Chapter VII: Part 7

We must prize our own youth. Later, we want heat to execute our plans: the good-will, the knowledge, the whole armory of means, are all present; but a certain heat that once used not to fail refuses its office, and all is vain until this capricious fuel is supplied. It seems a semi-animal heat; as if tea, or wine, or sea-air, or mountains, or a genial companion, or a new thought suggested in book or conversation, could fire the train, wake the fancy, and the clear perception. Pit-coal,--where to find it? 'Tis of no use that your engine is made like a watch,--that you are a good workman, and know how to drive it, if there is no coal. We are waiting until some tyrannous idea emerging out of heaven shall seize and bereave us of this liberty with which we are falling abroad. Well, we have the same hint or suggestion, day by day. "I am not," says the man, "at the top of my condition to-day, but the favorable hour will come when I can command all my powers, and when that will be easy to do which is at this moment impossible." See how the passions augment our force,--anger, love, ambition! sometimes sympathy, and the expectation of men. Garrick said, that on the stage his great paroxysms surprised himself as much as his audience. If this is true on this low plane, it is true on the higher. Swedenborg's genius was the perception of the doctrine "that the Lord flows into the spirits of angels and of men"; and all poets have signalized their consciousness of rare moments when they were superior to themselves,--when a light, a freedom, a power came to them, which lifted them to performances far better than they could reach at other times; so that a religious poet once told me that "he valued his poems, not because they were his, but because they were not." He thought the angels brought them to him.

Jacob Behmen said: "Art has not wrote here, nor was there any time to consider how to set it punctually down according to the right understanding of the letters, but all was ordered according to the direction of the spirit, which often went on haste,--so that the penman's hand, by reason he was not accustomed to it, did often shake. And, though I could have written in a more accurate, fair, and plain manner, the burning fire often forced forward with speed, and the hand and pen must hasten directly after it, for it comes and goes as a sudden shower. In one quarter of an hour I saw and knew more, than if I had been many years together at an university."

The depth of the notes which we accidentally sound on the strings of nature is out of all proportion to our taught and ascertained faculty, and might teach us what strangers and novices we are, vagabond in this universe of pure power, to which we have only the smallest key. Herrick said:--

"'Tis not every day that I
Fitted am to prophesy;
No, but when the spirit fills
The fantastic panicles,
Full of fire, then I write
As the Goddess doth indite.
Thus, enraged, my lines are hurled,
Like the Sibyl's, through the world:
Look how next the holy fire
Either slakes, or doth retire;
So the fancy cools,--till when
That brave spirit comes again."

Bonaparte said: "There is no man more pusillanimous than I, when I make a military plan. I magnify all the dangers, and all the possible mischances. I am in an agitation utterly painful. That does not prevent me from appearing quite serene to the persons who surround me. I am like a woman with child, and when my resolution is taken, all is forgot, except whatever can make it succeed."

There are, to be sure, certain risks in this presentiment of the decisive perception, as in the use of ether or alcohol.

"Great wits to madness nearly are allied;
Both serve to make our poverty our pride."

Aristotle said: "No great genius was ever without some mixture of madness, nor can anything grand or superior to the voice of common mortals be spoken except by the agitated soul." We might say of these memorable moments of life, that we were in them, not they in us. We found ourselves by happy fortune in an illuminated portion or meteorous zone, and passed out of it again, so aloof was it from any will of ours. "'Tis a principle of war," said Napoleon, "that when you can use the lightning, 'tis better than cannon."

How many sources of inspiration can we count? As many as our affinities. But to a practical purpose we may reckon a few of these.

1. Health is the first muse, comprising the magical benefits of air, landscape, and bodily exercise on the mind. The Arabs say that "Allah does not count from life the days spent in the chase," that is, those are thrown in. Plato thought "exercise would almost cure a guilty conscience." Sydney Smith said: "You will never break down in a speech on the day when you have walked twelve miles."

I honor health as the first muse, and sleep as the condition of health. Sleep benefits mainly by the sound health it produces; incidentally also by dreams, into whose farrago a divine lesson is sometimes slipped. Life is in short cycles or periods; we are quickly tired, but we have rapid rallies. A man is spent by his work, starved, prostrate; he will not lift his hand to save his life; he can never think more. He sinks into deep sleep and wakes with renewed youth, with hope, courage, fertile in resources, and keen for daring adventure.

"Sleep is like death, and after sleep
The world seems new begun;
White thoughts stand luminous and firm,
Like statues in the sun;
Refreshed from supersensuous founts,
The soul to clearer vision mounts."[5]

A man must be able to escape from his cares and fears, as well as from hunger and want of sleep; so that another Arabian proverb has its coarse truth: "When the belly is full, it says to the head, Sing, fellow!" The perfection of writing is when mind and body are both in key; when the mind finds perfect obedience in the body. And wine, no doubt, and all fine food, as of delicate fruits, furnish some elemental wisdom. And the fire, too, as it burns in the chimney; for I fancy that my logs, which have grown so long in sun and wind by Walden, are a kind of muses. So of all the particulars of health and exercise, and fit nutriment, and tonics. Some people will tell you there is a great deal of poetry and fine sentiment in a chest of tea.

