Chapter VII: Part 7

According to the belief of the time a witch or wizard compacted with Satan for the gift of supernatural power, and in return was to give up his soul to the evil one after his life was over. The deed was signed in blood of the witch and horrible ceremonies confirmed the compact. Satan then gave his ally a familiar in the form of a dog, ape, cat, or other animal, usually small and black, and sometimes an undisguised imp. To suckle these “familiars” with the blood of a witch was forbidden in English law, which ranked it as a felony; but they were thus nourished in secret, and by their aid the witch might raise storms, blight crops, abort births, lame cattle, topple over houses, and cause pains, convulsions, and illness. If she desired to hurt a person she made a clay or waxen image in his likeness, and the harms and indignities wreaked on the puppet would be suffered by the one bewitched, a knife or needle thrust in the waxen body being felt acutely by the living one, no matter how far distant he might be. By placing this image in running water, hot sunshine, or near a fire, the living flesh would waste as this melted or dissolved, and the person thus wrought upon would die. This belief is still current among negroes affected by the voodoo superstitions of the South. The witch, too, had the power of riding winds, usually with a broomstick for a conveyance, after she had smeared the broom or herself with magic ointment, and the flocking of the unhallowed to their sabbaths in snaky bogs or on lonely mountain tops has been described minutely by those who claim to have seen the sight. Sometimes they cackled and gibbered through the night before the houses of the clergy, and it was only at Christmas that their power failed them. The meetings were devoted to wild and obscene orgies, and the intercourse of fiends and witches begot a progeny of toads and snakes.

Naturally the Indians were accused, for they recognized the existence of both good and evil spirits, their medicine-men cured by incantations in the belief that devils were thus driven out of their patients, and in the early history of the country the red man was credited by white settlers with powers hardly inferior to those of the oriental and European magicians of the middle ages. Cotton Mather detected a relation between Satan and the Indians, and he declares that certain of the Algonquins were trained from boyhood as powahs, powwows, or wizards, acquiring powers of second sight and communion with gods and spirits through abstinence from food and sleep and the observance of rites. Their severe discipline made them victims of nervous excitement and the responsibilities of conjuration had on their minds an effect similar to that produced by gases from the rift in Delphos on the Apollonian oracles, their manifestations of insanity or frenzy passing for deific or infernal possession. When John Gibb, a Scotchman, who had gone mad through religious excitement, was shipped to this country by his tired fellow-countrymen, the Indians hailed him as a more powerful wizard than any of their number, and he died in 1720, admired and feared by them because of the familiarity with spirits out of Hobbomocko (hell) that his ravings and antics were supposed to indicate. Two Indian servants of the Reverend Mr. Purvis, of Salem, having tried by a spell to discover a witch, were executed as witches themselves. The savages, who took Salem witchcraft at its worth, were astonished at its deadly effect, and the English may have lost some influence over the natives in consequence of this madness. “The Great Spirit sends no witches to the French,” they said. Barrow Hill, near Amesbury, was said to be the meeting-place for Indian powwows and witches, and at late hours of the night the light of fires gleamed from its top, while shadowy forms glanced athwart it. Old men say that the lights are still there in winter, though modern doubters declare that they were the aurora borealis.

But the belief in witches did not die even when the Salem people came to their senses. In the Merrimac valley the devil found converts for many years after: Goody Mose, of Rocks village, who tumbled down-stairs when a big beetle was killed at an evening party, some miles away, after it had been bumping into the faces of the company; Goody Whitcher, of Ameshury, whose loom kept banging day and night after she was dead; Goody Sloper, of West Newbury, who went home lame directly that a man had struck his axe into the beam of a house that she had bewitched, but who recovered her strength and established an improved reputation when, in 1794, she swam out to a capsized boat and rescued two of the people who were in peril; Goodman Nichols, of Rocks village, who “spelled” a neighbor's son, compelling him to run up one end of the house, along the ridge, and down the other end, “troubling the family extremely by his strange proceedings;” Susie Martin, also of Rocks, who was hanged in spite of her devotions in jail, though the rope danced so that it could not be tied, but a crow overhead called for a withe and the law was executed with that; and Goody Morse, of Market and High Streets, Newburyport, whose baskets and pots danced through her house continually and who was seen “flying about the sun as if she had been cut in twain, or as if the devil did hide the lower part of her.” The hill below Easton, Pennsylvania, called Hexenkopf (Witch's head), was described by German settlers as a place of nightly gathering for weird women, who whirled about its top in “linked dances” and sang in deep tones mingled with awful laughter. After one of these women, in Williams township, had been punished for enchanting a twenty-dollar horse, their sabbaths were held more quietly. Mom Rinkle, whose “rock” is pointed out beside the Wissahickon, in Philadelphia, “drank dew from acorn-cups and had the evil eye.” Juan Perea, of San Mateo, New Mexico, would fly with his chums to meetings in the mountains in the shape of a fire-ball. During these sallies he left his own eyes at home and wore those of some brute animal. It was because his dog ate his eyes when he had carelessly put them on a table that he had always afterward to wear those of a cat. Within the present century an old woman who lived in a hut on the Palisades of the Hudson was held to be responsible for local storms and accidents. As late as 1889 two Zuni Indians were hanged on the wall of an old Spanish church near their pueblo in Arizona on a charge of having blown away the rainclouds in a time of drouth. It was held that there was something uncanny in the event that gave the name of Gallows Hill to an eminence near Falls Village, Connecticut, for a strange black man was found hanging, dead, to a tree near its top one morning.

