Chapter XIV: Finis (1)

HE’S all right; you can look for him here right along now, any day; he _was_ hurt a leetle, but he’s as peart an’ chipper now as a blue-jay on a hick’ry limb; yes, he’s a-comin’ right smack home!”

This was the gist of the assurances which Ni vouchsafed to the first rush of eager questions--to his sister, and M’rye, and Janey Wilcox.

Abner had held a little aloof, to give the weaker sex a chance. Now he reasserted himself once more: “Stan’ back, now, and give the young man breathin’ room. Janey, hand a chair for’ard--that’s it. Now set ye down, Ni, an’ take your own time, an’ tell us all about it. So you reely found him, eh?”

“Pshaw! there ain’t anything to that,” expostulated Ni, seating himself with nonchalance, and tilting back his chair. “_That_ was easy as rollin’ off a log. But what’s the matter _here?_ That’s what knocks me. We--that is to say, I--come up on a freight train to a ways beyond Juno Junction, an’ got the conductor to slow up and let me drop off, an’ footed it over the hill. It was jest about broad daylight when I turned the divide. Then I began lookin’ for your house, an’ I’m lookin’ for it still. There’s a hole out there, full o’ snow an’ smoke, but nary a house. How’d it happen?”

“‘Lection bonfire--high wind--woodshed must ‘a’ caught,” replied Abner, sententiously. “So you reely got down South, eh?”

“An’ Siss here, too,” commented Ni, with provoking disregard for the farmer’s suggestions; “a reg’lar family party. An’, hello!”

His roving eye had fallen upon the recumbent form on the made-up bed, under the muffling blankets, and he lifted his sandy wisps of eyebrows in inquiry.

“Sh! It’s father,” explained Esther. “He isn’t feeling very well. I think he’s asleep.”

The boy’s freckled, whimsical face melted upon reflection into a distinct grin. “Why,” he said, “you’ve been havin’ a reg’lar old love-feast up here. I guess it was _that_ that set the house on fire! An’ speakin’ o’ feasts, if you’ve got a mouthful o’ somethin’ to eat handy--”

The women were off like a shot to the impromptu larder at the far end of the barn.

“Well, thin,” put in Hurley, taking advantage of their absence, “an’ had ye the luck to see anny rale fightin’?”

“Never mind that,” said Abner; “when he gits around to it he’ll tell us everything. But, fust of all--why, he knows what I want to hear about.”

“Why, the last time I talked with you, Abner--” Ni began, squinting up one of his eyes and giving a quaint drawl to his words.

“That’s a good while ago,” said the farmer, quietly.

“Things have took a change, eh?” inquired Ni.

“That’s neither here nor there,” replied Abner, somewhat testily. “You oughtn’t to need so dummed much explainin’. I’ve told you what I want specially to hear. An’ that’s what we all want to hear.”

When the women had returned, and Ni, with much deliberation, had filled both hands with selected eatables, the recital at last got under way. It progress was blocked from time to time by sheer force of tantalizing perversity on the part of the narrator, and it suffered steadily from the incidental hitches of mastication; but such as it was we listened to it with all our ears, sitting or standing about, and keeping our eyes intently upon the freckled young hero.

“It wasn’t so much of a job to git down there as I’d figured on,” Ni said, between mouthfuls. “I got along on freight trains--once worked my way a while on a hand-car--as far as Albany, an’ on down to New York on a river-boat, cheap, an’ then, after foolin’ round a few days, I hitched up with the Sanitary Commission folks, an’ got them to let me sail on one o’ their boats round to ’Napolis. I thought I was goin’ to die most o’ the voyage, but I didn’t, you see, an’ when I struck ’Napolis I hung around Camp Parole there quite a spell, talkin’ with fellers that’d bin pris’ners down in Richmond an’ got exchanged an’ sent North. They said there was a whole slew of our fellers down there still that’d been brought in after Antietam. They didn’t know none o’ their names, but they said they’d all be sent North in time, in exchange for Johnny Rebs that we’d captured. An’ so I waited round--”

“You _might_ have written!” interrupted Esther, reproachfully.

“What’d bin the good o’ writin’? I hadn’t anything to tell. Besides writin’ letters is for girls. Well, one day a man come up from Libby--that’s the prison at Richmond--an’ he said there _was_ a tall feller there from York State, a farmer, an’ he died. He thought the name was Birch, but it might’a’ been Beech--or Body-Maple, for that matter. I s’pose you’d like to had me write _that_ home!”

“No--oh, no!” murmured Esther, speaking the sense of all the company.

“Well, then I waited some more, an’ kep’ on waitin’, an’ then waited agin, until bimeby, one fine day, along comes Mr. Blue-jay himself. There here was, stan’in’ up on the paddle-box with a face on him as long as your arm, an’ I sung out, ‘Way there, Agrippa Hill!’ an’ he come mighty nigh failin’ head over heels into the water. So then he come off, an’ we shook han’s, an’ went up to the commissioners to see about his exchange, an’--an’ as soon’s that’s fixed, an’ the papers drawn up all correct, why, he’ll come home. An’ that’s all there is to it.”

“And even _then_ you never wrote!” said Esther, plaintively.

“Hold on a minute,” put in Abner. “You say he’s comin’ home. That wouldn’t be unless he was disabled. They’d keep him to fight agin, till his time was up. Come, now, tell the truth--he’s be’n hurt bad!”

