Chapter VI (4)

The little party returned by rail to Naples, as they had come, and the same evening, from their private box at the San Carlo, Max and Fabio watched through their opera glasses a troupe of nymphs dancing in a ballet, under the leadership of Amalia Ferraris, the _danseuse_ then in vogue, all wearing under their gauzy skirts frightful green drawers, which made them look like so many frogs stung by a tarantula. Pale, with woful eyes, and the general air of one crushed by suffering, Octavian seemed to doubt the reality of what transpired upon the stage, so difficult did he find it to resume the sentiments of real life after the marvellous adventures of the night.

From the time of that visit to Pompeii Octavian fell into a dismal melancholy, which the good-humored pleasantry of his companions rather aggravated than soothed. The image of Arria Marcella haunted him incessantly, and the sad termination of his fantastic good fortune had never destroyed its charm.

Unable to contain his misery, he returned secretly to Pompeii, and once again wandered among the ruins by moonlight as before, his heart palpitating with maddening hope; but the hallucination never returned. He saw only the lizards fleeing over the stones, he heard only the screams of the startled night-birds. He met his friend Rufus Holconius no more, Tyche came not to lay her supple hand upon his arm, Arria Marcella obstinately slumbered in her dust.

Abandoning all hope, Octavian finally married a charming young English girl, who is madly in love with him. He is perfectly well behaved to his wife, yet Ellen, with that subtle instinct of the heart which nothing can deceive, feels that her husband is enamored of another. But of whom? That is a mystery which the most unflagging watchfulness cannot enable her to unravel. Octavian never entertains actresses. In society he addresses to women only the most commonplace gallantries. He even returned with the greatest coldness the marked advances of a certain Russian princess celebrated for her beauty and her coquetry. A secret drawer, opened during her husband's absence, afforded no confirmation of infidelity to Ellen's suspicions. But how could she permit herself to be jealous of Arria Marcella, daughter of Arrius Diomedes, the freedman of Tiberius?

THE MUMMY'S FOOT

I had entered, in an idle mood, the shop of one of those curiosity venders who are called _marchands de bric-à-brac_ in that Parisian _argot_ which is so perfectly unintelligible elsewhere in France.

You have doubtless glanced occasionally through the windows of some of these shops, which have become so numerous now that it is fashionable to buy antiquated furniture, and that every petty stockbroker thinks he must have his _chambre au moyen âge_.

There is one thing there which clings alike to the shop of the dealer in old iron, the ware-room of the tapestry maker, the laboratory of the chemist, and the studio of the painter: in all those gloomy dens where a furtive daylight filters in through the window-shutters the most manifestly ancient thing is dust. The cobwebs are more authentic than the guimp laces, and the old pear-tree furniture on exhibition is actually younger than the mahogany which arrived but yesterday from America.

The warehouse of my bric-à-brac dealer was a veritable Capharnaum. All ages and all nations seemed to have made their rendezvous there. An Etruscan lamp of red clay stood upon a Boule cabinet, with ebony panels, brightly striped by lines of inlaid brass; a duchess of the court of Louis XV. nonchalantly extended her fawn-like feet under a massive table of the time of Louis XIII., with heavy spiral supports of oak, and carven designs of chimeras and foliage intermingled.

Upon the denticulated shelves of several sideboards glittered immense Japanese dishes with red and blue designs relieved by gilded hatching, side by side with enamelled works by Bernard Palissy, representing serpents, frogs, and lizards in relief.

From disembowelled cabinets escaped cascades of silver-lustrous Chinese silks and waves of tinsel, which an oblique sunbeam shot through with luminous beads, while portraits of every era, in frames more or less tarnished, smiled through their yellow varnish.

The striped breastplate of a damascened suit of Milanese armor glittered in one corner; loves and nymphs of porcelain, Chinese grotesques, vases of _céladon_ and crackle-ware, Saxon and old Sèvres cups encumbered the shelves and nooks of the apartment.

The dealer followed me closely through the tortuous way contrived between the piles of furniture, warding off with his hand the hazardous sweep of my coat-skirts, watching my elbows with the uneasy attention of an antiquarian and a usurer.

It was a singular face, that of the merchant; an immense skull, polished like a knee, and surrounded by a thin aureole of white hair, which brought out the clear salmon tint of his complexion all the more strikingly, lent him a false aspect of patriarchal _bonhomie_, counteracted, however, by the scintillation of two little yellow eyes which trembled in their orbits like two louis-d'or upon quicksilver. The curve of his nose presented an aquiline silhouette, which suggested the Oriental or Jewish type. His hands--thin, slender, full of nerves which projected like strings upon the finger-board of a violin, and armed with claws like those on the terminations of bats' wings--shook with senile trembling; but those convulsively agitated hands became firmer than steel pincers or lobsters' claws when they lifted any precious article--an onyx cup, a Venetian glass, or a dish of Bohemian crystal. This strange old man had an aspect so thoroughly rabbinical and cabalistic that he would have been burnt on the mere testimony of his face three centuries ago.