Moll Pitcher, a successful sorcerer and fortune-teller of old Lynn, has figured in obsolete poems, plays, and romances. She lived in a cottage at the foot of High Rock, where she was consulted, not merely by people of respectability, but by those who had knavish schemes to prosecute and who wanted to learn in advance the outcome of their designs. Many a ship was deserted at the hour of sailing because she boded evil of the voyage. She was of medium height, big-headed, tangle-haired, long-nosed, and had a searching black eye. The sticks that she carried were cut from a hazel that hung athwart a brook where an unwedded mother had drowned her child. A girl who went to her for news of her lover lost her reason when the witch, moved by a malignant impulse, described his death in a fiercely dramatic manner. One day the missing ship came bowling into port, and the shock of joy that the girl experienced when the sailor clasped her in his arms restored her erring senses. When Moll Pitcher died she was attended by the little daughter of the woman she had so afflicted.

John, or Edward, Dimond, grandfather of Moll Pitcher, was a benevolent wizard. When vessels were trying to enter the port of Marblehead in a heavy gale or at night, their crews were startled to hear a trumpet voice pealing from the skies, plainly audible above the howling and hissing of any tempest, telling them how to lay their course so as to reach smooth water. This was the voice of Dimond, speaking from his station, miles away in the village cemetery. He always repaired to this place in troublous weather and shouted orders to the ships that were made visible to him by mystic power as he strode to and fro among the graves. When thieves came to him for advice he charmed them and made them take back their plunder or caused them to tramp helplessly about the streets bearing heavy burdens.

“Old Mammy Redd, of Marblehead, Sweet milk could turn to mould in churn.”

Being a witch, and a notorious one, she could likewise curdle the milk as it came from the cow, and afterward transform it into blue wool. She had the evil eye, and, if she willed, her glance or touch could blight like palsy. It only needed that she should wish a bloody cleaver to be found in a cradle to cause the little occupant to die, while the whole town ascribed to her the annoyances of daily housework and business. Her unpleasant celebrity led to her death at the hands of her fellow-citizens who had been “worrited” by no end of queer happenings: ships had appeared just before they were wrecked and had vanished while people looked at them; men were seen walking on the water after they had been comfortably buried; the wind was heard to name the sailors doomed never to return; footsteps and voices were heard in the streets before the great were to die; one man was chased by a corpse in its coffin; another was pursued by the devil in a carriage drawn by four white horses; a young woman who had just received a present of some fine fish from her lover was amazed to see him melt into the air, and was heart-broken when she learned next morning that he had died at sea. So far away as Amesbury the devil's power was shown by the appearance of a man who walked the roads carrying his head under his arm, and by the freak of a windmill that the miller always used to shut up at sundown but that started by itself at midnight. Evidently it was high time to be rid of Mammy Redd.

Margaret Wesson, “old Meg,” lived in Gloucester until she came to her death by a shot fired at the siege of Louisburg, five hundred miles away, in 1745. Two soldiers of Gloucester, while before the walls of the French town, were annoyed by a crow, that flew over and around them, cawing harshly and disregarding stones and shot, until it occurred to them that the bird could be no other than old Meg in another form, and, as silver bullets are an esteemed antidote for the evils of witchcraft, they cut two silver buttons from their uniforms and fired them at the crow. At the first shot its leg was broken; at the second, it fell dead. On returning to Gloucester they learned that old Meg had fallen and broken her leg at the moment when the crow was fired on, and that she died quickly after. An examination of her body was made, and the identical buttons were extracted from her flesh that had been shot into the crow at Louisburg.

As a citizen of New Haven was riding home--this was at the time of the goings on at Salem--he saw shapes of women near his horse's head, whispering earnestly together and keeping time with the trot of his animal without effort of their own. “In the name of God, tell me who you are,” cried the traveller, and at the name of God they vanished. Next day the man's orchard was shaken by viewless hands and the fruit thrown down. Hogs ran about the neighborhood on their hind legs; children cried that somebody was sticking pins into them; one man would roll across the floor as if pushed, and he had to be watched lest he should go into the fire; when housewives made their bread they found it as full of hair as food in a city boarding-house; when they made soft soap it ran from the kettle and over the floor like lava; stones fell down chimneys and smashed crockery. One of the farmers cut off an ear from a pig that was walking on its hind legs, and an eccentric old body of the neighborhood appeared presently with one of her ears in a muffle, thus satisfying that community that she had caused the troubles. When a woman was making potash it began to leap about, and a rifle was fired into the pot, causing a sudden calm. In the morning the witch was found dead on her floor. Yet killing only made her worse, for she moved to a deserted house near her own, and there kept a mad revel every night; fiddles were heard, lights flashed, stones were thrown, and yells gave people at a distance a series of cold shivers; but the populace tried the effect of tearing down the house, and quiet was brought to the town.

