Chapter IX: Epilogue: 303 (7)
O wanderer from a Grecian shore,
Still, after many years, in distant lands,
Still nourishing in thy bewilder'd brain
That wild, unquench'd, deep-sunken, old-world pain--
Say, will it never heal?
And can this fragrant lawn
With its cool trees, and night,
And the sweet, tranquil Thames,
And moonshine, and the dew,
To thy rack'd heart and brain
Afford no balm?
Dost thou to-night behold,
Here, through the moonlight on this English grass,
The unfriendly palace in the Thracian wild?
Dost thou again peruse
With hot cheeks and sear'd eyes
The too clear web, and thy dumb sister's shame?
Dost thou once more assay
Thy flight, and feel come over thee,
Poor fugitive, the feathery change
Once more, and once more seem to make resound
With love and hate, triumph and agony,
Lone Daulis, and the high Cephissian vale?
Listen, Eugenia--
How thick the bursts come crowding through the leaves!
Again--thou hearest?
Eternal passion!
Eternal pain!
URANIA
I too have suffer'd; yet I know
She is not cold, though she seems so.
She is not cold, she is not light;
But our ignoble souls lack might.
She smiles and smiles, and will not sigh,
While we for hopeless passion die;
Yet she could love, those eyes declare,
Were but men nobler than they are.
Eagerly once her gracious ken
Was turn'd upon the sons of men;
But light the serious visage grew--
She look'd, and smiled, and saw them through.
Our petty souls, our strutting wits,
Our labour'd, puny passion-fits--
Ah, may she scorn them still, till we
Scorn them as bitterly as she!
Yet show her once, ye heavenly Powers,
One of some worthier race than ours!
One for whose sake she once might prove
How deeply she who scorns can love.
His eyes be like the starry lights--
His voice like sounds of summer nights--
In all his lovely mien let pierce
The magic of the universe!
And she to him will reach her hand,
And gazing in his eyes will stand,
And know her friend, and weep for glee,
And cry: _Long, long I've look'd for thee._
Then will she weep; with smiles, till then,
Coldly she mocks the sons of men.
Till then, her lovely eyes maintain
Their pure, unwavering, deep disdain.
EUPHROSYNE
I must not say that thou wast true,
Yet let me say that thou wast fair;
And they, that lovely face who view,
Why should they ask if truth be there?
Truth--what is truth? Two bleeding hearts,
Wounded by men, by fortune tried,
Outwearied with their lonely parts,
Vow to beat henceforth side by side.
The world to them was stern and drear
Their lot was but to weep and moan.
Ah, let them keep their faith sincere,
For neither could subsist alone!
But souls whom some benignant breath
Hath charm'd at birth from gloom and care,
These ask no love, these plight no faith,
For they are happy as they are.
The world to them may homage make,
And garlands for their forehead weave;
And what the world can give, they take--
But they bring more than they receive.
They shine upon the world! Their ears
To one demand alone are coy;
They will not give us love and tears,
They bring us light and warmth and joy.
It was not love which heaved thy breast,
Fair child!--it was the bliss within.
Adieu! and say that one, at least,
Was just to what he did not win.
CALAIS SANDS
A thousand knights have rein'd their steeds
To watch this line of sand-hills run,
Along the never-silent Strait,
To Calais glittering in the sun;
To look tow'rd Ardres' Golden Field
Across this wide aerial plain,
Which glows as if the Middle Age
Were gorgeous upon earth again.
Oh, that to share this famous scene,
I saw, upon the open sand,
Thy lovely presence at my side,
Thy shawl, thy look, thy smile, thy hand!
How exquisite thy voice would come,
My darling, on this lonely air!
How sweetly would the fresh sea-breeze
Shake loose some band of soft brown hair!
Yet now my glance but once hath roved
O'er Calais and its famous plain;
To England's cliffs my gaze is turn'd,
On the blue strait mine eyes I strain.
Thou comest! Yes! the vessel's cloud
Hangs dark upon the rolling sea.
Oh, that yon sea-bird's wings were mine,
To win one instant's glimpse of thee!
I must not spring to grasp thy hand,
To woo thy smile, to seek thine eye;
But I may stand far off, and gaze,
And watch thee pass unconscious by,
And spell thy looks, and guess thy thoughts,
Mixt with the idlers on the pier.--
Ah, might I always rest unseen,
So I might have thee always near!
To-morrow hurry through the fields
Of Flanders to the storied Rhine!
To-night those soft-fringed eyes shall close
Beneath one roof, my queen! with mine.
