Chapter D

Danes, ravages of, ii. 3, 26, 33, 50, 58.

Darlington Church, i. 107.

David’s, St., Cathedral, i. 116, 117;
capitals, 118;
pointed groining in the transitional work, ii. 181.

Decorated style, i. 343, 347.

Decoration, to subdivided arches, i. 48;
a system of, 49;
painted, 203, 361;
constructive parts, sources of, 259;
wall, 327;
Italian, 353.

Deerhurst, remains of Anglo-Saxon work, ii. 36, 58.

Denis, St., i. 77, 88, 105, 319;
eastern part rebuilt by Sugar, 78;
apsidal chapels, 79;
north transept, 80;
compared with St. Germain des Près, 91;
Byzantine carving, 98;
crypt, 80.

Diagonal ribs a source of decoration, ii. 171.

Diocletian, Baths of, i. 52, 234, 273;
persecution, ii. 95.

Doge’s palace, chapel of the;
see St. Mark’s, Venice.

Dome, the, in the Eastern Empire, i. 47, 49;
ii. 153, 168, 169, 171, 172, 174, 228-289;
contemporary with our mediæval structures in neighbouring countries, 229;
the earliest known assumes in section the pointed arch, 230;
the great outward pressure requires abutment or ties of metal, 231;
independent of a keystone, _ibid._;
can be erected without the aid of centering, 232;
any reasonable form of building may be covered by the, 240;
development explained, _ibid._;
segmental as well as semicircular in section, 241;
pendentive, 242, 273;
as a central point of Christian temples, 245;
introduction of the, throughout Italy, thence to
the south-west of France, 261;
derived from purely Roman traditions, 261, 276;
covered by lofty domical towers of timber surmounted
by turrets at the apex, 265;
introduction of pointed arches for its support, 267-269, 271;
ceases to be Byzantine and becomes Gothic, 273;
the _modern_ type of, 277-289;
early, of northern Italy, 278;
threefold structure of, at St. Paul’s, 285;
artistic difficulty of making the same dome look well
from within and without, 246, 286;
constructive difficulty of balancing a steeple on the top of, _ibid._;
scheme of plan for dome of St. Paul’s and St. Peter’s, 287;
in Italy during the Middle Ages, 288.

Domed, architecture at Angoulême, i. 99;
construction, ii. 6, 153;
aisles at the Abbey Church, Bernay, 65.

“Domed-up” vaults, ii. 171, 187.

Domestic work, i. 340, 350.

Doorways, at Chartres, i. 87;
at Jedburgh, 108;
sculpture of, 147;
French and English, 165;
system of constructing, 228, 257;
ii. 136, 149;
in early Irish remains, 22;
in round towers, 25;
in Anglo-Saxon work, 37, 42, 43, 47, 48;
in Norman work, 76, 77;
in all good Gothic, 77, 142.

Dorchester Abbey, choir, i. 287.

Doric, ii, 299;
race, 301;
temples, 302;
Grecian, some resemblance to the rock-cut tombs of Beni Hassan, 298.

Dormer windows, i. 265.

Dover, church on the Castle-hill, ii. 41;
splayed windows, i. 278;
ii. 42;
doorways, _ibid._; tower and ancient Roman Pharos, 43;
tower arches, _ibid._

Dover Castle, i. 114, 308.

Drawing, lessons in, i. 339.

Drip-stone, or label, i. 225, 249.

Dryburgh Abbey, i. 122, 249.

Dunstable Priory Church, i. 188.

Dunstan, St., ii. 33, 58.

Durham, refectory, Anglo-Saxon crosses found in, ii. 57;
kitchen of the monastery, 203;
castle at, 150.

Durham Cathedral, ii. 120, 124, 126-129, 135;
galilee, i. 106;
chapter-house, 107;
chapel of the Nine Altars, 140, 201, 286;
groining to the central space, ii. 88, 128;
transept aisles, 89;
coupled bays, 124;
Carileph’s design, 126, 127;
gabled roofing to the aisles, 129;
crypt, 159.

E

Eadbald, the son of Ethelbert, ii. 44.

Eadmer, the writings of, ii. 27, 28.

Earls Barton tower, ii. 52, 58.

Early French windows, i. 159.

Early Pointed, fully developed, i. 139, 341, 346; windows, fully developed, 159, 160; cathedral bay, 243.