In the early days of this century a skinny old woman known as Aunt Woodward lived by herself in a log cabin at Minot Corner, Maine, enjoying the awe of the people in that secluded burg. They moved around but little at night, on her account, and one poor girl was in mortal fear lest by mysterious arts she should be changed, between two days, into a white horse. One citizen kept her away from his house by nailing a horseshoe to his door, while another took the force out of her spells by keeping a branch of “round wood” at his threshold. At night she haunted a big, square house where the ghost of a murdered infant was often heard to cry, and by day she laid charms on her neighbors' provisions and utensils, and turned their cream to buttermilk. “Uncle” Blaisdell hurried into the settlement to tell the farmers that Aunt Woodward had climbed into his sled in the middle of the road, and that his four yoke of oxen could not stir it an inch, but that after she had leaped down one yoke of cattle drew the load of wood without an effort. Yet she died in her bed.

THE GLOUCESTER LEAGUERS

Strange things had been reported in Gloucester. On the eve of King Philip's War the march of men was heard in its streets and an Indian bow and scalp were seen on the face of the moon, while the boom of cannon and roll of drums were heard at Malden and the windows of Plymouth rattled to the passage of unseen horsemen. But the strangest thing was the arrival on Cape Ann of a force of French and Indians that never could be caught, killed, or crippled, though two regiments were hurried into Gloucester and battled with them for a fortnight. Thus, the rumor went around that these were not an enemy of flesh and blood, but devils who hoped to work a moral perversion of the colony. From 1692, when they appeared, until Salem witchcraft was at an end, Cape Ann was under military and spiritual guard against “the spectre leaguers.”

Another version of the episode, based on sworn evidence, has it that Ebenezer Babson, returning late on a summer night, saw two men run from his door and vanish in a field. His family denied that visitors had called, so he gave chase, for he believed the men to have a mischievous intention. As he left the threshold they sprang from behind a log, one saying to the other, “The master of the house is now come, else we might have taken the house,” and again they disappeared in a swamp. Babson woke the guard, and on entering the quarters of the garrison the sound of many feet was heard without, but when the doors were flung open only the two men were visible and they were retreating. Next evening the yeoman was chased by these elusive gentry, who were believed to be scouts of the enemy, for they wore white breeches and waistcoats and carried bright guns.

For several nights they appeared, and on the 4th of July half a dozen of them were seen so plainly that the soldiers made a sally, Babson bringing three of “ye unaccountable troublers” to the ground with a single shot, and getting a response in kind, for a bullet hissed by his ear and buried itself in a tree. When the company approached the place where lay the victims of that remarkable shot, behold, they arose and scampered away as blithely as if naught had happened to them. One of the trio was cornered and shot anew, but when they would pick him up he melted into air. There was fierce jabbering in an unknown tongue, through all the swamp, and by the time the garrison had returned the fellows were skulking in the shrubbery again. Richard Dolliver afterward came on eleven of them engaged in incantations and scattered them with a gunshot, but they would not down. They lurked about the cape until terror fell on all the people, remaining for “the best part of a month together,” so it was deemed that “Satan had set ambushments against the good people of Gloucester, with demons in the shape of armed Indians and Frenchmen.”

Stones were thrown, barns were beaten with clubs, the marching of unseen hosts was heard after dark, the mockers grew so bold that they ventured close to the redoubtable Babson, gazed scornfully down the barrel of his gun, and laid a charm on the weapon, so that, no matter how often he snapped it at them, it flashed in the pan. Neighboring garrisons were summoned, but all battling with goblins was fruitless. One night a dark and hostile throng emerged from the wood and moved toward the blockhouse, where twenty musketeers were keeping guard. “If you be ghosts or devils I will foil you,” cried the captain, and tearing a silver button from his doublet he rammed it into his gun and fired on the advancing host. Even as the smoke of his musket was blown on the wind, so did the beleaguering army vanish, the silver bullet proving that they were not of human kind. The night was wearing on when a cry went out that the devils were coming again. Arms were laid aside this time, and the watchers sank to their knees in prayer. Directly that the name of God was uttered the marching ceased and heaven rang with the howls of the angry fiends. Never again were leaguers seen in Gloucester.

SATAN AND HIS BURIAL-PLACE

Satan appears to have troubled the early settlers in America almost as grievously as he did the German students. He came in many shapes to many people, and sometimes he met his match. Did he not try to stop old Peter Stuyvesant from rowing through Hell Gate one moonlight night, and did not that tough old soldier put something at his shoulder that Satan thought must be his wooden leg? But it wasn't a leg: it was a gun, loaded with a silver bullet that had been charged home with prayer. Peter fired and the missile whistled off to Ward's Island, where three boys found it afterward and swapped it for double handfuls of doughnuts and bulls' eyes. Incidentally it passed between the devil's ribs and the fiend exploded with a yell and a smell, the latter of sulphur, to Peter's blended satisfaction and alarm. And did not the same spirit of evil plague the old women of Massachusetts Bay and craze the French and Spaniards in the South? At Hog Rock, west of Milford, Connecticut, he broke up a pleasant diversion:

“Once four young men upon ye rock
Sate down at chuffle board to play
When ye Deuill appearde in shape of a hogg
And frightend ym so they scampered away
And left Old Nick to finish ye play.”

