursive word;
Green spray showers lightly down the cascade of the larch;
The graves are riven,
And the Sun comes with power amid the clouds of heaven!
Before his way
Went forth the trumpet of the March;
Before his way, before his way
Dances the pennon of the May!
O earth, unchilded, widowed Earth, so long
Lifting in patient pine and ivy-tree
Mournful belief and steadfast prophecy,
Behold how all things are made true!
Behold your bridegroom cometh in to you,
Exceeding glad and strong.
Raise up your eyes, O raise your eyes abroad!
No more shall you sit sole and vidual,
Searching, in servile pall,
Upon the hieratic night the star-sealed sense of all:
Rejoice, O barren, and look forth abroad!
Your children gathered back to your embrace
See with a mother's face.
Look up, O mortals, and the portent heed;
In every deed,
Washed with new fire to their irradiant birth,
Reintegrated are the heavens and earth!
From sky to sod,
The world's unfolded blossom smells of God.

My little-worlded self! the shadows pass
In this thy sister-world, as in a glass,
Of all processions that revolve in thee:
Not only of cyclic Man
Thou here discern'st the plan,
Not only of cyclic Man, but of the cyclic Me.
Not solely of Mortality's great years
The reflex just appears,
But thine own bosom's year,--still circling round
In ample and in ampler gyre
Toward the far completion, wherewith crowned,
Love unconsumed shall chant in his own furnace-fire.
How many trampled and deciduous joys
Enrich thy soul for joys deciduous still,
Before the distance shall fulfil
Cyclic unrest with solemn equipoise!
Happiness is the shadow of things past,
Which fools still take for that which is to be!
And not all foolishly:
For all the past, read true, is prophecy,
And all the firsts are hauntings of some Last,
And all the springs are flash-lights of one Spring.
Then leaf, and flower, and fall-less fruit
Shall hang together on the unyellowing bough;
And silence shall be Music mute
For her surchargèd heart. Hush thou!
These things are far too sure that thou should'st dream
Thereof, lest they appear as things that seem.
Nature, enough! within thy glass
Too many and too stern the shadows pass.
In this delighted season, flaming
For thy resurrection-feast,
Ah, more I think the long ensepulture cold,
Than stony winter rolled
From the unsealed mouth of the holy East;
The snowdrop's saintly stoles less heed
Than the snow-cloistered penance of the seed.
'Tis the weak flesh reclaiming
Against the ordinance
Which yet for just the accepting spirit scans.
Earth waits, and patient heaven,
Self-bonded God doth wait
Thrice-promulgated bans
Of his fair nuptial-date.
And power is man's,
With that great word of "wait,"
To still the sea of tears,
And shake the iron heart of Fate.
In that one word is strong
An else, alas, much-mortal song;
With sight to pass the frontier of all spheres,
And voice which does my sight such wrong.

Not without fortitude I wait
The dark majestical ensuit
Of destiny, nor peevish rate
Calm-knowledged Fate.

I do hear
From the revolving year
A voice which cries:
"All dies;
Lo, how all dies! O seer,
And all things too arise:
All dies, and all is born;
But each resurgent morn, behold, more near the Perfect Morn."

Firm is the man, and set beyond the cast
Of Fortune's game, and the iniquitous hour,
Whose falcon soul sits fast,
And not intends her high sagacious tour
Or ere the quarry sighted; who looks past
To slow much sweet from little instant sour,
And in the first does always see the last.

A COUNSEL OF MODERATION

On him the unpetitioned heavens descend,
Who heaven on earth proposes not for end;
The perilous and celestial excess
Taking with peace, lacking with thankfulness.
Bliss in extreme befits thee not, until
Thou'rt not extreme in bliss; be equal still:
Sweets to be granted think thyself unmeet
Till thou have learned to hold sweet not too sweet.

This thing not far is he from wise in art
Who teacheth; nor who doth, from wise in heart.

_From_ "ASSUMPTA MARIA"

_"Thou needst not make new songs, but say the old."_--COWLEY.

"_Mortals, that behold a Woman,
Rising 'twixt the Moon and Sun;
Who am I the heavens assume? an
All am I, and I am one._

"Multitudinous ascend I,
Dreadful as a battle arrayed,
For I bear you whither tend I;
Ye are I: be undismayed!
I, the Ark that for the graven
Tables of the Law was made;
Man's own heart was one, one Heaven,
Both within my womb were laid.
For there Anteros with Eros
Heaven with man conjoinèd was,--
Twin-stone of the Law, _Ischyros,
Agios Athanatos_.

"I, the flesh-girt Paradises
Gardenered by the Adam new,
Daintied o'er with sweet devices
Which He loveth, for He grew.
I, the boundless strict savannah
Which God's leaping feet go through;
I, the heaven whence the Manna,
Weary Israel, slid on you!
He the Anteros and Eros,
I the body, He the Cross;
He upbeareth me, _Ischyros,
Agios Athanatos_!

"I am Daniel's mystic Mountain,
Whence the mighty stone was rolled;
I am the four Rivers' fountain,
Watering Paradise of old;
Cloud down-raining the Just One am,
Danae of the Shower of Gold;
I the Hostel of the Sun am;
He the Lamb, and I the Fold.
He the Anteros and Eros,
I the body, He the Cross;
He is fast to me, _Ischyros,
Agios Athanatos_!

"I, the presence-hall where Angels
Do enwheel their placèd King--
Even my thoughts which, without change else,
Cyclic burn and cyclic sing.
To the hollow of Heaven transplanted,
I a breathing Eden spring,
Where with venom all outpanted
Lies the slimed Curse shrivelling.
For the brazen Serpent clear on
That old fangèd knowledge shone;
I to Wisdom rise, _Ischyron,
Agion Athanaton_!