"Will you not buy something from me to-day, sir? Here is a Malay kreese with a blade undulating like flame. Look at those grooves contrived for the blood to run along, those teeth set backward so as to tear out the entrails in withdrawing the weapon. It is a fine character of ferocious arm, and will look well in your collection. This two-handed sword is very beautiful. It is the work of Josepe de la Hera; and this _colichemarde,_ with its fenestrated guard--what a superb specimen of handicraft!"

"No; I have quite enough weapons and instruments of carnage. I want a small figure, something which will suit me as a paper-weight, for I cannot endure those trumpery bronzes which the stationers sell, and which may be found on everybody's desk."

The old gnome foraged among his ancient wares, and finally arranged before me some antique bronzes, so-called at least; fragments of malachite, little Hindoo or Chinese idols, a kind of poussah-toys in jade-stone, representing the incarnations of Brahma or Vishnoo, and wonderfully appropriate to the very undivine office of holding papers and letters in place.

I was hesitating between a porcelain dragon, all constellated with warts, its mouth formidable with bristling tusks and ranges of teeth, and an abominable little Mexican fetich, representing the god Vitziliputzili _au naturel_, when I caught sight of a charming foot, which I at first took for a fragment of some antique Venus.

It had those beautiful ruddy and tawny tints that lend to Florentine bronze that warm living look so much preferable to the gray-green aspect of common bronzes, which might easily be mistaken for statues in a state of putrefaction. Satiny gleams played over its rounded forms, doubtless polished by the amorous kisses of twenty centuries, for it seemed a Corinthian bronze, a work of the best era of art, perhaps moulded by Lysippus himself.

"That foot will be my choice," I said to the merchant, who regarded me with an ironical and saturnine air, and held out the object desired that I might examine it more fully.

I was surprised at its lightness. It was not a foot of metal, but in sooth a foot of flesh, an embalmed foot, a mummy's foot. On examining it still more closely the very grain of the skin, and the almost imperceptible lines impressed upon it by the texture of the bandages, became perceptible. The toes were slender and delicate, and terminated by perfectly formed nails, pure and transparent as agates. The great toe, slightly separated from the rest, afforded a happy contrast, in the antique style, to the position of the other toes, and lent it an ærial lightness--the grace of a bird's foot. The sole, scarcely streaked by a few almost imperceptible cross lines, afforded evidence that it had never touched the bare ground, and had only come in contact with the finest matting of Nile rushes and the softest carpets of panther skin.

"Ha, ha, you want the foot of the Princess Hermonthis!" exclaimed the merchant, with a strange giggle, fixing his owlish eyes upon me. "Ha, ha, ha! For a paper-weight! An original idea!--artistic idea! Old Pharaoh would certainly have been surprised had some one told him that the foot of his adored daughter would be used for a paper-weight after he had had a mountain of granite hollowed out as a receptacle for the triple coffin, painted and gilded, covered with hieroglyphics and beautiful paintings of the Judgment of Souls," continued the queer little merchant, half audibly, as though talking to himself.

"How much will you charge me for this mummy fragment?"

"Ah, the highest price I can get, for it is a superb piece. If I had the match of it you could not have it for less than five hundred francs. The daughter of a Pharaoh! Nothing is more rare."

"Assuredly that is not a common article, but still, how much do you want? In the first place let me warn you that all my wealth consists of just five louis. I can buy anything that costs five louis, but nothing dearer. You might search my vest pockets and most secret drawers without even finding one poor five-franc piece more."

"Five louis for the foot of the Princess Hermonthis! That is very little, very little, indeed. 'Tis an authentic foot," muttered the merchant, shaking his head, and imparting a peculiar rotary motion to his eyes. "Well, take it, and I will give you the bandages into the bargain," he added, wrapping the foot in an ancient damask rag. "Very fine! Real damask--Indian damask which has never been redyed. It is strong, and yet it is soft," he mumbled, stroking the frayed tissue with his fingers, through the trade-acquired habit which moved him to praise even an object of such little value that he himself deemed it only worth the giving away.

He poured the gold coins into a sort of mediæval alms-purse hanging at his belt, repeating:

"The foot of the Princess Hermonthis to be used for a paper-weight!"

Then turning his phosphorescent eyes upon me, he exclaimed in a voice strident as the crying of a cat which has swallowed a fish-bone:

"Old Pharaoh will not be well pleased. He loved his daughter, the dear man!"

"You speak as if you were a contemporary of his. You are old enough, goodness knows! but you do not date back to the Pyramids of Egypt," I answered, laughingly, from the threshold.

I went home, delighted with my acquisition.

With the idea of putting it to profitable use as soon as possible, I placed the foot of the divine Princess Hermonthis upon a heap of papers scribbled over with verses, in themselves an undecipherable mosaic work of erasures; articles freshly begun; letters forgotten, and posted in the table drawer instead of the letter-box, an error to which absent-minded people are peculiarly liable. The effect was charming, _bizarre_, and romantic.

Well satisfied with this embellishment, I went out with the gravity and pride becoming one who feels that he has the ineffable advantage over all the passers-by whom he elbows, of possessing a piece of the Princess Hermonthis, daughter of Pharaoh.