FADED LEAVES
1. THE RIVER
Still glides the stream, slow drops the boat
Under the rustling poplars' shade;
Silent the swans beside us float--
None speaks, none heeds; ah, turn thy head!
Let those arch eyes now softly shine,
That mocking mouth grow sweetly bland;
Ah, let them rest, those eyes, on mine!
On mine let rest that lovely hand!
My pent-up tears oppress my brain,
My heart is swoln with love unsaid.
Ah, let me weep, and tell my pain,
And on thy shoulder rest my head!
Before I die--before the soul,
Which now is mine, must re-attain
Immunity from my control,
And wander round the world again;
Before this teased o'erlabour'd heart
For ever leaves its vain employ,
Dead to its deep habitual smart,
And dead to hopes of future joy.
2. TOO LATE
Each on his own strict line we move,
And some find death ere they find love;
So far apart their lives are thrown
From the twin soul which halves their own.
And sometimes, by still harder fate,
The lovers meet, but meet too late.
--Thy heart is mine!--_True, true! ah, true!_
--Then, love, thy hand!--_Ah no! adieu!_
3. SEPARATION
Stop!--not to me, at this bitter departing,
Speak of the sure consolations of time!
Fresh be the wound, still-renew'd be its smarting,
So but thy image endure in its prime.
But, if the stedfast commandment of Nature
Wills that remembrance should always decay--
If the loved form and the deep-cherish'd feature
Must, when unseen, from the soul fade away--
Me let no half-effaced memories cumber!
Fled, fled at once, be all vestige of thee!
Deep be the darkness and still be the slumber--
Dead be the past and its phantoms to me!
Then, when we meet, and thy look strays toward me,
Scanning my face and the changes wrought there:
_Who_, let me say, _is this stranger regards me,
With the grey eyes, and the lovely brown hair_?
4. ON THE RHINE
Vain is the effort to forget.
Some day I shall be cold, I know,
As is the eternal moonlit snow
Of the high Alps, to which I go--
But ah! not yet, not yet!
Vain is the agony of grief.
'Tis true, indeed, an iron knot
Ties straitly up from mine thy lot,
And were it snapt--thou lov'st me not!
But is despair relief?
Awhile let me with thought have done.
And as this brimm'd unwrinkled Rhine,
And that far purple mountain-line,
Lie sweetly in the look divine
Of the slow-sinking sun;
So let me lie, and, calm as they,
Let beam upon my inward view
Those eyes of deep, soft, lucent hue--
Eyes too expressive to be blue,
Too lovely to be grey.
Ah, Quiet, all things feel thy balm!
Those blue hills too, this river's flow,
Were restless once, but long ago.
Tamed is their turbulent youthful glow;
Their joy is in their calm.
5. LONGING
Come to me in my dreams, and then
By day I shall be well again!
For then the night will more than pay
The hopeless longing of the day.
Come, as thou cam'st a thousand times,
A messenger from radiant climes,
And smile on thy new world, and be
As kind to others as to me!
Or, as thou never cam'st in sooth,
Come now, and let me dream it truth;
And part my hair, and kiss my brow,
And say: _My love! why sufferest thou?_
Come to me in my dreams, and then
By day I shall be well again!
For then the night will more than pay
The hopeless longing of the day.
DESPONDENCY
The thoughts that rain their steady glow
Like stars on life's cold sea,
Which others know, or say they know--
They never shone for me.
Thoughts light, like gleams, my spirit's sky,
But they will not remain.
They light me once, they hurry by;
And never come again.
SELF-DECEPTION
Say, what blinds us, that we claim the glory
Of possessing powers not our share?
--Since man woke on earth, he knows his story,
But, before we woke on earth, we were.
Long, long since, undower'd yet, our spirit
Roam'd, ere birth, the treasuries of God;
Saw the gifts, the powers it might inherit,
Ask'd an outfit for its earthly road.
Then, as now, this tremulous, eager being
Strain'd and long'd and grasp'd each gift it saw;
Then, as now, a Power beyond our seeing
Staved us back, and gave our choice the law.
Ah, whose hand that day through Heaven guided
Man's new spirit, since it was not we?
Ah, who sway'd our choice, and who decided
What our gifts, and what our wants should be?
For, alas! he left us each retaining
Shreds of gifts which he refused in full.
Still these waste us with their hopeless straining,
Still the attempt to use them proves them null.
And on earth we wander, groping, reeling;
Powers stir in us, stir and disappear.
Ah! and he, who placed our master-feeling,
Fail'd to place that master-feeling clear.
We but dream we have our wish'd-for powers,
Ends we seek we never shall attain.
Ah! _some_ power exists there, which is ours?
_Some_ end is there, we indeed may gain?