* * * * *

"Then commanded and spake to me
He who framed all things that be;
And my Maker entered through me,
In my tent His rest took He.
Lo! He standeth, Spouse and Brother,
I to Him, and He to me,
Who upraised me where my mother
Fell, beneath the apple-tree.
Risen 'twixt Anteros and Eros,
Blood and Water, Moon and Sun,
He upbears me, He _Ischyros_,
I bear Him, the _Athanaton_!"

Where is laid the Lord arisen?
In the light we walk in gloom.
Though the sun has burst his prison,
We know not his biding-room.
Tell us where the Lord sojourneth,
For we find an empty tomb.
"Whence He sprung, there He returneth,
Mystic Sun,--the Virgin's Womb."
Hidden Sun, His beams so near us,
Cloud enpillared as He was
From of old, there He, _Ischyros_,
Waits our search, _Athanatos_!

Camp of Angels! Well we even
Of this thing may doubtful be,--
If thou art assumed to Heaven,
Or is Heaven assumed to thee!
_Consummatum._ Christ the promised,
Thy maiden realm is won, O Strong!
Since to such sweet Kingdom comest,
Remember me, poor Thief of Song!

Cadent fails the stars along:--
"_Mortals, that behold a woman
Rising 'twixt the Moon and Sun;
Who am I the heavens assume? an
All am I, and I am one._"

_From_ "AN ANTHEM OF EARTH"

In nescientness, in nescientness,
Mother, we put these fleshly lendings on
Thou yield'st to thy poor children; took thy gift
Of life, which must, in all the after days
Be craved again with tears,--
With fresh and still petitionary tears.
Being once bound thine almsmen for that gift,
We are bound to beggary; nor our own can call
The journal dole of customary life,
But after suit obsequious for 't to thee.
Indeed this flesh, O Mother,
A beggar's gown, a client's badging,
We find, which from thy hands we simply took,
Naught dreaming of the after penury,
In nescientness.
In a little thought, in a little thought,
We stand and eye thee in a grave dismay,
With sad and doubtful questioning, when first
Thou speak'st to us as men: like sons who hear
Newly their mother's history, unthought
Before, and say--"She is not as we dreamed:
Ah me! we are beguiled!" What art thou, then,
That art not our conceiving? Art thou not
Too old for thy young children? Or perchance,
Keep'st thou a youth perpetual-burnishable
Beyond thy sons decrepit? It is long
Since Time was first a fledgling;
Yet thou may'st be but as a pendant bulla
Against his stripling bosom swung. Alack!
For that we seem indeed
To have slipped the world's great leaping-time, and come
Upon thy pinched and dozing days: these weeds,
These corporal leavings, thou not cast'st us new,
Fresh from thy craftship, like the lilies' coats,
But foist'st us off
With hasty tarnished piecings negligent,
Snippets and waste
From old ancestral wearings,
That have seen sorrier usage; remainder-flesh
After our father's surfeits; nay with chinks,
Some of us, that if speech may have free leave
Our souls go out at elbows. We are sad
With more than our sires' heaviness, and with
More than their weakness weak; we shall not be
Mighty with all their mightiness, nor shall not
Rejoice with all their joy. Ay, Mother! Mother!
What is this Man, thy darling kissed and cuffed,
Thou lustingly engender'st,
To sweat, and make his brag, and rot,
Crowned with all honour and all shamefulness?
From nightly towers
He dogs the secret footsteps of the heavens,
Sifts in his hands the stars, weighs them as gold-dust,
And yet is he successive unto nothing
But patrimony of a little mould,
And entail of four planks. Thou hast made his mouth
Avid of all dominion and all mightiness,
All sorrow, all delight, all topless grandeurs,
All beauty, and all starry majesties,
And dim transtellar things;--even that it may,
Filled in the ending with a puff of dust,
Confess--"It is enough." The world left empty
What that poor mouthful crams. His heart is builded
For pride, for potency, infinity,
All heights, all deeps, and all immensities,
Arrased with purple like the house of kings,
To stall the grey-rat, and the carrion-worm
Statelily lodge. Mother of mysteries!
Sayer of dark sayings in a thousand tongues,
Who bringest forth no saying yet so dark
As we ourselves, thy darkest! We the young,
In a little thought, in a little thought,
At last confront thee, and ourselves in thee,
And wake disgarmented of glory: as one
On a mount standing, and against him stands,
On the mount adverse, crowned with westering rays,
The golden sun, and they two brotherly
Gaze each on each;
He faring down
To the dull vale, his Godhead peels from him
Till he can scarcely spurn the pebble--
For nothingness of new-found mortality--
That mutinies against his gallèd foot.
Littly he sets him to the daily way,
With all around the valleys growing grave,
And known things changed and strange; but he holds on,
Though all the land of light be widowèd,
In a little thought.

In a little dust, in a little dust,
Earth, thou reclaim'st us, who do all our lives
Find of thee but Egyptian villeinage.
Thou dost this body, this enhavocked realm,
Subject to ancient and ancestral shadows;
Descended passions sway it; it is distraught
With ghostly usurpation, dinned and fretted
With the still-tyrannous dead; a haunted tenement,
Peopled from barrows and outworn ossuaries.
Thou giv'st us life not half so willingly
As thou undost thy giving; thou that teem'st
The stealthy terror of the sinuous pard,
The lion maned with curlèd puissance,
The serpent, and all fair strong beasts of ravin,
Thyself most fair and potent beast of ravin;
And thy great eaters thou, the greatest, eat'st.
Thou hast devoured mammoth and mastodon,
And many a floating bank of fangs,
The scaly scourges of thy primal brine,
And the tower-crested plesiosaure.
Thou fill'st thy mouth with nations, gorgest slow
On purple æons of kings; man's hulking towers
Are carcase for thee, and to modern sun
Disglutt'st their splintered bones.
Rabble of Pharaohs and Arsacidæ
Keep their cold house within thee; thou hast sucked down
How many Ninevehs and Hecatompyloi
And perished cities whose great phantasmata
O'erbrow the silent citizens of Dis:--
Hast not thy fill?
Tarry awhile, lean Earth, for thou shalt drink
Even till thy dull throat sicken,
The draught thou grow'st most fat on; hear'st thou not
The world's knives bickering in their sheaths? O patience!
Much offal of a foul world comes thy way,
And man's superfluous cloud shall soon be laid
In a little blood.