I looked upon all who did not possess, like myself, a paper-weight so authentically Egyptian as very ridiculous people, and it seemed to me that the proper occupation of every sensible man should consist in the mere fact of having a mummy's foot upon his desk.

Happily I met some friends, whose presence distracted me in my infatuation with this new acquisition. I went to dinner with them, for I could not very well have dined with myself.

When I came back that evening, with my brain slightly confused by a few glasses of wine, a vague whiff of Oriental perfume delicately titillated my olfactory nerves. The heat of the room had warmed the natron, bitumen, and myrrh in which the _paraschistes,_ who cut open the bodies of the dead, had bathed the corpse of the princess. It was a perfume at once sweet and penetrating, a perfume that four thousand years had not been able to dissipate.

The Dream of Egypt was Eternity. Her odors have the solidity of granite and endure as long.

I soon drank deeply from the black cup of sleep. For a few hours all remained opaque to me. Oblivion and nothingness inundated me with their sombre waves.

Yet light gradually dawned upon the darkness of my mind. Dreams commenced to touch me softly in their silent flight.

The eyes of my soul were opened, and I beheld my chamber as it actually was. I might have believed myself awake but for a vague consciousness which assured me that I slept, and that something fantastic was about to take place.

The odor of the myrrh had augmented in intensity, and I felt a slight headache, which I very naturally attributed to several glasses of champagne that we had drunk to the unknown gods and our future fortunes.

I peered through my room with a feeling of expectation which I saw nothing to justify. Every article of furniture was in its proper place. The lamp, softly shaded by its globe of ground crystal, burned upon its bracket; the water-color sketches shone under their Bohemian glass; the curtains hung down languidly; everything wore an aspect of tranquil slumber.

After a few moments, however, all this calm interior appeared to become disturbed. The woodwork cracked stealthily, the ash-covered log suddenly emitted a jet of blue flame, and the disks of the pateras seemed like great metallic eyes, watching, like myself, for the things which were about to happen.

My eyes accidentally fell upon the desk where I had placed the foot of the Princess Hermonthis.

Instead of remaining quiet, as behooved a foot which had been embalmed for four thousand years, it commenced to act in a nervous manner, contracted itself, and leaped over the papers like a startled frog. One would have imagined that it had suddenly been brought into contact with a galvanic battery. I could distinctly hear the dry sound made by its little heel, hard as the hoof of a gazelle.

I became rather discontented with my acquisition, inasmuch as I wished my paper-weights to be of a sedentary disposition, and thought it very unnatural that feet should walk about without legs, and I commenced to experience a feeling closely akin to fear.

Suddenly I saw the folds of my bed-curtain stir, and heard a bumping sound, like that caused by some person hopping on one foot across the floor. I must confess I became alternately hot and cold, that I felt a strange wind chill my back, and that my suddenly rising hair caused my night-cap to execute a leap of several yards.

The bed-curtains opened and I beheld the strangest figure imaginable before me.

It was a young girl of a very deep coffee-brown complexion, like the bayadere Amani, and possessing the purest Egyptian type of perfect beauty. Her eyes were almond-shaped and oblique, with eyebrows so black that they seemed blue; her nose was exquisitely chiselled, almost Greek in its delicacy of outline; and she might indeed have been taken for a Corinthian statue of bronze but for the prominence of her cheek-bones and the slightly African fulness of her lips, which compelled one to recognize her as belonging beyond all doubt to the hieroglyphic race which dwelt upon the banks of the Nile.

Her arms, slender and spindle-shaped like those of very young girls, were encircled by a peculiar kind of metal bands and bracelets of glass beads; her hair was all twisted into little cords, and she wore upon her bosom a little idol-figure of green paste, bearing a whip with seven lashes, which proved it to be an image of Isis; her brow was adorned with a shining plate of gold, and a few traces of paint relieved the coppery tint of her cheeks.

As for her costume, it was very odd indeed.

Fancy a _pagne_, or skirt, all formed of little strips of material bedizened with red and black hieroglyphics, stiffened with bitumen, and apparently belonging to a freshly unbandaged mummy.

In one of those sudden flights of thought so common in dreams I heard the hoarse falsetto of the bric-à-brac dealer, repeating like a monotonous refrain the phrase he had uttered in his shop with so enigmatical an intonation:

"Old Pharaoh will not be well pleased. He loved his daughter, the dear man!"

One strange circumstance, which was not at all calculated to restore my equanimity, was that the apparition had but one foot; the other was broken off at the ankle!

She approached the table where the foot was starting and fidgetting about more than ever, and there supported herself upon the edge of the desk. I saw her eyes fill with pearly gleaming tears.

Although she had not as yet spoken, I fully comprehended the thoughts which agitated her. She looked at her foot--for it was indeed her own--with an exquisitely graceful expression of coquettish sadness, but the foot leaped and ran hither and thither, as though impelled on steel springs.

Twice or thrice she extended her hand to seize it, but could not succeed.

