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Chapter IV: Part 4

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No one on earth has such lovely voices as they, but the little mermaid sang more sweetly than all. The whole court applauded her with hands and tails, and for a moment her heart felt quite gay, for she knew she had the sweetest voice either on earth or in the sea. But soon she thought again of the world above her; she could not forget the charming prince, nor her sorrow that she had not an immortal soul like his. She crept away silently out of her father's palace, and while everything within was gladness and song, she sat in her own little garden, sorrowful and alone. Then she heard the bugle sounding through the water and thought: "He is certainly sailing above, he in whom my wishes center and in whose hands I should like to place the happiness of my life. I will venture all for him and to win an immortal soul. While my sisters are dancing in my father's palace I will go to the sea witch, of whom I have always been so much afraid; she can give me counsel and help."

Then the little mermaid went out from her garden and took the road to the foaming whirlpools, behind which the sorceress lived. She had never been that way before. Neither flowers nor grass grew there; nothing but bare, gray, sandy ground stretched out to the whirlpool, where the water, like foaming mill wheels, seized everything that came within its reach and cast it into the fathomless deep. Through the midst of these crushing whirlpools the little mermaid was obliged to pass before she could reach the dominions of the sea witch. Then, for a long distance, the road lay across a stretch of warm, bubbling mire, called by the witch her turf moor.

Beyond this was the witch's house, which stood in the center of a strange forest, where all the trees and flowers were polypi, half animals and half plants. They looked like serpents with a hundred heads, growing out of the ground. The branches were long, slimy arms, with fingers like flexible worms, moving limb after limb from the root to the top. All that could be reached in the sea they seized upon and held fast, so that it never escaped from their clutches.

The little mermaid was so alarmed at what she saw that she stood still and her heart beat with fear. She came very near turning back, but she thought of the prince and of the human soul for which she longed, and her courage returned. She fastened her long, flowing hair round her head, so that the polypi should not lay hold of it. She crossed her hands on her bosom, and then darted forward as a fish shoots through the water, between the supple arms and fingers of the ugly polypi, which were stretched out on each side of her. She saw that they all held in their grasp something they had seized with their numerous little arms, which were as strong as iron bands. Tightly grasped in their clinging arms were white skeletons of human beings who had perished at sea and had sunk down into the deep waters; skeletons of land animals; and oars, rudders, and chests, of ships. There was even a little mermaid whom they had caught and strangled, and this seemed the most shocking of all to the little princess.

She now came to a space of marshy ground in the wood, where large, fat water snakes were rolling in the mire and showing their ugly, drab-colored bodies. In the midst of this spot stood a house, built of the bones of shipwrecked human beings. There sat the sea witch, allowing a toad to eat from her mouth just as people sometimes feed a canary with pieces of sugar. She called the ugly water snakes her little chickens and allowed them to crawl all over her bosom.

"I know what you want," said the sea witch. "It is very stupid of you, but you shall have your way, though it will bring you to sorrow, my pretty princess. You want to get rid of your fish's tail and to have two supports instead, like human beings on earth, so that the young prince may fall in love with you and so that you may have an immortal soul." And then the witch laughed so loud and so disgustingly that the toad and the snakes fell to the ground and lay there wriggling.

"You are but just in time," said the witch, "for after sunrise to-morrow I should not be able to help you till the end of another year. I will prepare a draft for you, with which you must swim to land to-morrow before sunrise; seat yourself there and drink it. Your tail will then disappear, and shrink up into what men call legs.

"You will feel great pain, as if a sword were passing through you. But all who see you will say that you are the prettiest little human being they ever saw. You will still have the same floating gracefulness of movement, and no dancer will ever tread so lightly. Every step you take, however, will be as if you were treading upon sharp knives and as if the blood must flow. If you will bear all this, I will help you."

"Yes, I will," said the little princess in a trembling voice, as she thought of the prince and the immortal soul.

"But think again," said the witch, "for when once your shape has become like a human being, you can no more be a mermaid. You will never return through the water to your sisters or to your father's palace again. And if you do not win the love of the prince, so that he is willing to forget his father and mother for your sake and to love you with his whole soul and allow the priest to join your hands that you may be man and wife, then you will never have an immortal soul. The first morning after he marries another, your heart will break and you will become foam on the crest of the waves."

"I will do it," said the little mermaid, and she became pale as death.

"But I must be paid, also," said the witch, "and it is not a trifle that I ask. You have the sweetest voice of any who dwell here in the depths of the sea, and you believe that you will be able to charm the prince with it. But this voice you must give to me. The best thing you possess will I have as the price of my costly draft, which must be mixed with my own blood so that it may be as sharp as a two-edged sword."

"But if you take away my voice," said the little mermaid, "what is left for me?"

