Chapter V: Part 5

Yet he could make out no shape at all till, having run to the other side of the cave, he turned to see the whole face of the rock which seemed to be taking on life. Then he realised very gradually what looked to be the throat and jaws of a great monster lying along the ground, while all the rest passed away into shadow or lay buried under masses of rock, which closed round it like a mould. Below the nether-jaw bone the flames licked and caressed the throat; and the tough, mud-coloured hide ruffled and smoothed again as if grateful for the heat that tickled its way in.

Very slowly indeed the great Cockatrice, which had lain buried for thousands of years, out of reach of the light or heat of the sun, was coming round again to life. That was Beppo's own doing, and for some very curious reason he was not afraid.

His heart was uplifted. "This is my cave," thought he, "so this must be my Cockatrice! Now I will ride out on him and conquer the world. I shall be really a king then!"

He guessed that it must have been the warmth which had waked the Cockatrice, so he made fires all down the side of the cave; wherever the great flank of the Cockatrice seemed to show, there he lighted a fire to put heat into the slumbering body of the beast.

"Warm up, old fellow," he cried; "thaw out, I tell you! I want you to talk to me."

Presently the mouth of the Cockatrice unsealed itself, and began to babble of green fields. "Hay--I want hay!" said the Cockatrice; "or grass. Does the world contain any grass?"

Beppo went out, and presently returned with an armful. Very slowly the Cockatrice began munching the fresh fodder, and Beppo, intent on feeding him back to life, ran to and fro between the hillside and the cavern till he was exhausted and could go no more. He sat down and watched the Cockatrice finish his meal.

Presently, when the monster found that his fodder was at an end, he puckered a great lid, and far up aloft in the wall of the cave flashed out a green eye.

If all the emeralds in the world were gathered together, they might shine like that; if all the glow-worms came up out of the fields and put their tails together, they might make as great an orb of fire. All the cave looked as green as grass when the eye of the Cockatrice lighted on it; and Beppo, seeing so mighty an optic turning its rays on him, felt all at once shrivelled and small, and very weak at the knees.

"Oh, Cockatrice," he said, in a monstrous sad voice, "I hope I haven't hurt you!"

"On the contrary," said the Cockatrice, "you have done me much good. What are you going to do with me now?"

"_I_ do with _you_?" cried Beppo, astonished at so wild a possibility offering to come true. "I would like to get you out, of course--but can I?"

"I would like that dearly also!" said the Cockatrice.

"But how can I?" inquired Beppo.

"Keep me warm and feed me," returned the monster. "Presently I shall be able to find out where my tail is. When I can move that I shall be able to get out."

Beppo undertook whatever the Cockatrice told him--it was so grand to have a Cockatrice of his own. But it was a hard life, stoking up fires day and night, and bringing the Cockatrice the fodder necessary to replenish his drowsy being. When Beppo was quite tired out he would come and lay his head against the monster's snout: and the Cockatrice would open a benevolent eye and look at him affectionately.

"Dear Cockatrice," said the boy one day, "tell me about yourself, and how you lived and what the world was like when you were free!"

"Do you see any green in my eye?" said the Cockatrice.

"I do, indeed!" said Beppo. "I never saw anything so green in all the world."

"That's all right, then!" said the Cockatrice. "Climb up and look in, and you will see what the world was like when I was young."

So Beppo climbed and scrambled, and slipped and clung, till he found himself on the margin of a wonderful green lake, which was but the opening into the whole eye of the Cockatrice.

And as soon as Beppo looked, he had lost his heart for ever to the world he saw there. It was there, quite real before him: a whole world full of living and moving things--the world before the trouble of man came to it.

"I see green hills, and fields, and rocks, and trees," cried Beppo, "and among them a lot of little Cockatrices are playing!"

"They were my brothers and sisters; I remember them," said the Cockatrice. "I have them all in my mind's eye. Call them--perhaps they will come and talk to you; you will find them very nice and friendly."

"They are too far off," said Beppo, "they cannot hear me."

"Ah, yes," murmured the Cockatrice, "memory is a wonderful thing!"

When Beppo came down again he was quite giddy, and lost in wonder and joy over the beautiful green world the Cockatrice had shown him. "I like that better than this!" said he.

"So do I," said the Cockatrice. "But perhaps, when my tail gets free, I shall feel better."

One morning he said to Beppo: "I do really begin to feel my tail. It is somewhere away down the hill yonder. Go and look out for me, and tell me if you can see it moving."

So Beppo went to the mouth of the cave, and looked out towards the city, over all the rocks and ridges and goat-pastures and slopes of vine that lay between.

Suddenly, as he looked, the steeple of the cathedral tottered, and down fell its weathercock and two of its pinnacles, and half the chimneys of the town snapped off their tops. All that distance away Beppo could hear the terrified screams of the inhabitants as they ran out of their houses in terror.

"I've done it!" cried the Cockatrice, from within the cave.

"But you mustn't do that!" exclaimed Beppo in horror.