DOVER BEACH
The sea is calm to-night.
The tide is full, the moon lies fair
Upon the straits;--on the French coast the light
Gleams and is gone; the cliffs of England stand,
Glimmering and vast, out in the tranquil bay.
Come to the window, sweet is the night-air!
Only, from the long line of spray
Where the sea meets the moon-blanch'd land,
Listen! you hear the grating roar
Of pebbles which the waves draw back, and fling,
At their return, up the high strand,
Begin, and cease, and then again begin,
With tremulous cadence slow, and bring
The eternal note of sadness in.
Sophocles long ago
Heard it on the AEgaean, and it brought
Into his mind the turbid ebb and flow
Of human misery; we
Find also in the sound a thought,
Hearing it by this distant northern sea.
The Sea of Faith
Was once, too, at the full, and round earth's shore
Lay like the folds of a bright girdle furl'd.
But now I only hear
Its melancholy, long, withdrawing roar,
Retreating, to the breath
Of the night-wind, down the vast edges drear
And naked shingles of the world.
Ah, love, let us be true
To one another! for the world, which seems
To lie before us like a land of dreams,
So various, so beautiful, so new,
Hath really neither joy, nor love, nor light,
Nor certitude, nor peace, nor help for pain;
And we are here as on a darkling plain
Swept with confused alarms of struggle and flight,
Where ignorant armies clash by night.
GROWING OLD
What is it to grow old?
Is it to lose the glory of the form,
The lustre of the eye?
Is it for beauty to forego her wreath?
--Yes, but not this alone.
Is it to feel our strength--
Not our bloom only, but our strength--decay?
Is it to feel each limb
Grow stiffer, every function less exact,
Each nerve more loosely strung?
Yes, this, and more; but not
Ah, 'tis not what in youth we dream'd 'twould be!
'Tis not to have our life
Mellow'd and soften'd as with sunset-glow,
A golden day's decline.
'Tis not to see the world
As from a height, with rapt prophetic eyes,
And heart profoundly stirr'd;
And weep, and feel the fulness of the past,
The years that are no more.
It is to spend long days
And not once feel that we were ever young;
It is to add, immured
In the hot prison of the present, month
To month with weary pain.
It is to suffer this,
And feel but half, and feebly, what we feel.
Deep in our hidden heart
Festers the dull remembrance of a change,
But no emotion--none.
It is--last stage of all--
When we are frozen up within, and quite
The phantom of ourselves,
To hear the world applaud the hollow ghost
Which blamed the living man.
THE PROGRESS OF POESY
A VARIATION
Youth rambles on life's arid mount,
And strikes the rock, and finds the vein,
And brings the water from the fount,
The fount which shall not flow again.
The man mature with labour chops
For the bright stream a channel grand,
And sees not that the sacred drops
Ran off and vanish'd out of hand.
And then the old man totters nigh,
And feebly rakes among the stones.
The mount is mute, the channel dry;
And down he lays his weary bones.
NEW ROME
LINES WRITTEN FOR MISS STORY'S ALBUM
The armless Vatican Cupid
Hangs down his beautiful head;
For the priests have got him in prison,
And Psyche long has been dead.
But see, his shaven oppressors
Begin to quake and disband!
And _The Times_, that bright Apollo,
Proclaims salvation at hand.
"And what," cries Cupid, "will save us?"
Says Apollo: "_Modernise Rome!_
What inns! Your streets, too, how narrow!
Too much of palace and dome!
"O learn of London, whose paupers
Are not pushed out by the swells!
Wide streets with fine double trottoirs;
And then--the London hotels!"
The armless Vatican Cupid
Hangs down his head as before.
Through centuries past it has hung so,
And will through centuries more.
PIS-ALLER
"Man is blind because of sin,
Revelation makes him sure;
Without that, who looks within,
Looks in vain, for all's obscure."
Nay, look closer into man!
Tell me, can you find indeed
Nothing sure, no moral plan
Clear prescribed, without your creed?
"No, I nothing can perceive!
Without that, all's dark for men.
That, or nothing, I believe."--
For God's sake, believe it then!
THE LAST WORD
Creep into thy narrow bed,
Creep, and let no more be said!
Vain thy onset! all stands fast.
Thou thyself must break at last.
Let the long contention cease!
Geese are swans, and swans are geese.
Let them have it how they will!
Thou art tired; best be still.
They out-talk'd thee, hiss'd thee, tore thee?
Better men fared thus before thee;
Fired their ringing shot and pass'd,
Hotly charged--and sank at last.
Charge once more, then, and be dumb!
Let the victors, when they come,
When the forts of folly fall,
Find thy body by the wall!