Ni shook his unkempt red head. “No, no,” he said. “This is how it was. Fust he was fightin’ in a cornfield, an’ him an’ Bi Truax, they got chased out, an’ lost their regiment, an’ got in with some other fellers, and then they all waded a creek breast-high, an’ had to run up a long stretch o’ slopin’ ploughed ground to capture a battery they was on top o’ the knoll. But they didn’t see a regiment of sharp-shooters layin’ hidden behind a rail-fence, an’ these fellers riz up all to once an’ give it to ’em straight, an’ they wilted right there, an’ laid down, an’ there they was after dusk when the rebs come out an’ started lookin’ round for guns an’ blankets an’ prisoners. Most of ’em was dead, or badly hurt, but they was a few who’d simply lain there in the hollow because it’d have bin death to git up. An’ Jeff was one o’ _them_.”

“You said yourself ’t he had been hurt--some,” interposed M’rye, with snapping eyes.

“Jest a scratch on his arm,” declared Ni. “Well, then they marched the well ones back to the rear of the reb line, an’ there they jest skinned ’em of everything they had--watch an’ jack-knife an’ wallet an’ everything--an’ put ’em to sleep on the bare ground. Next day they started ’em out on the march toward Richmond, an’ after four or five days o’ that, they got to a railroad, and there was cattle cars for ’em to ride the rest o’ the way in. An’ that’s how it was.”

“No,” said Abner, sternly; “you haven’t told us. How badly is he hurt?”

“Well,” replied Ni, “it was only a scratch, as I said, but it got worse on that march, an’ I s’pose it wasn’t tended to anyways decently, an’ so--an’ so--”

M’rye had sprung to her feet and stood now drawn up to her full height, with her sharp nose in air as if upon some strange scent, and her eyes fairly glowing in eager excitement. All at once she made a bound past us and ran to the doors, furiously digging her fingers in the crevice between them, then, with a superb sweep of the shoulders, sending them both rattling back on their wheels with a bang.

“I knew it!” she screamed in triumph.

We who looked out beheld M’rye’s black hair and brown calico dress suddenly suffer a partial eclipse of pale blue, which for the moment seemed in some way a part of the bright winter sky beyond. Then we saw that it was a soldier who had his arm about M’rye, and his cap bent down tenderly over the head she had laid on his shoulder.

Our Jeff had come home.

A general instinct rooted us to our places and kept us silent, the while mother and son stood there in the broad open doorway.

Then the two advanced toward us, M’rye breathing hard, and with tears and smiles struggling together on her face under the shadow of a wrathful frown. We noted nothing of Jeff’s appearance save that he had grown a big yellow beard, and seemed to be smiling. It was the mother’s distraught countenance at which we looked instead.

She halted in front of Abner, and lifted the blue cape from Jeff’s left shoulder, with an abrupt gesture.

“Look there!” she said, hoarsely. “See what they’ve done to my boy!”

We now saw that the left sleeve of Jeff’s army overcoat was empty and hung pinned against his breast. On the instant we were all swarming about him, shaking the hand that remained to him and striving against one another in a babel of questions, comments, and expressions of sympathy with his loss, satisfaction at his return. It seemed the most natural thing in the world that he should kiss Esther Hagadorn, and that Janey Wilcox should reach up on tiptoes and kiss him. When the Underwood girl would have done the same, however, M’rye brusquely shouldered her aside.

So beside ourselves with excitement were we all, each in turn seeking to get in a word edgewise, that no one noticed the approach and entrance of a stranger, who paused just over the threshold of the barn and coughed in a loud perfunctory way to attract our attention. I had to nudge Abner twice before he turned from where he stood at Jeff’s side, with his hand on the luckless shoulder, and surveyed the newcomer.

The sun was shining so brightly on the snow outside, that it was not for the moment easy to make out the identity of this shadowed figure. Abner took a forward step or two before he recognized his visitor. It was Squire Avery, the rich man of the Corners, and justice of the peace, who had once even run for Congress.

“How d’ do?” said Abner, shading his eyes with a massive hand. “Won’t you step in?”

The Squire moved forward a little and held forth his hand, which the farmer took and shook doubtfully. We others were as silent now as the grave, feeling this visit to be even stranger than all that had gone before.

“I drove up right after breakfast, Mr. Beech,” said the Squire, making his accustomed slow delivery a trifle more pompous and circumspect than usual, “to express to you the feeling of such neighbors as I have, in this limited space of time, being able to foregather with. I believe, sir, that I may speak for them all when I say that we regret, deplore, and contemplate with indignation the outrage and injury to which certain thoughtless elements of the community last night, sir, subjected you and your household.”

“It’s right neighborly of you, Square, to come an’ say so,” remarked Abner. “Won’t you set down? You see, my son Jeff’s jest come home from the war, an’ the house bein’ burnt, an’ so on, we’re rather upset for the minute.”

The Squire put on his spectacles and smiled with surprise at seeing Jeff. He shook hands with him warmly, and spoke with what we felt to be the right feeling about that missing arm; but he could not sit down, he said. The cutter was waiting for him, and he must hurry back.

“I am glad, however,” he added, “to have been the first, Mr. Beech, to welcome your brave son back, and to express to you the hope, sir, that with this additional link of sympathy between us, sir, bygones may be allowed to become bygones.”