One of the first buildings to be put up in Ipswich, Massachusetts, was a church built on a ledge above the river, and in that church Satan tried to conceal himself for purposes of mischief. For this act he was hurled from the steeple-top by some unseen instrument of righteousness with such force that his hoofmark was stamped into a solid stone near by. This did not deter him from mounting to the ridge-pole and assuming a defiant air, with folded arms, when Whitefield began to preach, but when that clergyman's tremendous voice was loosed below him he bounced into the air in terror and disappeared.

The Shakers report that in the waning of the eighteenth century they chased the evil one through the coverts of Mount Sinai, Massachusetts, and just before dawn of a summer morning they caught and killed and buried him. Shakers are spiritualists, and they believe their numbers to have been augmented by distinguished dead, among whom they already number Washington, Lafayette, Napoleon, Tamerlane, and Pocahontas. The two first named of these posthumous communists are still seen by members of the faith who pass Satan's grave at night, for they sit astride of white horses and watch the burial spot, lest the enemy of man arise and begin anew his career of trouble. Some members of the brotherhood say that this legend typifies a burial of evil tendencies in the hearts of those who hunted the fiend, but it has passed down among others as a circumstance. The Shakers have many mystic records, transmitted verbally to the present disciples of “Mother Ann,” but seldom told to scoffers “in the world,” as those are called who live without their pure and peaceful communes. Among these records is that of the appearance of John the Baptist in the meeting-house at Mount Lebanon, New York, one Sunday, clothed in light and leading the sacred dance of the worshippers, by which they signify the shaking out of all carnal things from the heart.

PETER RUGG, THE MISSING MAN

The idea of long wandering as a penalty, symbolized in “The Wandering Jew,” “The Flying Dutchman,” and the character of Kundry, in “Parsifal,” has application in the legend of Peter Rugg. This strange man, who lived in Middle Street, Boston, with his wife and daughter, was esteemed, as a person of probity and good manners except in his swearing fits, for he was subject to outbursts of passion, when he would kick his way through doors instead of opening them, bite tenpenny nails in two, and curse his wig off In the autumn of 1770 he visited Concord, with his little girl, and on the way home was overtaken by a violent storm. He took shelter with a friend at Menotomy, who urged him to stay all night, for the rain was falling heavier every moment; but Rugg would not be stayed, and seeing that there was no hope of a dry journey back to town he roared a fearful oath and cried, “Let the storm increase. I will see home to-night in spite of it, or may I never see home!” With that he tossed the child into the open chaise, leaped in after her, lashed his horse, and was off.

Several nights afterward, while Rugg's neighbors were out with lanterns trying to discover the cause of a heavy jarring that had begun to disturb them in bad weather, the excitable gentleman, who had not been seen since his Concord visit, came whirling along the pavement in his carriage, his daughter beside him, his black horse plunging on in spite of his efforts to stop him. The lanterns that for a moment twinkled in Peter's face showed him as a wet and weary man, with eyes turned up longingly at the windows where his wife awaited him; then he was gone, and the ground trembled as with an earthquake, while the rain fell more heavily.

Mrs. Rugg died within a twelvemonth, and Peter never reached home, but from all parts of New England came stories of a man and child driving rapidly along the highways, never stopping except to inquire the way to Boston. Half of the time the man would be headed in a direction opposite to the one he seemed to want to follow, and when set right would cry that he was being deceived, and was sometimes heard to mutter, “No home to-night.” In Hartford, Providence, Newburyport, and among the New Hampshire hills the anxious face of the man became known, and he was referred to as “the stormbreeder,” for so surely as he passed there would be rain, wind, lightning, thunder, and darkness within the hour.

Some years ago a man in a Connecticut town stopped this hurrying traveller, who said, in reply to a question, “I have lost the road to Boston. My name is Peter Rugg.” Then Rugg's disappearance half a century before was cited by those who had long memories, and people began to look askant at Peter and gave him generous road room when they met him. The toll-taker on Charlestown bridge declared that he had been annoyed and alarmed by a prodigious tramping of hoofs and rattling of wheels that seemed to pass toward Boston before his very face, yet he could see nothing. He took courage one night to plant himself in the middle of the bridge with a three-legged stool, and when the sound approached he dimly saw a large black horse driven by a weary looking man with a child beside him. The stool was flung at the horse's head, but passed through the animal as through smoke and skipped across the floor of the bridge. Thus much the toll-collector said, but when asked if Rugg had appeared again he made no reply.