Eastbury House, i. 314.

Eastern civilisation, ii. 305;
distinct from Western, 296;
its probable course, _ibid._

Eastern Empire, arts of the, ii. 4, 6, 7;
Byzantine domes in the, 258.

Eaves-courses at Worth Church, ii. 45.

Eddington, his work at Winchester, ii. 108.

Edgar, King, ii. 33.

Edmund, King of East Anglia, ii. 54.

Edwin, King of Northumbria, ii. 29.

Egypt, ruins of, i. 5;
ii. 4;
its architecture and arts, 296, 297;
one of the earliest seats of mental culture, i. 4, 5;
link in the history of architecture, 6;
influence of religion on the architecture of, 9, 13.

Egyptian, construction, i. 219;
bellshaped capitals, ii. 297;
architecture, 304.

Egyptians, pointed arch foreshadowed in works of the, i. 66;
germ of the Corinthian capital found in the works of the, 133.

Eleanor crosses, i. 140, 314.

Eleanor of Guienne, tomb of, ii. 275.

Eleanor, queen of Louis VII., i. 92.

Eleanor, Queen, tomb of, and iron grille over, i. 180, 311.

Eleventh century works in England, i. 40.

Elgin Cathedral, i. 201.

Elizabethan balusters, ii. 37.

Ellipse in vaulting, i. 241;
ii. 163, 172.

Elphege, St., Bishop of Winchester, ii. 34, 104.

Eltham Hall, i. 31;
ii. 324;
tracery, i. 277, 314;
oriel, ii. 213.

Ely Cathedral, ii. 33, 108;
western tower, erected by Bishop Ridel, i. 111;
galilee, 126, 127, 139, 144, 167, 189;
ii. 151;
east end windows, i. 160;
eastern bays and front, 190;
transepts, double aisles, ii. 89, 105, 110;
Abbot Symeon’s work, 108;
transept piers, 111;
nave piers, _ibid._;
triforium piers, 112;
transept at the west end, _ibid._;
central tower, _ibid._;
vaulting of the presbytery, 209;
lierne vaulting, 213.

Ely, monastery at, ii. 33.

Ely Place Chapel (St. Etheldreda’s), Holborn, i. 140, 181, 276, 287, 314.

Embroidery, i. 22, 34, 203, 329;
ii. 21, 59, 60.

Enamel work, i. 20, 22, 34, 203, 271.

Enclosing arches, i. 161.

English style, ii. 134.

Englishman, William the, i. 112, 113, 155.

Engraving, seal, i. 204.

Entablature, portion of, retained between
column and springing of arch, i. 227.

Epée, Guillaume Longue, i. 45.

Estrias, D’, work at Canterbury, i. 276.

Ethelred and Emma, parents of King Edward the Confessor, ii. 67, 114.

Etheldreda, St., Ely Place, Holborn, chapel of, i. 140, 181, 276, 287, 314.

Etruria, buildings of ancient, ii. 9;
walls of, 301.

Euphrates, banks of the, part source of our civilisation and art, ii. 296.

Eustacious, Bishop, i. 127.

Evremont, St., at Creil, i. 97.

Exeter Cathedral, Decorated work at, i. 289.

F

Fan-vaulting, square on plan, ii. 217;
oblong on plan, 219;
King’s College Chapel, _ibid._;
cloisters, Gloucester, _ibid._;
St. George’s, Windsor, 220;
Henry VII.’s chapel, Westminster, 220, 222;
Sherborne Minster, Bath Abbey, 220;
Christ Church, Oxford, 221;
construction of, compared with the earliest specimens of vaulting, _ibid._

Farne, island of, ii. 21.

Fechin, St., monastery in the island of Ardoilen, ii. 20.

Fergusson, Mr., definition of the Norman style, etc., ii. 73;
as to date of the Pantheon, 231;
on the dome, 268.

Ferrers, Walkelin de, i. 114, 120.

Ferry, Mr., in reference to Christchurch, ii. 130.

Fifteenth century, i. 64.

Figure sculpture, i. 22, 50;
ii. 312;
Westminster Abbey, i. 177;
Chartres, 325;
ii. 312;
Greek, 301.

Fillets or keels to edges of mouldings, ii. 148.

Finan, ancient diocese of, ii. 130.

Finan, St., missionary from Iona, ii. 30.

