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Chapter II: Introduction: An Apology for Puppets 3

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PLAYS AND ACTING

Nietzsche on Tragedy 11

Sarah Bernhardt 17

Coquelin and Molière 29

Réjane 37

Yvette Guilbert 42

Sir Henry Irving 52

Duse in Some of Her Parts 60

Annotations 77

M. Capus in England 93

A Double Enigma 100

DRAMA

Professional and Unprofessional 109

Tolstoi and Others 115

Some Problem Plays 124

"Monna Vanna" 137

The Question of Censorship 143

A Play and the Public 148

The Test of the Actor 152

The Price of Realism 162

On Crossing Stage to Right 167

The Speaking of Verse 173

Great Acting in English 182

A Theory of the Stage 198

The Sicilian Actors 213

MUSIC

On Writing about Music 229

Technique and the Artist 232

Pachmann and the Piano 237

Paderewski 258

A Reflection at a Dolmetsch Concert 268

The Dramatisation of Song 277

The Meiningen Orchestra 284

Mozart in the Mirabell-Garten 290

Notes on Wagner at Bayreuth 297

Conclusion: A Paradox on Art 315

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Plays, Acting and Music: A Book Of TheoryChapter II: Introduction: An Apology for Puppets 3

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