"Mustn't do what?" inquired the Cockatrice.

"You mustn't wag your tail! You don't know what you are doing!"

"Oh, master!" wailed the Cockatrice; "mayn't I? For the first time this thousand years I have felt young again."

Beppo was pale and trembling with agitation over the fearful effects of that first tail-wagging. "You mustn't feel young!" said he.

"Why not?" asked the Cockatrice, with a piteous wail.

"There isn't room in the world for a Cockatrice to feel young nowadays," answered Beppo gravely.

"But, dear little master and benefactor," cried the Cockatrice, "what did you wake me up for?"

"I don't know," replied Beppo, terribly perplexed. "I wouldn't have done it had I known where your tail was."

"Where is it?" inquired the Cockatrice, with great interest.

"It's right underneath the city where I mean to be king," said Beppo; "and if you move it the city will come down; and then I shall have nothing to be king of."

"Very well," said the Cockatrice sadly; "I will wait!"

"Wait for what?" thought Beppo. "Waiting won't do any good." And he began to think what he must do. "You lie quite still!" said he to the Cockatrice. "Go to sleep, and I will still look after you."

"Oh, little master," said the Cockatrice, "but it is difficult to go to sleep when the delicious trouble of spring is in one's tail! How long does this city of yours mean to stay there? I am so alive that I find it hard to shut an eye!"

"I will let the fires that keep you warm go down for a bit," said Beppo, "and you mustn't eat so much grass; then you will feel better, and your tail will be less of an anxiety."

And presently, when Beppo had let the fires which warmed him get low, and had let time go by without bringing him any fresh fodder, the Cockatrice dozed off into an uneasy, prehistoric slumber.

Then Beppo, weeping bitterly over his treachery to the poor beast which had trusted him, raked open the fires and stamped out the embers; and, leaving the poor Cockatrice to get cold, ran down the hill as fast as he could to the city he had saved--the city of which he meant to be king.

He had been away a good many days, but the boys in the street were still on the watch for him. He told them how he had saved the city from the earthquake; and they beat him from the city gate to his father's door. He told his own father how he had saved the city; and his father beat him from his own door to the city gate. Nobody believed him.

He lay outside the town walls till it was dark, all smarting with his aches and pains; then, when nobody could see him, he got up and very miserably made his way back to the cave on the hill. And all the way he said to himself, "Shall I put fire under the Cockatrice once more, and make him shake the town into ruins? Would not that be fine?"

Inside, the cave was quite still and cold, and when he laid his hand on the Cockatrice he could not feel any stir or warmth in its bones. Yet when he called, the Cockatrice just opened a slit of his green eye and looked at him with trust and affection.

"Dear Cockatrice," cried Beppo, "forgive me for all the wrong I have done you!" And as he clambered his way towards the green light, a great tear rolled from under the heavy lid and flowed past him like a cataract.

"Dear Cockatrice," cried Beppo again when he stood on the margin of the green lake, "take me to sleep with you in the land where the Cockatrices are at play, and keep quite still with your tail!"

Slowly and painfully the Cockatrice opened his eye enough to let Beppo slip through; and Beppo saw the green world with its playful cockatrices waiting to welcome him. Then the great eyelid shut down fast, and the waking days of the Cockatrice were over. And Beppo's native town lay safe, because he had learned from the Cockatrice to be patient and gentle, and had gone to be king of a green world where everything was harmless.

THE GREEN BIRD

THERE was once a Prince whose palace lay in the midst of a wonderful garden. From gate to gate was a day's journey, where spring, summer, and autumn stayed captive; for warm streams flowed, bordering its ways, through marble conduits, and warm winds, driven by brazen fans, blew over it out of great furnaces that were kept alive through the cold of winter. And day by day, when no sun shone in heaven, a ball of golden fire rose from the palace roof and passed down to the west, sustained invisibly in mid-air, and giving light and warmth to the flowers below. And after it by night went a lamp of silver flame, that changed its quarters as the moon changes hers in heaven, and threw a silver light over the lawns and the flowered avenues.

All these things were that the Prince might have delight and beauty ever around him. To his eyes summer was perpetual, without end, and nothing died save to give out new life on the morrow. So through many morrows he lived, and trod the beautiful soft ways devised for him by cunning hands, and did not know that there was winter, or cold, or hunger to be borne in the world, for he never crossed the threshold of his enchanted garden, but stayed lapped in the luxury of its bright colours and soft airs.

One day he was standing by a bed of large white bell-lilies. Their great bowls were full of water, and inside among the yellow stamens gold fish went darting to and fro. While he watched he saw, mirrored in the water, the breast of a green bird flying towards the trees of the garden.

It had come from a far country surely, for its shape and colour were strange to him; and the most curious thing of all was that it carried its nest in its beak.

Its flight came keen as a sword's edge through those bowery spaces, till its wings closed with a shock that sent the golden fruit tumbling from the branches where it had lodged: and through the whole garden went a crashing sound as of soft thunder.

