Overtones, a book of temperaments
by OpenStories
Original author: James Huneker
"Overtones: A Book of Temperaments" by James Huneker is a collection of essays written in the early 20th century. The work explores the intersections of music, literature, and philosophy, providing insights into notable figures such as Richard Strauss, Verdi, Balzac, and Nietzsche. Huneker examines their respective arts, making connections between their temperaments and their creative outputs, emphasizing the emotional and psychological nuances of their works. The opening of the book introduces Richard Strauss, highlighting his complex relationship with music and its evolution. Huneker discusses Strauss's innovative style, particularly his use of orchestration and thematic disassociation, drawing parallels to the works of classical masters like Bach and Beethoven. The author portrays Strauss as a revolutionary figure who breaks with traditional forms to create what he terms "psychological realism in music." He emphasizes Strauss's influence on the symphonic form and articulates a vision for music that prioritizes emotional depth and intellectual engagement over mere aesthetic beauty.
Overtones, a book of temperaments, by James Huneker. Republished by OpenStories from Project Gutenberg eBook #70670.
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12 Chapters
- 1.Front Matter (1)8,821 words
- 2.Front Matter (2)8,786 words
- 3.Front Matter (3)2,178 words
- 4.Act III: brings us back to the Grail confines, where a tender,3,086 words
- 5.Act II: , in which the ruling key seems to be B minor,—as A flat647 words
- 6.Act II: does he escape the lack of variety. For instance, in Act (1)8,740 words
- 7.Act II: does he escape the lack of variety. For instance, in Act (2)8,690 words
- 8.Act II: does he escape the lack of variety. For instance, in Act (3)8,701 words
- 9.Act II: does he escape the lack of variety. For instance, in Act (4)7,045 words
- 10.Act V: The Forum (1)8,649 words
- 11.Act V: The Forum (2)8,840 words
- 12.Act V: The Forum (3)1,601 words