2. The experience of writing letters is one of the keys to the _modus_ of inspiration. When we have ceased for a long time to have any fulness of thoughts that once made a diary a joy as well as a necessity, and have come to believe that an image or a happy turn of expression is no longer at our command, in writing a letter to a friend we may find that we rise to thought and to a cordial power of expression that costs no effort, and it seems to us that this facility may be indefinitely applied and resumed. The wealth of the mind in this respect of seeing is like that of a looking-glass, which is never tired or worn by any multitude of objects which it reflects. You may carry it all round the world, it is ready and perfect as ever for new millions.

3. Another consideration, though it will not so much interest young men, will cheer the heart of older scholars, namely, that there is diurnal and secular rest. As there is this daily renovation of sensibility, so it sometimes, if rarely, happens that after a season of decay or eclipse, darkening months or years, the faculties revive to their fullest force. One of the best facts I know in metaphysical science is Niebuhr's joyful record that, after his genius for interpreting history had failed him for several years, this divination returned to him. As this rejoiced me, so does Herbert's poem "The Flower." His health had broken down early, he had lost his muse, and in this poem he says:--

"And now in age I bud again,
After so many deaths I live and write;
I once more smell the dew and rain,
And relish versing: O my only light,
It cannot be
That I am he
On whom thy tempests fell all night."

His poem called "The Forerunners" also has supreme interest. I understand "The Harbingers" to refer to the signs of age and decay which he detects in himself, not only in his constitution, but in his fancy and his facility and grace in writing verse; and he signalizes his delight in this skill, and his pain that the Herricks, Lovelaces, and Marlows, or whoever else, should use the like genius in language to sensual purpose, and consoles himself that his own faith and the divine life in him remain to him unchanged, unharmed.

4. The power of the will is sometimes sublime; and what is will for, if it cannot help us in emergencies? Seneca says of an almost fatal sickness that befell him, "The thought of my father, who could not have sustained such a blow as my death, restrained me; I commanded myself to live." Goethe said to Eckermann, "I work more easily when the barometer is high than when it is low. Since I know this, I endeavor, when the barometer is low, to counteract the injurious effect by greater exertion, and my attempt is successful."

"To the persevering mortal the blessed immortals are swift." Yes, for they know how to give you in one moment the solution of the riddle you have pondered for months. "Had I not lived with Mirabeau," says Dumont, "I never should have known all that can be done in one day, or, rather, in an interval of twelve hours. A day to him was of more value than a week or a month to others. To-morrow to him was not the same impostor as to most others."

5. Plutarch affirms that "souls are naturally endowed with the faculty of prediction, and the chief cause that excites this faculty and virtue is a certain temperature of air and winds." My anchorite thought it "sad that atmospheric influences should bring to our dust the communion of the soul with the Infinite." But I am glad that the atmosphere should be an excitant, glad to find the dull rock itself to be deluged with Deity,--to be theist, Christian, poetic. The fine influences of the morning few can explain, but all will admit. Goethe acknowledges them in the poem in which he dislodges the nightingale from her place as Leader of the Muses.

MUSAGETES.

"Often in deep midnights
I called on the sweet muses.
No dawn shines,
And no day will appear:
But at the right hour
The lamp brings me pious light,
That it, instead of Aurora or Phœbus,
May enliven my quiet industry.
But they left me lying in sleep
Dull, and not to be enlivened,
And after every late morning
Followed unprofitable days.

"When now the Spring stirred,
I said to the nightingales:
'Dear nightingales, trill
Early, O, early before my lattice,
Wake me out of the deep sleep
Which mightily chains the young man.'
But the love-filled singers
Poured by night before my window
Their sweet melodies,--
Kept awake my dear soul,
Roused tender new longings
In my lately touched bosom,
And so the night passed,
And Aurora found me sleeping;
Yea, hardly did the sun wake me.
At last it has become summer,
And at the first glimpse of morning
The busy early fly stings me
Out of my sweet slumber.
Unmerciful she returns again:
When often the half-awake victim
Impatiently drives her off,
She calls hither the unscrupulous sisters.
And from my eyelids
Sweet sleep must depart.
Vigorous, I spring from my couch,
Seek the beloved Muses,
Find them in the beech grove,
Pleased to receive me;
And I thank the annoying insect
For many a golden hour.
Stand, then, for me, ye tormenting creatures,
Highly praised by the poet
As the true Musagetes."

The French have a proverb to the effect that not the day only, but all things have their morning,--"_Il n'y a que le matin en toutes choses_." And it is a primal rule to defend your morning, to keep all its dews on, and with fine foresight to relieve it from any jangle of affairs, even from the question, Which task? I remember a capital prudence of old President Quincy, who told me that he never went to bed at night until he had laid out the studies for the next morning. I believe that in our good days a well-ordered mind has a new thought awaiting it every morning. And hence, eminently thoughtful men, from the time of Pythagoras down, have insisted on an hour of solitude every day to meet their own mind, and learn what oracle it has to impart. If a new view of life or mind gives us joy, so does new arrangement. I don't know but we take as much delight in finding the right place for an old observation, as in a new thought.

