Chapter X: Part 10
Just as this conclusion has been reached by the coroner, his jury, the justices, and other gentlemen interested in and assisting at the investigation inside the hall, to the surprise of those on the sweep without, George Shenstone presents himself in their midst; their excited movement with the murmur of voices proclaiming his advent. Still greater their astonishment when, shortly after--within a few seconds-- Captain Ryecroft steps upon the same ground, as though the two had come thither in companionship! And so might it have been believed, but for two hotel hackneys seen drawn up on the drive outside the skirts of the crowd where they delivered their respective fares, after having brought them separately from the railway station.
Fellow travellers they have been, but whether friends or not, the people are surprised at the manner of their arrival; or rather, at seeing Captain Ryecroft so present himself. For in the days just past he has been the subject of a horrid suspicion, with the usual guesses and conjectures relating to it and him. Not only has he been freely calumniated, but doubts thrown out that Ryecroft is his real name, and denial of his being an officer of the army, or ever having been; with bold, positive asseveration that he is a swindler and adventurer! All that while Gwen Wynn was but missing. Now that her body is found, since its discovery, still harsher have been the terms applied to him; at length, to culminate, in calling him a murderer!
Instead of voluntarily presenting himself at Llangorren alone, arms and limbs free, they expected to see him--if seen at all--with a policeman by his side, and manacles on his wrists!
Astonished, also, are those within the hall, though in a milder degree, and from different causes. They did not look for the man to be brought before them handcuffed; but no more did they anticipate seeing him enter almost simultaneously, and side by side, with George Shenstone; they, not having the hackney carriages in sight, taking it for granted that the two have been travelling together.
However strange or incongruous the companionship, those noting have no time to reflect about it; their attention being called to a scene that, for a while, fixes and engrosses it.
Going wider apart as they approach the table, on which lies the body, Shenstone and Ryecroft take opposite sides--coming to a stand, each in his own attitude. From information already imparted to them they have been prepared to see a corpse, but not such as that! Where is the beautiful woman, by both beloved, fondly, passionately? Can it be possible, that what they are looking upon is she who once was Gwendoline Wynn?
Whatever their reflections, or whether alike, neither makes them known in words. Instead, both stand speechless, stunned--withered-like, as two strong trees simultaneously scathed by lightning--the bolt which has blasted them lying between!
Volume Two, Chapter XXV.
A PLENTIFUL CORRESPONDENCE.
If Captain Ryecroft's sudden departure from Herefordshire brought suspicion upon him, his reappearance goes far to remove it. For that this is voluntary soon becomes known. The returned policeman has communicated the fact to his fellow-professionals, it is by them further disseminated among the people assembled outside.
From the same source other information is obtained in favour of the man they have been so rashly and gravely accusing. The time of his starting off, the mode of making his journey, without any attempt to conceal his route of travel or cover his tracks--instead, leaving them so marked that any messenger, even the simplest, might have followed and found him. Only a fool fleeing from justice would have so fled, or one seeking to escape punishment for some trivial offence. But not a man guilty of murder.
Besides, is he not back there--come of his own accord--to confront his accusers, if any there still be? So runs the reasoning throughout the crowd on the carriage sweep.
With the gentlemen inside the house, equally complete is the revolution of sentiment in his favour. For, after the first violent outburst of grief, young Shenstone, in a few whispered words, makes known to them the particulars of his expedition to Boulogne, with that interview in the house of Major Mahon. Himself convinced of his rival's innocence, he urges his conviction on the others.
But before their eyes is a sight almost confirmatory of it. That look of concentrated anguish in Captain Ryecroft's eyes cannot be counterfeit. A soldier who sheds tears could not be an assassin; and as he stands in bent attitude, leaning over the table on which lies the corpse, tears are seen stealing down his cheeks, while his bosom rises and falls in quick, convulsive heaving.
Shenstone is himself very similarly affected, and the bystanders beholding them are convinced that, in whatever way Gwendoline Wynn may have come by her death, the one is innocent of it as the other.
For all, justice requires that the accusations already made, or menaced, against Captain Ryecroft be cleared up. Indeed, he himself demands this, for he is aware of the rumours that have been abroad about him. On this account he is called upon by the Coroner to state what he knows concerning the melancholy subject of their enquiry.
But first George Shenstone is examined--as it were by way of skirmish, and to approach, in a manner delicate as possible, the man mainly, though doubtingly accused.
The baronet's son, beginning with the night of the ball--the fatal night--tells how he danced repeatedly with Miss Wynn; between two sets walked out with her over the lawn, stopped, and stood for some time under a certain tree, where in conversation she made known to him the fact of her being betrothed by showing him the engagement ring. She did not say who gave it, but he surmised it to be Captain Ryecroft--was sure of its being he--even without the evidence of the engraved initials afterwards observed by him inside it.
As it has already been identified by others, he is only asked to state the circumstances under which he found it. Which he does, telling how he picked it up from the floor of the summer-house; but without alluding to his own motives for being there, or acting as he has throughout.