The Prince waited long, hoping to hear the bird sing, but it hid itself silently among the thickest of the leaves, and never moved or uttered a sound. He went back to the palace a little sorry not to have heard the green bird sing; "But, at least," he said to himself, "I shall hear it to-morrow."

That night he dreamed that something came and tapped at his heart; and that his heart tapped back saying, "Go away, for if I let you in there will be sorrow!"

In the morning on the window-sill he saw a green feather lying; but as he opened the window a puff of wind lifted it, and carried it high up into the air and out of sight.

All that day the Prince saw nothing of the Green Bird, nor heard a note of its singing. "Strange," thought he to himself, "I have never heard its song; yet I know quite well somehow that it sings most beautifully." At dusk, when the lilies began to close their globes around the gold fish and the yellow stamens, he went back to the palace, and before long to bed, and slept.

Once more he heard in dreams someone come tapping at his heart, and this time his heart said, "Who is there?" Then a voice answered back, "The Green Bird"; but his heart said, "Go away, for if I let you in there will be sorrow!"

Now it had been foretold of the Prince at his birth that if he ever knew sorrow, his wealth, and his estate, and his power would all go from him. Therefore from his childhood he had been shut up in a beautiful palace with miles and miles of enchanted gardens, so that sorrow might not get near him; and it was said that if ever sorrow came to him the palace and the enchanted gardens would suddenly fall into ruin and disappear, and he would be left standing alone to beg his way through the world. Therefore it was for this that his heart said in his dream, "Go away, for if I let you in there will be sorrow!"

In the morning a green feather lay on the window-sill; but as he opened the window the wind took it up and carried it away.

So the next night, as soon as his attendants were gone, the Prince got up softly and opening the window called "Green Bird!"

Then all at once he felt something warm against his heart, and suddenly his heart began to ache: and there was the green bird with its wings spread gently about him, keeping time ever so softly to the beating of his heart.

Then the Prince said, "Beautiful Green Bird, what have you brought me?" and the Green Bird answered, "I have brought you dreams out of a far-off country of things you never saw; if you will come and sleep in my nest you shall dream them."

So the Prince went out by the window and along the balcony, and so away into the garden and up into the heart of the great tree where the Green Bird had its nest. There he lay down, and the Green Bird spread its wings over him, and he fell fast asleep.

Now as he slept he dreamed that the Green Bird put in his hand three grains of seed saying, "Take these and keep them till you come to the right place to sow them in. And so soon as one is sown, go on till you come to the place where the next must be sown, following the signs which I shall tell you of. Now the first you must not sow till you find yourself in a white country, where the trees and the grass are white." (And the Prince said in his heart, "Where can I find that?") "And the second one you must not sow till you see a thing like a tortoise put out a small white hand." ("And where," said the Prince, "can I meet with that wonder?") "And when you have seen the second sprout up through the ground, go on till you come again to a land you had lost and the place where you first knew sorrow." ("And what is sorrow?" said the Prince to his heart.) "Then when you have sown the third seed and watched it sprout you will know perfect happiness, and will be able to hear the song which I sing."

Then the Green Bird lifted its wings and flew away through the night; and out of the darkness came three notes that filled the Prince with wonderful delight.

But afterwards, when they ceased, came sorrow.

Now, when the Prince woke he was in his own bed; and he rose much puzzled by the dream which had seemed so true. Then there came to him one of his pages who said, "There was a strange bird flying over the palace about dawn, and a watchman on the high tower shot it; so I have brought it for you to see." And as he spoke, the page showed him the Green Bird lying dead between his hands.

The Prince took it without a word, and kissed it before them all, afterwards burying it where the white lilies full of gold fishes grew, wherein he had first seen the image of its green breast fly. And as he stood sorrowing, the garden faded before his eyes, and a cold wind blew; and the palace which had its foundations on happiness crumbled away into ruin; and heaven came down kissing the earth and making it white.

He opened his hand and found in it three grains of seed, and then he knew that some of his dream was really coming to pass. For he saw the whole world was turning white before his eyes, all the trees and the grass; therefore he sowed the first grain of seed over the little grave that he had made, and set out over hill and dale to fulfil the dream that the Green Bird had given him. "But the Green Bird I shall see no more!" he said, and wept.

For a year he went on through a waste and desolate country, meeting no man, nor discovering any sign. Till one day as he was coming down a mountain he saw at the bottom a hut with a round roof like a great tortoise; and when he got quite near, out of the door came a small white hand, palm upward, feeling to know if it rained. All at once he remembered the word of the Green Bird, and as he dropped the second seed into the ground it seemed to him that he heard again the three notes of its song.

A young girl looked out of the hut; "What do you want?" she said when she saw the Prince. He saw her eyes, how blue and smiling they were, and it seemed as if he had dreamed of them once. "Let me stay here for a little," he said, "and rest." "If you will rest one day and work the next, you may," she answered. So he rested that day, and the next he worked at her bidding in a small patch of ground that was before the hut.