“I don’t bear no ill will,” said Abner, guardedly. “I s’pose in the long run folks act pooty close to about what they think is right. I’m willin’ to give ’em that credit--the same as I take to myself. They ain’t been much disposition to give _me_ that credit, but then, as our school-ma’am here was a-sayin’ last night, people ’ve been a good deal worked up about the war--havin’ them that’s close to ’em right down in the thick of it--an’ I dessay it was natural enough they should git hot in the collar about it. As I said afore, I don’t bear no ill will--though prob’ly I’m entitled to.”

The Squire shook hands with Abner again. “Your sentiments, Mr. Beech,” he said, in his stateliest manner, “do credit alike to your heart and your head. There is a feeling, sir, that this would be an auspicious occasion for you to resume sending your milk to the cheese-factory.”

Abner pondered the suggestion for a moment. “It would be handier,” he said, slowly; “but, you know, I ain’t goin’ to eat no humble pie. That Rod Bidwell was downright insultin’ to my man, an’ me too--”

“It was all, I assure you, sir, an unfortunate misunderstanding,” pursued the Squire, “and is now buried deep in oblivion. And it is further suggested, that, when you have reached that stage of preparation for your new house, if you will communicate with me, the neighbors will be glad to come up and extend their assistance to you in what is commonly known as a raising-bee. They will desire, I believe, to bring with them their own provisions. And, moreover, Mr. Beech”--here the Squire dropped his oratorical voice and stepped close to the farmer--“if this thing has cramped you any, that is to say, if you find yourself in need of--of--any accommodation--”

“No, nothin’ o’ that sort,” said Abner. He stopped at that, and kept silence for a little, with his head down and his gaze meditatively fixed on the barn floor. At last he raised his face and spoke again, his deep voice shaking a little in spite of itself.

“What you’ve said, Square, an’ your comin’ here, has done me a lot o’ good. It’s pooty nigh wuth bein’ burnt out for--to have this sort o’ thing come \ on behind as an after-clap. Sometimes, I tell you, sir, I’ve despaired o’ the republic. I admit it, though it’s to my shame. I’ve said to myself that when American citizens, born an’ raised right on the same hill-side, got to behavin’ to each other in such an all-fired mean an’ cantankerous way, why, the hull blamed thing wasn’t worth tryin’ to save. But you see I was wrong--I admit I was wrong. It was jest a passin’ flurry--a kind o’ snow-squall in hayin’ time. All the while, right down ’t the bottom, their hearts was sound an’ sweet as a butternut. It fetches me--that does--it makes me prouder than ever I was before in all my born days to be an American--yes, sir--that’s the way I--I feel about it.”

There were actually tears in the big farmer’s eyes, and he got out those finishing words of his in fragmentary gulps. None of us had ever seen him so affected before.

After the Squire had shaken hands again and started off, Abner stood at the open door, looking after him, then gazing in a contemplative general way upon all out-doors. The vivid sunlight reflected up from the melting snow made his face to shine as if from an inner radiance. He stood still and looked across the yards with their piles of wet straw smoking in the forenoon heat, and the black puddles eating into the snow as the thaw went on; over the further prospect, made weirdly unfamiliar by the disappearance of the big old farm-house; down the long broad sloping hill-side with its winding road, its checkered irregular patches of yellow stubble and stacked fodder, of deep umber ploughed land and warm gray woodland, all pushing aside their premature mantle of sparkling white, and the scattered homesteads and red barns beyond--and there was in his eyes the far-away look of one who saw still other things.

He turned at last and came in, walking over to where Jeff and Esther stood hand in hand beside the bed on the floor. Old Jee Hagadorn was sitting up now, and had exchanged some words with the couple.

“Well, Brother Hagadorn,” said the farmer, “I hope you’re feelin’ better.”

“Yes, a good deal--B--Brother Beech, thank’ee,” replied the cooper, slowly and with hesitation.

Abner laid a fatherly hand on Esther’s shoulder and another on Jeff’s. A smile began to steal over his big face, broadening the square which his mouth cut down into his beard, and deepening the pleasant wrinkles about his eyes. He called M’rye over to the group with beckoning nod of the head.

“It’s jest occurred to me, mother,” he said, with the mock gravity of tone we once had known so well and of late had heard so little--“I jest be’n thinkin’ we might’a’ killed two birds with one stun while the Square was up here. He’s justice o’ the peace, you know--an’ they say them kind o’ marriages turn out better ’n all the others.”

“Go ’long with yeh!” said Ma’rye, vivaciously. But she too put a hand on Esther’s other shoulder.

The school-teacher nestled against M’rye’s side. “I tell you what,” she said, softly, “if Jeff ever turns out to be half the man his father is, I’ll just be prouder than my skin can hold.”

MARSENA

I

Marsena Pulford, what time the village of Octavius knew him, was a slender and tall man, apparently skirting upon the thirties, with sloping shoulders and a romantic aspect.

It was not alone his flowing black hair, and his broad shirt-collars turned down after the ascertained manner of the British poets, which stamped him in our humble minds as a living brother to “The Corsair,” “The Last of the Suliotes,” and other heroic personages engraved in the albums and keepsakes of the period. His face, with its darkling eyes and distinguished features, conveyed wherever it went an impression of proudly silent melancholy. In those days--that is, just before the war--one could not look so convincingly and uniformly sad as Marsena did without raising the general presumption of having been crossed in love. We had a respectful feeling, in his case, that the lady ought to have been named Iñez, or at the very least Oriana.

