Chapter II: Part 2

Ben slipped the rubber band around his wallet and replaced it airily.

"I don't want it paid back, sir. It's a little gift, so to speak, just to let you know I ain't ungrateful for all you did for me. If it hadn't been for you I might have been in the penitentiary by now. As for the money, it may seem a pile to you, but we don't think anything more of a thousand or so in the Kootenay than you Greenvale folks do of a fiver--not a bit more. We do things on a big scale out there."

"But, Ben, are you sure you can afford it--that you won't miss it?"

"Pop sure. Don't you worry, I'm all right."

"Bless you--bless you!" The tears were running down old Stephen's face as he gathered up the money with a shaking hand. "I always knew you would do well, Ben--always said it. I knew you'd a good heart. I just can't realize this yet--it seems too good to be true. The old place saved--I can die in peace. Of course, I'll pay you back some of it anyhow if I'm spared a while longer. Bless you, Ben."

Ben would not stay long after that. He said he had to leave on the 4:30 train. He was relieved when he got away from the old man's thanks and questions. Ben did not find it easy to answer some of the latter. When he was out of sight of the house he sat on a fence and counted up his remaining funds.

"Just enough to take me back to the Kootenay--and then begin over again, I s'pose. But 'twas worth the money to see the old fellow's face. He'd thank the Lord and me, he said. How Jake and Wade'd roar to hear them two names in partnership! But I'm going to pull up a bit after this, see if I don't, just to justify the old man's faith in me. 'Twould be too bad to disappoint him if he's believed for so long that I was going to turn out all right yet."

When the 4:30 train went out Ben Butler stood on the rear platform. Gabe Foley watched him abstractedly as he receded.

"Blamed if I know who that fellow was," he remarked to a crony. "He never told his name, but seems to me I've seen him before. He has a kind of hang-dog look, I think. But he paid up square and it is none of my business."

An Unconventional Confidence

The Girl in Black-and-Yellow ran frantically down the grey road under the pines. There was nobody to see her, but she would have run if all Halifax had been looking on. For had she not on the loveliest new hat--a "creation" in yellow chiffon with big black _choux_--and a dress to match? And was there not a shower coming straight from the hills across the harbour?

Down at the end of the long resinous avenue the Girl saw the shore road, with the pavilion shutting out the view of the harbour's mouth. Below the pavilion, clean-shaven George's Island guarded the town like a sturdy bulldog, and beyond it were the wooded hills, already lost in a mist of rain.

"Oh, I shall be too late," moaned the Girl. But she held her hat steady with one hand and ran on. If she could only reach the pavilion in time! It was a neck-and-neck race between the rain and the Girl, but the Girl won. Just as she flew out upon the shore road, a tall Young Man came pelting down the latter, and they both dashed up the steps of the pavilion together as the rain swooped down upon them and blotted George's Island and the smoky town and the purple banks of the Eastern Passage from view.

The pavilion was small at the best of times, and just now the rain was beating into it on two sides, leaving only one dry corner. Into this the Girl moved. She was flushed and triumphant. The Young Man thought that in all his life he had never seen anyone so pretty.

"I'm so glad I didn't get my hat wet," said the Girl breathlessly, as she straightened it with a careful hand and wondered if she looked very blown and blowsy.

"It would have been a pity," admitted the Young Man. "It is a very pretty hat."

"Pretty!" The Girl looked the scorn her voice expressed. "Anyone can have a _pretty_ hat. Our cook has one. This is a _creation_."

"Of course," said the Young Man humbly. "I ought to have known. But I am very stupid."

"Well, I suppose a mere man couldn't be expected to understand exactly," said the Girl graciously.

She smiled at him in a friendly fashion, and he smiled back. The Girl thought that she had never seen such lovely brown eyes before. He could not be a Haligonian. She was sure she knew all the nice young men with brown eyes in Halifax.

"Please sit down," she said plaintively. "I'm tired."

The Young Man smiled again at the idea of his sitting down because the Girl was tired. But he sat down, and so did she, on the only dry seat to be found.

"Goodness knows how long this rain will last," said the Girl, making herself comfortable and picturesque, "but I shall stay here until it clears up, if it rains for a week. I will _not_ have my hat spoiled. I suppose I shouldn't have put it on. Beatrix said it was going to rain. Beatrix is such a horribly good prophet. I detest people who are good prophets, don't you?"

"I think that they are responsible for all the evils that they predict," said the Young Man solemnly.

"That is just what I told Beatrix. And I was determined to put on this hat and come out to the park today. I simply _had_ to be alone, and I knew I'd be alone out here. Everybody else would be at the football game. By the way, why aren't you there?"

"I wasn't even aware that there was a football game on hand," said the Young Man, as if he knew he ought to be ashamed of his ignorance, and was.

"Dear me," said the Girl pityingly. "Where can you have been not to have heard of it? It's between the Dalhousie team and the Wanderers. Almost everybody here is on the Wanderers' side, because they are Haligonians, but I am not. I like the college boys best. Beatrix says that it is just because of my innate contrariness. Last year I simply screamed myself hoarse with enthusiasm. The Dalhousie team won the trophy."

"If you are so interested in the game, it is a wonder you didn't go to see it yourself," said the Young Man boldly.