In a little peace, in a little peace,
Thou dost rebate thy rigid purposes
Of imposed being, and relenting, mend'st
Too much, with nought. The westering Phoebus' horse
Paws i' the lucent dust as when he shocked
The East with rising; O how may I trace
In this decline that morning when we did
Sport 'twixt the claws of newly-whelped existence,
Which had not yet learned rending? we did then
Divinely stand, not knowing yet against us
Sentence had passed of life, nor commutation
Petitioning into death. What's he that of
The Free State argues? Tellus! bid him stoop,
Even where the low _hic jacet_ answers him;
Thus low, O Man! there's freedom's seignory,
Tellus' most reverend sole free commonweal,
And model deeply-policied: there none
Stands on precedence, nor ambitiously
Woos the impartial worm, whose favours kiss
With liberal largesse all; there each is free
To be e'en what he must, which here did strive
So much to be he could not; there all do
Their uses just, with no flown questioning.
To be took by the hand of equal earth
They doff her livery, slip to the worm,
Which lacqueys them, their suits of maintenance,
And that soiled workaday apparel cast,
Put on condition: Death's ungentle buffet
Alone makes ceremonial manumission;
So are the heavenly statutes set, and those
Uranian tables of the primal Law.
In a little peace, in a little peace,
Like fierce beasts that a common thirst makes brothers,
We draw together to one hid dark lake;
In a little peace, in a little peace,
We drain with all our burthens of dishonour
Into the cleansing sands o' the thirsty grave.
The fiery pomps, brave exhalations,
And all the glistering shows o' the seeming world,
Which the sight aches at, we unwinking see
Through the smoked glass of Death; Death, wherewith's fined
The muddy wine of life; that earth doth purge
Of her plethora of man; Death, that doth flush
The cumbered gutters of humanity;
Nothing, of nothing king, with front uncrowned,
Whose hand holds crownets; playmate swart o' the strong;
Tenebrous moon that flux and refluence draws
Of the high-tided man; skull-housèd asp
That stings the heel of kings; true Fount of Youth,
Where he that dips is deathless; being's drone-pipe;
Whose nostril turns to blight the shrivelled stars,
And thicks the lusty breathing of the sun;
Pontifical Death, that doth the crevasse bridge
To the steep and trifid God; one mortal birth
That broker is of immortality.
Under this dreadful brother uterine,
This kinsman feared, Tellus, behold me come,
Thy son stern-nursed; who mortal-motherlike,
To turn thy weanlings' mouth averse, embitter'st
Thine over-childed breast. Now, mortal-sonlike,
I thou hast suckled, Mother, I at last
Shall sustenant be to thee. Here I untrammel,
Here I pluck loose the body's cerementing,
And break the tomb of life; here I shake off
The bur o' the world, man's congregation shun,
And to the antique order of the dead
I take the tongueless vows: my cell is set
Here in thy bosom; my little trouble is ended
In a little peace.

CONTEMPLATION

This morning saw I, fled the shower,
The earth reclining in a lull of power:
The heavens, pursuing not their path,
Lay stretched out naked after bath,
Or so it seemed; field, water, tree, were still,
Nor was there any purpose on the calm-browed hill.

The hill, which sometimes visibly is
Wrought with unresting energies,
Looked idly; from the musing wood,
And every rock, a life renewed
Exhaled like an unconscious thought
When poets, dreaming unperplexed,
Dream that they dream of nought.
Nature one hour appears a thing unsexed,
Or to such serene balance brought
That her twin natures cease their sweet alarms,
And sleep in one another's arms.
The sun with resting pulses seems to brood,
And slacken its command upon my unurged blood.

The river has not any care
Its passionless water to the sea to bear;
The leaves have brown content;
The wall to me has freshness like a scent,
And takes half animate the air,
Making one life with its green moss and stain;
And life with all things seems too perfect blent
For anything of life to be aware.
The very shades on hill, and tree, and plain,
Where they have fallen doze, and where they doze remain.
No hill can idler be than I;
No stone its inter-particled vibration
Investeth with a stiller lie;
No heaven with a more urgent rest betrays
The eyes that on it gaze.
We are too near akin that thou shouldst cheat
Me, Nature, with thy fair deceit.
In poets floating like a water-flower
Upon the bosom of the glassy hour,
In skies that no man sees to move,
Lurk untumultuous vortices of power,
For joy too native, and for agitation
Too instant, too entire for sense thereof,
Motion like gnats when autumn suns are low,--
Perpetual as the prisoned feet of love
On the heart's floors with painèd pace that go.
From stones and poets you may know,
Nothing so active is, as that which least seems so.

For he, that conduit running wine of song,
Then to himself does most belong,
When he his mortal house unbars
To the importunate and thronging feet
That round our corporal walls unheeded beat;
Till, all containing, he exalt
His stature to the stars, or stars
Narrow their heaven to his fleshly vault:
When, like a city under ocean,
To human things he grows a desolation,
And is made a habitation
For the fluctuous universe
To lave with unimpeded motion.
He scarcely frets the atmosphere
With breathing, and his body shares
The immobility of rocks;
His heart's a drop-well of tranquillity;
His mind more still is than the limbs of fear,
And yet its unperturbed velocity
The spirit of the simoon mocks.
He round the solemn centre of his soul
Wheels like a dervish, while his being is
Streamed with the set of the world's harmonies,
In the long draft of whatsoever sphere
He lists the sweet and clear
Clangour of his high orbit on to roll,
So gracious is his heavenly grace;
And the bold stars does hear,
Every one in his airy soar,
For evermore
Shout to each other from the peaks of space,
As thwart ravines of azure shouts the mountaineer.