When the day was over and he had returned to the hut for the night, he looked again at the young girl, and seeing how beautiful she was, said, "Why are you here all alone, with no one to protect you?" And she answered, "I have come from my own country, which is very far away, in search of a beautiful Green Bird which while it was mine I loved greatly, and which one day flew away promising to return. When you came, something made me think the bird was with you, but perhaps to-morrow it will return." At that the Prince sighed in his heart, for he knew that the bird was dead. Then also she told him how in her own country she had been a Princess; so now she from whom the Green Bird had flown, and he to whom it had come, were living there together like beggars in a hut.

For a whole year he toiled and waited, hoping for the second seed to sprout; and at last one day, just where he had planted it, he saw a little spring rising out of the ground. When the Princess saw it, she clapped her hands, "Oh," she cried, "it is the sign I have waited for! If we follow it, it will take us to the Green Bird." But the Prince sighed, for in his heart he knew that the Green Bird was dead.

Yet he let her take his hand, and they two went on following the course of the spring till they came to a wild desolate place full of ruins; and as soon as they came to it the spring disappeared into the ground.

Then the Prince began to look about him, and saw that he was standing once more in the land that he had lost, above the very spot in the enchanted garden where he had buried the Green Bird and sorrowed over it. Then he stooped down, and set the last grain of seed into the ground; and as he did so, surely from below the soil came the three sweet notes of a song! Then all at once the earth opened and out of it grew a tree, tall and green and waving, and out of the midst of the tree flew the Green Bird with its nest in its beak.

The sun was setting; in the east rose a full red moon: grey mists climbed out of the grass. The Bird sang and sang and sang; every note had the splendour of palace-walls and towers, and gardens, and falling fountains. The Princess ran fast and let herself be caught in the Prince's arms while she listened.

Many times they hung together and kissed, and all the time the Bird sang on.

"I see the palace walls grow," said the Princess. "They are high as the hills, and the garden covers the valleys: and the sun and the moon lighten it." And, in truth, round them a new palace had grown, and the Green Bird was building his nest in the roof.

THE MAN WHO KILLED THE CUCKOO

ONCE upon a time there was a man who lived in a small house with a large garden. He made his living by gardening, while his wife looked after the house. They were better off than most of their neighbours, but they were an envious couple who looked sourly over the hedge at all who passed by, and took no man's advice about anything.

At the end of the garden stood a large pear-tree: and one day the man was working in the shade beneath it, when a cuckoo came and perched itself on the topmost branch, crying "Cuckoo, cuckoo!"

The man looked up with a frown on his face, and cried, "Get out of my tree, you noisy thing!" But the cuckoo only sat and stared at the landscape, going up and down on its two notes like a musical see-saw.

The man stooped down, and took up a clod of earth and cast it at the cuckoo, which immediately flew away.

A neighbour who was passing at the time saw him, and said, "It's ill-luck to drive away cuckoos: you would be better not to do it again." "Do it again?" cried the man. "If it comes into my tree again I'll kill it!" "Nobody dares kill a cuckoo;" replied the neighbour, "it's against Providence." "I'll not only kill it, if it returns," exclaimed the man in a fury, "but I'll eat it too!" "No, no," cried his neighbour, "you will think better of it. Even the parson daren't kill a cuckoo." "Wait and see if I don't better the parson, then!" growled the man, as he turned to go on with his work; "just wait and see!"

All the day he heard the cuckoo crying about in the field, now here, now there, but always somewhere close at hand. It seemed to be making a mock of him, for it always kept within sound, but never returned to the tree. When he left off work for the day, he went into the house and grumbled to his wife about that everlasting cuckoo. "Did you see what a big one it was?" said his wife. "I saw it as it sat in our tree this morning." "It will make all the bigger pie then," said the man, "if it comes again."

The next morning he had hardly begun to work, when the bird came and settled on the pear-tree over his head, and shouted "Cuckoo!"

Then the man took up a great stone, which he had by him ready, and aimed with all his might; his aim was so true, that the stone hit the bird on the side of the head, so that it fell down out of the tree into the grass in front of his feet.

"Wife," he shouted, "I've killed the cuckoo! Come and carry it in, and cook it for my dinner." "Oh, what a great fat one!" cried his wife, as she ran and picked it up by the neck; "and heavy! It feels as heavy as a turkey!"

She laid it in her apron, and went and sat in the doorway, and began plucking it, while her husband went on with his work. Presently she called to him, "Just look here at all these feathers! I never saw anything like it; there are enough to stuff a feather-bed!" He looked round, and saw the ground all covered with a great heap of feathers that had been plucked from the bird: enough, as she said, for a feather-bed.

"This is a new discovery," cried he, "that a cuckoo holds so many feathers. We can make our fortunes in this way, wife--I going about killing cuckoos, and you plucking them into feather-beds."

Then his wife carried the cuckoo indoors, and set it down to roast. But directly the spit began to turn, the cat jumped up from before the front of the fire, and ran away screaming.