"Well, I just couldn't," said the Girl with a sigh. "If anybody had ever told me that there would be a football game in Halifax, and that I would elect to prowl about by myself in the park instead of going to it, I'd have laughed them to scorn. Even Beatrix would never have dared to prophesy _that_. But you see it has happened. I was too crumpled up in my mind to care about football today. I had to come here and have it out with myself. That is why I put on my hat. I thought, perhaps, I might get through with my mental gymnastics in time to go to the game afterwards. But I didn't. It is just maddening, too. I got this hat and dress on purpose to wear to it. They're black and yellow, you see--the Dalhousie colours. It was my own idea. I was sure it would make a sensation. But I couldn't go to the game and take any interest in it, feeling as I do, could I, now?"

The Young Man said, of course, she couldn't. It was utterly out of the question.

The Girl smiled. Without a smile, she was charming. With a smile, she was adorable.

"I like to have my opinions bolstered up. Do you know, I want to tell you something? May I?"

"You may. I'll never tell anyone as long as I live," said the Young Man solemnly.

"I don't know you and you don't know me. That is why I want to tell you about it. I _must_ tell somebody, and if I told anybody I knew, they'd tell it all over Halifax. It is dreadful to be talking to you like this. Beatrix would have three fits, one after the other, if she saw me. But Beatrix is a slave to conventionality. I glory in discarding it at times. You don't mind, do you?"

"Not at all," said the Young Man sincerely.

The Girl sighed.

"I have reached that point where I must have a confidant, or go crazy. Once I could tell things to Beatrix. That was before she got engaged. Now she tells everything to _him_. There is no earthly way of preventing her. I've tried them all. So, nowadays, when I get into trouble, I tell it out loud to myself in the glass. It's a relief, you know. But that is no good now. I want to tell it to somebody who can say things back. Will you promise to say things back?"

The Young Man assured her that he would when the proper time came.

"Very well. But please don't look at me while I'm telling you. I'll be sure to blush in places. When Beatrix wants to be particularly aggravating she says I have lost the art of blushing. But that is only her way of putting it, you know. Sometimes I blush dreadfully."

The Young Man dragged his eyes from the face under the black-and-yellow hat, and fastened them on a crooked pine tree that hung out over the bank.

"Well," began the Girl, "the root of the whole trouble is simply this. There is a young man in England. I always think of him as the Creature. He is the son of a man who was Father's especial crony in boyhood, before Father emigrated to Canada. Worse than that, he comes of a family which has contracted a vile habit of marrying into our family. It has come down through the ages so long that it has become chronic. Father left most of his musty traditions in England, but he brought this pet one with him. He and this friend agreed that the latter's son should marry one of Father's daughters. It ought to have been Beatrix--she is the oldest. But Beatrix had a pug nose. So Father settled on me. From my earliest recollection I have been given to understand that just as soon as I grew up there would be a ready-made husband imported from England for me. I was doomed to it from my cradle. Now," said the Girl, with a tragic gesture, "I ask you, could _anything_ be more hopelessly, appallingly stupid and devoid of romance than that?"

The Young Man shook his head, but did not look at her.

"It's pretty bad," he admitted.

"You see," said the Girl pathetically, "the shadow of it has been over my whole life. Of course, when I was a very little girl I didn't mind it so much. It was such a long way off and lots of things might happen. The Creature might run away with some other girl--or I might have the smallpox--or Beatrix's nose might be straight when she grew up. And if Beatrix's nose were straight she'd be a great deal prettier than I am. But nothing did happen--and her nose is puggier than ever. Then when I grew up things were horrid. I never could have a single little bit of fun. And Beatrix had such a good time! She had scores of lovers in spite of her nose. To be sure, she's engaged now--and he's a horrid, faddy little creature. But he is her own choice. She wasn't told that there was a man in England whom she must marry by and by, when he got sufficiently reconciled to the idea to come and ask her. Oh, it makes me furious!"

"Is--is there--anyone else?" asked the Young Man hesitatingly.

"Oh, dear, no. How could there be? Why, you know, I couldn't have the tiniest flirtation with another man when I was as good as engaged to the Creature. That is one of my grievances. Just think how much fun I've missed! I used to rage to Beatrix about it, but she would tell me that I ought to be thankful to have the chance of making such a good match--the Creature is rich, you know, and clever. As if I cared how clever or rich he is! Beatrix made me so cross that I gave up saying anything and sulked by myself. So they think I'm quite reconciled to it, but I'm not."

"He might be very nice after all," suggested the Young Man.

"_Nice_! That isn't the point. Oh, don't you see? But no, you're a man--you _can't_ understand. You must just take my word for it. The whole thing makes me furious. But I haven't told you the worst. The Creature is on his way out to Canada now. He may arrive here at any minute. And they are all so aggravatingly delighted over it."

"What do you suppose _he_ feels like?" asked the Young Man reflectively.

"Well," said the Girl frankly, "I've been too much taken up with my own feelings to worry about his. But I daresay they are pretty much like mine. He must loathe and detest the very thought of me."

"Oh, I don't think he does," said the Young Man gravely.

"Don't you? Well, what do you suppose he _does_ think of it all? You ought to understand the man's part of it better than I can."