CORRELATED GREATNESS

O nothing, in this corporal earth of man,
That to the imminent heaven of his high soul
Responds with colour and with shadow, can
Lack correlated greatness. If the scroll
Where thoughts lie fast in spell of hieroglyph
Be mighty through its mighty habitants;
If God be in His Name; grave potence if
The sounds unbind of hieratic chants;
All's vast that vastness means. Nay, I affirm
Nature is whole in her least things exprest,
Nor know we with what scope God builds the worm.
Our towns are copied fragments from our breast;
And all man's Babylons strive but to impart
The grandeurs of his Babylonian heart.

JULY FUGITIVE

Can you tell me where has hid her,
Pretty Maid July?
I would swear one day ago
She passed by,
I would swear that I do know
The blue bliss of her eye:
"Tarry, maid, maid," I bid her;
But she hastened by.
Do you know where she has hid her,
Maid July?

Yet in truth it needs must be
The flight of her is old;
Yet in truth it needs must be,
For her nest, the earth, is cold.
No more in the poolèd Even
Wade her rosy feet,
Dawn-flakes no more plash from them
To poppies 'mid the wheat.

She has muddied the day's oozes
With her petulant feet;
Scared the clouds that floated
As sea-birds they were,
Slow on the coerule
Lulls of the air,
Lulled on the luminous
Levels of air:
She has chidden in a pet
All her stars from her;
Now they wander loose and sigh
Through the turbid blue,
Now they wander, weep, and cry--
Yea, and I too--
"Where are you, sweet July,
Where are you?"

Who hath beheld her footprints,
Or the pathway she goes?
Tell me, wind, tell me, wheat,
Which of you knows?
Sleeps she swathed in the flushed Arctic
Night of the rose?
Or lie her limbs like Alp-glow
On the lily's snows?
Gales, that are all-visitant,
Find the runaway;
And for him who findeth her
(I do charge you say)
I will throw largesse of broom
Of this summer's mintage,
I will broach a honey-bag
Of the bee's best vintage.
Breezes, wheat, flowers sweet,
None of them knows!
How then shall we lure her back
From the way she goes?
For it were a shameful thing,
Saw we not this comer
Ere Autumn camp upon the fields
Red with rout of Summer.

When the bird quits the cage,
We set the cage outside,
With seed and with water,
And the door wide,
Haply we may win it so
Back to abide.
Hang her cage of earth out
O'er Heaven's sunward wall,
Its four gates open, winds in watch
By reinèd cars at all;
Relume in hanging hedgerows
The rain-quenched blossom,
And roses sob their tears out
On the gale's warm heaving bosom;
Shake the lilies till their scent
Over-drip their rims,
That our runaway may see
We do know her whims:
Sleek the tumbled waters out
For her travelled limbs;
Strew and smooth blue night thereon,
There will--O not doubt her!--
The lovely sleepy lady lie,
With all her stars about her!

ANY SAINT

His shoulder did I hold
Too high that I, o'erbold
Weak one,
Should lean thereon.

But He a little hath
Declined His stately path
And my
Feet set more high;

That the slack arm may reach
His shoulder, and faint speech
Stir
His unwithering hair.

And bolder now and bolder
I lean upon that shoulder,
So dear
He is and near.

And with His aureole
The tresses of my soul
Are blent
In wished content.

Yea, this too gentle Lover
Hath flattering words to move her
To pride
By His sweet side.

Ah, Love! somewhat let be!
Lest my humility
Grow weak
When Thou dost speak!

Rebate Thy tender suit,
Lest to herself impute
Some worth
Thy bride of earth!

A maid too easily
Conceits herself to be
Those things
Her lover sings;

And being straitly wooed,
Believes herself the Good
And Fair
He seeks in her.

Turn something of Thy look,
And fear me with rebuke,
That I
May timorously

Take tremors in Thy arms,
And with contrivèd charms
Allure
A love unsure.

Not to me, not to me,
Builded so flawfully,
O God,
Thy humbling laud!

Not to this man, but Man,--
Universe in a span;
Point
Of the spheres conjoint;

In whom eternally
Thou, Light, dost focus Thee!--
Didst pave
The way o' the wave,

Rivet with stars the Heaven,
For causeways to Thy driven
Car
In its coming far

Unto him, only him;
In Thy deific whim
Didst bound
Thy works' great round

In this small ring of flesh;
The sky's gold-knotted mesh
Thy wrist
Did only twist

To take him in that net.--
Man! swinging-wicket set
Between
The Unseen and Seen,

Lo, God's two worlds immense,
Of spirit and of sense,
Wed
In this narrow bed;

Yea, and the midge's hymn
Answers the seraphim
Athwart
Thy body's court!

Great arm-fellow of God!
To the ancestral clod
Kin,
And to cherubin;

Bread predilectedly
O' the worm and Deity!
Hark,
O God's clay-sealed Ark,

To praise that fits thee, clear
To the ear within the ear,
But dense
To clay-sealed sense.

Thee God's great utterance bore,
O secret metaphor
Of what
Thou dream'st no jot!

Cosmic metonymy;
Weak world-unshuttering key;
One
Seal of Solomon!

Trope that itself not scans
Its huge significance,
Which tries
Cherubic eyes.

Primer where the angels all
God's grammar spell in small,
Nor spell
The highest too well.

Point for the great descants
Of starry disputants;
Equation
Of creation.

Thou meaning, couldst thou see,
Of all which dafteth thee;
So plain,
It mocks thy pain;

Stone of the Law indeed,
Thine own self couldst thou read,
Thy bliss
Within thee is.

