Chapter II: Part 2

_To Cover Brass with beautiful Luster Colors._--One ounce of cream of tartar is dissolved in one quart of hot water, to which is added half an ounce of tin salt (protochloride of tin) dissolved in four ounces of cold water. The whole is then heated to boiling, the clear solution decanted from a trifling precipitate, and poured under continual stirring into a solution of three ounces hyposulphite of soda in one-half a pint of water, whereupon it is again heated to boiling, and filtered from the separated sulphur. This solution produces on brass the various luster-colors, depending on the length of time during which the articles are allowed to remain in it. The colors at first will be light to dark, gold yellow, passing through all the tints of red to an irridescent brown. A similar series of colors is produced by sulphide of copper and lead, which, however, are not remarkable for their stability; whether this defect will be obviated by the use of the tin solution, experience and time alone can show.

_Bronzing Gun-Barrels._--The so-called butter of zinc used for bronzing gun-barrels is made by dissolving zinc in hydrochloric acid till no more free acid is left; which is secured by placing zinc in the acid until it ceases to be dissolved. The liquid is then evaporated until a drop taken out and placed on a piece of glass solidifies in cooling, when it is mixed with 2 parts of olive oil for every three parts of the liquid. The barrels must be cleansed and warmed before applying the so-called butter, which put on with a piece of linen rag.

_Bronzing Fluid._--For brown: Iron filings, or scales, 1 lb.; arsenic, 1 oz.; hydrochloric acid, 1 lb.; metallic zinc, 1 oz. The article to be bronzed is to be dipped in this solution till the desired effect be produced.

_Bronze, Green._--Acetic acid, diluted, 4 lbs; green veriter, 2 oz.; muriate of ammonia, 1 oz.; common salt, 2 oz.; alum, ½ oz.; French berries, ½ lb.; boil them together till the berries have yielded their color, and strain. Olive bronze, for brass or copper.--Nitric acid, 1 oz.; hydrochloric acid, 2 oz.; titanium or palladium, as much as will dissolve, and add three pints of distilled water.

_To Soften Cast-Iron, for Drilling._--Heat to a cherry red, having it lie level in the fire, then with a pair of cold tongs put on a piece of brimstone, a little less in size than you wish the hole to be when drilled, and it softens entirely through the piece; let it lie in the fire until a little cool, when it is ready to drill.

_To Weld Cast-Iron._--Take of good clear white sand, three parts; refined solton, one part; fosterine, one part; rock-salt, one part; mix all together. Take 2 pieces of cast-iron, heat them in a moderate charcoal-fire, occasionally taking them out while heating, and dipping them into the composition, until they are of a proper heat to weld; then at once lay them on the anvil, and gently hammer them together, and, if done carefully by one who understands welding iron, you will have them nicely welded together. One man prefers heating the metal, then cooling it in the water of common beans, and heat it again for welding.

_To recut old Files and Rasps._--Dissolve 4 oz. of saleratus in 1 quart of water, and boil the files in it for half an hour; then remove, wash and dry them. Now have ready, in a glass or stoneware vessel, 1 quart of rain water, into which you have slowly added 4 oz. of best sulphuric acid, and keep the proportions for any amount used. Immerse the files in this preparation for from six to twelve hours, according to fineness or coarseness of the files; then remove, wash them clean, dry quickly, and put a little sweet oil on them to cover the surface. If the files are coarse, they will need to remain in about twelve hours, but for fine files six to eight hours is sufficient. This plan is applicable to blacksmiths', gunsmiths', tinners', coppersmiths' and machinists' files. Copper and tin workers will only require a short time to take the articles out of their files, as the soft metals with which they become filled are soon dissolved. Blacksmiths' and saw-mill files require full time. Files may be recut three times by this process. The liquid may be used at different times if required. Keep away from children, as it is poisonous.

_Twist, Browning for Gun-Barrels._--Take spirits of nitre ¾ oz.; tincture of steel, ¾ oz.: (if the tincture of steel cannot be obtained, the unmedicated tincture of iron may be used, but it is not so good) black brimstone, ¼ oz.; blue vitriol, ½ oz.; corrosive sublimate, ¼ oz.; nitric acid, 1 dr. or 60 drops; copperas, ¼ oz.; mix with 1½ pts. of rain water, keep corked, also, as the other, and the process of applying is also the same.

_Gun Metal._--1. Melt together 112 lbs. of Bristol brass, 14 lbs. of spelter, and 7 lbs. of block tin.--2. Melt together 9 parts of copper and 1 part of tin; the above compounds are those used in the manufacture of small and great brass guns, swivels, etc.

_Chinese Method of Mending Holes in Iron._--The Chinese mend holes in cast-iron vessels as follows: They melt a small quantity of iron in a crucible the size of a thimble, and pour the molten metal on a piece of felt covered with wood-ashes. This is pressed inside the vessel against the hole, and as it exudes on the other side it is struck by a small roll of felt covered with ashes. The new iron then adheres to the old.

_Common Pewter._--Melt in a crucible 7 lbs. of tin, and when fused throw in 1 lb. of lead, 6 oz. of copper and 2 oz. of zinc. This combination of metal will form an alloy of great durability and tenacity; also of considerable luster.

_Best Pewter._--The best sort of pewter consists of 100 parts of tin, and 17 of regulus of antimony.

_Hard Pewter._--Melt together 12 lbs. of tin, 1 lb. of regulus of antimony, and 4 oz. of copper.

