Chapter XI

Motive, especially in complex natures, is often beyond reach of accurate discovery, and a mixed motive may prove quite impossible of complete disentanglement. But for the sense of shame that Eliot felt, he might never have discerned that with his genuine desire to provide for Mánya’s future there was also involved a secret satisfaction that he himself would profit too. The sight of gold demolishes pretence and artifice; and deep within he felt the old lust of possession and acquisition assert itself. All these years it had been buried, not destroyed. His love of the Place, his worship of Memory, his guardianship of the little dream-estate, compared to the prize of worldly treasure, were on the surface. They were artificial.

This little thing had proved it. The child’s tears, her significant question above all, had shown him to himself. If not, whence came this sense of ignominy before her own purer passion, the loss of confidence, this inner quailing before Another who gazed reprovingly, resentfully, upon him from the shadows of the past? That note of menace in Mánya’s suggestive question was surely not her own. It haunted him. Day and night he heard it ringing in his brain. This new distrust of himself that he recognised read into it something almost vindictive and revengeful.

But Eliot, for all that, was not the man to give in easily. He resolutely dismissed this birth of morbid fancy. Clinging to the thought that his duty to his niece came first, he resisted the suggestion that imputed a grosser selfishness. Cass Murdoch, too, unwittingly helped; for the side of his character John C.’s visit had revived--the love of fight and energetic action--came valiantly to the rescue. To a great extent he persuaded himself that his motive was--almost entirely--a pure one. Preparations for developing the clay went forward steadily.

Mánya too appeared to help him. She said no more distressing things; she showed keen interest in the coming and going of surveyors, architects, soil experts, and the like. And Murdoch’s discovery was no false alarm; the bed of clay was deep and extensive as he prophesied, its quality very fine. Men came with pick and shovel; sample pits were dug; the stuff was tested and judged excellent; and the verdict of the manufacturers, to whom ‘lots’ were forwarded on approval, pronounced it admirable for a large and ready market. There was money in it, and the supply would last for years. The papers heralded the fortunate discoverer, and a moderate fortune undeniably was in sight.

The preparations, however, took time, and the finding of the initial capital, which Murdoch readily supplied, also took time, and spring meanwhile slipped into summer before the enterprise was fairly on its feet. Soft winds sighed lazily among the larches, and the scent of flowers pervaded every valley; the pine-trees basked in the sunshine, the pearly water laughed and sang; and at night the moon shot every glade with magic that was like the wings of moths whose flitting scattered everywhere the fine dust of a thousand silvery dreams. The beauty of the little haunted estate leaped into a rich maturity that was utterly enchanting, like wild flowers that are sweetest just before they die.

And over Mánya, too, there passed slowly a mysterious change, for it seemed as if for a time she had been standing still, and now with a sudden leap of beauty passed into the glory of young womanhood. With her short skirts and tumbled hair, her grave and wistful face, swinging idly that red tam-o’-shanter from which she was inseparable, he saw her one evening on the lawn outside his study window, and the change flashed into him across the moonlight with a positive shock. The child had suddenly grown up. A barrier stood between them.

But the barrier was not so sudden as it seemed, for, on looking back, he realised the daily, almost imperceptible manner of its growth. Its complete erection he realised now, but he had been aware of it for a long time--ever since his decision to work the clay, in fact. Here was the proof her deceptive silence had concealed. She had felt it too deeply for words, for arguing, for disappointment volubly expressed; but it had struck into the roots of her little being and had changed her from within outwards. It had aged her. Reality had broken in upon her world of play and dream. He had destroyed her childhood at a single blow. She questioned, doubted, and grew old.

But though every one grows older in identically this way, by sudden leaps, as it were, due to the forcing impulse of some strong emotion, with Mánya it brought no radical alteration. She deepened rather than definitely changed. The sense of wonder did not fade, but ripened. The crude facts of life could never satisfy a nature such as hers, and though she realised them now for the first time, they could not enter to destroy. They drove her more deeply into herself. That is, she dealt with them.

And the change, though he devoted hours of pondering reflection over it, may be summed up briefly enough in so far as it affected himself. There was a difference in their relationship. He stood away from her; while she, on her side, drew nearer to something else that was not himself. With this elusive and mysterious Thing she lived daily. She took sides with it and with the Place, against himself. It went on largely, he felt, behind his back. She grew more and more identified with some active influence that had always been at work in all the wild gardened loveliness of the property, but was now more active than before. Stirred up and roused it was; he could almost imagine it--aggressive. And Mánya, always knowing it at closer quarters than himself, was now in definite league with it. There was opposition in it, though an opposition as yet inactive.