Compost of Heaven and mire,
Slow foot and swift desire!
Lo,
To have Yes, choose No;

Gird, and thou shalt unbind;
Seek not, and thou shalt find;
To eat,
Deny thy meat;

And thou shalt be fulfilled
With all sweet things unwilled:
So best
God loves to jest

With children small--a freak
Of heavenly hide-and-seek
Fit
For thy wayward wit,

Who art thyself a thing
Of whim and wavering;
Free
When His wings pen thee;

Sole fully blest, to feel
God whistle thee at heel;
Drunk up
As a dew-drop,

When He bends down, sun-wise,
Intemperable eyes;
Most proud,
When utterly bowed,

To feel thyself and be
His dear nonentity--
Caught
Beyond human thought

In the thunder-spout of Him,
Until thy being dim
And be
Dead deathlessly.

Stoop, stoop; for thou dost fear
The nettle's wrathful spear,
So slight
Art thou of might!

Rise; for Heaven hath no frown
When thou to thee pluck'st down,
Strong clod!
The neck of God.

_From_ "THE VICTORIAN ODE"

_Written for the Queen's Golden Jubilee Day_, 1897

Lo, in this day we keep the yesterdays,
And those great dead of the Victorian line.[D]
They passed, they passed, but cannot pass away,
For England feels them in her blood like wine.
She was their mother, and she is their daughter,
This lady of the water,
And from their loins she draws the greatness which they were.
And still their wisdom sways,
Their power lives in her.
Their thews it is, England, that lift thy sword,
They are the splendour, England, in thy song,
They sit unbidden at thy council-board,
Their fame doth compass all thy coasts from wrong,
And in thy sinews they are strong.
Their absence is a presence and a guest
In this day's feast;
This living feast is also of the dead,
And this, O England, is thine All Souls' Day.
And when thy cities flake the night with flames,
Thy proudest torches yet shall be their names.

Come hither, proud and ancient East,
Gather ye to this Lady of the North,
And sit down with her at her solemn feast,
Upon this culminant day of all her days;
For ye have heard the thunder of her goings-forth,
And wonder of her large imperial ways.
Let India send her turbans, and Japan
Her pictured vests from that remotest isle
Seated in the antechambers of the Sun:
And let her Western sisters for a while
Remit long envy and disunion,
And take in peace
Her hand behind the buckler of her seas,
'Gainst which their wrath has splintered; come, for she
Her hand ungauntlets in mild amity.

Victoria! Queen, whose name is victory,
Whose woman's nature sorteth best with peace,
Bid thou the cloud of war to cease
Which ever round thy wide-girt empery
Fumes, like to smoke about a burning brand,
Telling the energies which keep within
The light unquenched, as England's light shall be;
And let this day hear only peaceful din.
For, queenly woman, thou art more than woman;
Thy name the often-struck barbarian shuns:
Thou art the fear of England to her foemen,
The love of England to her sons.
And this thy glorious day is England's; who
Can separate the two?
Now unto thee
The plenitude of the glories thou didst sow
Is garnered up in prosperous memory;
And, for the perfect evening of thy day,
An untumultuous bliss, serenely gay,
Sweetened with silence of the after-glow.

Nor does the joyous shout
Which all our lips give out
Jar on that quietude; more than may do
A radiant childish crew,
With well-accordant discord fretting the soft hour,
Whose hair is yellowed by the sinking blaze
Over a low-mouthed sea. Exult, yet be not twirled,
England, by gusts of mere
Blind and insensate lightness; neither fear
The vastness of thy shadow on the world.
If in the East
Still strains against its leash the unglutted beast
Of war; if yet the cannon's lip be warm;
Thou, whom these portents warn but not alarm,
Feastest, but with thine hand upon the sword,
As fits a warrior race.
Not like the Saxon fools of olden days,
With the mead dripping from the hairy mouth,
While all the South
Filled with the shaven faces of the Norman horde.

[D] Who had passed before him in ghostly procession--the "holy poets," the soldiers, sailors, and men of science.

ST MONICA

At the Cross thy station keeping
With the mournful mother weeping,
Thou, unto the sinless Son,
Weepest for thy sinful one.
Blood and water from His side
Gush; in thee the streams divide:
From thine eyes the one doth start,
But the other from thy heart.

Mary, for thy sinner, see,
To her Sinless mourns with thee:
Could that Son the son not heed,
For whom two such mothers plead?
So thy child had baptism twice,
And the whitest from thine eyes.

The floods lift up, lift up their voice,
With a many-watered noise!
Down the centuries fall those sweet
Sobbing waters to our feet,
And our laden air still keeps
Murmur of a Saint that weeps.

Teach us but, to grace our prayers,
Such divinity of tears,--
Earth should be lustrate again
With contrition of that rain:
Till celestial floods o'er rise
The high tops of Paradise.

TO THE SINKING SUN

How graciously thou wear'st the yoke
Of use that does not fail!
The grasses, like an anchored smoke,
Ride in the bending gale;
This knoll is snowed with blosmy manna,
And fire-dropt as a seraph's mail.

Here every eve thou stretchest out
Untarnishable wing,
And marvellously bring'st about
Newly an olden thing;
Nor ever through like-ordered heaven
Moves largely thy grave progressing.

Here every eve thou goest down
Behind the self-same hill,
Nor ever twice alike go'st down
Behind the self-same hill;
Nor like-ways is one flame-sopped flower
Possessed with glory past its will.

Not twice alike! I am not blind,
My sight is live to see;
And yet I do complain of thy
Weary variety.
O Sun! I ask thee less or more,
Change not at all, or utterly!

O give me unprevisioned new,
Or give to change reprieve!
For new in me is olden too,
That I for sameness grieve.
O flowers! O grasses! be but once
The grass and flower of yester-eve!