Then commenced between the Princess Hermonthis and her foot--which appeared to be endowed with a special life of its own--a very fantastic dialogue in a most ancient Coptic tongue, such as might have been spoken thirty centuries ago in the syrinxes of the land of Ser. Luckily I understood Coptic perfectly well that night.

The Princess Hermonthis cried, in a voice sweet and vibrant as the tones of a crystal bell:

"Well, my dear little foot, you always flee from me, yet I always took good care of you. I bathed you with perfumed water in a bowl of alabaster; I smoothed your heel with pumice-stone mixed with palm oil; your nails were cut with golden scissors and polished with a hippopotamus tooth; I was careful to select _tatbebs_ for you, painted and embroidered and turned up at the toes, which were the envy of all the young girls in Egypt. You wore on your great toe rings bearing the device of the sacred Scarabæus, and you supported one of the lightest bodies that a lazy foot could sustain."

The foot replied in a pouting and chagrined tone:

"You know well that I do not belong to myself any longer. I have been bought and paid for. The old merchant knew what he was about. He bore you a grudge for having refused to espouse him. This is an ill turn which he has done you. The Arab who violated your royal coffin in the subterranean pits of the necropolis of Thebes was sent thither by him. He desired to prevent you from being present at the reunion of the shadowy nations in the cities below. Have you five pieces of gold for my ransom?"

"Alas, no! My jewels, my rings, my purses of gold and silver were all stolen from me," answered the Princess Hermonthis, with a sob.

"Princess," I then exclaimed, "I never retained anybody's foot unjustly. Even though you have not got the five louis which it cost me, I present it to you gladly. I should feel unutterably wretched to think that I were the cause of so amiable a person as the Princess Hermonthis being lame."

I delivered this discourse in a royally gallant, troubadour tone which must have astonished the beautiful Egyptian girl.

She turned a look of deepest gratitude upon me, and her eyes shone with bluish gleams of light.

She took her foot, which surrendered itself willingly this time, like a woman about to put on her little shoe, and adjusted it to her leg with much skill.

This operation over, she took a few steps about the room, as though to assure herself that she was really no longer lame.

"Ah, how pleased my father will be! He who was so unhappy because of my mutilation, and who from the moment of my birth set a whole nation at work to hollow me out a tomb so deep that he might preserve me intact until that last day, when souls must be weighed in the balance of Amenthi! Come with me to my father. He will receive you kindly, for you have given me back my foot."

I thought this proposition natural enough. I arrayed myself in a dressing-gown of large-flowered pattern, which lent me a very Pharaonic aspect, hurriedly put on a pair of Turkish slippers, and informed the Princess Hermonthis that I was ready to follow her.

Before starting, Hermonthis took from her neck the little idol of green paste, and laid it on the scattered sheets of paper which covered the table.

"It is only fair," she observed, smilingly, "that I should replace your paper-weight."

She gave me her hand, which felt soft and cold, like the skin of a serpent, and we departed.

We passed for some time with the velocity of an arrow through a fluid and grayish expanse, in which half-formed silhouettes flitted swiftly by us, to right and left.

For an instant we saw only sky and sea.

A few moments later obelisks commenced to tower in the distance; pylons and vast flights of steps guarded by sphinxes became clearly outlined against the horizon.

We had reached our destination.

The princess conducted me to a mountain of rose-colored granite, in the face of which appeared an opening so narrow and low that it would have been difficult to distinguish it from the fissures in the rock, had not its location been marked by two stelæ wrought with sculptures.

Hermonthis kindled a torch and led the way before me.

We traversed corridors hewn through the living rock. Their walls, covered with hieroglyphics and paintings of allegorical processions, might well have occupied thousands of arms for thousands of years in their formation. These corridors of interminable length opened into square chambers, in the midst of which pits had been contrived, through which we descended by cramp-irons or spiral stairways. These pits again conducted us into other chambers, opening into other corridors, likewise decorated with painted sparrow-hawks, serpents coiled in circles, the symbols of the _tau_ and _pedum_--prodigious works of art which no living eye can ever examine--interminable legends of granite which only the dead have time to read through all eternity.

At last we found ourselves in a hall so vast, so enormous, so immeasurable, that the eye could not reach its limits. Files of monstrous columns stretched far out of sight on every side, between which twinkled livid stars of yellowish flame; points of light which revealed further depths incalculable in the darkness beyond.

The Princess Hermonthis still held my hand, and graciously saluted the mummies of her acquaintance.

My eyes became accustomed to the dim twilight, and objects became discernible.

I beheld the kings of the subterranean races seated upon thrones--grand old men, though dry, withered, wrinkled like parchment, and blackened with naphtha and bitumen--all wearing _pshents_ of gold, and breast-plates and gorgets glittering with precious stones, their eyes immovably fixed like the eyes of spinxes, and their long beards whitened by the snow of centuries. Behind them stood their peoples, in the stiff and constrained posture enjoined by Egyptian art, all eternally preserving the attitude prescribed by the hieratic code. Behind these nations, the cats, ibixes, and crocodiles contemporary with them--rendered monstrous of aspect by their swathing bands--mewed, flapped their wings, or extended their jaws in a saurian giggle.