"There's as much difference in men as in women," said the Young Man in an impersonal tone. "I may be right or wrong, you see, but I imagine he would feel something like this: From boyhood he has understood that away out in Canada there is a little girl growing up who is some day to be his wife. She becomes his boyish ideal of all that is good and true. He pictures her as beautiful and winsome and sweet. She is his heart's lady, and the thought of her abides with him as a safeguard and an inspiration. For her sake he resolves to make the most of himself, and live a clean, loyal life. When she comes to him she must find his heart fit to receive her. There is never a time in all his life when the dream of her does not gleam before him as of a star to which he may aspire with all reverence and love."

The Young Man stopped abruptly, and looked at the Girl. She bent forward with shining eyes, and touched his hand.

"You are splendid," she said softly. "If he thought so--but no--I am sure he doesn't. He's just coming out here like a martyr going to the stake. He knows he will be expected to propose to me when he gets here. And he knows that I know it too. And _he_ knows and _I_ know that I will be expected to say my very prettiest 'yes.'"

"But are you going to say it?" asked the Young Man anxiously.

The Girl leaned forward. "No. That is my secret. I am going to say a most emphatic 'no.'"

"But won't your family make an awful row?"

"Of course. But I rather enjoy a row now and then. It stirs up one's grey matter so nicely. I came out here this afternoon and thought the whole affair over from beginning to end. And I have determined to say 'no.'"

"Oh, I wouldn't make it so irreconcilable as that," said the Young Man lightly. "I'd leave a loophole of escape. You see, if you were to like him a little better than you expect, it would be awkward to have committed yourself by a rash vow to saying 'no,' wouldn't it?"

"I suppose it would," said the Girl thoughtfully, "but then, you know, I won't change my mind."

"It's just as well to be on the safe side," said the Young Man.

The Girl got up. The rain was over and the sun was coming out through the mists.

"Perhaps you are right," she said. "So I'll just resolve that I will say 'no' if I don't want to say 'yes.' That really amounts to the same thing, you know. Thank you so much for letting me tell you all about it. It must have bored you terribly, but it has done me so much good. I feel quite calm and rational now, and can go home and behave myself. Goodbye."

"Goodbye," said the Young Man gravely. He stood on the pavilion and watched the Girl out of sight beyond the pines.

When the Girl got home she was told that the Dalhousie team had won the game, eight to four. The Girl dragged her hat off and waved it joyously.

"What a shame I wasn't there! They'd have gone mad over my dress."

But the next item of information crushed her. The Creature had arrived. He had called that afternoon, and was coming to dinner that night.

"How fortunate," said the Girl, as she went to her room, "that I relieved my mind to that Young Man out in the park today. If I had come back with all that pent-up feeling seething within me and heard this news right on top of it all, I might have flown into a thousand pieces. What lovely brown eyes he had! I do dote on brown eyes. The Creature will be sure to have fishy blue ones."

* * * * *

When the Girl went down to meet the Creature she found herself confronted by the Young Man. For the first, last, and only time in her life, the Girl had not a word to say. But her family thought her confusion very natural and pretty. They really had not expected her to behave so well. As for the Young Man, his manner was flawless.

Toward the end of the dinner, when the Girl was beginning to recover herself, he turned to her.

"You know I promised never to tell," he said.

"Be sure you don't, then," said the Girl meekly.

"But aren't you glad you left the loophole?" he persisted.

The Girl smiled down into her lap.

"Perhaps," she said.

Aunt Cyrilla's Christmas Basket

When Lucy Rose met Aunt Cyrilla coming downstairs, somewhat flushed and breathless from her ascent to the garret, with a big, flat-covered basket hanging over her plump arm, she gave a little sigh of despair. Lucy Rose had done her brave best for some years--in fact, ever since she had put up her hair and lengthened her skirts--to break Aunt Cyrilla of the habit of carrying that basket with her every time she went to Pembroke; but Aunt Cyrilla still insisted on taking it, and only laughed at what she called Lucy Rose's "finicky notions." Lucy Rose had a horrible, haunting idea that it was extremely provincial for her aunt always to take the big basket, packed full of country good things, whenever she went to visit Edward and Geraldine. Geraldine was so stylish, and might think it queer; and then Aunt Cyrilla always would carry it on her arm and give cookies and apples and molasses taffy out of it to every child she encountered and, just as often as not, to older folks too. Lucy Rose, when she went to town with Aunt Cyrilla, felt chagrined over this--all of which goes to prove that Lucy was as yet very young and had a great deal to learn in this world.

That troublesome worry over what Geraldine would think nerved her to make a protest in this instance.

"Now, Aunt C'rilla," she pleaded, "you're surely not going to take that funny old basket to Pembroke this time--Christmas Day and all."

"'Deed and 'deed I am," returned Aunt Cyrilla briskly, as she put it on the table and proceeded to dust it out. "I never went to see Edward and Geraldine since they were married that I didn't take a basket of good things along with me for them, and I'm not going to stop now. As for it's being Christmas, all the more reason. Edward is always real glad to get some of the old farmhouse goodies. He says they beat city cooking all hollow, and so they do."

"But it's so countrified," moaned Lucy Rose.