"Your beautiful form, your graceful walk, and your expressive eyes. Surely with these you can enchain a man's heart. Well, have you lost your courage? Put out your little tongue, that I may cut it off as my payment; then you shall have the powerful draft."

"It shall be," said the little mermaid.

Then the witch placed her caldron on the fire, to prepare the magic draft.

"Cleanliness is a good thing," said she, scouring the vessel with snakes which she had tied together in a large knot. Then she pricked herself in the breast and let the black blood drop into the caldron. The steam that rose twisted itself into such horrible shapes that no one could look at them without fear. Every moment the witch threw a new ingredient into the vessel, and when it began to boil, the sound was like the weeping of a crocodile. When at last the magic draft was ready, it looked like the clearest water.

"There it is for you," said the witch. Then she cut off the mermaid's tongue, so that she would never again speak or sing. "If the polypi should seize you as you return through the wood," said the witch, "throw over them a few drops of the potion, and their fingers will be torn into a thousand pieces." But the little mermaid had no occasion to do this, for the polypi sprang back in terror when they caught sight of the glittering draft, which shone in her hand like a twinkling star.

So she passed quickly through the wood and the marsh and between the rushing whirlpools. She saw that in her father's palace the torches in the ballroom were extinguished and that all within were asleep. But she did not venture to go in to them, for now that she was dumb and going to leave them forever she felt as if her heart would break. She stole into the garden, took a flower from the flower bed of each of her sisters, kissed her hand towards the palace a thousand times, and then rose up through the dark-blue waters.

The sun had not risen when she came in sight of the prince's palace and approached the beautiful marble steps, but the moon shone clear and bright. Then the little mermaid drank the magic draft, and it seemed as if a two-edged sword went through her delicate body. She fell into a swoon and lay like one dead. When the sun rose and shone over the sea, she recovered and felt a sharp pain, but before her stood the handsome young prince.

He fixed his coal-black eyes upon her so earnestly that she cast down her own and then became aware that her fish's tail was gone and that she had as pretty a pair of white legs and tiny feet as any little maiden could have. But she had no clothes, so she wrapped herself in her long, thick hair. The prince asked her who she was and whence she came. She looked at him mildly and sorrowfully with her deep blue eyes, but could not speak. He took her by the hand and led her to the palace.

Every step she took was as the witch had said it would be; she felt as if she were treading upon the points of needles or sharp knives. She bore it willingly, however, and moved at the prince's side as lightly as a bubble, so that he and all who saw her wondered at her graceful, swaying movements. She was very soon arrayed in costly robes of silk and muslin and was the most beautiful creature in the palace; but she was dumb and could neither speak nor sing.

Beautiful female slaves, dressed in silk and gold, stepped forward and sang before the prince and his royal parents. One sang better than all the others, and the prince clapped his hands and smiled at her. This was a great sorrow to the little mermaid, for she knew how much more sweetly she herself once could sing, and she thought, "Oh, if he could only know that I have given away my voice forever, to be with him!"

The slaves next performed some pretty fairy-like dances, to the sound of beautiful music. Then the little mermaid raised her lovely white arms, stood on the tips of her toes, glided over the floor, and danced as no one yet had been able to dance. At each moment her beauty was more revealed, and her expressive eyes appealed more directly to the heart than the songs of the slaves. Every one was enchanted, especially the prince, who called her his little foundling. She danced again quite readily, to please him, though each time her foot touched the floor it seemed as if she trod on sharp knives.

The prince said she should remain with him always, and she was given permission to sleep at his door, on a velvet cushion. He had a page's dress made for her, that she might accompany him on horseback. They rode together through the sweet-scented woods, where the green boughs touched their shoulders, and the little birds sang among the fresh leaves. She climbed with him to the tops of high mountains, and although her tender feet bled so that even her steps were marked, she only smiled, and followed him till they could see the clouds beneath them like a flock of birds flying to distant lands. While at the prince's palace, and when all the household were asleep, she would go and sit on the broad marble steps, for it eased her burning feet to bathe them in the cold sea water. It was then that she thought of all those below in the deep.

Once during the night her sisters came up arm in arm, singing sorrowfully as they floated on the water. She beckoned to them, and they recognized her and told her how she had grieved them; after that, they came to the same place every night. Once she saw in the distance her old grandmother, who had not been to the surface of the sea for many years, and the old Sea King, her father, with his crown on his head. They stretched out their hands towards her, but did not venture so near the land as her sisters had.

As the days passed she loved the prince more dearly, and he loved her as one would love a little child. The thought never came to him to make her his wife. Yet unless he married her, she could not receive an immortal soul, and on the morning after his marriage with another, she would dissolve into the foam of the sea.