The smell of the roast came out to the man as he worked in his garden. "How good it smells!" said he. "Don't _you_ touch it, wife! You mustn't have a bit!" "I don't care if I don't," she replied: for she had watched it as it went turning on the spit; and up and down, up and down, it kept moving its wings!

When dinner-time came the man sat down, and his wife dished up the bird, and set it upon the table before him. He ate it so greedily that he ate it all--the bones, and the back, and the head, and the wings, and the legs down to the last claw.

Then he pushed back his plate, and cried, "So there's an end of him!" But just as he was about saying that, a voice from inside of him called, "Cuckoo! cuckoo! cuckoo!"

"Oh my heart and liver!" cried the man. "What's that!"

Then his wife began laughing and jiggering at him. "It's because you were so greedy. If you had given me half of that cuckoo this wouldn't have happened. Now you see you are paid."

"Cuckoo! cuckoo! cuckoo!" cried the voice again from within.

"What have I done to myself?" cried the man, in an agony of terror. "What a poisonous noise to come from a man's belly! I shall die of it, I know I shall!"

His wife only said, "See, then, what comes of being greedy."

He got up on to his feet, and looked down at his empty plate: there was not a scrap left on it. Then he put his hands to his sides, and shrieked, "I feel as if a windmill were turning round inside me! And I'm so light! Wife, hold me down--I'm going off my feet!" And as he spoke, he swung sideway, and began rising with a wobbling motion into the air. His wife caught him by the head, while his feet swung like the pendulum of a clock, and all the time a voice inside him kept calling, "Cuckoo! cuckoo! cuckoo! cuckoo!"

Presently it seemed to the unfortunate man as if the windmill had stopped, and he was able to strike the ground with his feet once more. "Oh, blessed Mother Earth!" he cried, and began rubbing it up and down with his feet, and caressing it as if it had been a pet animal. But his face had grown very white.

"Put me to bed," he said to his wife; and she put him to bed on the top of the great feather-mattress which she had made only that morning from the cuckoo-pluckings.

The cuckoo kept him awake far into the night, and his wife herself could get no sleep; but towards morning he dozed off into a disturbed sort of slumber, and began to dream.

He felt his eyes turning inwards, so that he could see into the middle of his body. And there sat the cuckoo, like an unpleasant nestling, with great red eyes staring at him, and the wound on its head burning a blue flame. It seemed to grow and grow and grow, dislocating his bones, and thrusting aside his heart to make room for itself. Its wings seemed to be sawing out his ribs, and its head was pushed far up into his throat, where with its angry beak it seemed reaching to peck out his eyes. "I will torment you for ever," said the bird. "You shall have no peace until you let me go. I am the King of the Cuckoos; I will give you no rest. You will be surprised at what I can do to you; even in your despair you will be surprised." Then it drew down its head and pecked his heart, so that he woke in great pain. And as his eyes turned outwards he saw that it was morning.

"Wife," he said, before going out, "I feel as though, if I went out, I might be carried away, like a worm in a bird's beak. Fasten a chain round me, and drive it with a stake into the ground, and let me see if so I be able to work safely in my garden."

So his wife did as he told her; but whenever he caught hold of a spade the bird lifted him off his feet, so that he could not drive it into the ground. He wrung his hands and wailed, "Alas, alas! now my occupation is gone, and my wife and I shall become beggars!"

The villagers came and looked over the hedge, wagging their heads. "Ah, you are the man who killed the cuckoo yesterday! and already you are come to this!"

Every day things got worse and worse. His wife used to have to hold him down and feed him with a spoon, for if he took up a knife to eat with, the bird hurled him upon it so violently as to put him in danger of his life. Also it kept him ceaselessly awake with its cry, so that he was worn to a shadow.

One day in the end of the month of June he heard a change come in its horrible singing; instead of crying "Cuckoo" as before, it now broke its note as is the cuckoo's habit to do before it goes abroad for the winter, and cried "Cuck-cuck-Cuckoo, cuck-cuck-Cuckoo!" Some sort of a hope came into the man's heart at that. "Presently it will be winter," he thought to himself, "and the cuckoo must die then, even if I have to eat ice and snow to make him! if only I do not die first," he added, and groaned, for he was now indeed but a shadow.

Soon after this the cuckoo left off its crying altogether. "Is he dead already?" thought the man. All the other cuckoos had gone out of the country: he grew quite happy with this new idea and began to put on flesh.

But one night, at the dead of night, the cuckoo felt a longing to be in lands oversea come into its wings. The man woke with a loud cry, and found himself sailing along through the air with only the stars overhead, and the feeling of a great windmill inside him. And the cuckoo was crying with a new note into the darkness: the cry it makes in far lands oversea which is never heard in this country at all: a cry so strange and terrible and wonderful that we have no word that will give the sound of it. This man heard it, and at the sound his hair went quite white with fright.