"Well, I am countrified," said Aunt Cyrilla firmly, "and so are you. And what's more, I don't see that it's anything to be ashamed of. You've got some real silly pride about you, Lucy Rose. You'll grow out of it in time, but just now it is giving you a lot of trouble."

"The basket is a lot of trouble," said Lucy Rose crossly. "You're always mislaying it or afraid you will. And it does look so funny to be walking through the streets with that big, bulgy basket hanging on your arm."

"I'm not a mite worried about its looks," returned Aunt Cyrilla calmly. "As for its being a trouble, why, maybe it is, but I have that, and other people have the pleasure of it. Edward and Geraldine don't need it--I know that--but there may be those that will. And if it hurts your feelings to walk 'longside of a countrified old lady with a countrified basket, why, you can just fall behind, as it were."

Aunt Cyrilla nodded and smiled good-humouredly, and Lucy Rose, though she privately held to her own opinion, had to smile too.

"Now, let me see," said Aunt Cyrilla reflectively, tapping the snowy kitchen table with the point of her plump, dimpled forefinger, "what shall I take? That big fruit cake for one thing--Edward does like my fruit cake; and that cold boiled tongue for another. Those three mince pies too, they'd spoil before we got back or your uncle'd make himself sick eating them--mince pie is his besetting sin. And that little stone bottle full of cream--Geraldine may carry any amount of style, but I've yet to see her look down on real good country cream, Lucy Rose; and another bottle of my raspberry vinegar. That plate of jelly cookies and doughnuts will please the children and fill up the chinks, and you can bring me that box of ice-cream candy out of the pantry, and that bag of striped candy sticks your uncle brought home from the corner last night. And apples, of course--three or four dozen of those good eaters--and a little pot of my greengage preserves--Edward'll like that. And some sandwiches and pound cake for a snack for ourselves. Now, I guess that will do for eatables. The presents for the children can go in on top. There's a doll for Daisy and the little boat your uncle made for Ray and a tatted lace handkerchief apiece for the twins, and the crochet hood for the baby. Now, is that all?"

"There's a cold roast chicken in the pantry," said Lucy Rose wickedly, "and the pig Uncle Leo killed is hanging up in the porch. Couldn't you put them in too?"

Aunt Cyrilla smiled broadly. "Well, I guess we'll leave the pig alone; but since you have reminded me of it, the chicken may as well go in. I can make room."

Lucy Rose, in spite of her prejudices, helped with the packing and, not having been trained under Aunt Cyrilla's eye for nothing, did it very well too, with much clever economy of space. But when Aunt Cyrilla had put in as a finishing touch a big bouquet of pink and white everlastings, and tied the bulging covers down with a firm hand, Lucy Rose stood over the basket and whispered vindictively:

"Some day I'm going to burn this basket--when I get courage enough. Then there'll be an end of lugging it everywhere we go like a--like an old market-woman."

Uncle Leopold came in just then, shaking his head dubiously. He was not going to spend Christmas with Edward and Geraldine, and perhaps the prospect of having to cook and eat his Christmas dinner all alone made him pessimistic.

"I mistrust you folks won't get to Pembroke tomorrow," he said sagely. "It's going to storm."

Aunt Cyrilla did not worry over this. She believed matters of this kind were fore-ordained, and she slept calmly. But Lucy Rose got up three times in the night to see if it were storming, and when she did sleep had horrible nightmares of struggling through blinding snowstorms dragging Aunt Cyrilla's Christmas basket along with her.

It was not snowing in the early morning, and Uncle Leopold drove Aunt Cyrilla and Lucy Rose and the basket to the station, four miles off. When they reached there the air was thick with flying flakes. The stationmaster sold them their tickets with a grim face.

"If there's any more snow comes, the trains might as well keep Christmas too," he said. "There's been so much snow already that traffic is blocked half the time, and now there ain't no place to shovel the snow off onto."

Aunt Cyrilla said that if the train were to get to Pembroke in time for Christmas, it would get there; and she opened her basket and gave the stationmaster and three small boys an apple apiece.

"That's the beginning," groaned Lucy Rose to herself.

When their train came along Aunt Cyrilla established herself in one seat and her basket in another, and looked beamingly around her at her fellow travellers.

These were few in number--a delicate little woman at the end of the car, with a baby and four other children, a young girl across the aisle with a pale, pretty face, a sunburned lad three seats ahead in a khaki uniform, a very handsome, imposing old lady in a sealskin coat ahead of him, and a thin young man with spectacles opposite.

"A minister," reflected Aunt Cyrilla, beginning to classify, "who takes better care of other folks' souls than of his own body; and that woman in the sealskin is discontented and cross at something--got up too early to catch the train, maybe; and that young chap must be one of the boys not long out of the hospital. That woman's children look as if they hadn't enjoyed a square meal since they were born; and if that girl across from me has a mother, I'd like to know what the woman means, letting her daughter go from home in this weather in clothes like that."

Lucy Rose merely wondered uncomfortably what the others thought of Aunt Cyrilla's basket.

They expected to reach Pembroke that night, but as the day wore on the storm grew worse. Twice the train had to stop while the train hands dug it out. The third time it could not go on. It was dusk when the conductor came through the train, replying brusquely to the questions of the anxious passengers.