THE LOSS OF WEETAMOO

Winnepurkit, sagamore of the coast settlements between Nahant and Cape Ann, had married Weetamoo, daughter of Passaconaway, king of the Pennacooks, and had taken her to his home. Their honeymoon was happy, but old ties are strong, and after a little time the bride felt a longing to see her people again. When she made known this wish the husband not only consented to her visit, but gave her a guard of his most trusty hunters who saw her safe in her father's lodge (near the site of Concord, New Hampshire), and returned directly. Presently came a messenger from Passaconaway, informing his son-in-law that Weetamoo had finished her visit and wished again to be with her husband, to whom he looked for an escort to guide her through the wilderness. Winnepurkit felt that his dignity as a chief was slighted by this last request, and he replied that as he had supplied her with a guard for the outward journey it was her father's place to send her back, “for it stood not with Winnepurkit's reputation either to make himself or his men so servile as to fetch her again.”

Passaconaway returned a sharp answer that irritated Winnepurkit still more, and he was told by the young sagamore that he might send his daughter or keep her, for she would never be sent for. In this unhappy strife for precedent, which has been repeated on later occasions by princes and society persons, the young wife seemed to be fated as an unwilling sacrifice; but summoning spirit to leave her father's wigwam she launched a canoe on the Merrimack, hoping to make her way along that watery highway to her husband's domain. It was winter, and the stream was full of floating ice; at the best of times it was not easy to keep a frail vessel of bark in the current away from the rapids, and a wandering hunter reported that a canoe had come down the river guided by a woman, that it had swung against the Amoskeag rocks, where Manchester stands now, and a few moments later was in a quieter reach of water, broken and empty. No more was seen of Weetamoo.

THE FATAL FORGET-ME-NOT

Three miles out from the Nahant shore, Massachusetts, rises Egg Rock, a dome of granite topped by a light-house. In the last century the forget-me-nots that grew in a little marsh at its summit were much esteemed, for it was reported that if a girl should receive one of these little flowers from her lover the two would be faithful to each other through all their married life. It was before a temporary separation that a certain young couple strolled together on the Nahant cliffs. The man was to sail for Italy next day, to urge parental consent to their union. As he looked dreamily into the sea the legend of the forget-me-not came into his mind, and in a playful tone he offered to gather a bunch as a memento. Unthinkingly the girl consented. He ran down the cliff to his boat, pushed out, and headed toward the rock, but a fisherman shouted that a gale was rising and the tide was coming in; indeed, the horizon was whitening and the rote was growing plain.

Alice had heard the cry of warning and would have called him back, but she was forsaken by the power of speech, and watched, with pale face and straining eyes, the boat beating smartly across the surges. It was seen to reach Egg Rock, and after a lapse came dancing toward the shore again; but the tide, was now swirling in rapidly, the waves were running high, and the wind freshened as the sun sank. At times the boat was out of sight in the hollowed water, and as it neared Nahant it became unmanageable. Apparently it had filled with water and the tiller-rope had broken. Nothing could be done by the spectators who had gathered on the rocks, except to shout directions that were futile, even if they could be heard. At last the boat was lifted by a breaker and hurled against a mass of granite at the very feet of the man's mistress. When the body was recovered next day, a bunch of forget-me-not was clasped in the rigid hand.

THE OLD MILL AT SOMERVILLE

The “old powder-house,” as the round stone tower is called that stands on a gravel ridge in Somerville, Massachusetts, is so named because at the outbreak of the Revolutionary War it was used temporarily as a magazine; but long before that it was a wind-mill. Here in the old days two lovers held their tryst: a sturdy and honest young farmer of the neighborhood and the daughter of a man whose wealth puffed him with purse-pride. It was the plebeian state of the farmer that made him look at him with an unfavorable countenance, and when it was whispered to him that the young people were meeting each other almost every evening at the mill, he resolved to surprise them there and humiliate, if he did not punish them. From the shadow of the door they saw his approach, and, yielding to the girl's imploring, the lover secreted himself while she climbed to the loft. The flutter of her dress caught the old man's eye and he hastened, panting, into the mill. For some moments he groped about, for his eyes had not grown used to the darkness of the place, and hearing his muttered oaths, the girl crept backward from the stair.

She was beginning to hope that she had not been seen, when her foot caught in a loose board and she stumbled, but in her fall she threw out her hand to save herself and found a rope within her grasp. Directly that her weight had been applied to it there was a whir and a clank. The cord had set the great fans in motion. At the same moment a fall was heard, then a cry, passing from anger into anguish. She rushed down the stair, the lover appeared from his hiding-place at the same moment, and together they dragged the old man to his feet. At the moment when the wind had started the sails he had been standing on one of the mill-stones and the sudden jerk had thrown him down. His arm caught between the grinding surfaces and had been crushed to pulp. He was carried home and tenderly nursed, but he did not live long; yet before he died he was made to see the folly of his course, and he consented to the marriage that it had cost him so dear to try to prevent. Before she could summon heart to fix the wedding-day the girl passed many months of grief and repentance, and for the rest of her life she avoided the old mill. There was good reason for doing so, people said, for on windy nights the spirit of the old man used to haunt the place, using such profanity that it became visible in the form of blue lights, dancing and exploding about the building.