Although he went to the Presbyterian Church with entire regularity, was never seen in public save in a long-tailed black coat, and in the winter wore gloves instead of mittens, the local conscience had always, I think, sundry reservations about the moral character of his past. It would not have been reckoned against him, then, that he was obviously poor. We had not learned in those primitive times to measure people by dollar-mark standards. Under ordinary conditions, too, the fact that he came from New England--had indeed lived in Boston--must have counted rather in his favor than otherwise. But it was known that he had been an artist, a professional painter of pictures and portraits, and we understood in Octavius that this involved acquaintanceship, if not even familiarity, with all sorts of occult and deleterious phases of city life.

Our village held all vice, and especially the vice of other and larger places, in stern reprobation. Yet, though it turned this matter of the newcomer’s previous occupation over a good deal in its mind, Marsena carried himself with such a gentle picturesqueness of subdued sorrow that these suspicions were disarmed, or, at the worst, only added to the fascinated interest with which Octavius watched his spare and solitary figure upon its streets, and noted the progress of his efforts to find a footing for himself in its social economy.

It was taken for granted among us that he possessed a fine and well-cultivated mind, to match that thoughtful countenance and that dignified deportment.

This assumption continued to hold its own in the face of a long series of failures in the attempt to draw him out. Almost everybody who was anybody at one time or another tried to tap Marsena’s mental reservoirs--and all in vain. Beyond the barest commonplaces of civil conversation he could, never be tempted. Once, indeed, he had volunteered to the Rev. Mr. Bunce the statement that he regarded Washington Allston as in several respects superior to Copley; but as no one in Octavius knew who these men were, the remark did not help us much. It was quoted frequently, however, as indicating the lofty and recondite nature of the thoughts with which Mr. Pulford occupied his intellect. As it became more apparent, too, that his reserve must be the outgrowth of some crushing and incurable heart grief, people grew to defer to it and to avoid vexing his silent moods with talk.

Thus, when he had been a resident and neighbor for over two years, though no one knew him at all well, the whole community regarded him with kindly and even respectful emotions, and the girls in particular felt that he was a distinct acquisition to the place.

I have said that Marsena Pulford was poor. Hardly anybody in Octavius ever knew to what pathetic depths his poverty during the second winter descended. There was a period of several months, in sober truth, during which he fed himself upon six or seven cents a day. As he was too proud to dream of asking credit at the grocer’s and butcher’s, and walked about more primly erect than ever, meantime, in his frock-coat and gloves, no idea of these privations got abroad. And at the end of this long evil winter there came a remarkable spring, which altered in a violent way the fortunes of millions of people--among them Marsena. We have to do with events somewhat subsequent to that even, and with the period of Mr. Pulford’s prosperity.

*****

The last discredited strips of snow up in the ravines on the hill-sides were melting away; the robins had come again, and were bustling busily across between the willows, already in the leaf, and the budded elms; men were going about the village streets without their overcoats, and boys were telling exciting tales about the suckers in the creek; our old friend Homer Sage had returned from his winter’s sojourn in the county poorhouse at Thessaly, and could be seen daily sitting in the sunshine on the broad stoop of the Excelsior Hotel. It was April of 1862.

A whole year had gone by since that sudden and memorable turn in Marsena Pulford’s luck. So far from there being signs now of a possible adverse change, this new springtide brought such an increase of good fortune, with its attendant responsibilities, that Marsena was unable to bear the halcyon burden alone. He took in a partner to help him, and then the firm jointly hired a boy. The partner painted a signboard to mark this double event, in bold red letters of independent form upon a yellow ground:

PULFORD & SHULL.

Empire State Portrait Athenæum and

Studio.

War Likenesses at Peace Prices.

Marsena discouraged the idea of hanging this out on the street; and, as a compromise, it was finally placed at the end of the operating-room, where for years thereafter it served for the sitters to stare at when their skulls had been clasped in the iron headrest and they had been adjured to look pleasant. A more modest and conventional announcement of the new firm’s existence was put outside, and Octavius accepted it as proof that the liberal arts were at last established within its borders on a firm and lucrative basis.

The head of the firm was not much altered by this great wave of prosperity. He had been drilled by adversity into such careful ways with his wardrobe that he did not need to get any new clothes. Although the villagers, always kindly, sought now with cordial effusiveness to make him feel one of themselves, and although he accepted all their invitations and showed himself at every public meeting in his capacity as a representative and even prominent citizen, yet the heart of his mystery remained unplucked. Marsena was too busy in these days to be much upon the streets. When he did appear he still walked alone, slowly and with an air of settled gloom. He saluted such passers-by as he knew in stately silence. If they stopped him or joined him in his progress, at the most he would talk sparingly of the weather and the roads.

Neither at the fortnightly sociables of the Ladies’ Church Mite Society, given in turn at the more important members’ homes, nor in the more casual social assemblages of the place, did Marsena ever unbend. It was not that he held himself aloof, as some others did, from the simple amusements of the evening. He never shrank from bearing his part in “pillow,” “clap in and clap out,” “post-office,” or in whatever other game was to be played, and he went through the kissing penalties and rewards involved without apparent aversion. It was also to be noted, in fairness, that, if any one smiled at him full in the face, he instantly smiled in response. But neither smile nor chaste salute served to lift for even the fleeting instant that veil of reserve which hung over him.

