Chapter I: SAT in the Muses’ Hall at the mid of the day,

And it seemed to grow still, and the people to pass away,
And the chiselled shapes to combine in a haze of sun,
Till beside a Carrara column there gleamed forth One.

She was nor this nor that of those beings divine,
But each and the whole—an essence of all the Nine;
With tentative foot she neared to my halting-place,
A pensive smile on her sweet, small, marvellous face.

“Regarded so long, we render thee sad?” said she.
“Not you,” sighed I, “but my own inconstancy!
I worship each and each; in the morning one,
And then, alas! another at sink of sun.

“To-day my soul clasps Form; but where is my troth
Of yesternight with Tune: can one cleave to both?”
—“Be not perturbed,” said she. “Though apart in fame,
As I and my sisters are one, those, too, are the same.

—“But my loves go further—to Story, and Dance, and Hymn,
The lover of all in a sun-sweep is fool to whim—
Is swayed like a river-weed as the ripples run!”
—“Nay, wight, thou sway’st not. These are but phases of one;

“And that one is I; and I am projected from thee,
One that out of thy brain and heart thou causest to be—
Extern to thee nothing. Grieve not, nor thyself becall,
Woo where thou wilt; and rejoice thou canst love at all!”

ROME AT THE PYRAMID OF CESTIUS NEAR THE GRAVES OF SHELLEY AND KEATS (1887)

WHO, then, was Cestius,
And what is he to me?—
Amid thick thoughts and memories multitudinous
One thought alone brings he.

I can recall no word
Of anything he did;
For me he is a man who died and was interred
To leave a pyramid

Whose purpose was exprest
Not with its first design,
Nor till, far down in Time, beside it found their rest
Two countrymen of mine.

Cestius in life, maybe,
Slew, breathed out threatening;
I know not. This I know: in death all silently
He does a kindlier thing,

In beckoning pilgrim feet
With marble finger high
To where, by shadowy wall and history-haunted street,
Those matchless singers lie . . .

—Say, then, he lived and died
That stones which bear his name
Should mark, through Time, where two immortal Shades abide;
It is an ample fame.

LAUSANNE IN GIBBON’S OLD GARDEN: 11–12 P.M. _June_ 27, 1897

(_The_ 110_th_ _anniversary of the completion of the_ “_Decline and Fall_” _at the same hour and place_)

A SPIRIT seems to pass,
Formal in pose, but grave and grand withal:
He contemplates a volume stout and tall,
And far lamps fleck him through the thin acacias.

Anon the book is closed,
With “It is finished!” And at the alley’s end
He turns, and soon on me his glances bend;
And, as from earth, comes speech—small, muted, yet composed.

“How fares the Truth now?—Ill?
—Do pens but slily further her advance?
May one not speed her but in phrase askance?
Do scribes aver the Comic to be Reverend still?

“Still rule those minds on earth
At whom sage Milton’s wormwood words were hurled:
‘_Truth like a bastard comes into the world_
_Never without ill-fame to him who gives her birth_’?”

ZERMATT TO THE MATTERHORN (_June_-_July_, 1897)

THIRTY-TWO years since, up against the sun,
Seven shapes, thin atomies to lower sight,
Labouringly leapt and gained thy gabled height,
And four lives paid for what the seven had won.

They were the first by whom the deed was done,
And when I look at thee, my mind takes flight
To that day’s tragic feat of manly might,
As though, till then, of history thou hadst none.

Yet ages ere men topped thee, late and soon
Thou watch’dst each night the planets lift and lower;
Thou gleam’dst to Joshua’s pausing sun and moon,
And brav’dst the tokening sky when Cæsar’s power
Approached its bloody end: yea, saw’st that Noon
When darkness filled the earth till the ninth hour.

THE BRIDGE OF LODI {290} (_Spring_, 1887)

I

WHEN of tender mind and body
I was moved by minstrelsy,
And that strain “The Bridge of Lodi”
Brought a strange delight to me.

II

In the battle-breathing jingle
Of its forward-footing tune
I could see the armies mingle,
And the columns cleft and hewn

III

On that far-famed spot by Lodi
Where Napoleon clove his way
To his fame, when like a god he
Bent the nations to his sway.

IV

Hence the tune came capering to me
While I traced the Rhone and Po;
Nor could Milan’s Marvel woo me
From the spot englamoured so.

V

And to-day, sunlit and smiling,
Here I stand upon the scene,
With its saffron walls, dun tiling,
And its meads of maiden green,

VI

Even as when the trackway thundered
With the charge of grenadiers,
And the blood of forty hundred
Splashed its parapets and piers . . .

VII

Any ancient crone I’d toady
Like a lass in young-eyed prime,
Could she tell some tale of Lodi
At that moving mighty time.