"Do you not love me the best of them all?" the eyes of the little mermaid seemed to say when he took her in his arms and kissed her fair forehead.

"Yes, you are dear to me," said the prince, "for you have the best heart and you are the most devoted to me. You are like a young maiden whom I once saw, but whom I shall never meet again. I was in a ship that was wrecked, and the waves cast me ashore near a holy temple where several young maidens performed the service. The youngest of them found me on the shore and saved my life. I saw her but twice, and she is the only one in the world whom I could love. But you are like her, and you have almost driven her image from my mind. She belongs to the holy temple, and good fortune has sent you to me in her stead. We will never part.

"Ah, he knows not that it was I who saved his life," thought the little mermaid. "I carried him over the sea to the wood where the temple stands; I sat beneath the foam and watched till the human beings came to help him. I saw the pretty maiden that he loves better than he loves me." The mermaid sighed deeply, but she could not weep. "He says the maiden belongs to the holy temple, therefore she will never return to the world--they will meet no more. I am by his side and see him every day. I will take care of him, and love him, and give up my life for his sake."

Very soon it was said that the prince was to marry and that the beautiful daughter of a neighboring king would be his wife, for a fine ship was being fitted out. Although the prince gave out that he intended merely to pay a visit to the king, it was generally supposed that he went to court the princess. A great company were to go with him. The little mermaid smiled and shook her head. She knew the prince's thoughts better than any of the others.

"I must travel," he had said to her; "I must see this beautiful princess. My parents desire it, but they will not oblige me to bring her home as my bride. I cannot love her, because she is not like the beautiful maiden in the temple, whom you resemble. If I were forced to choose a bride, I would choose you, my dumb foundling, with those expressive eyes." Then he kissed her rosy mouth, played with her long, waving hair, and laid his head on her heart, while she dreamed of human happiness and an immortal soul.

"You are not afraid of the sea, my dumb child, are you?" he said, as they stood on the deck of the noble ship which was to carry them to the country of the neighboring king. Then he told her of storm and of calm, of strange fishes in the deep beneath them, and of what the divers had seen there. She smiled at his descriptions, for she knew better than any one what wonders were at the bottom of the sea.

In the moonlight night, when all on board were asleep except the man at the helm, she sat on deck, gazing down through the clear water. She thought she could distinguish her father's castle, and upon it her aged grandmother, with the silver crown on her head, looking through the rushing tide at the keel of the vessel. Then her sisters came up on the waves and gazed at her mournfully, wringing their white hands. She beckoned to them, and smiled, and wanted to tell them how happy and well off she was. But the cabin boy approached, and when her sisters dived down, he thought what he saw was only the foam of the sea.

The next morning the ship sailed into the harbor of a beautiful town belonging to the king whom the prince was going to visit. The church bells were ringing, and from the high towers sounded a flourish of trumpets. Soldiers, with flying colors and glittering bayonets, lined the roads through which they passed. Every day was a festival, balls and entertainments following one another. But the princess had not yet appeared. People said that she had been brought up and educated in a religious house, where she was learning every royal virtue.

At last she came. Then the little mermaid, who was anxious to see whether she was really beautiful, was obliged to admit that she had never seen a more perfect vision of beauty. Her skin was delicately fair, and beneath her long, dark eyelashes her laughing blue eyes shone with truth and purity.

"It was you," said the prince, "who saved my life when I lay as if dead on the beach," and he folded his blushing bride in his arms.

"Oh, I am too happy!" said he to the little mermaid; "my fondest hopes are now fulfilled. You will rejoice at my happiness, for your devotion to me is great and sincere."

The little mermaid kissed his hand and felt as if her heart were already broken. His wedding morning would bring death to her, and she would change into the foam of the sea.

All the church bells rang, and the heralds rode through the town proclaiming the betrothal. Perfumed oil was burned in costly silver lamps on every altar. The priests waved the censers, while the bride and the bridegroom joined their hands and received the blessing of the bishop. The little mermaid, dressed in silk and gold, held up the bride's train; but her ears heard nothing of the festive music, and her eyes saw not the holy ceremony. She thought of the night of death which was coming to her, and of all she had lost in the world.

On the same evening the bride and bridegroom went on board the ship. Cannons were roaring, flags waving, and in the center of the ship a costly tent of purple and gold had been erected. It contained elegant sleeping couches for the bridal pair during the night. The ship, under a favorable wind, with swelling sails, glided away smoothly and lightly over the calm sea.

When it grew dark, a number of colored lamps were lighted and the sailors danced merrily on the deck. The little mermaid could not help thinking of her first rising out of the sea, when she had seen similar joyful festivities, so she too joined in the dance, poised herself in the air as a swallow when he pursues his prey, and all present cheered her wonderingly. She had never danced so gracefully before. Her tender feet felt as if cut with sharp knives, but she cared not for the pain; a sharper pang had pierced her heart.