6. Solitary converse with nature; for thence are ejaculated sweet and dreadful words never uttered in libraries. Ah! the spring days, the summer dawns, the October woods! I confide that my reader knows these delicious secrets, has perhaps

"Slighted Minerva's learned tongue,
But leaped with joy when on the wind the shell of Clio rung."

Are you poetical, impatient of trade, tired of labor and affairs? Do you want Monadnoc, Agiocochook,--or Helvellyn, or Plinlimmon, dear to English song, in your closet? Caerleon, Provence, Ossian, and Cadwallon? Tie a couple of strings across a board and set it in your window, and you have an instrument which no artist's harp can rival. It needs no instructed ear; if you have sensibility, it admits you to sacred interiors; it has the sadness of nature, yet, at the changes, tones of triumph and festal notes ringing out all measures of loftiness. "Did you never observe," says Gray, "'while rocking winds are piping loud,' that pause, as the gust is recollecting itself, and rising upon the ear in a shrill and plaintive note, like the swell of an Æolian harp? I do assure you there is nothing in the world so like the voice of a spirit." Perhaps you can recall a delight like it, which spoke to the eye, when you have stood by a lake in the woods, in summer, and saw where little flaws of wind whip spots or patches of still water into fleets of ripples, so sudden, so slight, so spiritual, that it was more like the rippling of the Aurora Borealis, at night, than any spectacle of day.

7. But the solitude of nature is not so essential as solitude of habit. I have found my advantage in going in summer to a country inn, in winter to a city hotel, with a task which would not prosper at home. I thus secured a more absolute seclusion; for it is almost impossible for a housekeeper, who is in the country a small farmer, to exclude interruptions, and even necessary orders, though I bar out by system all I can, and resolutely omit, to my constant damage, all that can be omitted. At home, the day is cut into short strips. In the hotel, I have no hours to keep, no visits to make or receive, and I command an astronomic leisure. I forget rain, wind, cold, and heat. At home, I remember in my library the wants of the farm, and have all too much sympathy. I envy the abstraction of some scholars I have known, who could sit on a curbstone in State Street, put up their back, and solve their problem. I have more womanly eyes. All the conditions must be right for my success, slight as that is. What untunes is as bad as what cripples or stuns me. Novelty, surprise, change of scene, refresh the artist,--"break up the tiresome old roof of heaven into new forms," as Hafiz said. The sea-shore, and the taste of two metals in contact, and our enlarged powers in the presence, or rather at the approach and at the departure of a friend, and the mixture of lie in truth, and the experience of poetic creativeness which is not found in staying at home, nor yet in travelling, but in transitions from one to the other, which must therefore be adroitly managed to present as much transitional surface as possible,--these are the types or conditions of this power. "A ride near the sea, a sail near the shore," said the ancient. So Montaigne travelled with his books, but did not read in them. "_La Nature aime les croisements_," says Fourier.

I know there is room for whims here; but in regard to some apparent trifles there is great agreement as to their annoyance. And the machine with which we are dealing is of such an inconceivable delicacy that whims also must be respected. Fire must lend its aid. We not only want time, but warm time. George Sand says, "I have no enthusiasm for nature which the slightest chill will not instantly destroy." And I remember that Thoreau, with his robust will, yet found certain trifles disturbing the delicacy of that health which composition exacted,--namely, the slightest irregularity, even to the drinking too much water on the preceding day. Even a steel pen is a nuisance to some writers. Some of us may remember, years ago, in the English journals, the petition, signed by Carlyle, Browning, Tennyson, Dickens, and other writers in London, against the license of the organ-grinders, who infested the streets near their houses, to levy on them blackmail.

Certain localities, as mountain-tops, the sea-side, the shores of rivers and rapid brooks, natural parks of oak and pine, where the ground is smooth and unencumbered, are excitants of the muse. Every artist knows well some favorite retirement. And yet the experience of some good artists has taught them to prefer the smallest and plainest chamber, with one chair and table, and with no outlook, to these picturesque liberties. William Blake said, "Natural objects always did and do weaken, deaden, and obliterate imagination in me." And Sir Joshua Reynolds had no pleasure in Richmond; he used to say "the human face was his landscape." These indulgences are to be used with great caution. Allston rarely left his studio by day. An old friend took him, one fine afternoon, a spacious circuit into the country, and he painted two or three pictures as the fruits of that drive. But he made it a rule not to go to the city on two consecutive days. One was rest; more was lost time. The times of force must be well husbanded, and the wise student will remember the prudence of Sir Tristram in _Morte d'Arthur_, who, having received from the fairy an enchantment of six hours of growing strength every day, took care to fight in the hours when his strength increased; since from noon to night his strength abated. What prudence, again, does every artist, every scholar, need in the security of his easel or his desk! These must be remote from the work of the house, and from all knowledge of the feet that come and go therein. Allston, it is said, had two or three rooms in different parts of Boston, where he could not be found. For the delicate muses lose their head, if their attention is once diverted. Perhaps if you were successful abroad in talking and dealing with men, you would not come back to your book-shelf and your task. When the spirit chooses you for its scribe to publish some commandment, it makes you odious to men, and men odious to you, and you shall accept that loathsomeness with joy. The moth must fly to the lamp, and you must solve those questions though you die.