THE LORD'S MESSENGERS
Thus saith the Lord to his own:--
"See ye the trouble below?
Warfare of man from his birth!
Too long let we them groan;
Haste, arise ye, and go,
Carry my peace upon earth!"
Gladly they rise at his call,
Gladly obey his command,
Gladly descend to the plain.
--Ah! How few of them all,
Those willing servants, shall stand
In the Master's presence again!
Some in the tumult are lost;
Baffled, bewilder'd, they stray.
Some, as prisoners, draw breath.
Some, unconquer'd, are cross'd
(Not yet half through the day)
By a pitiless arrow of Death.
Hardly, hardly shall one
Come, with countenance bright,
At the close of day, from the plain;
His Master's errand well done,
Safe through the smoke of the fight,
Back to his Master again.
A NAMELESS EPITAPH
Ask not my name, O friend!
That Being only, which hath known each man
From the beginning, can
Remember each unto the end.
BACCHANALIA;
OR,
THE NEW AGE
I
The evening comes, the fields are still.
The tinkle of the thirsty rill,
Unheard all day, ascends again;
Deserted is the half-mown plain,
Silent the swaths! the ringing wain,
The mower's cry, the dog's alarms,
All housed within the sleeping farms!
The business of the day is done,
The last-left haymaker is gone.
And from the thyme upon the height,
And from the elder-blossom white
And pale dog-roses in the hedge,
And from the mint-plant in the sedge,
In puffs of balm the night-air blows
The perfume which the day forgoes.
And on the pure horizon far,
See, pulsing with the first-born star,
The liquid sky above the hill!
The evening comes, the fields are still.
Loitering and leaping,
With saunter, with bounds--
Flickering and circling
In files and in rounds--
Gaily their pine-staff green
Tossing in air,
Loose o'er their shoulders white
Showering their hair--
See! the wild Maenads
Break from the wood,
Youth and Iacchus
Maddening their blood.
See! through the quiet land
Rioting they pass--
Fling the fresh heaps about,
Trample the grass.
Tear from the rifled hedge
Garlands, their prize;
Fill with their sports the field,
Fill with their cries.
Shepherd, what ails thee, then?
Shepherd, why mute?
Forth with thy joyous song!
Forth with thy flute!
Tempts not the revel blithe?
Lure not their cries?
Glow not their shoulders smooth?
Melt not their eyes?
Is not, on cheeks like those,
Lovely the flush?
--_Ah, so the quiet was!_
_So was the hush!_
II
The epoch ends, the world is still,
The age has talk'd and work'd its fill--
The famous orators have shone,
The famous poets sung and gone,
The famous men of war have fought,
The famous speculators thought,
The famous players, sculptors, wrought,
The famous painters fill'd their wall,
The famous critics judged it all.
The combatants are parted now--
Uphung the spear, unbent the bow,
The puissant crown'd, the weak laid low.
And in the after-silence sweet,
Now strifes are hush'd, our ears doth meet,
Ascending pure, the bell-like fame
Of this or that down-trodden name
Delicate spirits, push'd away
In the hot press of the noon-day.
And o'er the plain, where the dead age
Did its now silent warfare wage--
O'er that wide plain, now wrapt in gloom,
Where many a splendour finds its tomb,
Many spent fames and fallen mights--
The one or two immortal lights
Rise slowly up into the sky
To shine there everlastingly,
Like stars over the bounding hill.
The epoch ends, the world is still.
Thundering and bursting
In torrents, in waves--
Carolling and shouting
Over tombs, amid graves--
See! on the cumber'd plain
Clearing a stage,
Scattering the past about,
Comes the new age.
Bards make new poems,
Thinkers new schools,
Statesmen new systems,
Critics new rules.
All things begin again;
Life is their prize;
Earth with their deeds they fill,
Fill with their cries.
Poet, what ails thee, then?
Say, why so mute?
Forth with thy praising voice!
Forth with thy flute!
Loiterer! why sittest thou
Sunk in thy dream?
Tempts not the bright new age?
Shines not its stream?
Look, ah, what genius,
Art, science, wit!
Soldiers like Caesar,
Statesmen like Pitt!
Sculptors like Phidias,
Raphaels in shoals,
Poets like Shakespeare--
Beautiful souls!
See, on their glowing cheeks
Heavenly the flush!
--_Ah, so the silence was!_
_So was the hush!_
The world but feels the present's spell,
The poet feels the past as well;
Whatever men have done, might do,
Whatever thought, might think it too.
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Poetical Works of Matthew ArnoldChapter IX: Epilogue: 303 (7)
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