When his wife woke up in the morning, her husband was nowhere to be seen. "So!" she said to herself, "the cuckoo has picked him up and thrown him away somewhere; and I suppose he is dead. Well, he was an uncomfortable husband to have; and it all came of being greedy."

She drew down the front blinds, and dressed herself in widow's mourning all through the winter; and the next spring told another man he might marry her if he liked. The other man happened to like the idea well enough, for there was a house and a nice garden for anyone who would have her. So the first fine day they went off to the Parson and got married.

It was a very fine day, and well on in spring: and just as they were coming back from the church they heard the note of a cuckoo.

The widow-bride felt a cold shiver go down her marrow. "It does make one feel queer," she said; "that sound gave me quite a turn." "Hullo! look at him up there!" cried the man. She stared up, and there was her husband sailing through the air, looking more of a shadow than ever, and very miserable with the voice of the cuckoo calling across the land from the inside of him.

The cuckoo deposited him at his own doorstep in front of the bridal couple.

"O you miserable scare-crow!" said his wife, "whatever brought you back?" The unhappy man pointed below the surface, and the shut-up cuckoo spoke for him.

"And here I find you marrying yourself to another!" cried her returned spouse: but the other man had shrunk away in disgust and disappeared, so there was no more trouble with him.

But the old trouble was as bad as ever, the cuckoo was just as industrious in his cuckooings, and just as untimely: and the man went on wearing himself to a shadow with vexation and grief.

So all the summer went by, till again the cuckoo was heard to break its note into a double sound. But this time, no glimmer of hope came to the man's mind. "Tie me fast to the bed," he said sorrowfully to his wife, "and keep me there, lest this demon of a bird carry me away again as he did last year; a thing which I could never survive a second time. Nay, give me a sheath-knife to keep always with me, for if he carry me away again I am resolved that he or I shall die."

So his wife gave him the sheath-knife, and by-and-by the bird became very quiet, so that they almost hoped he was dead from old age.

But one night, at the dead of night, into the birds wings came the longing to be once more in lands oversea. He stretched out his wings, and the man woke with a loud cry. And behold, there were he and his wife, sailing along under the stars tied into the feather-bed together, all complete and compact; and inside him was the feeling of a great windmill going round and round and round.

Then in despair he drew out his sheath-knife and cut himself open like a haggis. And on a sudden out flew the cuckoo, all plucked and bald and ready to roast. At the very same moment the bed-ticking burst, and away went the cuckoo with his feathers trailing after him, uttering through the darkness that strange terrible cry of the lands oversea.

But the man and his wife and the empty bed-ticking, they fell and they fell and they fell right down, till they got to the bottom of the deep blue sea; and there was an end of them.

A CHINESE FAIRY TALE

TIKI-PU was a small grub of a thing; but he had a true love of Art deep down in his soul. There it hung mewing and complaining, struggling to work its way out through the raw exterior that bound it.

Tiki-pu's master professed to be an artist: he had apprentices and students, who came daily to work under him, and a large studio littered about with the performances of himself and his pupils. On the walls hung also a few real works by the older men, all long since dead.

This studio Tiki-pu swept; for those who worked in it he ground colours, washed brushes, and ran errands, bringing them their dog chops and bird's nest soup from the nearest eating-house whenever they were too busy to go out to it themselves. He himself had to feed mainly on the breadcrumbs which the students screwed into pellets for their drawings and then threw about upon the floor. It was on the floor, also, that he had to sleep at night.

Tiki-pu looked after the blinds, and mended the paper window-panes, which were often broken when the apprentices threw their brushes and mahl-sticks at him. Also he strained rice-paper over the linen-stretchers, ready for the painters to work on; and for a treat, now and then, a lazy one would allow him to mix a colour for him. Then it was that Tiki-pu's soul came down into his finger-tips, and his heart beat so that he gasped for joy. Oh, the yellows and the greens, and the lakes and the cobalts, and the purples which sprang from the blending of them! Sometimes it was all he could do to keep himself from crying out.

Tiki-pu, while he squatted and ground at the colour-powders, would listen to his master lecturing to the students. He knew by heart the names of all the painters and their schools, and the name of the great leader of them all who had lived and passed from their midst more than three hundred years ago; he knew that too, a name like the sound of the wind, Wio-wani: the big picture at the end of the studio was by him.

That picture! To Tiki-pu it seemed worth all the rest of the world put together. He knew, too, the story which was told of it, making it as holy to his eyes as the tombs of his own ancestors. The apprentices joked over it, calling it "Wio-wani's back-door," "Wio-wani's night-cap," and many other nicknames; but Tiki-pu was quite sure, since the picture was so beautiful, that the story must be true.

Wio-wani, at the end of a long life, had painted it; a garden full of trees and sunlight, with high-standing flowers and green paths, and in their midst a palace. "The place where I would like to rest," said Wio-wani, when it was finished.