She knew this was the last evening she should ever see the prince for whom she had forsaken her kindred and her home. She had given up her beautiful voice and suffered unheard-of pain daily for him, while he knew nothing of it. This was the last evening that she should breathe the same air with him or gaze on the starry sky and the deep sea. An eternal night, without a thought or a dream, awaited her. She had no soul, and now could never win one.

All was joy and gaiety on the ship until long after midnight. She smiled and danced with the rest, while the thought of death was in her heart. The prince kissed his beautiful bride and she played with his raven hair till they went arm in arm to rest in the sumptuous tent. Then all became still on board the ship, and only the pilot, who stood at the helm, was awake. The little mermaid leaned her white arms on the edge of the vessel and looked towards the east for the first blush of morning--for that first ray of the dawn which was to be her death. She saw her sisters rising out of the flood. They were as pale as she, but their beautiful hair no longer waved in the wind; it had been cut off.

"We have given our hair to the witch," said they, "to obtain help for you, that you may not die to-night. She has given us a knife; see, it is very sharp. Before the sun rises you must plunge it into the heart of the prince. When the warm blood falls upon your feet they will grow together again into a fish's tail, and you will once more be a mermaid and can return to us to live out your three hundred years before you are changed into the salt sea foam. Haste, then; either he or you must die before sunrise. Our old grandmother mourns so for you that her white hair is falling, as ours fell under the witch's scissors. Kill the prince, and come back. Hasten! Do you not see the first red streaks in the sky? In a few minutes the sun will rise, and you must die."

Then they sighed deeply and mournfully, and sank beneath the waves.

The little mermaid drew back the crimson curtain of the tent and beheld the fair bride, whose head was resting on the prince's breast. She bent down and kissed his noble brow, then looked at the sky, on which the rosy dawn grew brighter and brighter. She glanced at the sharp knife and again fixed her eyes on the prince, who whispered the name of his bride in his dreams.

_She_ was in his thoughts, and the knife trembled in the hand of the little mermaid--but she flung it far from her into the waves. The water turned red where it fell, and the drops that spurted up looked like blood. She cast one more lingering, half-fainting glance at the prince, then threw herself from the ship into the sea and felt her body dissolving into foam.

The sun rose above the waves, and his warm rays fell on the cold foam of the little mermaid, who did not feel as if she were dying. She saw the bright sun, and hundreds of transparent, beautiful creatures floating around her--she could see through them the white sails of the ships and the red clouds in the sky. Their speech was melodious, but could not be heard by mortal ears--just as their bodies could not be seen by mortal eyes. The little mermaid perceived that she had a body like theirs and that she continued to rise higher and higher out of the foam. "Where am I?" asked she, and her voice sounded ethereal, like the voices of those who were with her. No earthly music could imitate it.

"Among the daughters of the air," answered one of them. "A mermaid has not an immortal soul, nor can she obtain one unless she wins the love of a human being. On the will of another hangs her eternal destiny. But the daughters of the air, although they do not possess an immortal soul, can, by their good deeds, procure one for themselves. We fly to warm countries and cool the sultry air that destroys mankind with the pestilence. We carry the perfume of the flowers to spread health and restoration.

"After we have striven for three hundred years to do all the good in our power, we receive an immortal soul and take part in the happiness of mankind. You, poor little mermaid, have tried with your whole heart to do as we are doing. You have suffered and endured, and raised yourself to the spirit world by your good deeds, and now, by striving for three hundred years in the same way, you may obtain an immortal soul."

The little mermaid lifted her glorified eyes toward the sun and, for the first time, felt them filling with tears.

On the ship in which she had left the prince there were life and noise, and she saw him and his beautiful bride searching for her. Sorrowfully they gazed at the pearly foam, as if they knew she had thrown herself into the waves. Unseen she kissed the forehead of the bride and fanned the prince, and then mounted with the other children of the air to a rosy cloud that floated above.

"After three hundred years, thus shall we float into the kingdom of heaven," said she. "And we may even get there sooner," whispered one of her companions. "Unseen we can enter the houses of men where there are children, and for every day on which we find a good child that is the joy of his parents and deserves their love, our time of probation is shortened. The child does not know, when we fly through the room, that we smile with joy at his good conduct--for we can count one year less of our three hundred years. But when we see a naughty or a wicked child we shed tears of sorrow, and for every tear a day is added to our time of trial."

BUCKWHEAT

IF YOU should chance, after a tempest, to cross a field where buckwheat is growing, you may observe that it looks black and singed, as if a flame of fire had passed over it. And should you ask the reason, a farmer will tell you, "The lightning did that."

But how is it that the lightning did it?

