Chapter III: Section II: Luther and the Reformation in Germany

Thus, side by side with the Renaissance, was born the Reformation. It also was in fact a new birth, one in harmony with the genius of the Germanic peoples. The distinction between this genius and others is its moral principles. Grosser and heavier, more given to gluttony and drunkenness,[6] these nations are at the same time more under the influence of conscience, firmer in the observance of their word, more disposed to self-denial and sacrifice. Such their climate has made them; and such they have continued, from Tacitus to Luther, from Knox to Gustavus Adolphus and Kant. In the course of time, and beneath the incessant action of the ages, the phlegmatic body, fed on coarse food and strong drink, had become rusty, the nerves less excitable, the muscles less strung, the desires less seconded by action, the life more dull and slow, the soul more hardened and indifferent to the shocks of the body: mud, rain, snow, a profusion of unpleasing and gloomy sights, the want of lively and delicate excitements of the senses, keep man in a militant attitude. Heroes in the barbarous ages, workers to-day, they endure weariness now as they courted wounds then; now, as then, nobility of soul appeals to them; thrown back upon the enjoyments of the soul, they find in these a world, the world of moral beauty. For them the ideal is displaced; it is no longer amidst forms, made up of force and joy, but it is transferred to sentiments, made up of truth, uprightness, attachment to duty, observance of order. What matters it if the storm rages and if it snows, if the wind blusters in the black pine-forests or on the wan sea-surges where the sea-gulls scream, if a man, stiff and blue with cold, shutting himself up in his cottage, have but a dish of sourcrout or a piece of salt beef, under his smoky light and beside his fire of turf; another kingdom opens to reward him, the kingdom of inward contentment: his wife loves him and is faithful; his children round his hearth spell out the old family Bible; he is the master in his home, the protector, the benefactor, honored by others, honored by himself; and if so be that he needs assistance, he knows that at the first appeal he will see his neighbors stand faithfully and bravely by his side. The reader need only compare the portraits of the time, those of Italy and Germany; he will comprehend at a glance the two races and the two civilizations, the Renaissance and the Reformation: on one side a half-naked condottiere in Roman costume, a cardinal in his robes, amply draped, in a rich arm-chair, carved and adorned with heads of lions, foliage, dancing fauns, he himself full of irony, and voluptuous, with the shrewd and dangerous look of a politician and man of the world, craftily poised and on his guard; on the other side, some honest doctor, a theologian, a simple man, with badly combed locks, stiff as a post, in his simple gown of coarse black serge, with big books of dogma ponderously clasped, a conscientious worker, an exemplary father of a family. See now the great artist of the age, a laborious and conscientious workman, a follower of Luther's, a true Northman--Albert Dürer.[7] He also, like Raphael and Titian, has his ideal of man, an inexhaustible ideal, whence spring by hundreds living figures and the representations of manners, but how national and original! He cares not for expansive and happy beauty: to him nude bodies are but bodies undressed: narrow shoulders, prominent stomachs, thin legs, feet weighed down by shoes, his neighbor the carpenter's, or his gossip the sausage-seller's. The heads stand out in his etchings, remorselessly scraped and scooped away, savage or commonplace, often wrinkled by the fatigues of trade, generally sad, anxious, and patient, harshly and wretchedly transformed by the necessities of realistic life. Where is the vista out of this minute copy of ugly truth? To what land will the lofty and melancholy imagination betake itself? The land of dreams, strange dreams swarming with deep thoughts, sad contemplation of human destiny, a vague notion of the great enigma, groping reflection, which in the dimness of the rough woodcuts, amidst obscure emblems and fantastic figures, tries to seize upon truth and justice. There was no need to search so far; Dürer had grasped them at the first effort. If there is any decency in the world, it is in the Madonnas which are constantly springing to life under his pencil. He did not begin, like Raphael, by making them nude; the most licentious hand would not venture to disturb one stiff fold of their robes; with an infant in their arms, they think but of him, and will never think of anybody else but him; not only are they innocent, but they are virtuous. The good German housewife, forever shut up, voluntarily and naturally, within her domestic duties and contentment, breathes out in all the fundamental sincerity, the seriousness, the unassailable loyalty of their attitudes and looks. He has done more; with this peaceful virtue he has painted a militant virtue. There at last is the genuine Christ, the man crucified, lean and fleshless through his agony, whose blood trickles minute by minute, in rarer drops, as the feebler and feebler pulsations give warning of the last throe of a dying life. We do not find here, as in the Italian masters, a sight to charm the eyes, a mere flow of drapery, a disposition of groups. The heart, the very heart is wounded