_To Mend Broken Saws._--Pure silver, 19 parts: pure copper, 1 part: pure brass, 2 parts; all are to be filed into powder and intimately mixed. Place the saw level upon the anvil, the broken edges in close contact, and hold them so: now put a small line of the mixture along the seam, covering it with a large bulk of powdered charcoal; now with a spirit lamp and a jeweler's blow-pipe, hold the coal-dust in place, and blow sufficient to melt the solder mixture: then with a hammer set the joint smooth, if not already so, and file away any superfluous solder; and you will be surprised at its strength.

_Solder, to Adhere to Brass or Copper._--Prepare a soldering solution in this way: Pour a small quantity of muriatic acid on some zinc filings, so as to completely cover the zinc. Let it stand about an hour, and then pour off the acid, to which add twice its amount of water. By first wetting the brass or copper with this preparation, the solder will readily adhere.

_Common Solder._--Put into a crucible 2 lbs. of lead, and when melted throw in 1 lb. of tin. This alloy is that generally known by the name of solder. When heated by a hot iron and applied to tinned iron with powdered rosin, it acts as a cement or solder.

_Tempering Steel._--For tempering many kinds of tools, the steel is first hardened by heating it to a cherry red, and plunging it into cold water. Afterward the temper is drawn by moderately heating the steel again. Different degrees of hardness are required for different purposes, and the degree of heat for each of these, with the corresponding color, will be found in the annexed table:

Very pale straw color, 430°--the temper required for lancets.

A shade of darker yellow, 450°--for razors and surgical instruments.

Darker straw-yellow, 470°--for penknives.

Still darker yellow, 490°--chisels for cutting iron.

A brown yellow, 500°--axes and plane-irons.

Yellow, slightly tinged with purple, 520°--table-knives and
watch-springs.

_Tempering Liquid._--1. To 6 quarts of soft water put in corrosive sublimate, 1 oz.; common salt, 2 handfuls; when dissolved it is ready for use. The first gives toughness to the steel, while the latter gives the hardness. Be careful with this preparation, as it is a dangerous poison.--2. Salt, ½ teacup; saltpetre, ½ oz.; alum, pulverized, 1 tea-spoon; soft water, 1 gallon; never heat over a cherry red, nor draw any temper.--3. Saltpetre, sal-ammoniac, and alum, of each 2 oz.; salt, 1½ lbs.; water, 3 gallons, and draw no temper.--4. Saltpetre and alum, each 2 oz.; sal-ammoniac, ½ oz.; salt, 1½ lbs.; soft water, 2 gallons. Heat to a cherry red, and plunge in, drawing no temper.

_Bayberry, or Myrtle Soap._--Dissolve two and a quarter pounds of white potash in five quarts of water, then mix it with ten pounds of myrtle wax, or bayberry tallow. Boil the whole over a slow fire till it turns to soap, then add a teacup of cold water; let it boil ten minutes longer; at the end of that time turn it into tin molds or pans, and let them remain a week or ten days to dry; then turn them out of the molds. If you wish to have the soap scented, stir into it an essential oil that has an agreeable smell, just before you turn it into the molds. This kind of soap is excellent for shaving, and for chapped hands: it is also good for eruptions on the face. It will be fit for use in the course of three or four weeks after it is made, but it is better for being kept ten or twelve months.

_Chemical Soap_, (for taking Oil, Grease, etc., from Cloth).--Take five pounds castile soap, cut fine; one pint alcohol; one pint soft water; two ounces aquafortis; one and a half ounces lampblack; two ounces of saltpetre; three ounces potash; one ounce of camphor; and four ounces of cinnamon, in powder. First dissolve the soap, potash and saltpetre, by boiling; then add all the other articles, and continue to stir until it cools; then pour into a box and let it stand twenty-four hours and cut into cakes.

_Cold Soap._--Mix twenty-six pounds of melted and strained grease with four pailfuls of ley, made of twenty pounds of white potash. Let the whole stand in the sun, stirring it frequently. In the course of the week, fill the barrel with weak ley.

_Genuine Erasive Soap._--Two pounds of good castile soap; half a pound of carbonate of potash; dissolve in half a pint of hot water. Cut the soap in thin slices, and boil the soap with the potash until it is thick enough to mould in cakes; also add alcohol, half an ounce; camphor, half an ounce; hartshorn, half an ounce; color with half an ounce of pulverized charcoal.

_Hard White Soap._--To fifteen pounds of lard or suet, made boiling hot, add slowly six gallons of hot ley, or solution of potash, that will bear up an egg high enough to leave a piece big as a shilling bare. Take out a little, and cool it. If no grease rise it is done. If any grease appears, add ley, and boil till no grease rises. Add three quarts of fine salt, and boil up again. If this does not harden well on cooling, add more salt. If it is to be perfumed, melt it next day, add the perfume, and run it in molds or cut in cakes.

_Labor-Saving Soap._--Take two pounds of sal-soda, two pounds of yellow bar soap, and ten quarts of water. Cut the soap in thin slices, and boil together for two hours; strain, and it will be fit for use. Put the clothes in soak the night before you wash, and to every pail of water in which you boil them, add a pound of soap. They will need no rubbing; merely rinse them out, and they will be perfectly clean and white.

_To Make Good Soap._--To make matchless soap, take one gallon of soft soap, to which add a gill of common salt, and boil an hour. When cold, separate the ley from the crude. Add to the crude two pounds of sal-soda, and boil in two gallons of soft water till dissolved. If you wish it better, slice two pounds of common bar soap and dissolve in the above. If the soft soap makes more than three pounds of crude, add in proportion to the sal-soda and water.