"A nice lookout for Christmas--no, impossible to go on or back--track blocked for miles--what's that, madam?--no, no station near--woods for miles. We're here for the night. These storms of late have played the mischief with everything."

"Oh, dear," groaned Lucy Rose.

Aunt Cyrilla looked at her basket complacently. "At any rate, we won't starve," she said.

The pale, pretty girl seemed indifferent. The sealskin lady looked crosser than ever. The khaki boy said, "Just my luck," and two of the children began to cry. Aunt Cyrilla took some apples and striped candy sticks from her basket and carried them to them. She lifted the oldest into her ample lap and soon had them all around her, laughing and contented.

The rest of the travellers straggled over to the corner and drifted into conversation. The khaki boy said it was hard lines not to get home for Christmas, after all.

"I was invalided from South Africa three months ago, and I've been in the hospital at Netley ever since. Reached Halifax three days ago and telegraphed the old folks I'd eat my Christmas dinner with them, and to have an extra-big turkey because I didn't have any last year. They'll be badly disappointed."

He looked disappointed too. One khaki sleeve hung empty by his side. Aunt Cyrilla passed him an apple.

"We were all going down to Grandpa's for Christmas," said the little mother's oldest boy dolefully. "We've never been there before, and it's just too bad."

He looked as if he wanted to cry but thought better of it and bit off a mouthful of candy.

"Will there be any Santa Claus on the train?" demanded his small sister tearfully. "Jack says there won't."

"I guess he'll find you out," said Aunt Cyrilla reassuringly.

The pale, pretty girl came up and took the baby from the tired mother. "What a dear little fellow," she said softly.

"Are you going home for Christmas too?" asked Aunt Cyrilla.

The girl shook her head. "I haven't any home. I'm just a shop girl out of work at present, and I'm going to Pembroke to look for some."

Aunt Cyrilla went to her basket and took out her box of cream candy. "I guess we might as well enjoy ourselves. Let's eat it all up and have a good time. Maybe we'll get down to Pembroke in the morning."

The little group grew cheerful as they nibbled, and even the pale girl brightened up. The little mother told Aunt Cyrilla her story aside. She had been long estranged from her family, who had disapproved of her marriage. Her husband had died the previous summer, leaving her in poor circumstances.

"Father wrote to me last week and asked me to let bygones be bygones and come home for Christmas. I was so glad. And the children's hearts were set on it. It seems too bad that we are not to get there. I have to be back at work the morning after Christmas."

The khaki boy came up again and shared the candy. He told amusing stories of campaigning in South Africa. The minister came too, and listened, and even the sealskin lady turned her head over her shoulder.

By and by the children fell asleep, one on Aunt Cyrilla's lap and one on Lucy Rose's, and two on the seat. Aunt Cyrilla and the pale girl helped the mother make up beds for them. The minister gave his overcoat and the sealskin lady came forward with a shawl.

"This will do for the baby," she said.

"We must get up some Santa Claus for these youngsters," said the khaki boy. "Let's hang their stockings on the wall and fill 'em up as best we can. I've nothing about me but some hard cash and a jack-knife. I'll give each of 'em a quarter and the boy can have the knife."

"I've nothing but money either," said the sealskin lady regretfully.

Aunt Cyrilla glanced at the little mother. She had fallen asleep with her head against the seat-back.

"I've got a basket over there," said Aunt Cyrilla firmly, "and I've some presents in it that I was taking to my nephew's children. I'm going to give 'em to these. As for the money, I think the mother is the one for it to go to. She's been telling me her story, and a pitiful one it is. Let's make up a little purse among us for a Christmas present."

The idea met with favour. The khaki boy passed his cap and everybody contributed. The sealskin lady put in a crumpled note. When Aunt Cyrilla straightened it out she saw that it was for twenty dollars.

Meanwhile, Lucy Rose had brought the basket. She smiled at Aunt Cyrilla as she lugged it down the aisle and Aunt Cyrilla smiled back. Lucy Rose had never touched that basket of her own accord before.

Ray's boat went to Jacky, and Daisy's doll to his oldest sister, the twins' lace handkerchiefs to the two smaller girls and the hood to the baby. Then the stockings were filled up with doughnuts and jelly cookies and the money was put in an envelope and pinned to the little mother's jacket.

"That baby is such a dear little fellow," said the sealskin lady gently. "He looks something like my little son. He died eighteen Christmases ago."

Aunt Cyrilla put her hand over the lady's kid glove. "So did mine," she said. Then the two women smiled tenderly at each other. Afterwards they rested from their labours and all had what Aunt Cyrilla called a "snack" of sandwiches and pound cake. The khaki boy said he hadn't tasted anything half so good since he left home.

"They didn't give us pound cake in South Africa," he said.

When morning came the storm was still raging. The children wakened and went wild with delight over their stockings. The little mother found her envelope and tried to utter thanks and broke down; and nobody knew what to say or do, when the conductor fortunately came in and made a diversion by telling them they might as well resign themselves to spending Christmas on the train.

"This is serious," said the khaki boy, "when you consider that we've no provisions. Don't mind for myself, used to half rations or no rations at all. But these kiddies will have tremendous appetites."

Then Aunt Cyrilla rose to the occasion.