by this sight: it is the just man oppressed, who is dying because the world hates justice. The mighty, the men of the age, are there, indifferent, full of irony: a plumed knight, a big-bellied burgomaster, who, with hands folded behind his back, looks on, kills an hour. But the rest weep; above the fainting women, angels full of anguish catch in their vessels the holy blood as it trickles down, and the stars of heaven veil their face not to behold so tremendous an outrage. Other outrages will also be represented; tortures manifold, and the true martyrs beside the true Christ, resigned, silent, with the sweet expression of the earliest believers. They are bound to an old tree, and the executioner tears them with his iron-pointed lash. A bishop with clasped hands is praying, lying down, whilst an auger is being screwed into his eye. Above, amid the interlacing trees and gnarled roots, a band of men and women climb under the lash the breast of a hill, and they are hurled from the crest at the lance's point into the abyss; here and there roll heads, lifeless bodies; and by the side of those who are being decapitated, the swollen corpses, impaled, await the croaking ravens. All these sufferings must be undergone for the confession of faith and the establishment of justice. But above there is a guardian, an avenger, an all-powerful Judge, whose day shall come. This day has come, and the piercing rays of the last sun already flash, like a handful of darts, across the darkness of the age. High up in the heavens appears the angel in his shining robe, leading the ungovernable horsemen, the flashing swords, the inevitable arrows of the avengers, who are to trample upon and punish the earth; mankind falls down beneath their charge, and already the jaw of the infernal monster grinds the head of the wicked prelates. This is the popular poem of conscience, and from the days of the apostles man has not had a more sublime and complete conception.[8]

For conscience, like other things, has its poem; by a natural invasion the all-powerful idea of justice overflows from the soul, covers heaven, and enthrones there a new deity. A formidable deity, who is scarcely like the calm intelligence which serves philosophers to explain the order of things; nor to that tolerant deity, a kind of constitutional king, whom Voltaire discovered at the end of a chain of argument, whom Béranger sings of as of a comrade, and whom he salutes "_sans lui demander rien._" It is the just Judge, sinless and stern, who demands of man a strict account of his visible actions and of all his invisible feelings, who tolerates no forgetfulness, no dejection, no failing, before whom every approach to weakness or error is an outrage and a treason. What is our justice before this strict justice? People lived in peace in the times of ignorance; at most, when they felt themselves guilty, they went for absolution to a priest; all was ended by their buying a big indulgence; there was a tariff, as there still is; Tetzel the Dominican declares that all sins are blotted out "as soon as the money chinks in the box." Whatever be the crime, there is a quittance: even "_si Dei matrem vi olavisset_," he might go home clean and sure of heaven. Unfortunately the venders of pardons did not know that all was changed, and that the intellect was become manly, no longer gabbling words mechanically like a catechism, but probing them anxiously like a truth. In the universal Renaissance, and in the mighty growth of all human ideas, the German idea of duty blooms like the rest. Now, when we speak of justice, it is no longer a lifeless phrase which we repeat, but a living idea which we produce; man sees the object which it represents, and feels the emotion which summons it up; he no longer receives, but he creates it; it is his work and his tyrant; he makes it, and submits to it. "These words _justus_ and _justitia Dei_," says Luther, "were a thunder to my conscience. I shuddered to hear them; I told myself, if God is just, He will punish me."[9] For as soon as the conscience discovers again the idea of the perfect model,[10] the smallest failings appeared to be crimes, and man, condemned by his own scruples, fell prostrate, and, "as it were, swallowed up" with horror. "I, who lived the life of a spotless monk" says Luther, "yet felt within me the troubled conscience of a sinner, without managing to assure myself as to the satisfaction which I owed to God.... Then I said to myself: Am I then the only one who ought to be sad in my spirit?... Oh, what horrible spectres and figures I used to see!" Thus alarmed, conscience believes that the terrible day is at hand. "The end of the world is near.... Our children will see it; perchance we ourselves." Once in this mood he had terrible dreams for six months at a time. Like the Christians of the Apocalypse, he fixes the moment when the world will be destroyed: it will come at Easter, or at the conversion of Saint Paul. One theologian, his friend, thought of giving all his goods to the poor; "but would they receive it?" he said. "To-morrow night we shall be seated in heaven." Under such anguish the body gives way. For fourteen days Luther was in such a condition that he could neither drink, eat, nor sleep. "Day and night," his eyes fixed on a text of Saint Paul, he saw the Judge, and His inevitable hand. Such is the tragedy which is enacted in all Protestant souls--the eternal tragedy of conscience; and its issue is a new religion.