8. Conversation, which, when it is best, is a series of intoxications. Not Aristotle, not Kant or Hegel, but conversation, is the right metaphysical professor. This is the true school of philosophy,--this the college where you learn what thoughts are, what powers lurk in those fugitive gleams, and what becomes of them; how they make history. A wise man goes to this game to play upon others, and to be played upon, and at least as curious to know what can be drawn from himself as what can be drawn from them. For, in discourse with a friend, our thought, hitherto wrapped in our consciousness, detaches itself, and allows itself to be seen as a thought, in a manner as new and entertaining to us as to our companions. For provocation of thought, we use ourselves and use each other. Some perceptions--I think the best--are granted to the single soul; they come from the depth, and go to the depth, and are the permanent and controlling ones. Others it takes two to find. We must be warmed by the fire of sympathy to be brought into the right conditions and angles of vision. Conversation; for intellectual activity is contagious. We are emulous. If the tone of the companion is higher than ours, we delight in rising to it. 'Tis a historic observation that a writer must find an audience up to his thought, or he will no longer care to impart it, but will sink to their level, or be silent. Homer said, "When two come together, one apprehends before the other"; but it is because one thought well that the other thinks better: and two men of good mind will excite each other's activity, each attempting still to cap the other's thought. In enlarged conversation we have suggestions that require new ways of living, new books, new men, new arts and sciences. By sympathy, each opens to the eloquence, and begins to see with the eyes of his mind. We were all lonely, thoughtless; and now a principle appears to all: we see new relations, many truths; every mind seizes them as they pass; each catches by the mane one of these strong coursers like horses of the prairie, and rides up and down in the world of the intellect. We live day by day under the illusion that it is the fact or event that imports, whilst really it is not that which signifies, but the use we put it to, or what we think of it. We esteem nations important, until we discover that a few individuals much more concern us; then, later, that it is not at last a few individuals, or any sacred heroes, but the lowliness, the outpouring, the large equality to truth, of a single mind,--as if in the narrow walls of a human heart the whole realm of truth, the world of morals, the tribunal by which the universe is judged, found room to exist.

9. New poetry; by which I mean chiefly, old poetry that is new to the reader. I have heard from persons who had practice in rhyming, that it was sufficient to set them on writing verses, to read any original poetry. What is best in literature is the affirming, prophesying, spermatic words of men-making poets. Only that is poetry which cleanses and mans me.

Words used in a new sense, and figuratively, dart a delightful lustre; and _every_ word admits a new use, and hints ulterior meanings. We have not learned the law of the mind,--cannot control and domesticate at will the high states of contemplation and continuous thought. "Neither by sea nor by land," said Pindar, "canst thou find the way to the Hyperboreans"; neither by idle wishing, nor by rule of three or rule of thumb. Yet I find a mitigation or solace by providing always a good book for my journeys, as Horace or Martial or Goethe,--some book which lifts me quite out of prosaic surroundings, and from which I draw some lasting knowledge. A Greek epigram out of the anthology, a verse of Herrick or Lovelace, are in harmony both with sense and spirit.

You shall not read newspapers, nor politics, nor novels, nor Montaigne, nor the newest French book. You may read Plutarch, Plato, Plotinus, Hindoo mythology, and ethics. You may read Chaucer, Shakspeare, Ben Jonson, Milton,--and Milton's prose as his verse; read Collins and Gray; read Hafiz and the Trouveurs; nay, Welsh and British mythology of Arthur, and (in your ear) Ossian; fact-books, which all geniuses prize as raw material, and as antidote to verbiage and false poetry. Fact-books, if the facts be well and thoroughly told, are much more nearly allied to poetry than many books are that are written in rhyme. Only our newest knowledge works as a source of inspiration and thought, as only the outmost layer of _liber_ on the tree. Books of natural science, especially those written by the ancients,--geography, botany, agriculture, explorations of the sea, of meteors, of astronomy,--all the better if written without literary aim or ambition. Every book is good to read which sets the reader in a working mood. The deep book, no matter how remote the subject, helps us best.

Neither are these all the sources, nor can I name all. The receptivity is rare. The occasions or predisposing circumstances I could never tabulate; but now one, now another landscape, form, color, or companion, or perhaps one kind of sounding word or syllable, "strikes the electric chain with which we are darkly bound," and it is impossible to detect and wilfully repeat the fine conditions to which we have owed our happiest frames of mind. The day is good in which we have had the most perceptions. The analysis is the more difficult, because poppy-leaves are strewn when a generalization is made; for I can never remember the circumstances to which I owe it, so as to repeat the experiment or put myself in the conditions.