EDWARD RANDOLPH'S PORTRAIT

Nothing is left of Province House, the old home of the royal governors, in Boston, but the gilded Indian that served as its weathercock and aimed his arrow at the winds from the cupola. The house itself was swept away long ago in the so-called march of improvement. In one of its rooms hung a picture so dark that when Lieutenant-Governor Hutchinson went to live there hardly anybody could say what it represented. There were hints that it was a portrait of the devil, painted at a witch-meeting near Salem, and that on the eve of disasters in the province a dreadful face had glared from the canvas. Shirley had seen it on the night of the fall of Ticonderoga, and servants had gone shuddering from the room, certain that they had caught the glance of a malignant eye.

It was known to the governors, however, that the portrait, if not that of the arch fiend, was that of one who in the popular mind was none the less a devil: Edward Randolph, the traitor, who had repealed the first provincial charter and deprived the colonists of their liberties. Under the curse of the people he grew pale and pinched and ugly, his face at last becoming so hateful that men were unwilling to look at it. Then it was that he sat for his portrait. Threescore or odd years afterward, Hutchinson sat in the hall wondering vaguely if coming events would consign him to the obloquy that had fallen on his predecessor, for at his bidding a fleet had come into the harbor with three regiments of red coats on board, despatched from Halifax to overawe the city. The coming of the selectmen to protest against quartering these troops on the people and the substitution of martial for civic law, interrupted his reverie, and a warm debate arose. At last the governor seized his pen impatiently, and cried, “The king is my master and England is my home. Upheld by them, I defy the rabble.”

He was about to sign the order for bringing in the troops when a curtain that had hung before the picture was drawn aside. Hutchinson stared at the canvas in amazement, then muttered, “It is Randolph's spirit! It wears the look of hell.” The picture was seen to be that of a man in antique garb, with a despairing, hunted, yet evil expression in the face, and seemed to stare at Hutchinson.

“It is a warning,” said one of the company.

Hutchinson recovered himself with an effort and turned away. “It is a trick,” he cried; and bending over the paper he fixed his name, as if in desperate haste. Then he trembled, turned white, and wiped a sweat from his brow. The selectmen departed in silence but in anger, and those who saw Hutchinson on the streets next day affirmed that the portrait had stepped out of its canvas and stood at his side through the night. Afterward, as he lay on his death-bed, he cried that the blood of the Boston massacre was filling his throat, and as his soul passed from him his face, in its agony and rage, was the face of Edward Randolph.

LADY ELEANORE'S MANTLE

Lady Eleanore Rochcliffe, being orphaned, was admitted to the family of her distant relative, Governor Shute, of Massachusetts Bay, and came to America to take her home with him. She arrived at the gates of Province House, in Boston, in the governor's splendid coach, with outriders and guards, and as the governor went to receive her, a pale young man, with tangled hair, sprang from the crowd and fell in the dust at her feet, offering himself as a footstool for her to tread upon. Her proud face lighted with a smile of scorn, and she put out her hand to stay the governor, who was in the act of striking the fellow with his cane.

“Do not strike him,” she said. “When men seek to be trampled, it is a favor they deserve.”

For a moment she bore her weight on the prostrate form, “emblem of aristocracy trampling on human sympathies and the kindred of nature,” and as she stood there the bell on South Church began to toll for a funeral that was passing at the moment. The crowd started; some looked annoyed; Lady Eleanore remained calm and walked in stately fashion up the passage on the arm of His Excellency. “Who was that insolent fellow?” was asked of Dr. Clarke, the governor's physician.

“Gervase Helwyse,” replied the doctor; “a youth of no fortune, but of good mind until he met this lady in London, when he fell in love with her, and her pride and scorn have crazed him.”

A few nights after a ball was given in honor of the governor's ward, and Province House was filled with the elect of the city. Commanding in figure, beautiful in face, richly dressed and jewelled, the Lady Eleanore was the admired of the whole assembly, and the women were especially curious to see her mantle, for a rumor went out that it had been made by a dying girl, and had the magic power of giving new beauty to the wearer every time it was put on. While the guests were taking refreshment, a young man stole into the room with a silver goblet, and this he offered on his knee to Lady Eleanore. As she looked down she recognized the face of Helwyse.

“Drink of this sacramental wine,” he said, eagerly, “and pass it among the guests.”

“Perhaps it is poisoned,” whispered a man, and in another moment the liquor was overturned, and Helwyse was roughly dragged away.

“Pray, gentlemen, do not hurt my poor admirer,” said the lady, in a tone of languor and condescension that was unusual to her. Breaking from his captives, Helwyse ran back and begged her to cast her mantle into the fire. She replied by throwing a fold of it above her head and smiling as she said, “Farewell. Remember me as you see me now.”

Helwyse shook his head sadly and submitted to be led away. The weariness in Eleanore's manner increased; a flush was burning on her cheek; her laugh had grown infrequent. Dr. Clarke whispered something in the governor's ear that made that gentleman start and look alarmed. It was announced that an unforeseen circumstance made it necessary to close the festival at once, and the company went home. A few days after the city was thrown into a panic by an outbreak of small-pox, a disease that in those times could not be prevented nor often cured, and that gathered its victims by thousands. Graves were dug in rows, and every night the earth was piled hastily on fresh corpses. Before all infected houses hung a red flag of warning, and Province House was the first to show it, for the plague had come to town in Lady Eleanore's mantle. The people cursed her pride and pointed to the flags as her triumphal banners. The pestilence was at its height when Gervase Helwyse appeared in Province House. There were none to stay him now, and he climbed the stairs, peering from room to room, until he entered a darkened chamber, where something stirred feebly under a silken coverlet and a faint voice begged for water. Helwyse tore apart the curtains and exclaimed, “Fie! What does such a thing as you in Lady Eleanore's apartment?”