Those who thought that by having Marsena Pul-ford take their pictures they would get on more intimate terms with him fell into grievous error. He was more sententious and unapproachable in his studio, as he called it, than anywhere else. In the old days, before the partnership, when he did everything himself, his manner in the reception-room downstairs, where he showed samples, gave the prices of frames, and took orders, had no equal for formal frigidity--except his subsequent demeanor in the operating-room upstairs. The girls used to declare that they always emerged from the gallery with “cold shivers all over them.” This, however, did not deter them from going again, repeatedly, after the outbreak of the war had started up the universal notion of being photographed.

When the new partner came in, in this April of 1862, Marsena was able to devote himself exclusively to the technical business of the camera and the dark-room, on the second floor. He signalled this change by wearing now every day an old russet-colored velveteen jacket, which we had never seen before. This made him look even more romantically melancholy and picturesque than ever, and revived something of the fascinating curiosity as to his hidden past; but it did nothing toward thawing the icebound shell which somehow came at every point between him and the good-fellowship of the community.

The partnership was scarcely a week old when something happened. The new partner, standing behind the little show-case in the reception-room, transacted some preliminary business with two customers who had come in. Then, while the sound of their ascending footsteps was still to be heard on the stairs, he hastily left his post and entered the little work-room at the back of the counter.

“You couldn’t guess in a baker’s dozen of tries who’s gone upstairs,” he said to the boy. Without waiting for even one effort, he added: “It’s the Parmalee girl, and Dwight Ransom’s with her, and he’s got a Lootenant’s uniform on, and they’re goin’ to be took together!”

“What of it?” asked the unimaginative boy. He was bending over a crock of nitric acid, transferring from it one by one to a tub of water a lot of spoiled glass plates. The sickening fumes from the jar, and the sting of the acid on his cracked skin, still further diminished his interest in contemporary sociology. “Well, what of it?” he repeated, sulkily.

“Oh, I don’t know,” said the new partner, in a listless, disappointed way. “It seemed kind o’ curious, that’s all. Holdin’ her head up as high in the air as she does, you wouldn’t think she’d so much as look at an ordinary fellow like Dwight Ransom.”

“I suppose this is a free country,” remarked the boy, rising to rest his back.

“Oh, my, yes,” returned the other; “if she’s pleased, I’m quite agreeable. And--I don’t know, too--I dare say she’s gettin’ pretty well along. Maybe she thinks they ain’t any too much time to lose, and is making a grab at what comes handiest. Still, I should ’a’ thought she could ’a’ done better than Dwight. I worked with him for a spell once, you know.”

There seemed to be very few people with whom Newton Shull had not at one time or another worked. Apparently there was no craft or calling which he did not know something about. The old phrase, “Jack of all trades,” must surely have been coined in prophecy for him. He had turned up in Octavius originally, some years before, as the general manager of a “Whaler’s Life on the Rolling Deep” show, which was specially adapted for moral exhibitions in connection with church fairs. Calamity, however, had long marked this enterprise for its own, and at our village its career culminated under the auspices of a sheriff’s officer. The boat, the harpoons, the panorama sheet and rollers, the whale’s jaw, the music-box with its nautical tunes--these were sold and dispersed. Newton Shull remained, and began work as a mender of clocks. Incidentally, he cut out stencil-plates for farmers to label their cheese-boxes with, and painted or gilded ornamental designs on chair-backs through perforated paper patterns. For a time he was a maker of children’s sleds. In slack seasons he got jobs to help the druggist, the tinsmith, the dentist, or the Town Clerk, and was equally at home with each. He was one of the founders of the Octavius Philharmonics, and offered to play any instrument they liked, though his preference was for what he called the bull fiddle. He spoke often of having travelled as a bandsman with a circus. We boys believed that he was quite capable of riding a horse bareback as well.

When Marsena Pulford, then, decided that he must have some help, Newton Shull was obviously the man. How the arrangement came to take the form of a partnership was never explained, save on the conservative village theory that Marsena must have reasoned that a partner would be safer with the cash-box downstairs, while he was taking pictures upstairs, than a mere hired man. More likely it grew out of their temperamental affinity. Shull was also a man of grave and depressed moods (as, indeed, is the case with all who play the bass viol), only his melancholy differed from Marsena’s in being of a tirelessly garrulous character. This was not always an advantage. When customers came in, in the afternoon, it was his friendly impulse to engage them in conversation at such length that frequently the light would fail altogether before they got upstairs. He recognized this tendency as a fault, and manfully combated it--leaving the reception-room with abruptness at the earliest possible moment, and talking to the boy in the work-room instead.

Mr. Shull was a short, round man, with a beard which was beginning to show gray under the lip. His reception-room manners were urbane and persuasive to a degree, and he particularly excelled in convincing people that the portraits of themselves, which Marsena had sent down to him in the dummy to be dried and varnished, and which they hated vehemently at first sight, were really unique and precious works of art. He had also much success in inducing country folks to despise the cheap ferrotype which they had intended to have made, and to venture upon the costlier ambrotype, daguerreotype, or even photograph instead. If they did not go away with a family album or an assortment of frames that would come in handy as well, it was no fault of his.