"'Tis the most difficult of tasks to keep
Heights which the soul is competent to gain."

I value literary biography for the hints it furnishes from so many scholars, in so many countries, of what hygiene, what ascetic, what gymnastic, what social practices their experience suggested and approved. They are, for the most part, men who needed only a little wealth. Large estates, political relations, great hospitalities, would have been impediments to them. They are men whom a book could entertain, a new thought intoxicate, and hold them prisoners for years perhaps. Aubrey and Burton and Wood tell me incidents which I find not insignificant.

These are some hints towards what is in all education a chief necessity, the right government, or, shall I not say, the right obedience to the powers of the human soul. Itself is the dictator; the mind itself the awful oracle. All our power, all our happiness, consists in our reception of its hints, which ever become clearer and grander as they are obeyed.

[Footnote 5: Allingham.]

GREATNESS.

GREATNESS.

THERE is a prize which we are all aiming at, and the more power and goodness we have, so much more the energy of that aim. Every human being has a right to it, and in the pursuit we do not stand in each other's way. For it has a long scale of degrees, a wide variety of views, and every aspirant, by his success in the pursuit, does not hinder but helps his competitors. I might call it completeness, but that is later,--perhaps adjourned for ages. I prefer to call it Greatness. It is the fulfilment of a natural tendency in each man. It is a fruitful study. It is the best tonic to the young soul. And no man is unrelated; therefore we admire eminent men, not for themselves, but as representatives. It is very certain that we ought not to be, and shall not be contented with any goal we have reached. Our aim is no less than greatness; that which invites all, belongs to us all,--to which we are all sometimes untrue, cowardly, faithless, but of which we never quite despair, and which, in every sane moment, we resolve to make our own. It is also the only platform on which all men can meet. What anecdotes of any man do we wish to hear or read? Only the best. Certainly not those in which he was degraded to the level of dulness or vice, but those in which he rose above all competition by obeying a light that shone to him alone. This is the worthiest history of the world.

Greatness,--what is it? Is there not some injury to us, some insult in the word? What we commonly call greatness is only such in our barbarous or infant experience. 'Tis not the soldier, not Alexander or Bonaparte or Count Moltke surely, who represent the highest force of mankind; not the strong hand, but wisdom and civility, the creation of laws, institutions, letters, and art. These we call by distinction the _humanities_; these, and not the strong arm and brave heart, which are also indispensable to their defence. For the scholars represent the intellect, by which man is man; the intellect and the moral sentiment,--which in the last analysis can never be separated. Who can doubt the potency of an individual mind, who sees the shock given to torpid races--torpid for ages--by Mahomet; a vibration propagated over Asia and Africa? What of Menu? what of Buddha? of Shakspeare? of Newton? of Franklin?

There are certain points of identity in which these masters agree. Self-respect is the early form in which greatness appears. The man in the tavern maintains his opinion, though the whole crowd takes the other side; we are at once drawn to him. The porter or truckman refuses a reward for finding your purse, or for pulling you drowning out of the river. Thereby, with the service, you have got a moral lift. You say of some new person, That man will go far,--for you see in his manners that the recognition of him by others is not necessary to him. And what a bitter-sweet sensation when we have gone to pour out our acknowledgment of a man's nobleness, and found him quite indifferent to our good opinion! They may well fear Fate who have any infirmity of habit or aim; but he who rests on what he is, has a destiny above destiny, and can make mouths at Fortune. If a man's centrality is incomprehensible to us, we may as well snub the sun. There is something in Archimedes or in Luther or Samuel Johnson that needs no protection. There is somewhat in the true scholar which he cannot be laughed out of, nor be terrified or bought off from. Stick to your own; don't inculpate yourself in the local, social, or national crime, but follow the path your genius traces like the galaxy of heaven, for you to walk in.

A sensible person will soon see the folly and wickedness of thinking to please. Sensible men are very rare. A sensible man does not brag, avoids introducing the names of his creditable companions, omits himself as habitually as another man obtrudes himself in the discourse, and is content with putting his fact or theme simply on its ground. You shall not tell me that your commercial house, your partners, or yourself are of importance; you shall not tell me that you have learned to know men; you shall make me feel that; your saying so unsays it. You shall not enumerate your brilliant acquaintances, nor tell me by their titles what books you have read. I am to infer that you keep good company by your better information and manners, and to infer your reading from the wealth and accuracy of your conversation.

Young men think that the manly character requires that they should go to California, or to India, or into the army. When they have learned that the parlor and the college and the counting-room demand as much courage as the sea or the camp, they will be willing to consult their own strength and education in their choice of place.