VIII

So, I ask the wives of Lodi
For traditions of that day;
But alas! not anybody
Seems to know of such a fray.

IX

And they heed but transitory
Marketings in cheese and meat,
Till I judge that Lodi’s story
Is extinct in Lodi’s street.

X

Yet while here and there they thrid them
In their zest to sell and buy,
Let me sit me down amid them
And behold those thousands die . . .

XI

—Not a creature cares in Lodi
How Napoleon swept each arch,
Or where up and downward trod he,
Or for his memorial March!

XII

So that wherefore should I be here,
Watching Adda lip the lea,
When the whole romance to see here
Is the dream I bring with me?

XIII

And why sing “The Bridge of Lodi”
As I sit thereon and swing,
When none shows by smile or nod he
Guesses why or what I sing? . . .

XIV

Since all Lodi, low and head ones,
Seem to pass that story by,
It may be the Lodi-bred ones
Rate it truly, and not I.

XV

Once engrossing Bridge of Lodi,
Is thy claim to glory gone?
Must I pipe a palinody,
Or be silent thereupon?

XVI

And if here, from strand to steeple,
Be no stone to fame the fight,
Must I say the Lodi people
Are but viewing crime aright?

XVII

Nay; I’ll sing “The Bridge of Lodi”—
That long-loved, romantic thing,
Though none show by smile or nod he
Guesses why and what I sing!

ON AN INVITATION TO THE UNITED STATES

I

MY ardours for emprize nigh lost
Since Life has bared its bones to me,
I shrink to seek a modern coast
Whose riper times have yet to be;
Where the new regions claim them free
From that long drip of human tears
Which peoples old in tragedy
Have left upon the centuried years.

II

For, wonning in these ancient lands,
Enchased and lettered as a tomb,
And scored with prints of perished hands,
And chronicled with dates of doom,
Though my own Being bear no bloom
I trace the lives such scenes enshrine,
Give past exemplars present room,
And their experience count as mine.

MISCELLANEOUS POEMS

THE MOTHER MOURNS

WHEN mid-autumn’s moan shook the night-time,
And sedges were horny,
And summer’s green wonderwork faltered
On leaze and in lane,

I fared Yell’ham-Firs way, where dimly
Came wheeling around me
Those phantoms obscure and insistent
That shadows unchain.

Till airs from the needle-thicks brought me
A low lamentation,
As ’twere of a tree-god disheartened,
Perplexed, or in pain.

And, heeding, it awed me to gather
That Nature herself there
Was breathing in aërie accents,
With dirgeful refrain,

Weary plaint that Mankind, in these late days,
Had grieved her by holding
Her ancient high fame of perfection
In doubt and disdain . . .

—“I had not proposed me a Creature
(She soughed) so excelling
All else of my kingdom in compass
And brightness of brain

“As to read my defects with a god-glance,
Uncover each vestige
Of old inadvertence, annunciate
Each flaw and each stain!

“My purpose went not to develop
Such insight in Earthland;
Such potent appraisements affront me,
And sadden my reign!

“Why loosened I olden control here
To mechanize skywards,
Undeeming great scope could outshape in
A globe of such grain?

“Man’s mountings of mind-sight I checked not,
Till range of his vision
Has topped my intent, and found blemish
Throughout my domain.

“He holds as inept his own soul-shell—
My deftest achievement—
Contemns me for fitful inventions
Ill-timed and inane:

“No more sees my sun as a Sanct-shape,
My moon as the Night-queen,
My stars as august and sublime ones
That influences rain:

“Reckons gross and ignoble my teaching,
Immoral my story,
My love-lights a lure, that my species
May gather and gain.

“‘Give me,’ he has said, ‘but the matter
And means the gods lot her,
My brain could evolve a creation
More seemly, more sane.’

—“If ever a naughtiness seized me
To woo adulation
From creatures more keen than those crude ones
That first formed my train—

“If inly a moment I murmured,
‘The simple praise sweetly,
But sweetlier the sage’—and did rashly
Man’s vision unrein,

“I rue it! . . . His guileless forerunners,
Whose brains I could blandish,
To measure the deeps of my mysteries
Applied them in vain.

“From them my waste aimings and futile
I subtly could cover;
‘Every best thing,’ said they, ‘to best purpose
Her powers preordain.’—

“No more such! . . . My species are dwindling,
My forests grow barren,
My popinjays fail from their tappings,
My larks from their strain.

“My leopardine beauties are rarer,
My tusky ones vanish,
My children have aped mine own slaughters
To quicken my wane.

“Let me grow, then, but mildews and mandrakes,
And slimy distortions,
Let nevermore things good and lovely
To me appertain;

“For Reason is rank in my temples,
And Vision unruly,
And chivalrous laud of my cunning
Is heard not again!”

“I SAID TO LOVE”