I will tell you what the sparrow told me, and the sparrow heard it from an aged willow which stood--and still stands for that matter--close to the field of buckwheat.

This willow is tall and venerable, though old and crippled. Its trunk is split clear through the middle, and grass and blackberry tendrils creep out through the cleft. The tree bends forward, and its branches droop like long, green hair.

In the fields around the willow grew rye, wheat, and oats--beautiful oats that, when ripe, looked like little yellow canary birds sitting on a branch. The harvest had been blessed, and the fuller the ears of grain the lower they bowed their heads in reverent humility.

There was also a field of buckwheat lying just in front of the old willow. The buckwheat did not bow its head, like the rest of the grain, but stood erect in stiff-necked pride.

"I am quite as rich as the oats," it said; "and, moreover, I am much more sightly. My flowers are as pretty as apple blossoms. It is a treat to look at me and my companions. Old willow, do you know anything more beautiful than we?"

The willow nodded his head, as much as to say, "Indeed I do!" But the buckwheat was so puffed with pride that it only said: "The stupid tree! He is so old that grass is growing out of his body."

Now there came on a dreadful storm, and the flowers of the field folded their leaves or bent their heads as it passed over them. The buckwheat flower alone stood erect in all its pride.

"Bow your heads, as we do," called the flowers.

"There is no need for me to do that," answered the buckwheat.

"Bow your head as we do," said the grain. "The angel of storms comes flying hither. He has wings that reach from the clouds to the earth; he will smite you before you have time to beg for mercy."

"But I do not choose to bow down," said the buckwheat.

"Close your flowers and fold your leaves," said the old willow. "Do not look at the lightning when the cloud breaks. Even human beings dare not do that, for in the midst of the lightning one may look straight into God's heaven. The sight strikes human beings blind, so dazzling is it. What would not happen to us, mere plants of the field, who are so much humbler, if we should dare do so?"

"So much humbler! Indeed! If there is a chance, I shall look right into God's heaven." And in its pride and haughtiness it did so. The flashes of lightning were so awful that it seemed as if the whole world were in flames.

When the tempest was over, both the grain and the flowers, greatly refreshed by the rain, again stood erect in the pure, quiet air. But the buckwheat had been burned as black as a cinder by the lightning and stood in the field like a dead, useless weed.

The old willow waved his branches to and fro in the wind, and large drops of water fell from his green leaves, as if he were shedding tears. The sparrows asked: "Why are you weeping when all around seems blest? Do you not smell the sweet perfume of flowers and bushes? The sun shines, and the clouds have passed from the sky. Why do you weep, old tree?"

Then the willow told them of the buckwheat's stubborn pride and of the punishment which followed.

I, who tell this tale, heard it from the sparrows. They told it to me one evening when I had asked them for a story.

WHAT HAPPENED TO THE THISTLE

AROUND a lordly old mansion was a beautiful, well-kept garden, full of all kinds of rare trees and flowers. Guests always expressed their delight and admiration at the sight of its wonders. The people from far and near used to come on Sundays and holidays and ask permission to see it. Even whole schools made excursions for the sole purpose of seeing its beauties.

Near the fence that separated the garden from the meadow stood an immense thistle. It was an uncommonly large and fine thistle, with several branches spreading out just above the root, and altogether was so strong and full as to make it well worthy of the name "thistle bush."

No one ever noticed it, save the old donkey that pulled the milk cart for the dairymaids. He stood grazing in the meadow hard by and stretched his old neck to reach the thistle, saying: "You are beautiful! I should like to eat you!" But the tether was too short to allow him to reach the thistle, so he did not eat it.

There were guests at the Hall, fine, aristocratic relatives from town, and among them a young lady who had come from a long distance--all the way from Scotland. She was of old and noble family and rich in gold and lands--a bride well worth the winning, thought more than one young man to himself; yes, and their mothers thought so, too!

The young people amused themselves on the lawn, playing croquet and flitting about among the flowers, each young girl gathering a flower to put in the buttonhole of some one of the gentlemen.

The young Scotch lady looked about for a flower, but none of them seemed to please her, until, happening to glance over the fence, she espied the fine, large thistle bush, full of bluish-red, sturdy-looking flowers. She smiled as she saw it, and begged the son of the house to get one of them for her.

"That is Scotland's flower," she said; "it grows and blossoms in our coat of arms. Get that one yonder for me, please."

And he gathered the finest of the thistle flowers, though he pricked his fingers as much in doing so as if it had been growing on a wild rosebush.

She took the flower and put it in his buttonhole, which made him feel greatly honored. Each of the other young men would gladly have given up his graceful garden flower if he might have worn the one given by the delicate hands of the Scotch girl. As keenly as the son of the house felt the honor conferred upon him, the thistle felt even more highly honored. It seemed to feel dew and sunshine going through it.