_To Make Hard Soap from Soft._--Take seven pounds of good soft soap; four pounds sal-soda; two ounces borax; one ounce hartshorn; half a pound of resin; to be dissolved in twenty-two quarts of water, and boiled about twenty minutes.

_Whale Oil Soap_ (for the destruction of Insects.)--Render common ley caustic, by boiling it at full strength on quicklime; then take the ley and boil it with as much whale oil foot as it will saponify (change to soap), pour off into molds, and, when cold, it is tolerably hard. Whale oil foot is the sediment produced in refining whale oil, and is worth two dollars per barrel.

_Soluble Glass._--Mix ten parts of carbonate of potash, fifteen parts of powdered quartz, and one pound of charcoal. Fuse well together. The mass is soluble in four or five parts of boiling water, and the filtered solution, evaporated to dryness, yields a transparent glass, permanent in the air.

_To Make Eggs of Pharaoh's Serpents._--Take mercury and dissolve it in moderately diluted nitric acid by means of heat, taking care, however, that there be always an excess of metallic mercury remaining; decant the solution and pour it into a solution of sulpho-cyanide of ammonium or potassium, which may be bought at a good drug store, or of a dealer in chemicals. Equal weights of both will answer. A precipitate will fall to the bottom of the beaker or jar, which is to be collected on a filter and washed two or three times with water, when it is put in a warm place to dry. Take for every pound of this material one ounce of gum tragacanth which has been soaked in hot water. When the gum is completely softened it is to be transferred to a mortar, and the pulverized and dried precipitate gradually mixed with it by means of a little water, so as to present a somewhat dry pill mass, from which by hand pellets of the desired size are formed, put on a piece of glass, and dried again; they are then ready for use.

_Tracing Paper._--In order to prepare a beautiful transparent, colorless paper, it is best to employ the varnish formed with Demarara resin in the following way: The sheets intended for this purpose are laid flat on each other, and the varnish spread over the uppermost sheet with a brush, until the paper appears perfectly colorless, without, however, the liquid thereon being visible. The first sheet is then removed, hung up for drying, and the second treated in the same manner. After being dried, this paper is capable of being written on, either with chalk or pencil, or steel pens. It preserves its colorless transparency without becoming yellow, as is frequently the case with that prepared in any other way.

_Unsurpassable Blacking._--Put one gallon of vinegar into a stone jug, and one pound of ivory-black well pulverized, half a pound of loaf sugar, half an ounce of oil of vitriol, and seven ounces of sweet oil. Incorporate the whole by stirring.

2. Take twelve ounces each of ivory-black and molasses; spermaceti oil, four ounces; and white wine vinegar, two quarts. Mix thoroughly. This contains no vitriol, and therefore will not injure the leather. The trouble of making it is very little, and it would be well to prepare it for one's self, were it only to be assured that it is not injurious.

_Varnish for Iron Work._--To make a good black varnish for iron work, take eight pounds of asphaltum and fuse it in an iron kettle; then add five gallons of boiled linseed oil, one pound of litharge, half a pound of sulphate of zinc (add these slowly, or it will fume over), and boil them for about three hours. Now add one and a half pounds of dark gum amber, and boil for two hours longer, or until the mass will become quite thick when cool, after which it should be thinned with turpentine to due consistency.

THE TOILET, PERFUMERY, ETC.

_Hair Restorers and Invigorators._--There are hundreds; Lyon's, Wood's, Barry's, Bogle's, Jayne's, Storr's, Baker's, Driscol's, Phalon's, Haskel's, Allen's, Spaulding's, etc. But, though all under different names, are similar in principle, being vegetable oils dissolved in alcohol, with the addition of spirit of soap, and an astringent material, such as tincture of catechu, or infusion of bark. The best is to dissolve one ounce of castor oil in one quart of 95 alcohol, and add one ounce of tincture of cantharides, two ounces of tincture of catechu, two ounces of lemon juice, two ounces of tincture of cinchona; and to scent it, add oil of cinnamon, or oil of rosemary, or both.

_To Make the Hair Soft and Glossy._--Put one ounce of castor oil in one pint of bay rum or alcohol, and color it with a little of the tincture of alkanet root. Apply a little every morning.

_Instantaneous Hair Dye._--Take one drachm of nitrate of silver, and add to it just sufficient rain water to dissolve it, _and no more_; then take strong spirit of ammonia, and gradually pour on the solution of silver, until it becomes as clear as water, (_the addition of the ammonia at first makes it brown_); then wrap round the bottle two or three covers of blue paper, to exclude the light--otherwise it will spoil. Having made this, obtain two drachms of gallic acid; put this into another bottle which will contain one-half pint; pour upon it hot water, and let it stand until cold--when it is fit for use.

_Directions to Dye the Hair._--First wash the head, beard, or moustaches with soap and water; afterwards with clean water. Dry, and apply the gallic acid solution, with a clean brush. When it is almost dry, take a small tooth comb, and with a fine brush, put on the teeth of the comb a little of the silver solution, and comb it through the hair, when it will become a brilliant jet black. Wait a few hours; then wash the head again with clean water. If you want to make a brown dye, add double or treble the quantity of water to the silver solution, and you can obtain any shade of color you choose.