"I've got some emergency rations here," she announced. "There's plenty for all and we'll have our Christmas dinner, although a cold one. Breakfast first thing. There's a sandwich apiece left and we must fill up on what is left of the cookies and doughnuts and save the rest for a real good spread at dinner time. The only thing is, I haven't any bread."

"I've a box of soda crackers," said the little mother eagerly.

Nobody in that car will ever forget that Christmas. To begin with, after breakfast they had a concert. The khaki boy gave two recitations, sang three songs, and gave a whistling solo. Lucy Rose gave three recitations and the minister a comic reading. The pale shop girl sang two songs. It was agreed that the khaki boy's whistling solo was the best number, and Aunt Cyrilla gave him the bouquet of everlastings as a reward of merit.

Then the conductor came in with the cheerful news that the storm was almost over and he thought the track would be cleared in a few hours.

"If we can get to the next station we'll be all right," he said. "The branch joins the main line there and the tracks will be clear."

At noon they had dinner. The train hands were invited in to share it. The minister carved the chicken with the brakeman's jack-knife and the khaki boy cut up the tongue and the mince pies, while the sealskin lady mixed the raspberry vinegar with its due proportion of water. Bits of paper served as plates. The train furnished a couple of glasses, a tin pint cup was discovered and given to the children, Aunt Cyrilla and Lucy Rose and the sealskin lady drank, turn about, from the latter's graduated medicine glass, the shop girl and the little mother shared one of the empty bottles, and the khaki boy, the minister, and the train men drank out of the other bottle.

Everybody declared they had never enjoyed a meal more in their lives. Certainly it was a merry one, and Aunt Cyrilla's cooking was never more appreciated; indeed, the bones of the chicken and the pot of preserves were all that was left. They could not eat the preserves because they had no spoons, so Aunt Cyrilla gave them to the little mother.

When all was over, a hearty vote of thanks was passed to Aunt Cyrilla and her basket. The sealskin lady wanted to know how she made her pound cake, and the khaki boy asked for her receipt for jelly cookies. And when two hours later the conductor came in and said the snowploughs had got along and they'd soon be starting, they all wondered if it could really be less than twenty-four hours since they met.

"I feel as if I'd been campaigning with you all my life," said the khaki boy.

At the next station they all parted. The little mother and the children had to take the next train back home. The minister stayed there, and the khaki boy and the sealskin lady changed trains. The sealskin lady shook Aunt Cyrilla's hand. She no longer looked discontented or cross.

"This has been the pleasantest Christmas I have ever spent," she said heartily. "I shall never forget that wonderful basket of yours. The little shop girl is going home with me. I've promised her a place in my husband's store."

When Aunt Cyrilla and Lucy Rose reached Pembroke there was nobody to meet them because everyone had given up expecting them. It was not far from the station to Edward's house and Aunt Cyrilla elected to walk.

"I'll carry the basket," said Lucy Rose.

Aunt Cyrilla relinquished it with a smile. Lucy Rose smiled too.

"It's a blessed old basket," said the latter, "and I love it. Please forget all the silly things I ever said about it, Aunt C'rilla."

Davenport's Story

It was a rainy afternoon, and we had been passing the time by telling ghost stories. That is a very good sort of thing for a rainy afternoon, and it is a much better time than after night. If you tell ghost stories after dark they are apt to make you nervous, whether you own up to it or not, and you sneak home and dodge upstairs in mortal terror, and undress with your back to the wall, so that you can't fancy there is anything behind you.

We had each told a story, and had had the usual assortment of mysterious noises and death warnings and sheeted spectres and so on, down through the whole catalogue of horrors--enough to satisfy any reasonable ghost-taster. But Jack, as usual, was dissatisfied. He said our stories were all second-hand stuff. There wasn't a man in the crowd who had ever seen or heard a ghost; all our so-called authentic stories had been told us by persons who had the story from other persons who saw the ghosts.

"One doesn't get any information from that," said Jack. "I never expect to get so far along as to see a real ghost myself, but I would like to see and talk to one who had."

Some persons appear to have the knack of getting their wishes granted. Jack is one of that ilk. Just as he made the remark, Davenport sauntered in and, finding out what was going on, volunteered to tell a ghost story himself--something that had happened to his grandmother, or maybe it was his great-aunt; I forget which. It was a very good ghost story as ghost stories go, and Davenport told it well. Even Jack admitted that, but he said:

"It's only second-hand too. Did you ever have a ghostly experience yourself, old man?"

Davenport put his finger tips critically together.

"Would you believe me if I said I had?" he asked.

"No," said Jack unblushingly.

"Then there would be no use in my saying it."

"But you don't mean that you ever really had, of course?"

"I don't know. Something queer happened once. I've never been able to explain it--from a practical point of view, that is. Want to hear about it?"

Of course we did. This was exciting. Nobody would ever have suspected Davenport of seeing ghosts.

"It's conventional enough," he began. "Ghosts don't seem to have much originality. But it's firsthand, Jack, if that's what you want. I don't suppose any of you have ever heard me speak of my brother, Charles. He was my senior by two years, and was a quiet, reserved sort of fellow--not at all demonstrative, but with very strong and deep affections.

