How music grew, from prehistoric times to the present day
by OpenStories
Original author: Marion Bauer
"How Music Grew from Prehistoric Times to the Present Day" by Marion Bauer and Ethel Peyser is a historical account written in the early 20th century. The book explores the evolution of music, tracing its development from prehistoric times through various cultures and eras up to the contemporary period. It aims to provide an engaging and accessible introduction to the origins and growth of music across civilizations, making it suitable for readers of all ages. The opening of the book establishes a foundational understanding of music's birth, illustrating a time when early humans lacked language, formal structures, and civilization as we know it. It emphasizes the connection between music, dance, and the daily experiences of prehistoric peoples, suggesting that their initial expressions of music emerged as ritualistic acts to communicate with deities and convey emotions. The authors introduce the concept that movement and sound were essential to early music-making, setting the stage for further exploration of how these primitive practices evolved into the intricate musical systems of later cultures worldwide.
How music grew, from prehistoric times to the present day, by Marion Bauer. Republished by OpenStories from Project Gutenberg eBook #72171.
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38 Chapters
- 1.Front Matter499 words
- 2.Introduction463 words
- 3.Introduction: , BY W. J. HENDERSON xi498 words
- 4.Chapter I: Music is Born—How, When and Where1,299 words
- 5.Chapter II: The Savage Makes His Music3,629 words
- 6.Chapter III: The Ancient Nations Made Their Music—Egyptian, Assyrian, and Hebrew3,086 words
- 7.Chapter IV: The Greeks Lived Their Music—The Romans Used Greek Patterns4,220 words
- 8.Chapter V2,491 words
- 9.Chapter VI: The Arab Spreads Culture—The Gods Give Music to the Hindus3,508 words
- 10.Chapter VII: What Church Music Imported from Greece4,595 words
- 11.Chapter VIII: Troubadours and Minnesingers Brought Music to Kings and People5,848 words
- 12.Chapter IX: The People Dance and Sing5,564 words
- 13.Chapter X: National Portraits in Folk Music5,102 words
- 14.Chapter XI: Makers of Motets and Madrigals—Rise of Schools 15th and 16th Centuries4,604 words
- 15.Chapter XII2,656 words
- 16.Chapter XIII: Birth of Oratorio and Opera—Monteverde and Heart Music4,768 words
- 17.Chapter XIV: Musicke in Merrie England6,096 words
- 18.Chapter XV: Dance Tunes Grow Up—Suites—Violin Makers of Cremona4,163 words
- 19.Chapter XVI: Opera in France—Lully and Rameau—Clavecin and Harpsichord Composers3,885 words
- 20.Chapter XVII: Germany Enters—Organs, Organists and Organ Works2,746 words
- 21.Chapter XVIII: Bach—The Giant3,132 words
- 22.Chapter XIX: Handel and Gluck—Pathmakers5,673 words
- 23.Chapter XX: “Papa” Haydn and Mozart—the Genius5,465 words
- 24.Chapter XXI3,912 words
- 25.Chapter XXII: The Pianoforte Grows Up—The Ancestry of the Pianoforte5,442 words
- 26.Chapter XXIII: Opera Makers of France, Germany and Italy—1741 to Wagner4,689 words
- 27.Chapter XXIV: The Poet Music Writers—Romantic School4,554 words
- 28.Chapter XXV: Wagner—the Wizard3,510 words
- 29.Chapter VIII: about the Meistersinger1,702 words
- 30.Chapter XXVI: More Opera Makers—Verdi and Meyerbeer to Our Day5,695 words
- 31.Chapter XXVII: Some Tone Poets5,891 words
- 32.Chapter XXVIII: Late 19th Century Composers Write New Music on Old Models6,690 words
- 33.Chapter XXIX: Music Appears in National Costumes4,081 words
- 34.Chapter XXX: America Enters5,507 words
- 35.Chapter XXXI: America Comes of Age11,038 words
- 36.Chapter XXXII: Twentieth Century Music (1)8,777 words
- 37.Chapter XXXII: Twentieth Century Music (2)6,441 words
- 38.Chapter XXXII: Twentieth Century Music (3)5,993 words