"It seems I am of more consequence than I thought," it said to itself. "I ought by rights to stand inside and not outside the fence. One gets strangely placed in this world, but now I have at least one of my flowers over the fence--and not only there, but in a buttonhole!"

To each one of its buds as it opened, the thistle bush told this great event. And not many days had passed before it heard--not from the people who passed, nor yet from the twittering of little birds, but from the air, which gives out, far and wide, the sounds that it has treasured up from the shadiest walks of the beautiful garden and from the most secluded rooms at the Hall, where doors and windows are left open--that the young man who received the thistle flower from the hands of the Scottish maiden had received her heart and hand as well.

"That is my doing!" said the thistle, thinking of the flower she had given to the buttonhole. And every new flower that came was told of this wonderful event.

"Surely I shall now be taken and planted in the garden," thought the thistle. "Perhaps I shall be put into a flowerpot, for that is by far the most honorable position." It thought of this so long that it ended by saying to itself with the firm conviction of truth, "I shall be planted in a flowerpot!"

It promised every little bud that came that it also should be placed in a pot and perhaps have a place in a buttonhole--that being the highest position one could aspire to. But none of them got into a flowerpot, and still less into a gentleman's buttonhole.

They lived on light and air, and drank sunshine in the day and dew at night. They received visits from bee and hornet, who came to look for the honey in the flower, and who took the honey and left the flower.

"The good-for-nothing fellows," said the thistle bush. "I would pierce them if I could!"

The flowers drooped and faded, but new ones always came.

"You come as if you had been sent," said the thistle bush to them. "I am expecting every moment to be taken over the fence."

A couple of harmless daisies and a huge, thin plant of canary grass listened to this with the deepest respect, believing all they heard. The old donkey, that had to pull the milk cart, cast longing looks toward the blooming thistle and tried to reach it, but his tether was too short. And the thistle bush thought and thought, so much and so long, of the Scotch thistle--to whom it believed itself related--that at last it fancied it had come from Scotland and that its parents had grown into the Scottish arms.

It was a great thought, but a great thistle may well have great thoughts.

"Sometimes one is of noble race even if one does not know it," said the nettle growing close by--it had a kind of presentiment that it might be turned into muslin, if properly treated.

The summer passed, and the autumn passed; the leaves fell from the trees; the flowers came with stronger colors and less perfume; the gardener's lad sang on the other side of the fence:

"Up the hill and down the hill,
That's the way of the world still."

The young pine trees in the wood began to feel a longing for Christmas, though Christmas was still a long way off.

"Here I am still," said the thistle. "It seems that I am quite forgotten, and yet it was I who made the match. They were engaged, and now they are married--the wedding was a week ago. I do not make a single step forward, for I cannot."

Some weeks passed. The thistle had its last, solitary flower, which was large and full and growing down near the root. The wind blew coldly over it, the color faded, and all its glory disappeared, leaving only the cup of the flower, now grown to be as large as the flower of an artichoke and glistening like a silvered sunflower.

The young couple, who were now man and wife, came along the garden path, and as they passed near the fence, the bride, glancing over it, said, "Why, there stands the large thistle! it has no flowers now."

"Yes, there is still the ghost of the last one," said her husband, pointing to the silvery remains of the last flower--a flower in itself.

"How beautiful it is!" she said. "We must have one carved in the frame of our picture."

And once more the young man had to get over the fence, to break off the silvery cup of the thistle flower. It pricked his fingers for his pains, because he had called it a ghost. And then it was brought into the garden, and to the Hall, and into the drawing room. There stood a large picture--the portraits of the two, and in the bridegroom's buttonhole was painted a thistle. They talked of it and of the flower cup they had brought in with them--the last silver-shimmering thistle flower, that was to be reproduced in the carving of the frame.

The air took all their words and scattered them about, far and wide.

"What strange things happen to one!" said the thistle bush. "My first-born went to live in a buttonhole, my last-born in a frame! I wonder what is to become of me."

The old donkey, standing by the roadside, cast loving glances at the thistle and said, "Come to me, my sweetheart, for I cannot go to you; my tether is too short!"

But the thistle bush made no answer. It grew more and more thoughtful, and it thought as far ahead as Christmas, till its budding thoughts opened into flower.

"When one's children are safely housed, a mother is quite content to stay beyond the fence."

"That is true," said the sunshine; "and you will be well placed, never fear."

"In a flowerpot or in a frame?" asked the thistle.

"In a story," answered the sunshine. And here is the story!

THE PEN AND THE INKSTAND

IN A POET'S room, where his inkstand stood on the table, the remark was once made: "It is wonderful what can be brought out of an inkstand. What will come next? It is indeed wonderful."

