Chapter II: Introduction: An Apology for Puppets 3
PLAYS AND ACTING
Nietzsche on Tragedy 11
Sarah Bernhardt 17
Coquelin and Molière 29
Réjane 37
Yvette Guilbert 42
Sir Henry Irving 52
Duse in Some of Her Parts 60
Annotations 77
M. Capus in England 93
A Double Enigma 100
DRAMA
Professional and Unprofessional 109
Tolstoi and Others 115
Some Problem Plays 124
"Monna Vanna" 137
The Question of Censorship 143
A Play and the Public 148
The Test of the Actor 152
The Price of Realism 162
On Crossing Stage to Right 167
The Speaking of Verse 173
Great Acting in English 182
A Theory of the Stage 198
The Sicilian Actors 213
MUSIC
On Writing about Music 229
Technique and the Artist 232
Pachmann and the Piano 237
Paderewski 258
A Reflection at a Dolmetsch Concert 268
The Dramatisation of Song 277
The Meiningen Orchestra 284
Mozart in the Mirabell-Garten 290
Notes on Wagner at Bayreuth 297
Conclusion: A Paradox on Art 315
Comments
Log in to leave a comment.
Plays, Acting and Music: A Book Of TheoryChapter II: Introduction: An Apology for Puppets 3
0%1 min left in chapter