The figure on the bed tried to hide its hideous face. “Do not look on me,” it cried. “I am cursed for my pride that I wrapped about me as a mantle. You are avenged. I am Eleanore Rochcliffe.”

The lunatic stared for a moment, then the house echoed with his laughter. The deadly mantle lay on a chair. He snatched it up, and waving also the red flag of the pestilence ran into the street. In a short time an effigy wrapped in the mantle was borne to Province House and set on fire by a mob. From that hour the pest abated and soon disappeared, though graves and scars made a bitter memory of it for many a year. Unhappiest of all was the disfigured creature who wandered amid the shadows of Province House, never showing her face, unloved, avoided, lonely.

HOWE'S MASQUERADE

During the siege of Boston Sir William Howe undertook to show his contempt for the raw fellows who were disrespectfully tossing cannon-balls at him from the batteries in Cambridge and South Boston, by giving a masquerade. It was a brilliant affair, the belles and blades of the loyalist set being present, some in the garb of their ancestors, for the past is ever more picturesque than the present, and a few roisterers caricaturing the American generals in ragged clothes, false noses, and absurd wigs. At the height of the merriment a sound of a dirge echoing through the streets caused the dance to stop. The funeral music paused before the doors of Province House, where the dance was going on, and they were flung open. Muffled drums marked time for a company that began to file down the great stair from the floor above the ball-room: dark men in steeple-hats and pointed beards, with Bibles, swords, and scrolls, who looked sternly at the guests and descended to the street.

Colonel Joliffe, a Whig, whose age and infirmity had prevented him from joining Washington, and whose courtesy and intelligence had made him respected by his foes, acted as chorus: “These I take to be the Puritan governors of Massachusetts: Endicott, Winthrop, Vane, Dudley, Haynes, Bellingham, Leverett, Bradstreet.” Then came a rude soldier, mailed, begirt with arms: the tyrant Andros; a brown-faced man with a sailor's gait: Sir William Phipps; a courtier wigged and jewelled: Earl Bellomont; the crafty, well-mannered Dudley; the twinkling, red-nosed Shute; the ponderous Burnet; the gouty Belcher; Shirley, Pownall, Bernard, Hutchinson; then a soldier, whose cocked hat he held before his face. “'Tis the shape of Gage!” cried an officer, turning pale. The lights were dull and an uncomfortable silence had fallen on the company. Last, came a tall man muffled in a military cloak, and as he paused on the landing the guests looked from him to their host in amazement, for it was the figure of Howe himself. The governor's patience was at an end, for this was a part of the masquerade that had not been looked for. He fiercely cried to Joliffe, “There is a plot in this. Your head has stood too long on a traitor's shoulders.”

“Make haste to cut it off, then,” was the reply, “for the power of Sir William Howe and of the king, his master, is at an end. These shadows are mourners at his funeral. Look! The last of the governors.”

Howe rushed with drawn sword on the figure of himself, when it turned and looked at him. The blade clanged to the floor and Howe fell back with a gasp of horror, for the face was his own. Hand nor voice was raised to stay the double-goer as it mournfully passed on. At the threshold it stamped its foot and shook its fists in air; then the door closed. Mingled with the strains of the funeral march, as it died along the empty streets, came the tolling of the bell on South Church steeple, striking the hour of midnight. The festivities were at an end and, oppressed by a nameless fear, the spectators of this strange pageant made ready for departure; but before they left the booming of cannon at the southward announced that Washington had advanced. The glories of Province House were over. When the last of the royal governors left it he paused on the threshold, beat his foot on the stone, and flung up his hands in an attitude of grief and rage.

OLD ESTHER DUDLEY

Boston had surrendered. Washington was advancing from the heights where he had trained his guns on the British works, and Sir William Howe lingered at the door of Province House,--last of the royal governors who would stand there,--and cursed and waved his hands and beat his heel on the step, as if he were crushing rebellion by that act. The sound brought an old woman to his side. “Esther Dudley!” he exclaimed. “Why are you not gone?”

“I shall never leave. As housekeeper for the governors and pensioner of the king, this has been my home; the only home I know. Go back, but send more troops. I will keep the house till you return.”

“Grant that I may return,” he cried. “Since you will stay, take this bag of guineas and keep this key until a governor shall demand it.”