Wonder and sadness are the lot
Of change: thou yield'st mine eyes
Grief of vicissitude, but not
Its penetrant surprise.
Immutability mutable
Burthens my spirit and the skies.

O altered joy, all joyed of yore,
Plodding in unconned ways!
O grief grieved out, and yet once more
A dull, new, staled amaze!
I dream, and all was dreamed before,
Or dream I so? the dreamer says.

DREAM-TRYST

The breaths of kissing night and day
Were mingled in the eastern Heaven:
Throbbing with unheard melody
Shook Lyra all its star-chord seven:
When dusk shrunk cold, and light trod shy,
And dawn's grey eyes were troubled grey;
And souls went palely up the sky,
And mine to Lucidé.

There was no change in her sweet eyes
Since last I saw those sweet eyes shine;
There was no change in her deep heart
Since last that deep heart knocked at mine.
Her eyes were clear, her eyes were Hope's,
Wherein did ever come and go
The sparkle of the fountain drops
From her sweet soul below.

The chambers in the house of dreams
Are fed with so divine an air,
That Time's hoar wings grow young therein,
And they who walk there are most fair.
I joyed for me, I joyed for her,
Who with the Past meet girt about:
Where our last kiss still warms the air,
Nor can her eyes go out.

BUONA NOTTE

Jane Williams, in her last letter to Shelley, wrote:

"Why do you talk of never enjoying moments like the past?
Are you going to join your friend Plato, or do you expect I
shall do so soon? Buona Notte." That letter was dated July
6th; Shelley was drowned on the 8th; and this is his
imagined reply to it from another world:--

Ariel to Miranda:--hear
This good-night the sea-winds bear;
And let thine unacquainted ear
Take grief for their interpreter.

Good-night; I have risen so high
Into slumber's rarity,
Not a dream can beat its feather
Through the unsustaining ether.
Let the sea-winds make avouch
How thunder summoned me to couch,
Tempest curtained me about
And turned the sun with his own hand out:
And though I toss upon my bed
My dream is not disquieted;
Nay, deep I sleep upon the deep,
And my eyes are wet, but I do not weep;
And I fell to sleep so suddenly
That my lips are moist yet--could'st thou see--
With the good-night draught I have drunk to thee.
Thou can'st not wipe them; for it was Death
Damped my lips that has dried my breath.
A little while--it is not long--
The salt shall dry on them like the song.

Now know'st thou, that voice desolate,
Mourning ruined joy's estate,
Reached thee through a closing gate.
"Go'st thou to Plato?" Ah, girl, no!
It is to Pluto that I go.

ARAB LOVE SONG

The hunchèd camels of the night[E]
Trouble the bright
And silver waters of the moon.
The Maiden of the Morn will soon
Through Heaven stray and sing,
Star gathering.
Now while the dark about our loves is strewn,
Light of my dark, blood of my heart, O come!
And night will catch her breath up, and be dumb.

Leave thy father, leave thy mother
And thy brother;
Leave the black tents of thy tribe apart!
Am I not thy father and thy brother,
And thy mother?
And thou--what needest with thy tribe's black tents
Who hast the red pavilion of my heart?

[E] Cloud-shapes often observed by travellers in the East.

THE KINGDOM OF GOD

"IN NO STRANGE LAND"

O World Invisible, we view thee,
O World intangible, we touch thee,
O World unknowable, we know thee,
Inapprehensible, we clutch thee!

Does the fish soar to find the ocean,
The eagle plunge to find the air--
That we ask of the stars in motion
If they have rumour of thee there?

Not where the wheeling systems darken,
And our benumbed conceiving soars!--
The drift of pinions, would we hearken,
Beats at our own clay-shuttered doors.

The angels keep their ancient places;--
Turn but a stone, and start a wing!
'Tis ye, 'tis your estrangèd faces,
That miss the many-splendoured thing.

But (when so sad thou canst not sadder)
Cry;--and upon thy so sore loss
Shall shine the traffic of Jacob's ladder
Pitched betwixt Heaven and Charing Cross.

Yea, in the night, my Soul, my daughter,
Cry,--clinging Heaven by the hems;
And lo, Christ walking on the water,
Not of Genesareth, but Thames![F]

[F] This Poem (found among his papers when he died) Francis Thompson might yet have worked upon to remove, here a defective rhyme, there an unexpected elision. But no altered mind would he have brought to its main purport; and the prevision of "Heaven in Earth and God in Man," pervading his earlier published verse, we find here accented by poignantly local and personal allusions. For in these triumphing stanzas, he held in retrospect those days and nights of human dereliction he spent beside London's River, and in the shadow--but all radiance to him--of Charing Cross.

ENVOY

Go, songs, for ended is our brief, sweet play;
Go, children of swift joy and tardy sorrow:
And some are sung, and that was yesterday,
And some unsung, and that may be to-morrow.

Go forth; and if it be o'er stony way,
Old joy can lend what newer grief must borrow:
And it was sweet, and that was yesterday,
And sweet is sweet, though purchasèd with sorrow.

Go, songs, and come not back from your far way;
And if men ask you why ye smile and sorrow,
Tell them ye grieve, for your hearts know To-day,
Tell them ye smile, for your eyes know To-morrow.