_To Prevent Gray Hair._--When the hair begins to change color, the use of the following pomade has a beneficial effect in preventing the disease extending, and has the character of even restoring the color of the hair in many instances: Lard, 4 ounces: spermaceti, 4 drachms: oxide of bismuth, 4 drachms. Melt the lard and spermaceti together, and when getting cold stir in the bismuth; to this can be added any kind of perfume, according to choice. It should be used whenever the hair requires dressing. It must not be imagined that any good effect speedily results; it is, in general, a long time taking place, the change being very gradual.

_Liquid Rouge for the Complexion._--Four ounces of alcohol, two ounces of water, twenty grains of carmine; twenty grains of ammonia, six grains of oxalic acid, six grains of alum--mix.

_Vinegar Rouge._--Cochineal, three drachms; carmine lake, three drachms; alcohol, six drachms; mix, and then put into one pint of vinegar, perfumed with lavender; let it stand a fortnight, then strain for use.

_Pearl Powder for Complexion._--Take white bismuth, one pound; starch powder, one ounce; orris powder, one ounce. Mix and sift through lawn. Add a drop of otto of roses or neroli.

_Pearl Water for the Complexion._--Castile soap, one pound; water, one gallon. Dissolve, then add alcohol, one quart; oil of rosemary and oil of lavender, each two drachms. Mix well.

_Complexion Pomatum._--Mutton grease, one pound; oxide of bismuth, four ounces; powdered French chalk, two ounces; mix.

_Feuchtwanger's Tooth Paste._--Powdered myrrh, two ounces; burnt alum, one ounce; cream tartar, one ounce; cuttlefish bone, four ounces: drop lake, two ounces; honey, half a gallon; mix.

_Spanish Vermilion for the Toilette._--Take an alkine solution of bastard saffron, and precipitate the color with lemon juice; mix the precipitate with a sufficient quantity of finely powdered French chalk and lemon juice, then add a little perfume.

_Fine Tooth Powder._--Powdered orris root, one ounce; peruvian bark, one ounce; prepared chalk, one ounce; myrrh, one-half ounce.

_To Make Brown Teeth White._--Apply carefully over the teeth, a stick dipped in strong acetic or nitric acid, and immediately wash out the mouth with cold water. To make the teeth even, if irregular, draw a piece of fine cord betwixt them.

_Superior Cologne Water._--Alcohol, one gallon: add oil of cloves, lemon, nutmeg and bergamot, each one drachm; oil neroli, three and a half drachms; seven drops of oils of rosemary, lavender and cassia; half a pint of spirits of nitre; half a pint of elder-flower water. Let it stand a day or two, then take a cullender and at the bottom lay a piece of white cloth, and fill it up, one-fourth of white sand, and filter through it.

_Smelling Salts._--Super carbonate of ammonia, eight parts; put it in coarse powder into a bottle, and pour out lavender oil one part.

_Oil of Roses--for the Hair._--Olive oil, two pints: otto of roses, one drachm; oil of rosemary, one drachm; mix. It may be colored by steeping a little alkanet root in the oil (by heat) before scenting it.

_Arnica Hair Wash._--When the hair is falling off and becoming thin, from the too frequent use of castor, Macassar oils, &c., or when premature baldness arises from illness, the arnica hair wash will be found of great service in arresting the mischief. It is thus prepared: take elder water, half a pint; sherry wine, half a pint; tincture of arnica, half an ounce; alcoholic ammonia, 1 drachm--if this last named ingredient is old, and has lost its strength, then two drachms instead of one may be employed. The whole of these are to be mixed in a lotion bottle, and applied every night to the head with a sponge. Wash the head with warm water twice a week. Soft brushes only must be used during the growth of the young hair.

_Ammoniacal Pomatum for Promoting the Growth of Hair._--Take almond oil, quarter of a pound; white wax, half an ounce; clarified lard, three ounces; liquid ammonia, a quarter fluid ounce; otto of lavender, and cloves, of each one drachm. Place the oil, wax and lard in a jar, which set in boiling water; when the wax is melted, allow the grease to cool till nearly ready to set, then stir in the ammonia and the perfume, and put into small jars for use. Never use a hard brush, nor comb the hair too much. Apply the pomade at night only.

_Bandoline for the Hair._--This mixture is best made a little at a time. Pour a tablespoonful of boiling water on a dozen quince seeds, and repeat when fresh is required.

_Artificial Bear's Grease._--Bear's grease is imitated by a mixture of prepared veal suet and beef marrow. It may be scented at pleasure. The following are some of the best compounds sold by that name:

1. Prepared suets, 3 ounces; lard, 1 ounce; olive oil, 1 ounce; oil of cloves, 10 drops; compound tincture of benzoin, 1 drachm. Mix.

2. Lard, 1 pound; solution of carbonate of potash, 2 ounces. Mix.

3. Olive oil, 3 pints; white wax, 3 ounces; spermaceti, 1 ounce; scent with oil of roses and oil of bitter almonds.

_Bears' Oil._--The best description of lard oil, properly perfumed, is far preferable to any other kind of oil.

_Cosmetic Soap, for Washing the Hands._--Take a pound of castile soap, or any other nice old soap; scrape it fine; put it on the fire with a little water, stir it to a smooth paste; turn it into a bowl; or any kind of essence; beat it with a silver spoon till well mixed; thicken it with Indian meal, and keep it in small pots, closely covered; exposure to the air will harden it.

_Cosmetic Wash for the Hair._--Red wine, one pound; salt, one drachm; sulphate of iron, two drachms; boil for a few minutes, add common verdigris, one drachm; leave it on the fire two minutes; withdraw it, and add two drachms of powdered nutgall. Rub the hair with the liquid, in a few minutes dry it with a warm cloth, and afterwards wash with water.