"When he left college he became engaged to Dorothy Chester. She was very beautiful, and my brother idolized her. She died a short time before the date set for their marriage, and Charles never recovered from the blow.

"I married Dorothy's sister, Virginia. Virginia did not in the least resemble her sister, but our eldest daughter was strikingly like her dead aunt. We called her Dorothy, and Charles was devoted to her. Dolly, as we called her, was always 'Uncle Charley's girl.'

"When Dolly was twelve years old Charles went to New Orleans on business, and while there took yellow fever and died. He was buried there, and Dolly half broke her childish heart over his death.

"One day, five years later, when Dolly was seventeen, I was writing letters in my library. That very morning my wife and Dolly had gone to New York en route for Europe. Dolly was going to school in Paris for a year. Business prevented my accompanying them even as far as New York, but Gilbert Chester, my wife's brother, was going with them. They were to sail on the _Aragon_ the next morning.

"I had written steadily for about an hour. At last, growing tired, I threw down my pen and, leaning back in my chair, was on the point of lighting a cigar when an unaccountable impulse made me turn round. I dropped my cigar and sprang to my feet in amazement. There was only one door in the room and I had all along been facing it. I could have sworn nobody had entered, yet there, standing between me and the bookcase, was a man--and that man was my brother Charles!

"There was no mistaking him; I saw him as plainly as I see you. He was a tall, rather stout man, with curly hair and a fair, close-clipped beard. He wore the same light-grey suit which he had worn when bidding us good-bye on the morning of his departure for New Orleans. He had no hat on, but wore spectacles, and was standing in his old favourite attitude, with his hands behind him.

"I want you to understand that at this precise moment, although I was surprised beyond measure, I was not in the least frightened, because I did not for a moment suppose that what I saw was--well, a ghost or apparition of any sort. The thought that flashed across my bewildered brain was simply that there had been some absurd mistake somewhere, and that my brother had never died at all, but was here, alive and well. I took a hasty step towards him.

"'Good heavens, old fellow!' I exclaimed. 'Where on earth have you come from? Why, we all thought you were dead!'

"I was quite close to him when I stopped abruptly. Somehow I couldn't move another step. He made no motion, but his eyes looked straight into mine.

"'Do not let Dolly sail on the _Aragon_ tomorrow,' he said in slow, clear tones that I heard distinctly.

"And then he was gone--yes, Jack, I know it is a very conventional way of ending up a ghost story,| but I have to tell you just what occurred, or at least what I thought occurred. One moment he was there and the next moment he wasn't. He did not pass me or go out of the door.

"For a few moments I felt dazed. I was wide awake and in my right and proper senses so far as I could judge, and yet the whole thing seemed incredible. Scared? No, I wasn't conscious of being scared. I was simply bewildered.

"In my mental confusion one thought stood out sharply--Dolly was in danger of some kind, and if the warning was really from a supernatural source, it must not be disregarded. I rushed to the station and, having first wired to my wife not to sail on the _Aragon_, I found that I could connect with the five-fifteen train for New York. I took it with the comfortable consciousness that my friends would certainly think I had gone out of my mind.

"I arrived in New York at eight o'clock the next morning and at once drove to the hotel where my wife, daughter and brother-in-law were staying. I found them greatly mystified by my telegram. I suppose my explanation was a very lame one. I know I felt decidedly like a fool. Gilbert laughed at me and said I had dreamed the whole thing. Virginia was perplexed, but Dolly accepted the warning unhesitatingly.

"'Of course it was Uncle Charley,' she said confidently. 'We will not sail on the _Aragon_ now.'

"Gilbert had to give in to this decision with a very bad grace, and the _Aragon_ sailed that day minus three of her intended passengers.

"Well, you've all heard of the historic collision between the _Aragon_ and the _Astarte_ in a fog, and the fearful loss of life it involved. Gilbert didn't laugh when the news came, I assure you. Virginia and Dolly sailed a month later on the _Marseilles_, and reached the other side in safety. That's all the story, boys--the only experience of the kind I ever had," concluded Davenport.

We had many questions to ask and several theories to advance. Jack said Davenport had dreamed it and that the collision of the _Aragon_ and the _Astarte_ was simply a striking coincidence. But Davenport merely smiled at all our suggestions and, as it cleared up just about three, we told no more ghost stories.

Emily's Husband

Emily Fair got out of Hiram Jameson's waggon at the gate. She took her satchel and parasol and, in her clear, musical tones, thanked him for bringing her home. Emily had a very distinctive voice. It was very sweet always and very cold generally; sometimes it softened to tenderness with those she loved, but in it there was always an undertone of inflexibility and reserve. Nobody had ever heard Emily Fair's voice tremble.

"You are more than welcome, Mrs. Fair," said Hiram Jameson, with a glance of bold admiration. Emily met it with an unflinching indifference. She disliked Hiram Jameson. She had been furious under all her external composure because he had been at the station when she left the train.

Jameson perceived her scorn, but chose to disregard it.

"Proud as Lucifer," he thought as he drove away. "Well, she's none the worse of that. I don't like your weak women--they're always sly. If Stephen Fair don't get better she'll be free and then--"

He did not round out the thought, but he gloated over the memory of Emily, standing by the gate in the harsh, crude light of the autumn sunset, with her tawny, brown hair curling about her pale, oval face and the scornful glint in her large, dark-grey eyes.