"Yes, certainly," said the inkstand to the pen and to the other articles that stood on the table; "that's what I always say. It is wonderful and extraordinary what a number of things come out of me. It's quite incredible, and I really never know what is coming next when that man dips his pen into me. One drop out of me is enough for half a page of paper--and what cannot half a page contain?

"From me all the works of the poet are produced--all those imaginary characters whom people fancy they have known or met, and all the deep feeling, the humor, and the vivid pictures of nature. I myself don't understand how it is, for I am not acquainted with nature, but it is certainly in me. From me have gone forth to the world those wonderful descriptions of charming maidens, and of brave knights on prancing steeds; of the halt and the blind--and I know not what more, for I assure you I never think of these things."

"There you are right," said the pen, "for you don't think at all. If you did, you would see that you can only provide the means. You give the fluid, that I may place upon the paper what dwells in me and what I wish to bring to light. It is the pen that writes. No man doubts that; and indeed most people understand as much about poetry as an old inkstand."

"You have had very little experience," replied the inkstand. "You have hardly been in service a week and are already half worn out. Do you imagine you are a poet? You are only a servant, and before you came I had many like you, some of the goose family and others of English manufacture. I know a quill pen as well as I know a steel one. I have had both sorts in my service, and I shall have many more as long as _he_ comes--the man who performs the mechanical part--and writes down what he obtains from me. I should like to know what will be the next thing he gets out of me."

"Inkpot!" retorted the pen, contemptuously.

Late in the evening the poet returned home from a concert, where he had been quite enchanted by the admirable performance of a famous violin player.

The player had produced from his instrument a richness of tone that sometimes sounded like tinkling water drops or rolling pearls, sometimes like the birds twittering in chorus, and then again, rising and swelling like the wind through the fir trees. The poet felt as if his own heart were weeping, but in tones of melody, like the sound of a woman's voice. These sounds seemed to come not only from the strings but from every part of the instrument. It was a wonderful performance and a difficult piece, and yet the bow seemed to glide across the strings so easily that one would think any one could do it. The violin and the bow seemed independent of their master who guided them. It was as if soul and spirit had been breathed into the instrument. And the audience forgot the performer in the beautiful sounds he produced.

Not so the poet; he remembered him and wrote down his thoughts on the subject: "How foolish it would be for the violin and the bow to boast of their performance, and yet we men often commit that folly. The poet, the artist, the man of science in his laboratory, the general--we all do it, and yet we are only the instruments which the Almighty uses. To Him alone the honor is due. We have nothing in ourselves of which we should be proud." Yes, this is what the poet wrote. He wrote it in the form of a parable and called it "The Master and the Instruments."

"That is what you get, madam," said the pen to the inkstand when the two were alone again. "Did you hear him read aloud what I had written down?"

"Yes, what I gave you to write," retorted the inkstand. "That was a cut at you, because of your conceit. To think that you could not understand that you were being quizzed! I gave you a cut from within me. Surely I must know my own satire."

"Ink pitcher!" cried the pen.

"Writing stick!" retorted the inkstand. And each of them felt satisfied that he had given a good answer. It is pleasing to be convinced that you have settled a matter by your reply; it is something to make you sleep well. And they both slept well over it.

But the poet did not sleep. Thoughts rose within him, like the tones of the violin, falling like pearls or rushing like the strong wind through the forest. He understood his own heart in these thoughts; they were as a ray from the mind of the Great Master of all minds.

"To Him be all the honor."

THE TEAPOT

THERE was once a proud teapot; it was proud of being porcelain, proud of its long spout, proud of its broad handle. It had something before and behind,--the spout before and the handle behind,--and that was what it talked about. But it did not talk of its lid, which was cracked and riveted; these were defects, and one does not talk of one's defects, for there are plenty of others to do that. The cups, the cream pot, and the sugar bowl, the whole tea service, would think much oftener of the lid's imperfections--and talk about them--than of the sound handle and the remarkable spout. The teapot knew it.

"I know you," it said within itself. "I know, too, my imperfection, and I am well aware that in that very thing is seen my humility, my modesty. Imperfections we all have, but we also have compensations. The cups have a handle, the sugar bowl a lid; I have both, and one thing besides, in front, which they can never have. I have a spout, and that makes me the queen of the tea table. I spread abroad a blessing on thirsting mankind, for in me the Chinese leaves are brewed in the boiling, tasteless water."

All this said the teapot in its fresh young life. It stood on the table that was spread for tea; it was lifted by a very delicate hand, but the delicate hand was awkward. The teapot fell, the spout snapped off, and the handle snapped off. The lid was no worse to speak of; the worst had been spoken of that.

The teapot lay in a swoon on the floor, while the boiling water ran out of it. It was a horrid shame, but the worst was that everybody jeered at it; they jeered at the teapot and not at the awkward hand.