As he is not questioned about these, why should he? But there are many hearing him who guess them--not a few quite comprehending all. George Shenstone's mad love for Miss Wynn has been no secret, neither his pursuit of her for many long months, however hopeless it might have seemed to the initiated. His melancholy bearing now, which does not escape observation, would of itself tell the tale.
His testimony makes ready the ground for him who is looked upon less in the light of a witness than as one accused, by some once more, and more than ever so. For there are those present who not only were at the ball, but noticed that triangular byplay upon which Shenstone's tale, without his intending it, has thrown a sinister light. Alongside the story of Clarisse, there seems to have been motive, almost enough for murder. An engagement angrily broken off--an actual quarrel--Gwendoline Wynn never afterwards seen alive! That quarrel, too, by the water's edge, on a cliff at whose base her body has been found! Strange-- altogether improbable--that she should have drowned herself. Far easier to believe that he, her _fiance_, in a moment of mad, headlong passion, prompted by fell jealousy, had hurled her over the high bank.
Against this returned current of adverse sentiment, Captain Ryecroft is called upon to give his account, and state all he knows. What he will say is weighted with heavy consequences to himself. It may leave him at liberty to depart from the spot voluntarily, as he came, or be taken from it in custody. But he is yet free, and so left to tell his tale, no one interrupting.
And without circumlocution he tells it, concealing nought that may be needed for its comprehension--not even his delicate relations to the unfortunate lady. He confesses his love--his proposal of marriage--its acceptance--the bestowal of the ring--his jealousy and its cause--the ebullition of angry words between him and his betrothed--the so-called quarrel--her returning the ring, with the way, and why he did not take it back--because at that painful crisis be neither thought of nor cared for such a trifle. Then parting with, and leaving her within the pavilion, he hastened away to his boat, and was rowed off. But, while passing up stream, he again caught sight of her, still standing in the summer-house, apparently leaning upon, and looking over, its baluster rail. His boat moving on, and trees coming between he no more saw her; but soon after heard a cry--his waterman as well--startling both.
It is a new statement in evidence, which startles those listening to him. He could not comprehend, and cannot explain it; though now knowing it must have been the voice of Gwendoline Wynn--perhaps her last utterance in life.
He had commanded his boatman to hold way, and they dropped back down stream again to get within sight of the summer-house, but then to see it dark, and to all appearance deserted.
Afterwards he proceeded home to his hotel, there to sit up for the remainder of the night, packing and otherwise preparing for his journey--of itself a consequence of the angry parting with his betrothed, and the pledge so slightingly returned.
In the morning he wrote to her, directing the letter to be dropped into the post office; which he knew to have been done before his leaving the hotel for the railway station.
"Has any letter reached Llangorren Court?" enquires the Coroner, turning from the witness, and putting the question in a general way. "I mean for Miss Wynn--since the night of that ball?"
The butler present, stepping forward, answers in the affirmative, saying--
"There are a good many for Miss Gwen since--some almost coming in every post."
Although there is, or was, but one Miss Gwen Wynn at Llangorren, the head servant, as the others, from habit calls her `Miss Gwen,' speaking of her as if she were still alive.
"It is your place to look after the letters, I believe?"
"Yes; I attend to that."
"What have you done with those addressed to Miss Wynn?"
"I gave them to Gibbons, Miss Gwen's lady's-maid."
"Let Gibbons be called again!" directs the Coroner.
The girl is brought in the second time, having been already examined at some length, and, as before, confessing her neglect of duty.
"Mr Williams," proceeds the examiner, "gave you some letters for your late mistress. What have you done with them?"
"I took them upstairs to Miss Gwen's room."
"Are they there still?"
"Yes; on the dressing table, where she always had the letters left for her."
"Be good enough to bring them down here. Bring all."
Another pause in the proceedings while Gibbons is off after the now posthumous correspondence of the deceased lady, during which whisperings are interchanged between the Coroner and jurymen, asking questions of one another. They relate to a circumstance seeming strange; that nothing has been said about these letters before--at least to those engaged in the investigation.
The explanation, however, is given--a reason evident and easily understood. They have seen the state of mind in which the two ladies of the establishment are--Miss Linton almost beside herself, Eleanor Lees not far from the same. In the excitement of occurrences neither has given thought to letters, even having forgotten the one which so occupied their attention on that day when Gwen was missed from her seat at the breakfast table. It might not have been seen by them then, but for Gibbons not being in the way to take it upstairs as usual. These facts, or rather deductions, are informal, and discussed while the maid is absent on her errand.