All the Pharaohs were there--Cheops, Chephrenes, Psammetichus, Sesostris, Amenotaph--all the dark rulers of the pyramids and syrinxes. On yet higher thrones sat Chronos and Xixouthros, who was contemporary with the deluge, and Tubal Cain, who reigned before it.

The beard of King Xixouthros had grown seven times around the granite table, upon which he leaned, lost in deep reverie, and buried in dreams.

Farther back, through a dusty cloud, I beheld dimly the seventy-two preadamite kings, with their seventy-two peoples, forever passed away.

After permitting me to gaze upon this bewildering spectacle a few moments, the Princess Hermonthis presented me to her father Pharaoh, who favored me with a most gracious nod.

"I have found my foot again! I have found my foot!" cried the princess, clapping her little hands together with every sign of frantic joy. "It was this gentleman who restored it to me."

The races of Kemi, the races of Nahasi--all the black, bronzed, and copper-colored nations repeated in chorus:

"The Princess Hermonthis has found her foot again!"

Even Xixouthros himself was visibly affected.

He raised his heavy eyelids, stroked his mustache with his fingers, and turned upon me a glance weighty with centuries.

"By Oms, the dog of Hell, and Tmeï, daughter of the Sun and of Truth, this is a brave and worthy lad!" exclaimed Pharaoh, pointing to me with his sceptre, which was terminated with a lotus-flower.

"What recompense do you desire?"

Filled with that daring inspired by dreams in which nothing seems impossible, I asked him for the hand of the Princess Hermonthis. The hand seemed to me a very proper antithetic recompense for the foot.

Pharaoh opened wide his great eyes of glass in astonishment at my witty request.

"What country do you come from, and what is your age?"

"I am a Frenchman, and I am twenty-seven years old, venerable Pharaoh."

"Twenty-seven years old, and he wishes to espouse the Princess Hermonthis who is thirty centuries old!" cried out at once all the Thrones and all the Circles of Nations.

Only Hermonthis herself did not seem to think my request unreasonable.

"If you were even only two thousand years old," replied the ancient king, "I would willingly give you the princess, but the disproportion is too great; and, besides, we must give our daughters husbands who will last well. You do not know how to preserve yourselves any longer. Even those who died only fifteen centuries ago are already no more than a handful of dust. Behold, my flesh is solid as basalt, my bones are bars of steel!

"I will be present on the last day of the world with the same body and the same features which I had during my lifetime. My daughter Hermonthis will last longer than a statue of bronze.

"Then the last particles of your dust will have been scattered abroad by the winds, and even Isis herself, who was able to find the atoms of Osiris, would scarce be able to recompose your being.

"See how vigorous I yet remain, and how mighty is my grasp," he added, shaking my hand in the English fashion with a strength that buried my rings in the flesh of my fingers.

He squeezed me so hard that I awoke, and found my friend Alfred shaking me by the arm to make me get up.

"Oh, you everlasting sleeper! Must I have you carried out into the middle of the street, and fireworks exploded in your ears? It is afternoon. Don't you recollect your promise to take me with you to see M. Aguado's Spanish pictures?"

"God! I forgot all, all about it," I answered, dressing myself hurriedly. "We will go there at once. I have the permit lying there on my desk."

I started to find it, but fancy my astonishment when I beheld, instead of the mummy's foot I had purchased the evening before, the little green paste idol left in its place by the Princess Hermonthis!

OMPHALE: A ROCOCO STORY

My uncle, the Chevalier de ----, resided in a small mansion which looked out upon the dismal Rue de Tournelles on one side, and the equally dismal Boulevard St. Antoine upon the other. Between the Boulevard and the house itself a few ancient elm-trees, eaten alive by mosses and insects, piteously extended their skeleton arms from the depth of a species of sink surrounded by high black walls. Some emaciated flowers hung their heads languidly, like young girls in consumption, waiting for a ray of sunshine to dry their half-rotten leaves. Weeds had invaded the walks, which were almost undistinguishable, owing to the length of time that had elapsed since they were last raked. One or two goldfish floated rather than swam in a basin covered with duck-weed and half-choked by water plants.

My uncle called that his garden!

Besides all the fine things above described in my uncle's garden, there was also a rather unpleasant pavilion, which he had entitled the _Délices_, doubtless by antiphrasis. It was in a state of extreme dilapidation. The walls were bulging outwardly. Great masses of detached plaster still lay among the nettles and wild oats where they had fallen. The lower portions of the wall surfaces were green with putrid mould. The woodwork of the window-shutters and doors had been badly sprung, and they closed only partially or not at all. A species of decoration, strongly suggestive of an immense kitchen-pot with various effluvia radiating from it, ornamented the main entrance, for in the time of Louis XV., when it was the custom to build _Délices_, there were always two entrances to such pleasure houses for precaution's sake. The cornice, overburdened with ovulos, foliated arabesques, and volutes, had been badly dismantled by the infiltration of rain-water. In short, the _Délices_ of my uncle, the Chevalier de ----, presented a rather lamentable aspect.