There are to each function and department of nature supplementary men: to geology, sinewy, out-of-doors men, with a taste for mountains and rocks, a quick eye for differences and for chemical changes. Give such, first, a course in chemistry, and then a geological survey. Others find a charm and a profession in the natural history of man and the mammalia, or related animals; others in ornithology, or fishes, or insects; others in plants; others in the elements of which the whole world is made. These lately have stimulus to their study through the extraordinary revelations of the spectroscope that the sun and the planets are made in part or in whole of the same elements as the earth is. Then there is the boy who is born with a taste for the sea, and must go thither if he has to run away from his father's house to the forecastle; another longs for travel in foreign lands; another will be a lawyer; another, an astronomer; another, a painter, sculptor, architect, or engineer. Thus there is not a piece of nature in any kind, but a man is born, who, as his genius opens, aims slower or faster to dedicate himself to that. Then there is the poet, the philosopher, the politician, the orator, the clergyman, the physician. 'Tis gratifying to see this adaptation of man to the world, and to every part and particle of it.

Many readers remember that Sir Humphry Davy said, when he was praised for his important discoveries, "My best discovery was Michael Faraday." In 1848 I had the privilege of hearing Professor Faraday deliver, in the Royal Institution in London, a lecture on what he called Diamagnetism,--by which he meant _cross-magnetism_; and he showed us various experiments on certain gases, to prove that whilst, ordinarily, magnetism of steel is from north to south, in other substances, gases, it acts from east to west. And further experiments led him to the theory that every chemical substance would be found to have its own, and a different, polarity. I do not know how far his experiments and others have been pushed in this matter, but one fact is clear to me, that diamagnetism is a law of the _mind_, to the full extent of Faraday's idea; namely, that every mind has a new compass, a new north, a new direction of its own, differencing its genius and aim from every other mind;--as every man, with whatever family resemblances, has a new countenance, new manner, new voice, new thoughts, and new character. Whilst he shares with all mankind the gift of reason, and the moral sentiment, there is a teaching for him from within, which is leading him in a new path, and, the more it is trusted, separates and signalizes him, while it makes him more important and necessary to society. We call this specialty the _bias_ of each individual. And none of us will ever accomplish anything excellent or commanding except when he listens to this whisper which is heard by him alone. Swedenborg called it the _proprium_,--not a thought shared with others, but constitutional to the man. A point of education that I can never too much insist upon is this tenet, that every individual man has a bias which he must obey, and that it is only as he feels and obeys this that he rightly develops and attains his legitimate power in the world. It is his magnetic needle, which points always in one direction to his proper path, with more or less variation from any other man's. He is never happy nor strong until he finds it, keeps it; learns to be at home with himself; learns to watch the delicate hints and insights that come to him, and to have the entire assurance of his own mind. And in this self-respect, or hearkening to the privatest oracle, he consults his ease, I may say, or need never be at a loss. In morals this is conscience; in intellect, genius; in practice, talent;--not to imitate or surpass a particular man in _his_ way, but to bring out your own new way; to each his own method, style, wit, eloquence. 'Tis easy for a commander to command. Clinging to Nature, or to that province of nature which he knows, he makes no mistakes, but works after her laws and at her own pace, so that his doing, which is perfectly natural, appears miraculous to dull people. Montluc, the great Marshal of France, says of the Genoese admiral, Andrew Doria, "It seemed as if the sea stood in awe of this man." And a kindred genius, Nelson, said, "I feel that I am fitter to do the action than to describe it." Therefore I will say that another trait of greatness is facility.

This necessity of resting on the real, of speaking _your_ private thought and experience, few young men apprehend. Set ten men to write their journal for one day, and nine of them will leave out their thought, or proper result,--that is, their net experience,--and lose themselves in misreporting the supposed experience of other people. Indeed, I think it an essential caution to young writers, that they shall not in their discourse leave out the one thing which the discourse was written to say. Let that belief which you hold alone, have free course. I have observed that, in all public speaking, the rule of the orator begins, not in the array of his facts, but when his deep conviction, and the right and necessity he feels to convey that conviction to his audience,--when these shine and burn in his address; when the thought which he stands for gives its own authority to him,--adds to him a grander personality, gives him valor, breadth, and new intellectual power, so that not he, but mankind, seems to speak through his lips. There is a certain transfiguration; all great orators have it, and men who wish to be orators simulate it.

If we should ask ourselves what is this self-respect,--it would carry us to the highest problems. It is our practical perception of the Deity in man. It has its deep foundations in religion. If you have ever known a good mind among the Quakers, you will have found _that_ is the element of their faith. As they express it, it might be thus: "I do not pretend to any commandment or large revelation, but if at any time I form some plan, propose a journey, or a course of conduct, I perhaps find a silent obstacle in my mind that I cannot account for. Very well,--I let it lie, thinking it may pass away, but if it do not pass away, I yield to it, obey it. You ask me to describe it. I cannot describe it. It is not an oracle, nor an angel, nor a dream, nor a law; it is too simple to be described, it is but a grain of mustard-seed, but such as it is, it is something which the contradiction of all mankind could not shake, and which the consent of all mankind could not confirm."