For nature alone and unassisted cannot rise from this abyss. "By itself it is so corrupted, that it does not feel the desire for heavenly things.... There is in it before God nothing but lust." Good intentions cannot spring from it. "For, terrified by the vision of his sin, man could not resolve to do good, troubled and anxious as he is; on the contrary, dejected and crushed by the weight of his sin, he falls into despair and hatred of God, as it was with Cain, Saul, Judas;" so that, abandoned to himself, he can find nothing within him but the rage and the dejection of a despairing wretch or a devil. In vain he might try to redeem himself by good works: our good deeds are not pure; even though pure, they do not wipe out the stain of previous sins, and moreover they do not take away the original corruption of the heart; they are only boughs and blossoms, the inherited poison is in the sap. Man must descend to the heart, underneath literal obedience and legal rule; from the kingdom of law he must penetrate into that of grace; from forced righteousness to spontaneous generosity; beneath his original nature, which led him to selfishness and earthly things, a second nature must be developed, leading him to sacrifice and heavenly things. Neither my works, nor my justice, nor the works or justice of any creature or of all creatures, could work in me this wonderful change. One alone can do it, the pure God, the Just Victim, the Saviour, the Redeemer, Jesus, my Christ, by imputing to me His justice, by pouring upon me His merits, by drowning my sin under His sacrifice. The world is a "mass of perdition,"[11] predestined to hell. Lord Jesus, draw me back, select me from this mass. I have no claim to it; there is nothing in me that is not abominable; this very prayer is inspired and formed within me by Thee. But I weep, and my breast heaves, and my heart is broken. Lord, let me feel myself redeemed, pardoned, Thy elect one. Thy faithful one; give me grace, and give me faith! "Then," says Luther, "I felt myself born anew, and it seemed that I was entering the open gates of heaven."

What remains to be done after this renovation of the heart? Nothing: all religion is in that: the rest must be reduced or suppressed; it is a personal affair, an inward dialogue between God and man, where there are only two things at work--the very word of God as it is transmitted by Scripture, and the emotions of the heart of man, as the word of God excites and maintains them.[12] Let us do away with the rites that appeal to the senses, wherewith men wished to replace this intercourse between the invisible soul and the visible judge--mortifications, fasts, corporeal penance, Lent, vows of chastity and poverty, rosaries, indulgences; rites serve only to smother living piety underneath mechanical works. Away with the mediators by which men attempted to impede the direct intercourse between God and man--namely, saints, the Virgin, the Pope, the priests; whosoever adores or obeys them is an idolater. Neither saints nor Virgin can convert or save us; God alone by His Christ can convert and save. Neither Pope nor priest can fix our faith or forgive our sins; God alone instructs us by His word, and absolves us by His pardon. No more pilgrimages or relics; no more traditions or auricular confessions. A new church appears, and therewith a new worship; ministers of religion change their tone, the worship of God its form; the authority of the clergy is diminished, and the pomp of services is reduced: they are reduced and diminished the more, because the primitive idea of the new theology is more absorbing; so much so, that in certain sects they have disappeared altogether. The priest descends from the lofty position in which the right of forgiving sins and of regulating faith had raised him over the heads of the laity; he returns to civil society, marries like the rest, aims to be once more an equal, is merely a more learned and pious man than others, chosen by themselves and their adviser. The church becomes a temple, void of images, decorations, ceremonies, sometimes altogether bare; a simple meeting-house, where, between whitewashed walls, from a plain pulpit, a man in a black gown speaks without gesticulations, reads a passage from the Bible, begins a hymn, which the congregation takes up. There is another place of prayer, as little adorned and not less venerated, the domestic hearth, where every night the father of the family, before his servants and his children, prays aloud and reads the Scriptures. An austere and free religion, purged from sensualism and obedience, inward and personal, which, set on foot by the awakening of the conscience, could only be established among races in which each man found within his nature the conviction that he alone is responsible for his actions, and always bound to the observance of his duty.