This poor ruin, dating only from yesterday, although wearing the dilapidated look of a thousand years' decay--a ruin of plaster, not of stone, all cracked and warped, covered with a leprosy of lichen growth, moss-eaten and mouldy--seemed to resemble one of those precociously old men worn out by filthy debauches. It inspired no feeling of respect, for there is nothing in the world so ugly and so wretched as either an old gauze robe or an old plaster wall, two things which ought not to endure, yet which do.

It was in this pavilion that my uncle had lodged me.

The interior was not less rococo than the exterior, although remaining in a somewhat better state of preservation. The bed was hung with yellow lampas, spotted over with large white flowers. An ornamental shell-work clock ticked away upon a pedestal inlaid with ivory and mother-of-pearl. A wreath of ornamental roses coquettishly twined around a Venetian glass. Above the door the Four Seasons were painted in cameo. A fair lady with thickly powdered hair, a sky-blue corset, and an array of ribbons of the same hue, who had a bow in her right hand, a partridge in her left, a crescent upon her forehead, and a leverette at her feet, strutted and smiled with ineffable graciousness from within a large oval frame. This was one of my uncle's mistresses of old, whom he had had painted as Diana. It will scarcely be necessary to observe that the furniture itself was not of the most modern style. There was, in fact, nothing to prevent one from fancying himself living at the time of the Regency, and the mythological tapestry with which the Avails were hung rendered the illusion complete.

The tapestry represented Hercules spinning at the feet of Omphale. The design was tormented after the fashion of Vanloo, and in the most Pompadour style possible to imagine. Hercules had a spindle decorated with rose-colored favors. He elevated his little finger with a peculiar and special grace, like a marquis in the act of taking a pinch of snuff, while turning a white flake of flax between his thumb and index finger. His muscular neck was burdened with bows of ribbons, rosettes, strings of pearls, and a thousand other feminine gew-gaws, and a large _gorge-de-pigeon_ colored petticoat, with two very large panniers, lent quite a gallant air to the monster-conquering hero.

Omphale's white shoulders were half covered by the skin of the Nemean lion. Her slender hand leaned upon her lover's knotty club. Her lovely blonde hair, powdered to ash-color, fell loosely over her neck--a neck as supple and undulating in its outlines as the neck of a dove. Her little feet, true realizations of the typical Andalusian or Chinese foot, and which would have been lost in Cinderella's glass slippers, were shod with half-antique buskins of a tender lilac color, sprinkled with pearls. In truth, she was a charming creature. Her head was thrown back with an adorable little mock swagger, her dimpled mouth wore a delicious little pout, her nostrils were slightly expanded, her cheeks had a delicate glow--an _assassin_[1]

[1] Beauty-spot.

cunningly placed there relieved their beauty in a wonderful way; she only needed a little mustache to make her a first-class mousquetaire.

There were many other personages also represented in the tapestry--the kindly female attendant, the indispensable little Cupid--but they did not leave a sufficiently distinct outline in my memory to enable me to describe them.

In those days I was quite young--not that I wish to be understood as saying that I am now very old; but I was fresh from college, and was to remain in my uncle's care until I could choose a profession. If the good man had been able to foresee that I should embrace that of a fantastic story-writer, he would certainly have turned me out of doors forthwith and irrevocably disinherited me, for he always entertained the most aristocratic contempt for literature in general and authors in particular. Like the fine gentleman that he was, it would have pleased him to have had all those petty scribblers who busy themselves in disfiguring paper, and speaking irreverentially about people of quality, hung or beaten to death by his attendants. Lord have mercy on my poor uncle! He really esteemed nothing in the world except the epistle to Zetulba.

Well, then, I had only just left college. I was full of dreams and illusions. I was as naive as a _rosière_ of Salency, perhaps more so. Delighted at having no more pensums to make, everything seemed to me for the best in the best of all possible worlds. I believed in an infinity of things. I believed in M. de Florian's shepherdess with her combed and powdered sheep. I never for a moment doubted the reality of Madame Deshoulière's flock. I believed that there were actually nine muses, as stated in Father Jouvency's _Appendix de Diis et Heroïbus._ My recollections of Berquin and of Gessner had created a little world for me in which everything was rose-colored, sky-blue, and apple-green. Oh, holy innocence!--_sancta simplicitas_! as Mephistopheles says.

When I found myself alone in this fine room--my own room, all to myself!--I felt superlatively overjoyed. I made a careful inventory of everything, even the smallest article of furniture. I rummaged every corner, and explored the chamber in the fullest sense of the word. I was in the fourth heaven, as happy as a king, or rather as two kings. After supper (for we used to sup at my uncle's--a charming custom, now obsolete, together with many other equally charming customs which I mourn for with all the heart I have left), I took my candle and retired forthwith, so impatient did I feel to enjoy my new dwelling-place.

While I was undressing I fancied that Omphale's eyes had moved. I looked more attentively in that direction, not without a slight sensation of fear, for the room was very large, and the feeble luminous penumbra which floated about the candle only served to render the darkness still more visible. I thought I saw her turning her head toward me. I became frightened in earnest, and blew out the light. I turned my face to the wall, pulled the bed-clothes over my head, drew my night-cap down to my chin, and finally went to sleep.