You are rightly fond of certain books or men that you have found to excite your reverence and emulation. But none of these can compare with the greatness of that counsel which is open to you in happy solitude. I mean that there is for you the following of an inward leader,--a slow discrimination that there is for each a Best Counsel which enjoins the fit word and the fit act for every moment. And the path of each pursued leads to greatness. How grateful to find in man or woman a new emphasis of their own.

But if the first rule is to obey your native bias, to accept that work for which you were inwardly formed, the second rule is concentration, which doubles its force. Thus if you are a scholar, be that. The same laws hold for you as for the laborer. The shoemaker makes a good shoe because he makes nothing else. Let the student mind his own charge; sedulously wait every morning for the news concerning the structure of the world which the spirit will give him.

No way has been found for making heroism easy, even for the scholar. Labor, iron labor, is for him. The world was created as an audience for him; the atoms of which it is made are opportunities. Read the performance of Bentley, of Gibbon, of Cuvier, Geoffroy St. Hilaire, Laplace. "He can toil terribly," said Cecil of Sir Walter Raleigh. These few words sting and bite and lash us when we are frivolous. Let us get out of the way of their blows, by making them true of ourselves. There is so much to be done that we ought to begin quickly to bestir ourselves. This day-labor of ours, we confess, has hitherto a certain emblematic air, like the annual ploughing and sowing of the Emperor of China. Let us make it an honest sweat. Let the scholar measure his valor by his power to cope with intellectual giants. Leave others to count votes and calculate stocks. His courage is to weigh Plato, judge Laplace, know Newton, Faraday, judge of Darwin, criticise Kant and Swedenborg, and on all these arouse the central courage of insight. The scholar's courage should be as terrible as the Cid's, though it grow out of spiritual nature, not out of brawn. Nature, when she adds difficulty, adds brain.

With this respect to the bias of the individual mind, add, what is consistent with it, the most catholic receptivity for the genius of others. The day will come when no badge, uniform, or medal will be worn; when the eye, which carries in it planetary influences from all the stars, will indicate rank fast enough by exerting power. For it is true that the stratification of crusts in geology is not more precise than the degrees of rank in minds. A man will say: 'I am born to this position; I must take it, and neither you nor I can help or hinder me. Surely, then, I need not fret myself to guard my own dignity.' The great man loves the conversation or the book that convicts him, not that which soothes or flatters him. He makes himself of no reputation; he conceals his learning, conceals his charity. For the highest wisdom does not concern itself with particular men, but with man enamored with the law and the Eternal Source. Say with Antoninus, "If the picture is good, who cares who made it? What matters it by whom the good is done, by yourself or another?" If it is the truth, what matters who said it? If it was right, what signifies who did it? All greatness is in degree, and there is more above than below. Where were your own intellect, if greater had not lived? And do you know what the right meaning of Fame is? 'Tis that sympathy, rather that fine element by which the good become partners of the greatness of their superiors.

Extremes meet, and there is no better example than the haughtiness of humility. No aristocrat, no prince born to the purple, can begin to compare with the self-respect of the saint. Why is he so lowly, but that he knows that he can well afford it, resting on the largeness of God in him? I have read in an old book that Barcena, the Jesuit, confessed to another of his order that when the Devil appeared to him in his cell, one night, out of his profound humility he rose up to meet him, and prayed him to sit down in his chair, for he was more worthy to sit there than himself.

Shall I tell you the secret of the true scholar? It is this: Every man I meet is my master in some point, and in that I learn of him. The populace will say, with Horne Tooke, "If you would be powerful, pretend to be powerful." I prefer to say, with the old Hebrew prophet, "Seekest thou great things?--seek them not"; or, what was said of the Spanish prince, "The more you took from him, the greater he appeared," _Plus on lui ôte, plus il est grand_.

Scintillations of greatness appear here and there in men of unequal character, and are by no means confined to the cultivated and so-called moral class. 'Tis easy to draw traits from Napoleon, who was not generous nor just, but was intellectual, and knew the law of things. Napoleon commands our respect by his enormous self-trust,--the habit of seeing with his own eyes, never the surface, but to the heart of the matter, whether it was a road, a cannon, a character, an officer, or a king,--and by the speed and security of his action in the premises, always new. He has left a library of manuscripts, a multitude of sayings, every one of widest application. He was a man who always fell on his feet. When one of his favorite schemes missed, he had the faculty of taking up his genius, as he said, and of carrying it somewhere else. "Whatever they may tell you, believe that one fights with cannon as with fists; when once the fire is begun, the least want of ammunition renders what you have done already useless." I find it easy to translate all his technics into all of mine, and his official advices are to me more literary and philosophical than the memoirs of the Academy. His advice to his brother, King Joseph of Spain, was: "I have only one counsel for you,--_Be Master_." Depth of intellect relieves even the ink of crime with a fringe of light. We perhaps look on its crimes as experiments of a universal student; as he may read any book who reads all books, and as the English judge in old times, when learning was rare, forgave a culprit who could read and write. 'Tis difficult to find greatness pure. Well, I please myself with its diffusion,--to find a spark of true fire amid much corruption. It is some guaranty, I hope, for the health of the soul which has this generous blood. How many men, detested in contemporary hostile history, of whom, now that the mists have rolled away, we have learned to correct our old estimates, and to see them as, on the whole, instruments of great benefit. Diderot was no model, but unclean as the society in which he lived; yet was he the best-natured man in France, and would help any wretch at a pinch. His humanity knew no bounds. A poor scribbler who had written a lampoon against him, and wished to dedicate it to a pious Duc d'Orleans, came with it in his poverty to Diderot, and Diderot, pitying the creature, wrote the dedication for him, and so raised five-and-twenty louis to save his famishing lampooner alive.