_To Remove Dandruff._--Take a thimbleful of powdered refined borax, let it dissolve in a teacupful of water, first brush the head well, then wet a brush and apply it to the head. Do this every day for a week, and twice a week for a few times, and you will effectually remove the dandruff.

_To Make the Complexion Fair._--Take emulsion of bitter almonds, one pint; oxymuriate of quicksilver, two and a half grains; sal ammonia, one drachm. Use moderately for pimples, freckles, tanned complexions.

_Eau de Cologne--Cologne Water._--Oil of lavender, oil of bergamot, oil of lemon, oil of neroli, each one ounce; oil of cinnamon, half an ounce; spirit of rosemary, fifteen ounces; highly rectified spirits, eight pints. Let them stand fourteen days; then distil in a water bath.

2. Essential oils of bergamot, lemon, neroli, orange-peel and rosemary, each twelve drops; cardamon seeds, one drachm, rectified spirits, one pint. It improves by age.

_Eau de Rosieres._--Spirits of roses, 4 pints; spirits of jessamine, one pint; spirits of orange flowers, one pint; spirits of cucumber, two and a quarter pints; spirits of celery seed, two and a quarter pints; spirits of angelica root, two and three quarter pints; tincture of benzoin, three quarters of a pint; balsam of Mecca, a few drops.

_Eau de Violettes._--Macerate five ounces of fine orris root in a quart of rectified spirits, for some days, and filter.

_Esprit de Bouquet._--Oil of lavender, oil of cloves and oil of bergamot, each two drachms; otto of rose, and oil of cinnamon, each, twenty drops; essence of musk, one drachm; rectified spirits, one pint. Mix.

_Essence of Ambergris._--Spirits of wine, half a pint; ambergris, 24 grains. Let it stand for three days in a warm place, and filter.

_Essence of Bergamot._--Spirits of wine, half a pint; bergamot-peel, four ounces: as above.

_Essence of Cedrat._--Essence of bergamot, one ounce; essence of neroli, two drachms.

_Essence of Cloves._--Spirits of wine, half a pint; bruised cloves, one ounce.

_Essence for the Headache._--Spirits of wine, two pounds; roche alum, in fine powder, two ounces; camphor, four ounces; essence of lemon, half an ounce; strong water of ammonia, four ounces. Stop the bottle close, and shake it daily, for three or four days.

_Essence of Lavender._--Essential oil of lavender, three and a half ounces; rectified spirits, two quarts; rose water, half a pint; tincture of orris, half a pint.

_Essence of Lemon._--Spirits of wine, half a pint; fresh lemon-peel, four ounces.

_Essence of Musk._--Take one pint proof spirit, and add two drachms musk. Let it stand a fortnight, with frequent agitation.

_Essence of Neroli._--Spirits of wine, half a pint; orange-peel, cut small, three ounces; orris root in powder, one drachm; musk, two grains.

_Essence for Smelling Bottles._--Oil of lavender and essence of bergamot, each one drachm; oil of orange-peel, eight drops; oil of cinnamon, four drops; oil of neroli, two drops; alcohol and strongest water of ammonia, each two ounces.

_Essence of Verbena Leaf._--Take rectified spirits of wine, half a pint; otto of verbena, half a drachm; otto of bergamot, one drachm; tincture of tolu, quarter of an ounce. Mix them together, and it is ready for use. This sweet scent does not stain the handkerchief and is very economical.

_Essence of Violets._--Spirits of wine, half a pint; orris root, one ounce. Other essences in the same manner.

_Eye Water._--Take one pint of rose water, and add one teaspoonful each of spirits of camphor and laudanum. Mix and bottle. To be shaken and applied to the eyes as often as necessary. Perfectly harmless.

_Honey Water._--Rectified spirits, eight pints; oil of cloves, oil of lavender, oil of bergamot, each half an ounce; musk, eight grains; yellow sandus shavings, four ounces; digest for eight days and add two pints each of orange flower and rose water.

_Lavender Water._--Oil of lavender, four ounces; spirit, three quarts; rose water, one pint. Mix and filter.

_Lisbon Water._--To rectified spirit, one gallon, add essential oils of orange-peel and lemon-peel, of each three ounces, and otto of roses, one quarter of an ounce.

_Odoriferous Lavender Water._--Rectified spirit, five gallons; essential oil of lavender, twenty ounces; oil of bergamot, five ounces; essence of ambergris, half an ounce.

2. Oil of lavender, three drachms; oil of bergamot, twenty drops; nerolic, six drops; otto of roses, six drops; essence of cedrat, eight drops; essence of musk, twenty drops; rectified spirit, twenty-eight fluid ounces; distilled water, four ounces.

_Queen of Hungary's Water._--Spirit of rosemary, four pints; orange flower water, one quarter of a pint; essence of neroli, four drops.

FACE PAINTS.

_Almond Bloom._--Boil one ounce of Brazil dust in three pints of distilled water, and strain; add six drachms of isinglass, 2 drachms of cochineal, one ounce of alum, and eight drachms of borax; boil again and strain through a fine cloth.

_Fine Carmine._--(prepared from cochineal) is used alone, or deduced with starch, &c. And also the coloring matter of safflower and other vegetable colors, in the form of pink saucers, &c.

_Face Powder._--Starch, one pound; oxide of bismuth, four ounces.

_Face Whites._--French chalk is one of the most innocent; finely powdered. White starch is also used.