"I never shall forget that experience," said the teapot, when it afterward talked of its life. "I was called an invalid, and placed in a corner, and the next day was given to a woman who begged for victuals. I fell into poverty, and stood dumb both outside and in. But then, just as I was, began my better life. One can be one thing and still become quite another.

"Earth was placed in me. For a teapot, this is the same as being buried, but in the earth was placed a flower bulb. Who placed it there, who gave it, I know not; but given it was, and it became a compensation for the Chinese leaves and the boiling water, a compensation for the broken handle and spout.

"And the bulb lay in the earth, the bulb lay in me; it became my heart, my living heart, such as I had never before possessed. There was life in me, power and might. The heart pulsed, and the bulb put forth sprouts; it was the springing up of thoughts and feelings which burst forth into flower.

"I saw it, I bore it, I forgot myself in its delight. Blessed is it to forget oneself in another. The flower gave me no thanks; it did not think of me. It was admired and praised, and I was glad at that. How happy it must have been! One day I heard some one say that the flower deserved a better pot. I was thumped hard on my back, which was a great affliction, and the flower was put into a better pot. I was thrown out into the yard, where I lie as an old potsherd. But I have the memory, and that I can never lose."

SOUP FROM A SAUSAGE SKEWER

"WE HAD such an excellent dinner yesterday," said an old lady-mouse to another who had not been present at the feast. "I sat number twenty-one below the mouse-king, which was not a bad place. Shall I tell you what we had? Everything was excellent--moldy bread, tallow candle, and sausage.

"Then, when we had finished that course, the same came on all over again; it was as good as two feasts. We were very sociable, and there was as much joking and fun as if we had been all of one family circle. Nothing was left but the sausage skewers, and this formed a subject of conversation till at last some one used the expression, 'Soup from sausage sticks'; or, as the people in the neighboring country call it, 'Soup from a sausage skewer.'

"Every one had heard the expression, but no one had ever tasted the soup, much less prepared it. A capital toast was drunk to the inventor of the soup, and some one said he ought to be made a relieving officer to the poor. Was not that witty?

"Then the old mouse-king rose and promised that the young lady-mouse who should learn how best to prepare this much-admired and savory soup should be his queen, and a year and a day should be allowed for the purpose."

"That was not at all a bad proposal," said the other mouse; "but how is the soup made?"

"Ah, that is more than I can tell you. All the young lady-mice were asking the same question. They wish very much to be the queen, but they do not want to take the trouble to go out into the world to learn how to make soup, which it is absolutely necessary to do first.

"It is not every one who would care to leave her family or her happy corner by the fireside at home, even to be made queen. It is not always easy in foreign lands to find bacon and cheese rind every day, and, after all, it is not pleasant to endure hunger and perhaps be eaten alive by the cat."

Probably some such thoughts as these discouraged the majority from going out into the world to collect the required information. Only four mice gave notice that they were ready to set out on the journey.

They were young and sprightly, but poor. Each of them wished to visit one of the four divisions of the world, to see which of them would be most favored by fortune. Each took a sausage skewer as a traveler's staff and to remind her of the object of her journey.

They left home early in May, and none of them returned till the first of May in the following year, and then only three of them. Nothing was seen or heard of the fourth, although the day of decision was close at hand. "Ah, yes, there is always some trouble mingled with the greatest pleasure," said the mouse-king. But he gave orders that all the mice within a circle of many miles should be invited at once.

They were to assemble in the kitchen, and the three travelers were to stand in a row before them, and a sausage skewer covered with crape was to stand in the place of the missing mouse. No one dared express an opinion until the king spoke and desired one of them to proceed with her story. And now we shall hear what she said.

WHAT THE FIRST LITTLE MOUSE SAW AND HEARD ON HER TRAVELS

"When I first went out into the world," said the little mouse, "I fancied, as so many of my age do, that I already knew everything--but it was not so. It takes years to acquire great knowledge.

"I went at once to sea, in a ship bound for the north. I had been told that the ship's cook must know how to prepare every dish at sea, and it is easy enough to do that with plenty of sides of bacon, and large tubs of salt meat and musty flour. There I found plenty of delicate food but no opportunity to learn how to make soup from a sausage skewer.

"We sailed on for many days and nights; the ship rocked fearfully, and we did not escape without a wetting. As soon as we arrived at the port to which the ship was bound, I left it and went on shore at a place far towards the north. It is a wonderful thing to leave your own little corner at home, to hide yourself in a ship where there are sure to be some nice snug corners for shelter, then suddenly to find yourself thousands of miles away in a foreign land.

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Hans Andersen's Fairy Tales. Second SeriesChapter IV: Part 4

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