Chapter II: The Leaf Orders
§ 1. As in our sketch of the structure of mountains it seemed advisable to adopt a classification of their forms, which, though inconsistent with absolute scientific precision, was convenient for order of successive inquiry, and gave useful largeness of view; so, and with yet stronger reason, in glancing at the first laws of vegetable life, it will be best to follow an arrangement easily remembered and broadly true, however incapable of being carried out into entirely consistent detail. I say, "with yet stronger reason," because more questions are at issue among botanists than among geologists; a greater number of classifications have been suggested for plants than for rocks; nor is it unlikely that those now accepted may be hereafter modified. I take an arrangement, therefore, involving no theory; serviceable enough for all working purposes, and sure to remain thus serviceable, in its rough generality, whatever views may hereafter be developed among botanists.
§ 2. A child's division of plants is into "trees and flowers." If, however, we were to take him in spring, after he had gathered his lapful of daisies, from the lawn into the orchard, and ask him how he would call those wreaths of richer floret, whose frail petals tossed their foam of promise between him and the sky, he would at once see the need of some intermediate name, and call them, perhaps, "tree-flowers." If, then, we took him to a birch-wood, and showed him that catkins were flowers, as well as cherry-blossoms, he might, with a little help, reach so far as to divide all flowers into two classes; one, those that grew on ground; and another, those that grew on trees. The botanist might smile at such a division; but an artist would not. To him, as the child, there is something specific and distinctive in those rough trunks that carry the higher flowers. To him, it makes the main difference between one plant and another, whether it is to tell as a light upon the ground, or as a shade upon the sky. And if, after this, we asked for a little help from the botanist, and he were to lead us, leaving the blossoms, to look more carefully at leaves and buds, we should find ourselves able in some sort to justify, even to him, our childish classification. For our present purposes, justifiable or not, it is the most suggestive and convenient. Plants are, indeed, broadly referable to two great classes. The first we may, perhaps, not inexpediently call TENTED PLANTS. They live in encampments, on the ground, as lilies; or on surfaces of rock, or stems of other plants, as lichens and mosses. They live--some for a year, some for many years, some for myriads of years; but, perishing, they pass as the tented Arab passes; they leave _no memorials of themselves_, except the seed, or bulb, or root which is to perpetuate the race.
§ 3. The other great class of plants we may perhaps best call BUILDING PLANTS. These will not live on the ground, but eagerly raise edifices above it. Each works hard with solemn forethought all its life. Perishing, it leaves its work in the form which will be most useful to its successors--its own monument, and their inheritance. These architectural edifices we call "Trees."
It may be thought that this nomenclature already involves a theory. But I care about neither the nomenclature, nor about anything questionable in my description of the classes. The reader is welcome to give them what names he likes, and to render what account of them he thinks fittest. But to us, as artists, or lovers of art, this is the first and most vital question concerning a plant: "Has it a fixed form or a changing one? Shall I find it always as I do to-day--this Parnassia palustris--with one leaf and one flower? or may it some day have incalculable pomp of leaves and unmeasured treasure of flowers? Will it rise only to the height of a man--as an ear of corn--and perish like a man; or will it spread its boughs to the sea and branches to the river, and enlarge its circle of shade in heaven for a thousand years?"
§ 4. This, I repeat, is the _first_ question I ask the plant. And as it answers, I range it on one side or the other, among those that rest or those that toil: tent-dwellers, who toil not, neither do they spin; or tree-builders, whose days are as the days of the people. I find again, on farther questioning these plants who rest, that one group of them does indeed rest always, contentedly, on the ground, but that those of another group, more ambitious, emulate the builders; and though they cannot build rightly, raise for themselves pillars out of the remains of past generations, on which they themselves, living the life of St. Simeon Stylites, are called, by courtesy, Trees; being, in fact, many of them (palms, for instance) quite as stately as real trees.[1]
These two classes we might call earth-plants, and pillar-plants.
§ 5. Again, in questioning the true builders as to their modes of work, I find that they also are divisible into two great classes. Without in the least wishing the reader to accept the fanciful nomenclature, I think he may yet most conveniently remember these as "Builders with the shield," and "Builders with the sword."
Builders with the shield have expanded leaves, more or less resembling shields, partly in shape, but still more in office; for under their lifted shadow the young bud of the next year is kept from harm. These are the gentlest of the builders, and live in pleasant places, providing food and shelter for man. Builders with the sword, on the contrary, have sharp leaves in the shape of swords, and the young buds, instead of being as numerous as the leaves, crouching each under a leaf-shadow, are few in number, and grow fearlessly, each in the midst of a sheaf of swords. These builders live in savage places, are sternly dark in color, and though they give much help to man by their merely physical strength, they (with few exceptions) give him no food, and imperfect shelter. Their mode of building is ruder than that of the shield-builders, and they in many ways resemble the pillar-plants of the opposite order. We call them generally "Pines."
§ 6. Our work, in this section, will lie only among the shield-builders, sword-builders, and plants of rest. The Pillar-plants belong, for the most part, to other climates. I could not analyze them rightly; and the labor given to them would be comparatively useless for our present purposes. The chief mystery of vegetation, so far as respects external form, is among the fair shield-builders. These, at least, we must examine fondly and earnestly.
FOOTNOTE:
[1] I am not sure that this is a fair account of palms. I have never
had opportunity of studying stems of Endogens, and I cannot
understand the description given of them in books, nor do I know how
far some of their branched conditions approximate to real
tree-structure. If this work, whatever errors it may involve,
provokes the curiosity of the reader so as to lead him to seek for
more and better knowledge, it will do all the service I hope from it.
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Modern Painters, Volume 5 (of 5)Chapter II: The Leaf Orders
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