Fireplace, the, i. 265.

First Pointed, i. 247.

Flambard, Ralph, Bishop of Durham, ii. 126-130;
his church at Christchurch, Hants, 130.

Flanders, town-halls of, i. 21, 260.

Flint, use of, i. 20;
and stone structures of the eastern counties, 270.

Flixton, Suffolk, tower at, ii. 53.

Florence, baptistery at, ii. 261, 262, 280.

Florence, cathedral at, ii. 248, 297, 281, 282, 284.

Foliated bands, i. 165, 248.

Foliated sculpture, i. 25, 50, 323;
at Nôtre Dame, 100;
natural and conventional, 153;
Westminster Abbey, 177;
stalks of, in capitals in reference to ribs, 247.

Fontevrault, Abbey of, ii. 275.

Foreign travel, i. 345;
architecture, study of, 316.

Formerets, or wall-ribs, ii. 182.

Fortifications, Gothic, i. 260.

Fosca, Santa, Torcello, church of, ii. 266.

Fountains Abbey, nave, i. 104, 106.

Four-leaved flowers, i. 248.

Fourteenth century, i. 6;
system of vaulting churches, 64;
close of the first quarter in France, 323.

Frampton tower and spire, i. 194.

France, foreign study to commence with, i. 33;
ii. 3;
the great centre of mediæval art, i. 33;
early work in north, 41; transition in, 70, 73;
13th century domestic architecture in, 206;
modern houses in, 259;
architects of, 353;
introduction of domical architecture into, ii. 7;
12th century work in, 8;
A.D. 1000 in, 62;
Romanesque of, 63;
central, development in, 74, 83;
domical structures of, 288.

Francis, St., church of, Assisi, i. 134.

Frankish kings, i. 42;
monarchy, 45.

Frederick, Abbot, ii. 59.

Freeman, Mr., ii. 5, 57, 59, 245, 300;
on Gothic architecture, 312, 313.

French, work in England, i. 113;
work of the 12th and 13th centuries, 247, 349;
architecture, study of, 317.

Fresco-painting, i. 213, 271.

Frond, St., at Perigueux, see St. Front.

Front, St., at Perigueux, i. 82, 83;
ii. 271-273, 278.

Functional plane of windows, ii. 152.

Furness Abbey, i. 122;
capital, 123;
13th century choir, etc., 140, 200.

G

Gall, St., monastery of, ii. 28.

Galla Placidia, tomb of, at Ravenna, ii. 242, 259.

Galilee at Ely, i. 126, 127, 139, 144, 167;
ii. 151;
at Durham, i. 106.

Galleries over aisles, i. 54, 56;
ii. 88.

Gallerus, St., oratory of, ii. 16.

Gates at St. Michael’s, Hildesheim, i. 43.

Gelnhaussen Church, i. 129.

Geneva Cathedral, i. 97.

Genoa Cathedral, ii. 147.

Geometrical system of window tracery at
Westminster Abbey, Newstead Abbey, and the “Angel Choir” at Lincoln, 276.

Gereon, St., Cologne, i. 129;
cloisters at, _ibid._

Germain des Près, St., i. 62, 319;
triforium and clerestory, 118;
choir and vaulting, 65, 92;
western doorway, 87, 92;
description of church, 91;
sculpture and capitals, 92.

Germanic nations, i. 6;
their consolidation under the first three Othos, 41.

Germany, i. 33, 41;
architectural movements in, 44;
the transition in, 70, 72, 328;
early roofs in, 254;
modern houses in, 259;
halls and feudal castles of, 260;
domestic brick architecture, 271;
tour in, 327;
Romanesque buildings of, ii. 7, 83;
western apse common to early churches of, 28;
early churches of, 36, 74;
domical churches of, 276, 288;
Romanesque of, Byzantine influence upon, 308.

Gilles, St., near Nismes, i. 99.

Glasgow Cathedral, i. 202;
crypt under, 240;
ii. 200-202.

Glass, painted, i. 22, 34, 203, 297, 357;
in secular work, 361.

Glass-plane, i. 276.

Glastonbury, church at, probably the first
erected in Great Britain, ii. 19.

Glastonbury, St. Joseph’s Chapel, i. 66, 114;
ii. 181, 194, 311.

Glastonbury Abbey, i. 114, 117, 308.