He made these frames himself, on a bench which he had fitted up in the work-room. Here he constructed show-cases, too, cut out mats and mounts, and did many other things as adjuncts to the business, which honest Marsena had never dreamed of.

“Yes,” he went on now, “I carried a chain for Dwight the best part o’ one whole summer, when he was layin’ levels for that Nedahma Valley Railroad they were figurin’ on buildin’. Guess they ruther let him in over that job--though he paid me fair enough. It ain’t much of a business, that surveyin’. You spend about half your time in findin’ out for people the way they could do things if they only had the money to do ’em, and the other half in settlin’ miserable farmers’ squabbles about the boundaries of their land. You’ve got to pay a man day’s wages for totin’ round your chain and axe and stakes--and, as like as not, you never get even that money back, let alone any pay for yourself. I know something about a good many trades, and I say surveyin’ is pretty nigh the poorest of ’em all.”

“George Washington was a surveyor,” commented the boy, stooping down to his task once more.

“Yes,” admitted Mr. Shull; “so he was, for a fact. But then he had influence enough to get government jobs. I don’t say there ain’t money in that. If Dwight, now, could get a berth on the canal, say, it ’ud be a horse of another color. They say, there’s some places there that pay as much as $3 a day. That’s how George Washington got his start, and, besides, he owned his own house and lot to begin with. But you’ll take notice that he dropped surveyin’ like a hot potato the minute there was any soldierin’ to do. He knew which side _his_ bread was buttered on!”

“Well,” said the boy, slapping the last plates sharply into the tub, “that’s just what Dwight’s doin’ too, ain’t it?”

“Yes,” Mr. Shull conceded; “but it ain’t the same thing. You won’t find Dwight Ransom get-tin’ to be general, or much of anything else. He’s a nice fellow enough, in his way, of course; but, somehow, after it’s all said and done, there ain’t much to him. I always sort o’ felt, when I was out with him, that by good rights I ought to be working the level and him hammerin’ in the stakes.”

The boy sniffed audibly as he bore away the acid-jar.

Mr. Shull went over to the bench, and took up a chisel with a meditative air. After a moment he lifted his head and listened, with aroused interest written all over his face.

There had been audible from the floor above, at intervals, the customary noises of the camera being wheeled about to different points under the skylight. There came echoing downward now quite other and most unfamiliar sounds--the clatter of animated, even gay, conversation, punctuated by frank outbursts of laughter. Newton Shull could hardly believe his ears: but they certainly did tell him that there were three parties to that merriment overhead. It was so strange that he laid aside the chisel, and tiptoed out into the reception-room, with a notion of listening at the stair door. Then he even more hurriedly ran back again. They were coming downstairs.

It might have been a whole wedding-party that trooped down the resounding stairway, the voices rising above the clump of Dwight’s artillery boots and sword on step after step, and overflowed into the stuffy little reception-room with a cheerful tumult of babble. The new partner and the boy looked at each other, then directed a joint stare of bewilderment toward the door.

Julia Parmalee had pushed her way behind the show-case, and stood in the entrance to the workroom, peering about her with an affectation of excited curiosity which she may have thought pretty and playful, but which the boy, at least, held to be absurd.

She had been talking thirteen to the dozen all the time. “Oh, I really must see everything!” she rattled on now. “If I could be trusted alone in the dark-room with you, Mr. Pulford, I surely may be allowed to explore all these minor mysteries. Oh, I see,” she added, glancing round, and incidentally looking quite through Mr. Shull and the boy, as if they had been transparent: “here’s where the frames and the washing are done. How interesting!”

What really was interesting was the face of Marsena Pulford, discernible in the shadow over her shoulder. No one in Octavius had ever seen such a beaming smile on his saturnine countenance before.

II

Next to the War, the chief topic of interest and conversation in Octavius at this time was easily Miss Julia Parmalee.

To begin with, her family had for two generations or more been the most important family in the village. When Lafayette stopped here to receive an address of welcome, on his tour through the State in 1825, it was a Parmalee who read that address, and who also, as tradition runs, made on his own account several remarks to the hero in the French language, all of which were understood. The elder son of this man has a secure place in history. He is the Judge Parmalee whose portrait hangs in the Court House, and whose learned work on “The Treaties of the Tuscarora Nation,” handsomely bound in morocco, used to have a place of honor on the parlor table of every well-to-do and cultured Octavius home.

This Judge was a banker, too, and did pretty well for himself in a number of other commercial paths. He it was who built the big Parmalee house, with a stone wall in front and the great garden and orchard stretching back to the next street, and the buff-colored statues on either side of the gravelled walk, where the Second National Dearborn County Bank now stands. The Judge had no children, and, on his widow’s death, the property went to his much younger brother Charles, who, from having been as a stripling on some forgotten Governor’s staff, bore through life the title of Colonel in the local speech.

This Colonel Parmalee had a certain distinction, too, though not of a martial character. His home was in New York, and for many years Octavius never laid eyes on him. He was understood to occupy a respected place among American men of letters, though exactly what he wrote did not come to our knowledge. It was said that he had been at Brook Farm. I have not been able to find any one who remembers him there, but the report is of use as showing the impression of superior intellectual force which he created, even by hearsay, in his native village. When he finally came back to us, to play his part as the head of the Parmalee house, we saw at intervals, when the sun was warm and the sidewalks were dry, the lean and bent figure of an old man, with a very yellow face and a sharp-edged brown wig, moving feebly about with a thick gray shawl over his shoulders. His housekeeper was an elderly maiden cousin, who seemed never to come out at all, whether the sun was shining or not.