I did not dare to look at the accursed tapestry again for several days.

It may be well here, for the sake of imparting something of verisimilitude to the very unlikely story I am about to relate, to inform my fair readers that in those days I was really a very pretty boy. I had the handsomest eyes in the world, at least they used to tell me so; a much fairer complexion than I have now, a true carnation tint; curly brown hair, which I still have, and seventeen years, which I have no longer. I needed only a pretty stepmother to be a very tolerable cherub. Unfortunately mine was fifty-seven years of age, and had only three teeth, which was too much of one thing and too little of the other.

One evening, however, I finally plucked up courage enough to take a peep at the fair mistress of Hercules. She was looking at me with the saddest and most languishing expression possible. This time I pulled my night-cap down to my very shoulders, and buried my head in the coverlets.

I had a strange dream that night, if indeed it was a dream.

I heard the rings of my bed-curtains sliding with a sharp squeak upon their curtain-rods, as if the curtains had been suddenly pulled back. I awoke, at least in my dream it seemed to me that I awoke. I saw no one.

The moon shone full upon the window-panes, and projected her wan bluish light into the room. Vast shadows, fantastic forms, were defined upon the floor and the walls. The clock chimed a quarter, and the vibration of the sound took a long time to die away. It seemed like a sigh. The plainly audible strokes of the pendulum seemed like the pulsations of a young heart, throbbing with passion.

I felt anything but comfortable, and a very bewilderment of fear took possession of me.

A furious gust of wind banged the shutters and made the window-sashes tremble. The woodwork cracked, the tapestry undulated. I ventured to glance in the direction of Omphale, with a vague suspicion that she was instrumental in all this unpleasantness, for some secret purpose of her own. I was not mistaken.

The tapestry became violently agitated. Omphale detached herself from the wall and leaped lightly to the carpet. She came straight toward my bed, after having first turned herself carefully in my direction. I fancy it will hardly be necessary to describe my stupefaction. The most intrepid old soldier would not have felt very comfortable under similar circumstances, and I was neither old nor a soldier. I awaited the end of the adventure in terrified silence.

A flute-toned, pearly little voice sounded softly in my ears, with that pretty lisp affected during the Regency by marchionesses and people of high degree:

"Do I really frighten you, my child? It is true that you are only a child, but it is not nice to be afraid of ladies, especially when they are young ladies and only wish you well. It is uncivil and unworthy of a French gentleman. You must be cured of such silly fears. Come, little savage, leave off these foolish airs, and cease hiding your head under the bed-clothes. Your education is by no means complete yet, my pretty page, and you have not learned so very much. In my time cherubs were more courageous."

"But, lady, it is because--"

"Because it seems strange to you to find me here instead of there," she said, biting her ruddy lip with her white teeth, and pointing toward the wall with her long taper finger. "Well, in fact, the thing does not look very natural, but were I to explain it all to you, you would be none the wiser. Let it be sufficient for you to know that you are not in any danger."

"I am afraid you may be the--the--"

"The devil--out with the word!--is it not? That is what you wanted to say. Well, at least you will grant that I am not black enough for a devil, and that if hell were peopled with devils shaped as I am, one might have quite as pleasant a time there as in Paradise."

And to prove that she was not flattering herself, Omphale threw back her lion's skin and allowed me to behold her exquisitely moulded shoulders and bosom, dazzling in their white beauty.

"Well, what do you think of me?" she exclaimed, with a pretty little air of satisfied coquetry.

"I think that even were you the devil himself I should not feel afraid of you any more, Madame Omphale."

"Ah, now you talk sensibly, but do not call me madame, or Omphale. I do not wish you to look upon me as a madame, and I am no more Omphale than I am the devil."

"Then who are you?"

"I am the Marchioness de T----. A short time after I was married the marquis had this tapestry made for my apartments, and had me represented on it in the character of Omphale. He himself figures there as Hercules. That was a queer notion he took, for God knows there never was anybody in the world who bore less resemblance to Hercules than the poor marquis! It has been a long time since this chamber was occupied. I naturally love company, and I almost died of _ennui_ in consequence. It gave me the headache. To be only with one's husband is the same thing as being alone. When you came I was overjoyed. This dead room became reanimated. I had found some one to feel interested in. I watched you come in and go out, I heard you murmuring in your sleep, I watched you reading, and my eyes followed the pages. I found you were nicely behaved, and had a fresh, innocent way about you that pleased me. In short, I fell in love with you. I tried to make you understand. I sighed. You thought it was only the sighing of the wind. I made signs to you. I looked at you with languishing eyes, and only succeeded in frightening you terribly. So at last in despair I resolved upon this rather improper course which I have taken, to tell you frankly what you could not take a hint about. Now that you know I love you, I hope that--"

The conversation was interrupted at this juncture by the grating of a key in the lock of the chamber door.

Omphale started and blushed to the very whites of her eyes.