Then, with fierce and moody brow, the governor went forth, and the faded eyes of Esther Dudley saw him nevermore. When the soldiers of the republic cast about for quarters in Boston town, they spared the official mansion to this old woman. Her bridling toryism and assumption of old state amused them and did no harm; indeed, her loyalty was half admired; beside, nobody took the pride in the place that she did, or would keep it in better order. That she sometimes had a half-dozen of unrepentant codgers in to dinner, and that they were suspected of drinking healths to George III. in crusted port, was a fact to blink. Rumor had it that not all her guests were flesh and blood, but that she had an antique mirror across which ancient occupants of the house would pass in shadowy procession at her command, and that she was wont to have the Shirleys, Olivers, Hutchinsons, and Dudleys out of their graves to hold receptions there; so a touch of dread may have mingled in the feeling that kept the populace aloof.

Living thus by herself, refusing to hear of rebel victories, construing the bonfires, drumming, hurrahs, and bell-ringing to signify fresh triumphs for England, she drifted farther and farther out of her time and existed in the shadows of the past. She lighted the windows for the king's birthday, and often from the cupola watched for a British fleet, heeding not the people below, who, as they saw her withered face, repeated the prophecy, with a laugh “When the golden Indian on Province House shall shoot his arrow and the cock on South Church spire shall crow, look for a royal governor again.” So, when it was bandied about the streets that the governor was coming, she took it in no wise strange, but dressed herself in silk and hoops, with store of ancient jewels, and made ready to receive him. In truth, there was a function, for already a man of stately mien, and richly dressed, was advancing through the court, with a staff of men in wigs and laced coats behind him, and a company of troops at a little distance. Esther Dudley flung the door wide and dropping on her knees held forth the key with the cry, “Thank heaven for this hour! God save the king!”

The governor put off his hat and helped the woman to her feet. “A strange prayer,” said he; “yet we will echo it to this effect: For the good of the realm that still owns him to be its ruler, God save King George.”

Esther Dudley stared wildly. That face she remembered now,--the proscribed rebel, John Hancock; governor, not by royal grant, but by the people's will.

“Have I welcomed a traitor? Then let me die.”

“Alas! Mistress Dudley, the world has changed for you in these later years. America has no king.” He offered her his arm, and she clung to it for a moment, then, sinking down, the great key, that she so long had treasured, clanked to the floor.

“I have been faithful unto death,” she gasped. “God save the king!”

The people uncovered, for she was dead.

“At her tomb,” said Hancock, “we will bid farewell forever to the past. A new day has come for us. In its broad light we will press onward.”

THE LOSS OF JACOB HURD

Jacob Hurd, stern witch-harrier of Ipswich, can abide nothing out of the ordinary course of things, whether it be flight on a broomstick or the wrong adding of figures; so his son gives him trouble, for he is an imaginative boy, who walks alone, talking to the birds, making rhymes, picking flowers, and dreaming. That he will never be a farmer, mechanic, or tradesman is as good as certain, and one day when the child runs in with a story of a golden horse, with tail and mane of silver, on which he has ridden over land and sea, climbing mountains and swimming rivers, he turns pale with fright lest the boy be bewitched; then, as the awfulness of the invention becomes manifest, he cries, “Thou knowest thou art lying,” and strikes the little fellow.

The boy staggers into his mother's arms, and that night falls into a fever, in which he raves of his horse and the places he will see, while Jacob sits by his side, too sore in heart for words, and he never leaves the cot for food or sleep till the fever is burned out. Just before he closes his eyes the child looks about him and says that he hears the horse pawing in the road, and, either for dust or cloud or sun gleam, it seems for an instant as if the horse were there. The boy gives a cry of joy, then sinks upon his pillow, lifeless.

Some time after this Jacob sets off one morning, while the stars are out, to see three witches hanged, but at evening his horse comes flying up the road, splashed with blood and foam, and the neighbors know from that of Jacob's death, for he is lying by the wayside with an Indian arrow in his heart and an axemark on his head. The wife runs to the door, and, though she shakes with fear at its approach, she sees that in the sunset glow the horse's sides have a shine like gold, and its mane and tail are silver white. Now the animal is before the house, but the woman does not faint or cry at the blood splash on the saddle, for--is it the dust-cloud that takes that shape?--she sees on its back a boy with a shining face, who throws a kiss at her,--her Paul. He, little poet, lives in spirit, and has found happiness.

THE HOBOMAK

Such was the Indian name of the site of Westboro, Massachusetts, and the neighboring pond was Hochomocko. The camp of the red men near the shore was full of bustle one day, for their belle, Iano, was to marry the young chief, Sassacus. The feast was spread and all were ready to partake of it, when it was found that the bride was missing. One girl had seen her steal into the wood with a roguish smile on her lip, and knew that she intended to play hide-and-seek with Sassacus before she should be proclaimed a wife, but the day wore on and she did not come. Among those who were late in reaching camp was Wequoash, who brought a panther in that he had slain on Boston Hill, and he bragged about his skill, as usual. There had been a time when he was a rival of the chief for the hand of Iano, and he showed surprise and concern at her continued absence. The search went on for two days, and, at the end of that time, the girl's body was taken from the lake.

At the funeral none groaned so piteously as Wequoash. Yet Sassacus felt his loss so keenly that he fell into a sickness next day, and none was found so constant in his ministrations as Wequoash; but all to no avail, for within a week Sassacus, too, was dead. As the strongest and bravest remaining in the tribe, Wequoash became heir to his honors by election.