There were three or four of the Colonel’s daughters--all tall, well-made girls, with strikingly dark skins, and what we took to be gypsyish faces. Their appearance certainly bore out the rumor that their mother had been an opera-singer--some said an Italian, others a lady of Louisiana Creole extraction. No information, except that she was dead, ever came to hand about this person. Her daughters, however, were very much in evidence. They seemed always to wear white dresses, and they were always to be seen somewhere, either on their lawn playing croquet, or in the streets, or at the windows of their house. The consciousness of their existence pervaded the whole village from morning till night. To watch their goings and comings, and to speculate upon the identity and business of the friends from strange parts who were continually arriving to visit them, grew to be quite the standing occupation of the idler portion of the community.

Before such of our young people as naturally took the lead in these matters had had time to decide how best to utilize for the general good this influx of beauty, wealth, and ancestral dignity, the village was startled by an unlooked-for occurrence. A red carpet was spread one forenoon from the curb to the doorway of the Episcopal church: the old-fashioned Parmalee carriage turned out, with its driver clasping white reins in white cotton gloves; we had a confused glimpse of the dark Parmalee girls with bouquets in their hands, and dressed rather more in white than usual: and then astonished Octavius learned that two of them had been married, right there under its very eyes, and had departed with their husbands. It gave an angry twist to the discovery to find that the bridegrooms were both strangers, presumably from New York.

This episode had the figurative effect of doubling or trebling the height of that stone wall which stood between the Parmalee place and the public. Such budding hopes and projects of intimacy as our villagers may have entertained toward these polished newcomers fell nipped and lifeless on the stroke. Shortly afterward--that is to say, in the autumn of 1860--the family went away, and the big house was shut up. News came in time that the Colonel was dead: something was said about another daughter’s marriage; then the war broke out, and gave us other things to think of. We forgot all about the Parmalees.

It must have been in the last weeks of 1861 that our vagrant attention was recalled to the subject by the appearance in the village of an elderly married couple of servants, who took up their quarters in the long empty mansion, and began fitting it once more for habitation. They set all the chimneys smoking, shovelled the garden paths clear of snow, laid in huge supplies of firewood, vegetables, and the like, and turned the whole place inside out in a vigorous convulsion of housecleaning. Their preparations were on such a bold, large scale that we assumed the property must have passed to some voluminous collateral branch of the family, hitherto unknown to us. It came indeed to be stated among us, with an air of certainty, that a remote relation named Amos or Erasmus Parmalee, with eight or more children and a numerous adult household, was coming to live there. The legend of this wholly mythical personage had nearly a fortnight’s vogue, and reached a point of distinctness where we clearly understood that the coming stranger was a violent secessionist. This seemed to open up a troubled and sinister prospect before loyal Octavius, and there was a good deal of plain talk in the barroom of the Excelsior Hotel as to how this impending crisis should be met.

It was just after New Year’s that our suspense was ended. The new Parmalees came, and Octavius noted with a sort of disappointed surprise that they turned out to be merely a shorn and trivial remnant of the old Parmalees. They were in fact only a couple of women--the elderly maiden cousin who had presided before over the Colonel’s household, and the youngest of his daughters, by name Miss Julia. What was more, word was now passed round upon authority that these were the sole remaining members of the family--that there never had been any Amos or Erasmus Parmalee at all.

The discovery cast the more heroic of our village home-guards into a temporary depression. It could hardly have been otherwise, for here were all their fine and strong resolves, their publicly registered vows about scowling at the odious Southern sympathizer in the street, about a “horning” party outside his house at night, about, perhaps, actually riding him on a rail--all brought to nothing. A less earnest body of men might have suspected in the situation some elements of the ridiculous. They let themselves down gently, however, and with a certain dignified sense of consolation that they had, at all events, shown unmistakably how they would have dealt with Amos or Erasmus Parmalee if there had been such a man, and he had moved to Octavius and had ventured to flaunt his rebel sentiments in their outraged faces.

The village, as a whole, consoled itself on more tangible grounds. It has been stated that Miss Julia Parmalee arrived at the family homestead in early January. Before April had brought the buds and birds, this young woman had become President of the St. Mark’s Episcopal Ladies’ Aid Society; had organized a local branch of the Sanitary Commission, and assumed active control of all its executive and clerical functions; had committed the principal people of the community to holding a grand festival and fair in May for the Field Hospital and Nurse Fund; had exhibited in the chief store window on Main Street a crayon portrait of her late father, and four water-color drawings of European scenery, all her own handiwork; had published over her signature, in the Thessaly _Banner of Liberty_, an original and spirited poem on “Pale Columbia, Shriek to Arms!” which no one could read without patriotic thrills; and had been reported, on more or less warrant of appearances, to be engaged to four different young men of the place. Truly a remarkable young woman!

We were only able in a dim kind of way to identify her with one of the group of girls in white dresses whom the village had stared at and studied from a distance two years before. There was no mystery about it, however: she was the youngest of them. They had all looked so much alike, with their precocious growth, their olive skins and foreign features, that we were quite surprised to find now that this one, regarded by herself, must be a great deal younger than the others. Perhaps it was only our rustic shyness which had imputed to the sisterhood, in that earlier experience, the hauteur and icy reserve of the rich and exclusive. We recognized now that if the others were at all like Julia, we had made an absurd mistake. It was impossible that any one could be freer from arrogance or pretence than Octavius found her to be. There were some, indeed, who deemed her emancipation almost too complete.