"Adieu," she whispered, "till to-morrow." And she returned to her place on the wall, walking backward, for fear that I should see her reverse side, doubtless.

It was Baptiste, who came to brush my clothes.

"You ought not to sleep with your bed-curtains open, sir," he remarked. "You might catch a bad cold. This room is so chilly."

The curtains were actually open, and as I had been under the impression that I was only dreaming, I felt very much astonished, for I was certain that they had been closed when I went to bed.

As soon as Baptiste left the room, I ran to the tapestry. I felt it all over. It was indeed a real woollen tapestry, rough to the touch like any other tapestry. Omphale resembled the charming phantom of the night only as a dead body resembles a living one. I lifted the hangings. The wall was solid throughout. There were no masked panels or secret doors. I only noticed that a few threads were broken in the groundwork of the tapestry where the feet of Omphale rested. This afforded me food for reflection.

All that day I remained buried in the deepest brown study imaginable. I longed for evening with a mingled feeling of anxiety and impatience. I retired early, resolved on learning how this mystery was going to end. I got into bed. The marchioness did not keep me waiting long. She leaped down from the tapestry in front of the pier-glass, and dropped right by my bed. She seated herself by my pillow, and the conversation commenced.

I asked her questions as I had done the evening before, and demanded explanations. She eluded the former, and replied in an evasive manner to the latter, yet always after so witty a fashion that within a quarter of an hour I felt no scruples whatever in regard to my liaison with her.

While conversing she passed her fingers through my hair, tapped me gently on the cheeks, and softly kissed my forehead.

She chatted and chatted in a pretty mocking way, in a style at once elegantly polished and yet familiar and altogether like a great lady, such as I have never since heard from the lips of any human being.

She was then seated upon the easy-chair beside the bed. In a little while she slipped one of her arms around my neck, and I felt her heart beating passionately against me. It was indeed a charming and handsome real woman, a veritable marchioness whom I found beside me, poor student of seventeen! There was more than enough to make one lose his head, so I lost mine. I did not know very well what was going to happen, but I felt a vague presentiment that it would displease the marquis.

"And Monsieur le Marquis, on the wall up there--what will he say?"

The lion's skin had fallen to the floor, and the soft lilac-colored buskins, filigreed with silver, were lying beside my shoes.

"He will not say anything," replied the marchioness, laughing heartily. "Do you suppose he ever sees anything? Besides, even should he see, he is the most philosophical and inoffensive husband in the world. He is used to such things. Do you love me, little one?"

"Indeed I do, ever so much!--ever so much!"

Morning dawned. My mistress stole away.

The day seemed to me frightfully long. At last evening came. The same things happened as on the evening before, and the second night left no regrets for the first. The marchioness became more and more adorable, and this state of affairs continued for a long time. As I never slept at night, I wore a somnolent expression in the day-time which did not augur well for me with my uncle. He suspected something. He probably listened at the door and heard everything, for one fine morning he entered my room so brusquely that Antoinette had scarcely time to get back to her place on the tapestry.

He was followed by a tapestry-hanger with pincers and a ladder.

He looked at me with a shrewd and severe expression which convinced me that he knew all.

"This Marchioness de T---- is certainly crazy. What the devil could have put it into her head to fall in love with a brat like that?" muttered my uncle between his teeth. "She promised to behave herself.

"Jean, take that tapestry down, roll it up, and put it in the garret."

Every word my uncle spoke went through my heart like a poniard-thrust.

Jean rolled up my sweetheart Omphale, otherwise the Marchioness Antoinette de T----, together with Hercules, or the Marquis de T----, and carried the whole thing off to the garret. I could not restrain my tears.

Next day my uncle sent me back in the B---- diligence to my respectable parents, to whom, you may feel assured, I never breathed a word of my adventure.

My uncle died; his house and furniture were sold; probably the tapestry was sold with the rest.

But a long time afterward, while foraging the shop of a bric-à-brac merchant in search of oddities, I stumbled over a great dusty roll of something covered with cobwebs.

"What is that?" I said to the Auvergnat.

"That is a rococo tapestry representing the amours of Madame Omphale and Monsieur Hercule. It is genuine Beauvais, worked in silk, and in an excellent state of preservation. Buy this from me for your study. I will not charge you dear for it, since it is you."

At the name of Omphale all my blood rushed to my heart.

"Unroll that tapestry," I said to the merchant in a hurried, gasping voice, like one in a fever.

It was indeed she! I fancied that her mouth smiled graciously at me, and that her eye lighted up on meeting mine.

"How much do you ask?"

"Well, I could not possibly let you have it for any less than five hundred francs."

"I have not that much with me now. I will get it and be back in an hour."

I returned with the money, but the tapestry was no longer there. An Englishman had bargained for it during my absence, offered six hundred francs for it, and taken it away with him.

After all, perhaps it was best that it should have been thus, and that I should preserve this delicious souvenir intact. They say one should never return to a first love, or look at the rose which one admired the evening before.

And then I am no longer so young or so pretty that tapestries should come down from their walls to honor me.

KING CANDAULES