Glazing, mode of, for spaces of moderate width, i. 252;
iron-work supporting, 297.

Glendalough, St. Kevin at, abbots’ houses, ii. 19.

Gloucester Cathedral, ii. 121, 135;
choir, i. 90;
ii. 214;
nave, i. 155;
vaulting to the gallery over the aisles, ii. 88;
apsidal chapels, 122;
Lady Chapel, 215;
cloisters, 219.

Goring Church, Oxfordshire, vaulting beneath the tower, ii. 170.

Gothic architecture, claims upon our study, i. 6, 16;
abstract beauty of, 18;
adaptability to varied climates and buildings, 20, 21;
its freedom in ornamentation, 25;
southern examples, 34;
distinctive characteristics, 70;
timber roofs, 255;
developments founded upon practical considerations, 261;
honesty of treatment in, 266;
unites the conditions necessary for our future architecture, 274, 292;
complete Gothic, 347, 351;
study of old examples, 293;
imaginary excursion for the study of, 295;
study of, in London, 309;
its revival, 346;
arch-mouldings, ii. 142;
revived, acceptance of the dome into, 288;
details of, in its earliest phase rivalling those of Greece, 311;
an absolutely new phase of art, 310;
its development and progressive stages, 309-313;
its study, 324-326.

Gothic, conquerors of Rome, i. 5;
invasions, 47;
Italian, 134.

Gothic Renaissance, the, Sir Gilbert Scott’s personal reminiscences, 317.

Goths, incursions of the, i. 11.

Gower Street, a specimen of the untutored house-builder, ii. 315.

Gradenæ surrounding domes, ii. 233, 235.

Grantham steeple, i. 194;
vaulting beneath the tower, ii. 174.

Greece, civilisation and art of, i. 5, 6;
influence of religion on the architecture of, 9, 13;
windows of ancient, 250;
trabeated style of, ii. 5, 137;
buildings of ancient, 9, 299;
special features in, for our study, 302, 303;
architecture of, revived into our own country, 315.

Greek churches, domes of the later, ii. 257.

Greek, orders, as found in the early architecture of Rome, i. 45;
element merely decorative during the later Roman period, 47;
construction, 219;
resemblance of Gothic mouldings to Greek, 249;
Greek art the parent of Gothic sculpture, 336;
sculpture, 356;
vases, 360;
remains, ii. 6;
figure-sculpture, 301, 302.

Greensted, Essex, chapel at, ii. 56.

Greenwell, Canon, ii. 57.

Groined vaults, i. 49, 52, 56, 238, 327;
ii. 79, 80, 87, 149, 155-160, 162, 172, 247;
square, with semicircular arches, i. 240;
with pointed arches, 241;
ii. 180;
oblong, i. 241;
names of the parts of, ii. 182.

Groin-ribs, i. 59, 238.

Grostete, Bishop, of Lincoln, i. 196.

Gundulph, monk of the abbey of Bec, ii. 116.

Gurth, ii. 59.

H

Halberstadt, western façade, i. 129;
treasury, 329.

Hamburg, church at, i. 99.

Hampton Court, i. 31, 314.

Harold’s, Earl, church at Waltham, ii. 68.

Harold, King, ii. 59, 124.

Headingham Keep, ii. 135.

Henry II., i. 92;
tomb of, ii. 275.

Henry III., effigy of, i. 180.

Henry VII.’s chapel, Westminster Abbey, i. 312;
ii. 220-227, 311.

Heptarchy, the, ii. 3.

Heraldry, study of, i. 335.

Hereford Cathedral, i. 202; ii. 123;
capitals in eastern chapel, i. 118.

Hereward, ii. 59.

Hexham Abbey, i. 122, 201;
ii. 31.

Hildesheim, schools of art and science at, i. 42;
St. Michael’s, 43;
ii. 100;
treasuries at, i. 328.

Hindoo architecture, i. 8.

Holy Land, ii. 8.

Holyrood Chapel, i. 201.

Honorius, Emperor, ii. 13.

Hood-moulds, ii. 140.

Hôtel Dieu;
see St. Julien le Pauvre, Paris.

Howden, cornices at, i. 165.

Hugh, Bishop, i. 126, 195, 196;
work of, at Lincoln, 303.

Huns, incursions of, i. 11, 40.

Hythe church, i. 201.