And in the silent watches of the night sometimes, when imagination wove her pictures all unchecked, he again knew the haunting thought close beside his bed: that the mind and hand of the dead were here at work, using the delicate instrument of this rare, sensitive child to convey protest, resentment, warning. Over the little vales, from all the depth of forest, and above the spread of moorland just beyond, there breathed this atmosphere of disapproval.

Mánya, never telling him much, now told him less than before; for he had forfeited the right to know.

If it made him smile a little to notice that she had made Mother Coove lengthen her dresses, it did not make him smile to learn that she still wore her old shorter ones once the darkness fell, or that she now went out to play in her wild corners of the woods chiefly after dusk. For he saw the significance of this simple manœuvre, and divined its meaning. She felt shy now in the daylight. This new thing in the spirit of the Place had changed it all. She could not be abandoned as before, go naked and undressed as once she graphically put it. The vulgar influence from outside had come in. It stared offensively. It asked questions, leered, turned everything common and unclean.

And she changed from time to time her playground as the workmen drove her out. She moved from place to place, seeking new corners and going farther into the moors and open spots. She followed the stream, for instance, nearer to its source where its waters still ran unstained. And from the neighbourhood of the sample pits that gaped like open sores amid the beauty, she withheld herself completely. Nothing could persuade her to come near them.

Towards himself especially, her attitude was pregnant with suggestion, and though he made full allowance for the phantoms conscience raises, there always remained the certainty that the child, and another with her, watched him sharply from a distance. She was still affectionate and simple, even with a new touch of resigned docility that was very sweet, as though resolved to respect his older worldly wisdom, yet with an air of pity for his great mistake that was half contempt, half condescension. Her silence about the progress of the work made him feel small. It so mercilessly judged him. And, while the dignity he had always recognised in her increased, it seemed now partly borrowed--his imagination leaned more and more towards this unwelcome explanation--from this invisible Companion who overshadowed her. He felt as though this silence temporarily blocked channels along which something would presently break out with violence and scorn to overwhelm him; till at last he came to regard her as a prisoner regards the foreman of the jury who has formed his verdict and is merely waiting to pronounce it--Guilty. Behind her, as behind the foreman, gathered the composite decision of more than one, and the decision was hostile. It urged her on against him. Opposition accumulated towards positive attack. He dreaded some revelation through the child; and piling guess on guess he felt certain who was this active Influence that sought to use her as its instrument. The dead now, day and night, stood very close beside him.

And meanwhile, things ran far from smoothly with the work itself. Unforeseen difficulties everywhere arose to baffle him. Even Murdoch made oppressive, troublesome conditions about the money that seemed unnecessary, insisting upon details of management with a touch of domineering interference that exasperated. Obstacles rose up automatically, involving, as it were, the very processes of Nature itself. There was a strike that delayed the railway builders for a month, and when they returned the heavy summer rains had washed yards of embankment down again. Soon afterwards a falling tree killed a workman, and there ensued compensation worries that threatened a law-suit. The clay itself, too, played them sudden tricks, proving faulty the maps the surveyors had drawn; its depths and direction were not as supposed, its angle to the lie of the slope deceptive, so that an extra branch of single line for the trucks became essential. And the money was insufficient; further advances became imperative, and, though readily forthcoming, involved more delay. The spirit of lonely peace and beauty departed from the Place, hiding its injured face among the moorland reaches further up. Obstruction, with turmoil and confusion at its back, rose up on every side to baffle him.

Though the advance was steady enough on the whole, and the difficulties were only such as most similar enterprises encounter, Eliot was conscious more and more of this sense of obstacles deliberately interposed. It all seemed so nicely calculated to cause the maximum of trouble and delay. The interference was so cunningly manœuvred. He brought all his old energy and force to meet them, but there was ever this curious sense of advised and determined opposition that began to sap his confidence.

‘More trouble, sir,’ the foreman said one morning, when Eliot went down to view the work, unaccompanied as usual by Mánya. ‘There seems no end to it.’

‘What is it this time?’ He abhorred these conversations now. It always seemed that Another stood behind his shoulder, listening.

‘The clay has gone,’ was the curious answer. He said it as though it had gone purposely to spite them like a living thing.