Some there were, too, who denied that she was beautiful, or even very good-looking. There is an old daguerreotype of her as she was in those days--or rather as she seemed to be to the unskilled sunbeams of the sixties--which gives these censorious people the lie direct. It is true that her hair is confined in a net at the sides and drawn stiffly across her temples from the parting. The full throat rises sheer from a flat horizon of striped dress goods, and is offered no relief whatever by the wide falling-away collar of coarse lace. And oh! the strangeness of that frock! The shoulder seams are to be looked for half-way down the upper arm, the sleeves swell themselves out into shapeless bags, the waist front might be the cover of a chair, of a guitar, of the documents in a corporation suit--of anything under the sun rather than the form of a charming girl. Yet, when you look at this thin old picture, all the same, you feel that you understand how it was that Julia Parmalee took the shine out of all the other girls in Octavius.

This is the likeness of her which always seemed to me the best, but Marsena Pulford made a great many others as well. When you reflect, indeed, that his output of portraits of Julia Parmalee was limited in time to the two months of April and May, their number suggests that he could hardly have done anything else the while.

The first of this large series of pictures was the one which Marsena liked least. It is true that Julia looked well in it, standing erect, with a proud, fine backward tilt to her dark face and a delicately formed white hand resting gracefully on the back of a chair. But it happened that in that chair was seated Lieut. Dwight Ransom, all spick and span in his new uniform, with his big gauntlets and sword hilt brought prominently forward, and with a kind of fatuous smile on his ruddy face, as if he felt the presence of those fair fingers on the chair-back, so teasingly close to his shoulder-strap.

Marsena, in truth, had a strong impulse to run a destroying thumbnail over the seated figure on this plate, when the action of the developer began to reveal its outlines under the faint yellow light in the dark-room. Of all the myriad pictures he had washed and drained and nursed in their wet growth over this tank, no other had ever stirred up in his breast such a swift and sharp hostility. He lavished the deadly cyanide upon that portion of the plate, too, with grim unction, and noted the results with a scornful curl on his lip. Like his partner downstairs, he was wondering what on earth possessed Miss Parmalee to take up with a Dwight Ransom.

The frown was still on his brow when he opened the dark-room door. Then he started back, flushed red, and labored at an embarrassed smile. Miss Parmalee had left her place, and stood right in front of him, so near that he almost ran against her. She beamed confidently and reassuringly upon him.

“Oh, I want to come in and see you do all that,” she exclaimed, with vivacity. “It didn’t occur to me till after you’d shut the door, or I’d have asked to come in with you. I have the greatest curiosity about all these matters. Oh, it is all done? That’s too bad! But you can make another one--and that I can see from the beginning. You know, I’m something of an artist myself; I’ve taken lessons for years--and this all interests me so much! No, Lieutenant!”--she called out from where she was standing just inside the open door, at sound of her companion’s rising--“you stay where you are! There’s going to be another, and it’s such trouble to get you posed properly. Try and keep exactly as you were!”

Thus it happened that she stood very close to Marsena, as he took out another plate, flooded it with the sweet-smelling, pungent collodion, and, with furtive precautions against the light, lowered it down into the silver bath. Then he had to shut the door, and she was still there just beside him. He heard himself pretending to explain the processes of the films to her, but his mind was concentrated instead upon a suggestion of perfume which she had brought into the reeking little cupboard of a room, and which mingled languorously with the scents of ether and creosote in the air. He had known her by sight for but a couple of months; he had been introduced to her only a week or so ago, and that in the most casual way; yet, strange enough, he could feel his hand trembling as it perfunctorily moved the plate dipper up and down in the bath.

A gentle voice fell upon the darkness. “Do you know, Mr. Pulford,” it murmured, “I felt sure that you were an artist, the very first time I saw you.”

Marsena heaved a long sigh--a sigh with a tremulous catch in it, as where sorrow and sweet solace should meet. “I did start out to be one,” he answered, “but I--I never amounted to anything at it. I tried for years, but I wasn’t any good. I had to give it up--at last--and take to this instead.”

He lifted the plate with caution, bent to look obliquely across its surface, and lowered it again. Then all at once he turned abruptly and faced her. They were so close to each other that even in the obscure gloom she caught the sudden flash of resolution in his eyes.

“I’ll tell you what I never told any other living soul,” he said, beginning with husky eagerness, but lapsing now into grave deliberation of emphasis: “I hate--this--like pizen!”

In the silence which followed, Marsena mechanically took the plate from the bath, fastened it in the holder, and stepped to the door. Then he halted, to prolong for one little instant this tender spell of magic which had stolen over him. Here, in the close darkness beside him, was a sorceress, a siren, who had at a glance read his sore heart’s deepest secret--at a word drawn the confession of his maimed and embittered pride. It was like being shut up with an angel, who was also a beautiful woman. Oh, the wonder of it! Broad sunlit landscapes with Italian skies seemed to be forming themselves before his mind’s eye; his soul sang songs within him. He very nearly dropped the plate-holder.

The soft, hovering, half touch of a hand upon his arm, the cool, restful tones of the voice in the darkness, came to complete the witchery.