_Appreciations of Francis Thompson_

_"Such pronouncements proved at least that a poet, who had
no friend save such as his published poems gained for him,
could count on an immediate recognition for high merit. For
these tributes, and many more of like welcoming, placed him
instantly out of range of the common casualties of
criticism."--From the_ "NOTE ON FRANCIS THOMPSON" (p. xii).
_As the writer of the "Note" has not attempted a critical
estimate of the poetry, some of these Appreciations, forming
a part of the poet's life-history and even of the literary
history of his time, are here reproduced._

Mr Francis Thompson is a writer whom it is impossible that any qualified judge should deny to be a "new poet." And while most poets of his quality have usually to wait a quarter of a century or more for adequate recognition, this poet is pretty sure of a wide and immediate acknowledgement.... We find that in these poems profound thought, far-fetched splendour of imagery, and nimble-witted discernment of those analogies which are the roots of the poet's language, abound ... qualities which ought to place him in the permanent ranks of fame, with COWLEY and with CRASHAW.... _The Hound of Heaven_ has so great and passionate and such a metre-creating motive, that we are carried over all obstructions of the rhythmical current, and are compelled to pronounce it, at the end, one of the very few "great" odes of which the language can boast. In a lesser degree this metre-making passion prevails in the seven remarkable pieces called _Love in Dian's Lap_, poems of which LAURA might have been proud, and LUCRETIA not ashamed, to have had addressed to her. The main region of MR THOMPSON'S poetry is the inexhaustible and hitherto almost unworked mine of Catholic philosophy. Not but that he knows better than to make his religion the direct subject of any of his poems, unless it presents itself to him as a human passion, and the most human of passions, as it does in the splendid ode just noticed, in which God's long pursuit and final conquest of the resisting soul is described in a torrent of as humanly impressive verse as was ever inspired by a natural affection. MR THOMPSON places himself, by these poems, in the front rank of the pioneers of the movement which, if it be not checked, as in the history of the world it has once or twice been checked before, by premature formulation and by popular and profane perversion, must end in creating a "new heaven and a new earth."--COVENTRY PATMORE, in _The Fortnightly Review._

It is not only the religious ecstasy of CRASHAW that they recall; for all the daringly fantastic imagery, all the love-lyrical hyperbole, all that strange mixture and artifice, of spontaneous passion and studied conceit, which were so characteristic of the age of CRASHAW, are with the same astonishing fidelity reproduced. Where, unless, perhaps, in here and there a sonnet of ROSSETTI'S, has this sort of sublimated enthusiasm for the bodily and spiritual beauty of womanhood found such expression as in _Love in Dian's Lap_ between the age of the Stuarts and our own? To realize the full extent to which the religious, or semi-religious, emotions--now ecstatic, now awe-stricken--dominate and colour the entire fabric of these strange poems, they must be read throughout. In the lines _To the Dead Cardinal of Westminster_ we see them at their subtlest; and in the very powerful piece, _The Hound of Heaven_--a poem setting forth the pursuit of the human soul by divine grace--they are at their most intense.... That minority who can recognize the essentials under the accidents of poetry, and who feel that it is to poetic Form alone, and not to forms, that eternity belongs, will agree that, alike in wealth and dignity of imagination, in depth and subtlety of thought, and in magic and mastery of language, a new poet of the first rank is to be welcomed in the author of this volume.--H. D. TRAILL, in _The Nineteenth Century_.

The first thing to be done, and by far the most important, is to recognize that we are here face to face with a poet of the first order, a man of imagination all compact, a seer and singer of rare genius. He revels indeed in "orgiac imageries," and revelry implies excess. But when excess is an excess of strength, the debauch a debauch of beauty, who can condemn or even regret it? Would we had a few more poets who could exceed in such imagery as this! It is no minor Caroline singer he recalls, but the Jacobean SHAKESPEARE.--_The Daily Chronicle._

A volume of poetry has not appeared in QUEEN VICTORIA'S reign more authentic in greatness of utterance than this. In the rich and virile harmonies of his line, in strange and lovely vision, in fundamental meaning, he is possibly the first of Victorian poets, and at least is he of none the inferior.... In all sobriety do we believe him of all poets to be the most celestial in vision, the most august in faculty.... In a word, a new planet has swum into the ken of the watchers of the poetic skies. These are big words; but we have weighed them. For there is that in Mr FRANCIS THOMPSON'S poetry which discourages the flamboyant appreciations of the more facile impressionist, and gives him pause in his ready-made enthusiasms. It is patent on the first page that there is genius in this inspiration, and the great note in this utterance; but page after page reveals the rich and the strange, and the richer and the stranger in so many original moods and noble measures, that the reviewer feels the necessity of caution.... In nothing does THOMPSON appear more authentically a poet than in the fact that his sense of beauty is part of his religion. In this he is like SHELLEY, except that SHELLEY'S sense of beauty was his religion, and lived in an atmosphere of sensuousness, a sensuousness that has little of the grosser taints of earth about it indeed, but which is still sensuousness. Therefore, SHELLEY wrote the glorious _Epipsychidion_; therefore, Mr THOMPSON writes _Her Portrait_, the longest and greatest poem in his book; and, speaking for ourselves, we shall say at once that _Epipsychidion_, long unique in the language, has at last found its parallel, perhaps its peer, in _Her Portrait_. Of this "Her" of Mr THOMPSON'S we must say that she is the significance of his book. If his sense of beauty is part of his religion, his religion is that of a rapt Catholic, to whom the very heaven, with all that therein be, is open and palpable; his is the Catholicism of profound mysticism, and of the most universal temper.... It is perfectly safe to affirm that if Mr THOMPSON write no other line, by this volume alone he is as secure of remembrance as any poet of the century. His vocabulary is very great.... Mr THOMPSON'S first volume is no mere promise--it is itself among the great achievements of English poetry; it has reached the peak of Parnassus at a bound.

He has actually accomplished the high thing in metaphysical poetry that DONNE and CRASHAW only dreamed of. His mysticism is infinitely more profound and significant than theirs, as his imagination is more impulsive, ardent, and beautiful. He is the great Platonist of English poetry. If Mr THOMPSON had never written anything after his first volume, there would be but one Stuart poet with whom the author of _Her Portrait_ could be compared for orchestral majesties of song, and that one MILTON.... He is an argonaut of literature, far travelled in the realms of gold, and he has in a strange degree the assimilative mind.... We do not think we forget any of the splendid things of an English anthology when we say that _The Hound of Heaven_ seems to us, on the whole, the most wonderful lyric in the language. It fingers all the stops of the spirit, and we hear now a thrilling and dolorous note of doom, and now the quiring of the spheres, and now the very pipes of Pan, but under all the still, sad music of humanity. It is the return of the nineteenth century to THOMAS A KEMPIS.--J. L. GARVIN, in _The Newcastle Chronicle_ and in _The Bookman_.