So beautiful was it then, that the Emperor himself had come to see it; and gazing enviously at those peaceful walks, and the palace nestling among the trees, had sighed and owned that he too would be glad of such a resting-place. Then Wio-wani stepped into the picture, and walked away along a path till he came, looking quite small and far-off, to a low door in the palace wall. Opening it, he turned and beckoned to the Emperor; but the Emperor did not follow; so Wio-wani went in by himself, and shut the door between himself and the world for ever.

That happened three hundred years ago; but for Tiki-pu the story was as fresh and true as if it had happened yesterday. When he was left to himself in the studio, all alone and locked up for the night, Tiki-pu used to go and stare at the picture till it was too dark to see, and at the little palace with the door in its wall by which Wio-wani had disappeared out of life. Then his soul would go down into his finger-tips, and he would knock softly and fearfully at the beautifully painted door, saying, "Wio-wani, are you there?"

Little by little in the long-thinking nights, and the slow early mornings when light began to creep back through the papered windows of the studio, Tiki-pu's soul became too much for him. He who could strain paper, and grind colours, and wash brushes, had everything within reach for becoming an artist, if it was the will of Fate that he should be one.

He began timidly at first, but in a little while he grew bold. With the first wash of light he was up from his couch on the hard floor and was daubing his soul out on scraps, and odds-and-ends, and stolen pieces of rice-paper.

Before long the short spell of daylight which lay between dawn and the arrival of the apprentices to their work did not suffice him. It took him so long to hide all traces of his doings, to wash out the brushes, and rinse clean the paint-pots he had used, and on the top of that to get the studio swept and dusted, that there was hardly time left him in which to indulge the itching of his fingers.

Driven by necessity, he became a pilferer of candle-ends, picking them from their sockets in the lanterns which the students carried on dark nights. Now and then one of these would remember that, when last used, his lantern had had a candle in it, and would accuse Tiki-pu of having stolen it. "It is true," he would confess; "I was hungry--I have eaten it." The lie was so probable, he was believed easily, and was well beaten accordingly. Down in the ragged linings of his coat Tiki-pu could hear the candle-ends rattling as the buffeting and chastisement fell upon him, and often he trembled lest his hoard should be discovered. But the truth of the matter never leaked out; and at night, as soon as he guessed that all the world outside was in bed, Tiki-pu would mount one of his candles on a wooden stand and paint by the light of it, blinding himself over his task, till the dawn came and gave him a better and cheaper light to work by.

Tiki-pu quite hugged himself over the results; he believed he was doing very well. "If only Wio-wani were here to teach me," thought he, "I would be in the way to becoming a great painter!"

The resolution came to him one night that Wio-wani _should_ teach him. So he took a large piece of rice-paper and strained it, and sitting down opposite "Wio-wani's back-door," began painting. He had never set himself so big a task as this; by the dim stumbling light of his candle he strained his eyes nearly blind over the difficulties of it; and at last was almost driven to despair. How the trees stood row behind row, with air and sunlight between, and how the path went in and out, winding its way up to the little door in the palace-wall were mysteries he could not fathom. He peered and peered and dropped tears into his paint-pots; but the secret of the mystery of such painting was far beyond him.

The door in the palace-wall opened; out came a little old man and began walking down the pathway towards him.

The soul of Tiki-pu gave a sharp leap in his grubby little body. "That must be Wio-wani himself and no other!" cried his soul.

Tiki-pu pulled off his cap and threw himself down on the floor with reverent grovellings. When he dared to look up again Wio-wani stood over him big and fine; just within the edge of his canvas he stood and reached out a hand.

"Come along with me, Tiki-pu!" said the great one. "If you want to know how to paint I will teach you."

"Oh, Wio-wani, were you there all the while?" cried Tiki-pu ecstatically, leaping up and clutching with his smeary little puds the hand which the old man extended to him.

"I was there," said Wio-wani, "looking at you out of my little window. Come along in!"

Tiki-pu took a heave and swung himself into the picture, and fairly capered when he found his feet among the flowers of Wio-wani's beautiful garden. Wio-wani had turned, and was ambling gently back to the door of his palace, beckoning to the small one to follow him; and there stood Tiki-pu, opening his mouth like a fish to all the wonders that surrounded him. "Celestiality, may I speak?" he said suddenly.

"Speak," replied Wio-wani; "what is it?"

"The Emperor, was he not the very flower of fools not to follow when you told him?"

"I cannot say," answered Wio-wani, "but he certainly was no artist."

Then he opened the door, that door which he had so beautifully painted, and led Tiki-pu in. And outside the little candle-end sat and guttered by itself, till the wick fell overboard, and the flame kicked itself out, leaving the studio in darkness and solitude to wait for the growings of another dawn.

It was full day before Tiki-pu reappeared; he came running down the green path in great haste, jumped out of the frame on to the studio floor, and began tidying up his own messes of the night, and the apprentices' of the previous day. Only just in time did he have things ready by the hour when his master and the others returned to their work.