Meantime we hate snivelling. I do not wish you to surpass others in any narrow or professional or monkish way. We like the natural greatness of health and wild power. I confess that I am as much taken by it in boys, and sometimes in people not normal, nor educated, nor presentable, nor church-members,--even in persons open to the suspicion of irregular and immoral living,--in Bohemians,--as in more orderly examples. For we must remember that in the lives of soldiers, sailors, and men of large adventure, many of the stays and guards of our household life are wanting, and yet the opportunities and incentives to sublime daring and performance are often close at hand. We must have some charity for the sense of the people which admires natural power, and will elect it over virtuous men who have less. It has this excuse, that natural is really allied to moral power, and may always be expected to approach it by its own instincts. Intellect at least is not stupid, and will see the force of morals over men, if it does not itself obey. Henry VII. of England was a wise king. When Gerald, Earl of Kildare, who was in rebellion against him, was brought to London, and examined before the Privy Council, one said, "All Ireland cannot govern this Earl." "Then let this Earl govern all Ireland," replied the King.

'Tis noted of some scholars, like Swift, and Gibbon and Donne, that they pretended to vices which they had not, so much did they hate hypocrisy. William Blake, the artist, frankly says, "I never knew a bad man in whom there was not something very good." Bret Harte has pleased himself with noting and recording the sudden virtue blazing in the wild reprobates of the ranches and mines of California.

Men are ennobled by morals and by intellect; but those two elements know each other and always beckon to each other, until at last they meet in the man, if he is to be truly great. The man who sells you a lamp shows you that the flame of oil, which contented you before, casts a strong shade in the path of the petroleum which he lights behind it; and this again casts a shadow in the path of the electric light. So does intellect when brought into the presence of character; character puts out that light. Goethe, in his correspondence with his Grand Duke of Weimar, does not shine. We can see that the Prince had the advantage of the Olympian genius. It is more plainly seen in the correspondence between Voltaire and Frederick of Prussia. Voltaire is brilliant, nimble, and various, but Frederick has the superior tone. But it is curious that Byron _writes down_ to Scott; Scott writes up to him. The Greeks surpass all men till they face the Romans, when Roman character prevails over Greek genius. Whilst degrees of intellect interest only classes of men who pursue the same studies, as chemists or astronomers, mathematicians or linguists, and have no attraction for the crowd, there are always men who have a more catholic genius, are really great as men, and inspire universal enthusiasm. A great style of hero draws equally all classes, all the extremes of society, till we say the very dogs believe in him. We have had such examples in this country, in Daniel Webster, Henry Clay, and the seamen's preacher, Father Taylor; in England, Charles James Fox; in Scotland, Robert Burns; and in France, though it is less intelligible to us, Voltaire. Abraham Lincoln is perhaps the most remarkable example of this class that we have seen,--a man who was at home and welcome with the humblest, and with a spirit and a practical vein in the times of terror that commanded the admiration of the wisest. His heart was as great as the world, but there was no room in it to hold the memory of a wrong.

These may serve as local examples to indicate a magnetism which is probably known better and finer to each scholar in the little Olympus of his own favorites, and which makes him require geniality and humanity in his heroes. What are these but the promise and the preparation of a day when the air of the world shall be purified by nobler society; when the measure of greatness shall be usefulness in the highest sense,--greatness consisting in truth, reverence, and good-will?

Life is made of illusions, and a very common one is the opinion you hear expressed in every village: 'O yes, if I lived in New York or Philadelphia, Cambridge or New Haven or Boston or Andover there might be fit society; but it happens that there are no fine young men, no superior women in my town.' You may hear this every day; but it is a shallow remark. Ah! have you yet to learn that the eye altering alters all; "that the world is an echo which returns to each of us what we say"? 'Tis not examples of greatness, but sensibility to see them, that is wanting. The good botanist will find flowers between the street pavements, and any man filled with an idea or a purpose will find examples and illustrations and coadjutors wherever he goes. Wit is a magnet to find wit, and character to find character. Do you not know that people are as those with whom they converse? And if all or any are heavy to me, that fact accuses me. Why complain, as if a man's debt to his inferiors were not at least equal to his debt to his superiors? If men were equals, the waters would not move; but the difference of level which makes Niagara a cataract, makes eloquence, indignation, poetry, in him who finds there is much to communicate. With self-respect, then, there must be in the aspirant the strong fellow-feeling, the humanity, which makes men of all classes warm to him as their leader and representative.