_Rouge._--Mix vermillion with enough gum tragacanth dissolved in water to form a thin paste; add a few drops of almond oil, place the mixture in rouge pots, and dry by a very gentle heat.

_Turkish Rouge._--Take half pint alcohol and one ounce of alkanet; macerate ten days and pour off the liquid, which should be bottled. This is the simplest and one of the best articles of the kind.

_Caution._--White lead, and all cosmetic powders containing it should never be applied to the skin, as it is the most dangerous article that could be used.

_Mouth Pastiles, for Perfuming the Breath._--Extract of licorice, three ounces; oil of cloves, one and a half drachms; oil of cinnamon, fifteen drops. Mix, and divide into one-grain pills, and silver them.

2. Catechu, seven drachms; orris powder, forty grains; sugar, three ounces; oil of rosemary, (or of clove, peppermint, or cinnamon,) four drops. Mix, and roll flat on an oiled marble slab, and cut into very small lozenges.

_Oil for the Hair._--A very excellent ready-made oil for the hair which answers all common purposes, is made by mixing one part brandy with three parts of sweet oil. Add any scent you prefer.

_Oil of Roses._--Fine olive oil, one pint; otto of roses, sixteen drops. If required red, color with alkanet root, and strain before adding the otto. For common sale essence of bergamot or of lemon is often substituted, wholly or in part, for the expensive otto.

HUNTERS' AND TRAPPERS' SECRETS.

The following secret applies to _all_ animals, as every animal is attracted by the peculiar odor in a greater or less degree; but it is best adapted to land animals, such as Foxes, Minks, Sables, Martins, Wolves, Bears, Wild Cats, &c., &c.

Take one half pound strained honey, one quarter drachm musk, three drachms oil of lavender, and four pounds of tallow, mix the whole thoroughly together, and make it into forty pills, or balls, and place one of these pills under the pan of each trap when setting it.

The above preparation will most wonderfully attract all kinds of animals, and trappers and others who use it will be sure of success.

_To Catch Foxes._--Take oil of amber, and beaver's oil, each equal parts, and rub them over the trap before setting it. Set in the usual way.

_To Catch Mink._--Take oil of amber, and beaver's oil, and rub over the trap. Bait with fish or birds.

_To Catch Muskrat._--In the female muskrat near the vagina is a small bag which holds from 30 to 40 drops. Now all the trapper has to do, is to procure a few female muskrats and squeeze the contents of a bag into a vial. Now, when in quest of muskrats, sprinkle a few drops of the liquid on the bushes over and around the trap. This will attract the male muskrats in large numbers, and if the traps are properly arranged, large numbers of them may be taken.

In trapping Muskrats, steel traps should be used, and they should be set in the paths and runs of the animal, where they come upon the banks, and in every case the trap should be set under the water, and carefully concealed; and care should be taken that it has sufficient length of chain to enable the animals to reach the water after being caught, otherwise they are liable to escape by tearing or gnawing off their legs.

_To Catch Beaver._--In trapping for beaver, set the trap at the edge of the water or dam, at the point where the animals pass from deep to shoal water, and always beneath the surface, and fasten it by means of a stout chain to a picket driven in the bank, or to a bush or tree. A flat stick should be made fast to the trap by a cord a few feet long, which, if the animal chanced to carry away the trap, would float on the water and point out its position. The trap should then be baited with the following preparation, called

"_The Beaver Medicine_."

This is prepared from a substance called castor, and is obtained from the glandulous pouches of the _male_ animal.

The contents of five or six of these castor bags are mixed with a nutmeg, twelve or fifteen cloves and thirty grains of cinnamon in fine powder, and the whole well stirred together with as much whiskey as will give it the consistency of mixed mustard. This preparation must be left closely corked up, and in four or five days the odor becomes powerful; and this medicine smeared upon the bits of wood, &c., with which the traps are baited, will attract the beaver from a great distance, and wishing to make a close inspection, the animal puts its legs into the trap and is caught.

The same caution in regard to length of chain should be observed for Beaver, as for Otters, Muskrats, &c., for unless they can reach the water they are liable to get out of the trap and escape.

_Chinese Art of Catching Fish._--Take Cocculus Indicus, pulverize and mix with dough, then scatter it broadcast over the water, as you would sow seed. The fish will seize it with great avidity, and will instantly become so intoxicated that they will turn belly up on top of the water, by dozens, hundreds, or thousands, as the case may be. All that you now have to do, is to have a boat, or other convenience to gather them up, and as you gather put them in a tub of clean water and presently they will be as lively and healthy as ever.

This means of taking fish, and the manner of doing it, has, heretofore, been known to but few. The value of such knowledge admits of no question. This manner of taking fish does not injure the flesh in the least.

_Secret Art of Catching fish._--Put the oil of rhodium on the bait, when fishing with the hook, and you will always succeed.

_To Catch Fish._--Take the juice of smallage or lovage, and mix with any kind of bait. As long as there remain any kind of fish within many yards of your hook, you will find yourself busy pulling them out.

_To Catch Abundance of Eels, Fish, &c._--Get over the water after dark, with a light and a dead fish that has been smeared with the juice of stinking glawdin--the fish will gather round you in large quantities, and can easily be scooped up.

THE FINE ARTS AND SCIENCES.

_To Transfer Engravings to Plaster Casts._--Cover the plate with ink, polish its surface in the usual way, then put a wall of paper round; then pour on it some fine paste made with plaster of Paris. Jerk it to drive out the air bubbles, and let it stand one hour, when you have a fine impression.