Emily stood at the gate for some time after Jameson's waggon had disappeared. When the brief burst of sunset splendour had faded out she turned and went into the garden where late asters and chrysanthemums still bloomed. She gathered some of the more perfect ones here and there. She loved flowers, but to-night the asters seemed to hurt her, for she presently dropped those she had gathered and deliberately set her foot on them.

A sudden gust of wind came over the brown, sodden fields and the ragged maples around the garden writhed and wailed. The air was raw and chill. The rain that had threatened all day was very near. Emily shivered and went into the house.

Amelia Phillips was bending over the fire. She came forward and took Emily's parcels and wraps with a certain gentleness that sat oddly on her grim personality.

"Are you tired? I'm glad you're back. Did you walk from the station?"

"No. Hiram Jameson was there and offered to drive me home. I'd rather have walked. It's going to be a storm, I think. Where is John?"

"He went to the village after supper," answered Amelia, lighting a lamp. "We needed some things from the store."

The light flared up as she spoke and brought out her strong, almost harsh features and deep-set black eyes. Amelia Phillips looked like an overdone sketch in charcoal.

"Has anything happened in Woodford while I've been away?" asked Emily indifferently. Plainly she did not expect an affirmative answer. Woodford life was not eventful.

Amelia glanced at her sharply. So she had not heard! Amelia had expected that Hiram Jameson would have told her. She wished that he had, for she never felt sure of Emily. The older sister knew that beneath that surface reserve was a passionate nature, brooking no restraint when once it overleaped the bounds of her Puritan self-control. Amelia Phillips, with all her naturally keen insight and her acquired knowledge of Emily's character, had never been able to fathom the latter's attitude of mind towards her husband. From the time that Emily had come back to her girlhood's home, five years before, Stephen Fair's name had never crossed her lips.

"I suppose you haven't heard that Stephen is very ill," said Amelia slowly.

Not a feature of Emily's face changed. Only in her voice when she spoke was a curious jarring, as if a false note had been struck in a silver melody.

"What is the matter with him?"

"Typhoid," answered Amelia briefly. She felt relieved that Emily had taken it so calmly. Amelia hated Stephen Fair with all the intensity of her nature because she believed that he had treated Emily ill, but she had always been distrustful that Emily in her heart of hearts loved her husband still. That, in Amelia Phillips' opinion, would have betrayed a weakness not to be tolerated.

Emily looked at the lamp unwinkingly.

"That wick needs trimming," she said. Then, with a sudden recurrence of the untuneful note:

"Is he dangerously ill?"

"We haven't heard for three days. The doctors were not anxious about him Monday, though they said it was a pretty severe case."

A faint, wraith-like change of expression drifted over Emily's beautiful face and was gone in a moment. What was it--relief? Regret? It would have been impossible to say. When she next spoke her vibrant voice was as perfectly melodious as usual.

"I think I will go to bed, Amelia. John will not be back until late I suppose, and I am very tired. There comes the rain. I suppose it will spoil all the flowers. They will be beaten to pieces."

In the dark hall Emily paused for a moment and opened the front door to be cut in the face with a whip-like dash of rain. She peered out into the thickly gathering gloom. Beyond, in the garden, she saw the asters tossed about, phantom-like. The wind around the many-cornered old farmhouse was full of wails and sobs.

The clock in the sitting-room struck eight. Emily shivered and shut the door. She remembered that she had been married at eight o'clock that very morning seven years ago. She thought she could see herself coming down the stairs in her white dress with her bouquet of asters. For a moment she was glad that those mocking flowers in the garden would be all beaten to death before morning by the lash of wind and rain.

Then she recovered her mental poise and put the hateful memories away from her as she went steadily up the narrow stairs and along the hall with its curious slant as the house had settled, to her own room under the north-western eaves.

When she had put out her light and gone to bed she found that she could not sleep. She pretended to believe that it was the noise of the storm that kept her awake. Not even to herself would Emily confess that she was waiting and listening nervously for John's return home. That would have been to admit a weakness, and Emily Fair, like Amelia, despised weakness.

Every few minutes a gust of wind smote the house, with a roar as of a wild beast, and bombarded Emily's window with a volley of rattling drops. In the silences that came between the gusts she heard the soft, steady pouring of the rain on the garden paths below, mingled with a faint murmur that came up from the creek beyond the barns where the pine boughs were thrashing in the storm. Emily suddenly thought of a weird story she had once read years before and long forgotten--a story of a soul that went out in a night of storm and blackness and lost its way between earth and heaven. She shuddered and drew the counterpane over her face.

"Of all things I hate a fall storm most," she muttered. "It frightens me."

Somewhat to her surprise--for even her thoughts were generally well under the control of her unbending will--she could not help thinking of Stephen--thinking of him not tenderly or remorsefully, but impersonally, as of a man who counted for nothing in her life. It was so strange to think of Stephen being ill. She had never known him to have a day's sickness in his life before. She looked back over her life much as if she were glancing with a chill interest at a series of pictures which in no way concerned her. Scene after scene, face after face, flashed out on the background of the darkness.