The fine frenzy, and the fine line: these are two root characteristics of Mr THOMPSON'S really remarkable poem. One has seldom seen poet more wildly abandoned to his rapture, more absorbed in the trance of his ecstasy. When the irresistible moment comes, he throws himself upon his mood as a glad swimmer gives himself to the waves, careless whither the strong tide carries him, knowing only the wild joy of the laughing waters and the rainbow spray. He shouts, as it were, for mere gladness, in the welter of wonderful words, and he dives swift and fearless to fetch his deep-sea fancies. When weak men venture on these vagaries they drown; but Mr THOMPSON is a strong swimmer. Hyperboles, which in other hands had seemed merely absurd, in his delight us as examples of that "fine excess" which is one of the most enthralling of the many enchantments of poetry.... Indeed, Mr THOMPSON must simply be CRASHAW born again, but born greater. Though the conception, for example, of _The Hound of Heaven_--the case of a sinner fleeing from the love of Christ--is exactly in CRASHAW'S vein, yet it was not in his power to have suggested such tremendous speed and terror of flight as whirls through every line of Mr THOMPSON'S poem.--R. LE GALLIENNE, in _The Daily Chronicle_.

A new poet--and this time a major and not a minor one. On the section called _Love in Dian's Lap_, much might be said of its extraordinary conception and workmanship. The section is one long, beautiful song of praise, and even worship, of one whom the poet calls his "dear administress." But surely never was woman worshipped with more utter chastity of passion. Whether _Before her Portrait in Youth_, or regarding her as _A poet breaking silence_, or only reflecting on her wearing of a new dress, the Poet is so full of fine matter and so adoring in his expression of it, as to bring DANTE himself to mind.--_St. James's Gazette._

Here are dominion--domination over language, and a sincerity as of Robert Burns.... The epithet sublime has been sadly stained and distorted by comic writers, and there is a danger in applying it in its honest light without warning. This safeguard established, we have to say that in our opinion Mr THOMPSON'S poetry at its highest attains a sublimity unsurpassed by any Victorian poet--a sublimity which will stand the hideous test of extracts. In _Her Portrait_ a constant interchange of symbol between earthly and heavenly beauty pulses like day and night.--JOHN DAVIDSON, in _The Speaker_.

When at the end of 1893 there appeared a little quarto volume of poems by FRANCIS THOMPSON, the English world of letters experienced an agreeable shock of surprise. It was as if a rocket had been sent up into a dark night. His poems have all the "pomp and prodigality" of imagination for which Gray's frugal muse longed.--_The Spectator._

Words and cadences must have had an intoxication for him, the intoxication of the scholar; and "cloudy trophies" were continually falling into his hands, and half through them, in his hurry to seize and brandish them. He swung a rare incense in a censer of gold, under the vault of a chapel where he had hung votive offerings. When he chanted in his chapel of dreams, the airs were often airs which he had learnt from CRASHAW and from PATMORE. They came to life again when he used them, and he made for himself a music which was part strangely familiar and part his own, almost bewilderingly. Such reed-notes and such orchestration of sound were heard nowhere else; and people listened to the music, entranced as by a new magic. The genius of FRANCIS THOMPSON was Oriental, exuberant in colour, woven into elaborate patterns, and went draped in old silk robes, that had survived many dynasties. The spectacle of him was an enchantment; he passed like a wild vagabond of the mind, dazzling our sight. He had no message, but he dropt sentences by the way, cries of joy or pity, love of children, worship of the Virgin and the Saints, and of those who were patron saints to him on earth; his voice was heard like a wandering music, which no one heeded for what it said, in a strange tongue, but which came troublingly into the mind, bringing it the solace of its old, recaptured melodies.--ARTHUR SYMONS, in _The Saturday Review_.

To read Mr FRANCIS THOMPSON'S _Poems_, then, is like setting sail with DRAKE or HAWKINS in search of new worlds and golden spoils. He has the magnificent Elizabethan manner, the splendour of conception, the largeness of imagery.--KATHERINE TYNAN-HINKSON, in _The Bookman_.

As a matter of fact--such fact as one kisses the book to in a court of law--it was in a railway carriage on my way back to London that I first read Mr THOMPSON'S poem, _The Mistress of Vision_; but, in such truth as would pass anywhere but in a court of law, it was at Cambridge, in the height of the summer term and in a Fellows' Garden that the revelation first came. I thought then in my enthusiasm that no such poem had been written or attempted since COLERIDGE attempted, and left off writing, _Kubla Khan_. In a cooler hour I think so yet; and, were my age twenty-five or so, it would delight me to swear to it, riding to any man's drawbridge who shuts his gates against it, and blowing the horn of challenge. It is verily a wonderful poem; hung, like a fairy tale, in middle air--a sleeping palace of beauty set in a glade in the heart of the woods of Westermain, surprised there and recognized with a gasp as satisfying, and summarizing a thousand youthful longings after beauty. To me also my admiration seemed too hot to last; but four or five years leave me unrepentant. It seemed to me to be more likely to be a perishable joy, because I had once clutched at, and seemed to grasp, similar beauties in POE. Mr THOMPSON'S thought, always strong, often runs into phrases of exquisite sweetness and exquisite clarity.... The lines beginning:

"Firm is the man, and set beyond the cast
Of fortune's game and the iniquitous hour,"

are worthy to be remembered beside DANIEL'S _Epistle to the Countess of Cumberland_.--Sir A. QUILLER COUCH ("Q"), in _The Daily News_.