_The New and Beautiful Art of Transferring on to Glass._--Colored or plain Engravings, Photographs, Lithographs, Water Colors, Oil Colors, Crayons, Steel Plates, Newspaper Cuts, Mezzotinto, Pencil, Writing, Show Cards, Labels,--or in fact anything.

_Directions._--Take glass that is perfectly clear--window glass will answer--clean it thoroughly; then varnish it, taking care to have it perfectly smooth; place it where it will be entirely free from dust; let it stand over night; then take your engraving, lay it in clear water until it is wet through (say ten or fifteen minutes), then lay it upon a newspaper, that the moisture may _dry from the surface_, and still keep the other side damp. Immediately varnish your glass the _second_ time, then place your engraving on it, pressing it down firmly, so as to exclude every particle of air; next rub the paper from the back, until it is of uniform thickness--so thin that you can see through it, then varnish it the _third_ time, and let it dry.

_Materials Used for the Above Art._--Take two ounces balsam of fir, to one ounce of spirits of turpentine; apply with a camel's hair brush.

_To Make Wax Flowers._--The following articles will be required to commence wax work: 2 lbs. white wax, ¼ lb. hair wire, 1 bottle carmine, 1 ultramarine blue, 1 bottle chrome yellow, 2 bottles chrome green, No. 1; 2 bottles chrome green, No. 2; 1 bottle rose pink, 1 bottle royal purple, 1 bottle scarlet powder, 1 bottle balsam fir, 2 dozen sheets white wax. This will do to begin with. Now have a clean tin dish and pour therein a quart or two of water; then put in about 1 lb. of the white wax and let it boil; when cool enough, so the bubbles will not form on top, it is ready to sheet, which is done as follows:--Take half of a window pane, 7×9, and, after having washed it clean, dip into a dish containing weak soap-suds; then dip into the wax and draw out steadily and plunge it into the suds, when the sheet will readily come off. Lay it on a cloth or clean paper to dry. Proceed in like manner until you have enough of the white; then add enough of the green powder to make a bright color, and heat and stir thoroughly until the color is evenly distributed; then proceed as for sheeting white wax. The other colors are rubbed into the leaves after they are cut out, rubbing light or heavy according to shade.

For patterns you can use any natural leaf, forming the creases in wax with the thumb nail or a needle; to put the flowers together or the leaves on to the stem, hold in the hand until warm enough to stick. If the sheeted wax is to be used in Summer, put in a little balsam of fir to make it hard. If for Winter, none will be required.

You can make many flowers without a teacher; but one to assist, in the commencement, would be a great help; though the most particular thing about it is to get the wax sheeted. The materials I have suggested can be procured at any drug store, and will cost from $3 to $4.50.

_How to Charm Those Whom You Meet and Love._--When you desire to make any one "Love" you with whom you meet, although not personally acquainted with him, you can very readily reach him and make his acquaintance, if you observe the foregoing instructions, in addition to the following directions: Suppose you see him coming towards you in an unoccupied mood, or is recklessly, or passively walking past you, all that remains for you to do at that moment is to concentrate your thought and send it into him as before explained; and, to your astonishment, if he was passive, he will look at you, and now is your time to send a thrill to his heart, by looking him carelessly, though determinately, into his eyes, and praying with all your heart, mind, soul and strength, that he may read your thought, and receive your true Love, which God designs we should bear one another. This accomplished, and you need not and must not wait for a cold-hearted, fashionable, and popular Christian introduction; neither should you hastily run into his arms, but continue operating in this psychological manner; not losing any convenient opportunity to meet him at an appropriate place, when an unembarrassed exchange of words will open the door, to the one so magnetized. At this interview, unless prudence sanction it, do not shake hands, but let your manners and loving eyes speak with Christian charity and ease; wherever, or whenever you meet again, at the first opportunity grasp his hand, in an earnest, sincere and affectionate manner, observing at the same time, the following important directions, viz.:--As you take his bare hand in yours, press your thumb gently, though firmly, between the bones of the thumb and forefinger of his hand, and at the very instant when you press thus on the blood vessels, (which you can before ascertain to pulsate,) look him earnestly and lovingly, though not pertly or fiercely, into his eyes, and send all your heart's, mind's and soul's strength into his organization, and he will be your friend, and if you find him not to be congenial, you have him in your power, and by carefully guarding against evil influences, you can reform him to suit your own purified, Christian, and loving taste.

_Mesmerism._--If you desire to mesmerise a person, who has never been put into that state, nor in the least affected, the plan is to set him in an easy posture, and request him to be calm and resigned. Take him by both hands, or else by one hand and place your other gently on his forehead. But with whatever part of his body you choose to come in contact, be sure to always touch two points, answering to the _positive_ and _negative_ forces. Having taken him by both hands, fix your eyes upon his, and, if possible, let him contentedly and steadily look you in the face. Remain in this position until his eyes close. Then place both your hands on his head, gently pass them to his shoulders, down the arms, and off at the ends of his fingers. Throw your hands outward as you return them to his head, and continue these passes till he can hear no voice but yours. He is then entirely in the mesmeric state. When a person is in the mesmeric state, whether put there by yourself or some one else, you can awake him by the upward passes: or else do it by an impression, as follows: Tell him, "I will count _three_, and at the same instant I say _three_, I will slap my hands together, and you will be wide awake and in your perfect senses. Are you ready?" If he answers in the affirmative, you will proceed to count "_one_, TWO, THREE!" The word _three_ should be spoken suddenly, and in a very loud voice, and at the same instant the palms of the hands should be smitten together. This will instantly awake him.