All that day they kept scratching their left ears, and could not think why; but Tiki-pu knew, for he was saying over to himself all the things that Wio-wani, the great painter, had been saying about them and their precious productions. And as he ground their colours for them and washed their brushes, and filled his famished little body with the breadcrumbs they threw away, little they guessed from what an immeasurable distance he looked down upon them all, and had Wio-wani's word for it tickling his right ear all the day long.

Now before long Tiki-pu's master noticed a change in him; and though he bullied him, and thrashed him, and did all that a careful master should do, he could not get the change out of him. So in a short while he grew suspicious. "What is the boy up to?" he wondered. "I have my eye on him all day: it must be at night that he gets into mischief."

It did not take Tiki-pu's master a night's watching to find that something surreptitious was certainly going on. When it was dark he took up his post outside the studio, to see whether by any chance Tiki-pu had some way of getting out; and before long he saw a faint light showing through the window. So he came and thrust his finger softly through one of the panes, and put his eye to the hole.

There inside was a candle burning on a stand, and Tiki-pu squatting with paint-pots and brush in front of Wio-wani's last masterpiece.

"What fine piece of burglary is this?" thought he; "what serpent have I been harbouring in my bosom? Is this beast of a grub of a boy thinking to make himself a painter and cut me out of my reputation and prosperity?" For even at that distance he could perceive plainly that the work of this boy went head and shoulders beyond his, or that of any painter then living.

Presently Wio-wani opened his door and came down the path, as was his habit now each night, to call Tiki-pu to his lesson. He advanced to the front of his picture and beckoned for Tiki-pu to come in with him; and Tiki-pu's master grew clammy at the knees as he beheld Tiki-pu catch hold of Wio-wani's hand and jump into the picture, and skip up the green path by Wio-wani's side, and in through the little door that Wio-wani had painted so beautifully in the end wall of his palace!

For a time Tiki-pu's master stood glued to the spot with grief and horror. "Oh, you deadly little underling! Oh, you poisonous little caretaker, you parasite, you vampire, you fly in amber!" cried he, "is that where you get your training? Is it there that you dare to go trespassing; into a picture that I purchased for my own pleasure and profit, and not at all for yours? Very soon we will see whom it really belongs to!"

He ripped out the paper of the largest window-pane and pushed his way through into the studio. Then in great haste he took up paint-pot and brush, and sacrilegiously set himself to work upon Wio-wani's last masterpiece. In the place of the doorway by which Tiki-pu had entered he painted a solid brick wall; twice over he painted it, making it two bricks thick; brick by brick he painted it, and mortared every brick to its place. And when he had quite finished he laughed, and called "Good-night, Tiki-pu!" and went home to be quite happy.

The next day all the apprentices were wondering what had become of Tiki-pu; but as the master himself said nothing, and as another boy came to act as colour-grinder and brush-washer to the establishment, they very soon forgot all about him.

In the studio the master used to sit at work with his students all about him, and a mind full of ease and contentment. Now and then he would throw a glance across to the bricked-up doorway of Wio-wani's palace, and laugh to himself, thinking how well he had served out Tiki-pu for his treachery and presumption.

One day--it was five years after the disappearance of Tiki-pu--he was giving his apprentices a lecture on the glories and the beauties and the wonders of Wio-wani's painting--how nothing for colour could excel, or for mystery could equal it. To add point to his eloquence, he stood waving his hands before Wio-wani's last masterpiece, and all his students and apprentices sat round him and looked.

Suddenly he stopped at mid-word, and broke off in the full flight of his eloquence, as he saw something like a hand come and take down the top brick from the face of paint which he had laid over the little door in the palace-wall which Wio-wani had so beautifully painted. In another moment there was no doubt about it; brick by brick the wall was being pulled down, in spite of its double thickness.

The lecturer was altogether too dumbfounded and terrified to utter a word. He and all his apprentices stood round and stared while the demolition of the wall proceeded. Before long he recognised Wio-wani with his flowing white beard; it was his handiwork, this pulling down of the wall! He still had a brick in his hand when he stepped through the opening that he had made, and close after him stepped Tiki-pu!

Tiki-pu was grown tall and strong--he was even handsome; but for all that his old master recognised him, and saw with an envious foreboding that under his arms he carried many rolls and stretchers and portfolios, and other belongings of his craft. Clearly Tiki-pu was coming back into the world, and was going to be a great painter.

Down the garden path came Wio-wani, and Tiki-pu walked after him; Tiki-pu was so tall that his head stood well over Wio-wani's shoulders--old man and young man together made a handsome pair.

How big Wio-wani grew as he walked down the avenues of his garden and into the foreground of his picture! and how big the brick in his hand! and ah, how angry he seemed!

Wio-wani came right down to the edge of the picture-frame and held up the brick. "What did you do that for?" he asked.

"I ... didn't!" Tiki-pu's old master was beginning to reply; and the lie was still rolling on his tongue when the weight of the brick-bat, hurled by the stout arm of Wio-wani, felled him. After that he never spoke again. That brick-bat, which he himself had reared, became his own tombstone.