‘Gone!’ he exclaimed incredulously.

‘Sunk away, gone deeper than we expected,’ was the answer. The man shrugged his shoulders as though something puzzled him. ‘A kind of subsidence come in the night,’ he added gloomily.

They stared at one another for a full minute with eyes that screened other meanings. Eliot felt a sort of fury rise within him. Somehow the idea of foul play crossed his mind, though instantly rejected as absurd.

‘With this loose sandy bottom, and a steep slope that ain’t drained properly, you’re never very sure of where you are,’ said the man at length, feeling his position made some explanation necessary. He seemed to regard the Clay as something ever on the move.

‘I see,’ said Eliot, grateful for a solution that he could apparently accept. They talked of ways and means to circumvent it.

‘Queerest job I ever come across, sir,’ the foreman muttered, as at length Eliot turned away, pretending not to hear it.

And scenes like this were frequent. Another time it was the white weed--with the pretty little flower Mánya loved to twine about her tam-o’-shanter--that had gathered so thickly on the artificial ponds where the water was stored, that it clogged the machinery till the wheels refused to turn; and next, a group of men that quit working without any reasonable excuse--open symptom of a hidden dissatisfaction that had been running underground for weeks. There was something about the job they didn’t like. Rumours for a long time had been current--queer, unsubstantiated rumours that those in authority chose to disregard. Superstition hereabouts was rife enough without encouraging it.

Taken altogether, as products of a single hostile influence at work, these difficulties easily assumed in his imaginative mind the importance of a consciously directed opposition. He remembered often now those words of Mánya, the last time she had opened her lips upon the subject. For she had credited the Place with the power of resisting him; only by ‘the Place’ she now meant this mysterious personal influence that she knew behind it.

Yet he persisted in his consciousness of doing right. His duty to the child was clear; her future was in his charge; and the fact that he meant to leave her everything proved that his motive, or part of it at least, was above suspicion. From John C. he also gathered comfort and support. He had only to imagine him standing by his side, repeating that remark about religion, to feel strong again in his determination. Cass Murdoch recognised no mystery or subtlety anywhere. He discussed only facts.

The consciousness that he was partly traitor none the less remained, and with it the feeling that the very Tradition he had nursed and worshipped all these years was up in arms against him. Mánya, standing closer to Nature than himself, had divined this Tradition and, in some fashion curiously her own, had personified it. And this personification linked on with the dead. His love of the Beauty, and his love of a particular memory he had read into the Place, she had most marvellously disentangled. Both were genuine in him; yet he had suffered them in combination to produce a false and artificial Image existing only in his own imagination. There was conflict in his being. His motive was impure.

Behind them stood the giant, naked thing the child divined that was--Reality. She knew it face to face. What was it? The mere definite question which he permitted himself made him sometimes hesitate and wait, not unwilling to call a halt. He was aware that the child stood ever in the background, waiting her time with that sly laughter of superior knowledge. These obstacles and difficulties were sent as warnings; and while he disregarded them of set purpose, something deep within him paused to question--and while it questioned, trembled. For protest, he seemed to discern, had become resentment, resentment grown into resistance; resistance into hostile opposition, and opposition now, with something horribly like anger at its back, was hinting already at a blank refusal that involved almost--revenge.

Hitherto he had been hindered, impeded, thwarted merely; soon he could be deliberately overruled and stopped. Nature, ever defeating an impure motive, would rise up against him and cry finally No.

‘But, Uncle, tell me one thing: will the Place let you?’ rang now often through his daily thoughts. He heard it more especially at night. At night, too, when sleep refused him, he surprised himself more than once framing sentences of explanation and defence. They rose automatically. They followed him even into his dreams. ‘My duty to the child is plain. How can I help it? If you were here beside me now, would you not also approve?’

For the idea that _she_ was beside him grew curiously persuasive, so that he almost expected to see her in the corridors or on the stairs, standing among the trees or waiting for him by the Mill itself where last she drew the breath of life.

And by way of a climax came then Mánya’s request to change her room, and his own decision to move himself into the one she vacated. The reason she gave was that the ‘trees made such a noise at night’ she could not sleep, and since it had three windows, two of which were almost brushed by pine branches, the excuse, though discovered late, seemed natural enough. At any rate he did not press her further. She occupied a room now at the back where a single window gave a view far up into the moors. And, turning out the unnecessary furniture to suit his taste, he moved into the one she had vacated--his wife’s.