_To Make Magic Photographs._--Take, in the first place, an ordinary print--a card-picture, for instance--on albumen paper, beneath the negative in the usual way, and, when sufficiently printed, let it be carefully washed in the dark room, so as to remove all the free nitrate of silver, etc. Now immerse it in the following solution, also in the dark room: saturated solution bichloride of mercury (corrosive sublimate), one ounce; hydrochloric acid, one drachm. The saturated solution is previously prepared by putting into water more bichloride of mercury than it will dissolve by shaking in about twelve hours. The print will gradually be bleached in this liquid, in the ordinary meaning of the word--that is, it will disappear; but the fact is, the print is still there--its color alone is changed, a double salt having been formed of mercury and silver, which is white, as many of our readers, who have been in the habit of intensifying with a mercurial salt, are aware. As soon as the print has quite disappeared, the paper is thoroughly washed and dried in the dark room; it is also preserved between folds of orange-colored paper, in order to keep it from the action of light, for the surface is still in some measure sensitive to light. The bleaching of the print--that is, its conversion into a white salt--is effected more quickly by keeping it in motion in the mercurial solution. As we said before, the print has not been bleached in reality--the substance which originally formed it is still there, together with a new substance, a salt of mercury. But the two salts of silver and mercury may be easily brought out and made visible by several solutions, such as sulphide of ammonium, solution of hydrosulphuric acid; in fact, any of the soluble sulphides, ammonia and hyposulphite of soda. The latter salt is used in preference to the others. Small pieces of blotting-paper, therefore, of the same size as the prints, are cut out and steeped in a saturated solution of hyposulphite of soda and then dried. The magic photographs are packed as before stated, between folds of orange-colored paper; the papers dipped in hyposulphite of soda are the developers, and may be packed between two sheets of common writing-paper. The development of the image is effected in the following manner: place the albumen paper which contains the whitened print on a pane of glass, print side upward; on this lay the dry piece of blotting-paper that has been previously dipped in hyposulphite of soda. Moisten the latter thoroughly, then place over it a pane of glass, and upon this a weight, to bring the two pieces of paper into intimate contact. In a very short time the picture will appear in all its original detail, and of a sepia tone.

_Writing on the Arm._--The conjurer's explanation was a great lesson in "spiritualism." I next asked him to elucidate the trick of writing on the arm. On the occasion of my visit to Mr. Forster, when the raps indicated the second pellet, he required the "spirit" present to write the initials on his bare arm. Mr. Forster placed his arm under the table for a moment, then rested it in front of a lamp burning on the table, and quickly rolled up the sleeve of his coat. The skin was without stain or mark. He passed his hand over it once or twice, and the initials of the names I had written on the second pellet seemed to grow on the arm in letters of crimson. "It's a trick I do every night. It goes with the audience like steam," said the conjurer. "Very simple. Well, suppose a name. What name would you like?" "Henry Clay," I replied. Down went the conjurer's arm under the table. In a few seconds he raised it and exposed the bare forearm without mark upon it. He doubled up his fist tightly so as to bring the muscles of the arm to the surface, and rubbed the skin smartly with his open hand. The letters "H. C." soon appeared upon it in well-defined writing of a deep red color. "There you have it, gentlemen; that's the blood-red writing. Very simple. All you have to do is take a lucifer match, and write on your arm with the wrong end of it. If you moisten the skin with a little salt water first, all the better. Then wet the palm of the other hand, rub your arm with it. Send up the muscles and the blood-red writing will come out. It will fade away in less than no time. If you look under the table, you will see that I have a little piece of pointed wood. I can move my arm under that and write the letters without using the other hand. But that's a trick which wants practice."

_Electrical Psychology._--The most easy and direct mode to produce electro psychological communication is to take the individual by the hand, in the same manner as though you were going to shake hands. Press your thumb on the _Ulnar nerve_, which spreads its branches to the ring and little finger, an inch above the knuckle, and in range of the ring finger. Lay the ball of the thumb flat so as to cover the minute branches of this nerve of motion and sensation. When you first take him by the hand, request him to place his eyes upon yours, and to keep them fixed, so that he may see every emotion of your mind expressed in the countenance. Continue this pressure for a half a minute or more. Then request him to close his eyes, and with your fingers gently brush downward several times over the eyelids. Throughout the whole process feel within yourself a fixed determination to close them, so as to express that determination fully in your countenance and manner. Then place your hand on the top of his head and press your thumb firmly on the organ of Individuality, bearing partially downward, and with the other thumb still pressing the ulnar nerve, tell him--_you can not open your eyes!_ Remember, that your manner, your expression of countenance, your motions, and your language must all be of the most positive character. If he succeed in opening his eyes, try it once or twice more, because impressions, whether physical or mental, continue to deepen by repetition. In case, however, that you cannot close his eyes, nor see any effect produced upon them, you should cease making any further efforts, because you have now fairly tested that his mind and body both stand in a positive relation as it regards the doctrine of impressions. If you succeed in closing the subject's eyes by the above mode, you may then request him to put his hands on his head, or in any other position you choose, and tell him, _you can not stir_ them! In case you succeed, request him to be seated, and tell him, _you can not rise!_ If you are successful in this, request him to put his hands in motion, and tell him, _you can not stop them!_ If you succeed, request him to walk the floor, and tell him, _you can not cease walking!_ And so you may continue to perform experiments involving muscular motion and paralysis of any kind that may occur to your mind, till you can completely control him, in arresting or moving all the voluntary parts of his system.