She is gone but for a few seconds, returning, waiter in hand, with a pile of letters upon it, which she presents in the orthodox fashion. Counted there are more than a dozen of them, the deceased lady having largely corresponded. A general favourite--to say nothing of her youth, beauty, and riches--she had friends far and near; and, as the butler had stated, letters coming by "almost every post"--that but once a day, however, Llangorren lying far from a postal town, and having but one daily delivery. Those upon the tray are from ladies, as can be told by the delicate angular chirography--all except two, that show a rounder and bolder hand. In the presence of her to whom they were addressed-- now speechless and unprotesting--no breach of confidence to open them. One after another their envelopes are torn off, and they are submitted to the jury--those of the lady correspondents first. Not to be deliberately read, but only glanced at, to see if they contain aught relating to the matter in hand. Still, it takes time; and would more were they all of the same pattern--double sheets, with the scrip crossed, and full to the four corners.
Fortunately, but a few of them are thus prolix and puzzling; the greater number being notes about the late ball, birthday congratulations, invitations to "at homes," dinner-parties, and such like.
Recognising their character, and that they have no relation to the subject of inquiry, the jurymen pass them through their fingers speedily as possible, and then turn with greater expectancy to the two in masculine handwriting. These the Coroner has meanwhile opened, and read to himself, finding one signed "George Shenstone," the other "Vivian Ryecroft."
Nobody present is surprised to hear that one of the letters is Ryecroft's. They have been expecting it so. But not that the other is from the son of Sir George Shenstone. A word, however, from the young man himself explains how it came there, leaving the epistle to tell its own tale. For as both undoubtedly bear upon the matter of inquiry, the Coroner has directed both to be read aloud.
Whether by chance or otherwise, that of Shenstone is taken first. It is headed--
"Ormeston Hall, 4 a.m., Apres le bal."
The date, thus oddly indicated, seems to tell of the writer being in better spirits than might have been expected just at that time; possibly from a still lingering belief that all is not yet hopeless with him. Something of the same runs through the tone of his letter, if not its contents, which are--
"Dear Gwen,--I've got home, but can't turn in without writing you a word, to say that, however sad I feel at what you've told me--and sad I am, God knows--if you think I shouldn't come near you any more--and from what I noticed last night, perhaps I ought not--only say so, and I will not. Your slightest word will be a command to one who, though no longer hoping to have your hand, will still hope and pray for your happiness. That one is,--
"Yours devotedly, if despairingly,--
"George Shenstone.
"P.S.--Do not take the trouble of writing an answer. I would rather get it from your lips; and that you may have the opportunity of so giving it, I will call at the Court in the afternoon. Then you can say whether it is to be my last visit there.--G.S."
The writer, present and listening, bravely bears himself. It is a terrible infliction, nevertheless, having his love secret thus revealed, his heart, as it were, laid open before all the world. But he is too sad to feel it now; and makes no remark, save a word or two explanatory, in answer to questions from the Coroner.
Nor are any comments made upon the letter itself. All are too anxious as to the contents of that other, bearing the signature of the man who is to most of them a stranger.
It carries the address of the hotel in which he has been all summer sojourning, and its date is only an hour or two later than that of Shenstone's. No doubt, at the self-same moment the two men were pondering upon the words they intended writing to Gwendoline Wynn--she who now can never read them.
Very different in spirit are their epistles, unlike as the men themselves. But, so too, are the circumstances that dictated them, that of Ryecroft reads thus:--
"Gwendoline,--While you are reading this I shall be on my way to London, where I shall stay to receive your answer--if you think it worth while to give one. After parting as we've done, possibly you will not. When you so scornfully cast away that little love-token it told me a tale--I may say a bitter one--that you never really regarded the gift, nor cared for the giver. Is that true, Gwendoline? If not, and I am wronging you, may God forgive me. And I would crave your forgiveness; entreat you to let me replace the ring upon your finger. But if true--and you know best--then you can take it up--supposing it is still upon the floor where you flung it--fling it into the river, and forget him who gave it.
"Vivian Ryecroft."
To this half-doubting, half-defiant epistle there is also a postscript:--
"I shall be at the Langham Hotel, London, till to-morrow noon; where your answer, if any, will reach me. Should none come, I shall conclude that all is ended between us, and henceforth you will neither need, nor desire, to know my address.
"Y.R."
The contents of the letter make a vivid impression on all present. Its tone of earnestness, almost anger, could not be assumed or pretended. Beyond doubt, it was written under the circumstances stated; and, taken in conjunction with the writer's statement of other events, given in such a clear, straightforward manner, there is again complete revulsion of feeling in his favour, and once more a full belief in his innocence. Which questioning him by cross-examination fails to shake, instead strengthens; and, when, at length, having given explanation of everything, he is permitted to take his place among the spectators and mourners, it is with little fear of being dragged away from Llangorren Court in the character of a criminal.
Volume Two, Chapter XXVI.
FOUND DROWNED.
As a pack of hounds thrown off the scent, but a moment before hot, now cold, are the Coroner and his jury.
But only in one sense like the dogs these human searchers. There is nothing of the sleuth in their search, and they are but too glad to find the game they have been pursuing and lost is a noble stag, instead of a treacherous wicked wolf.
Not a doubt remains in their minds of the innocence of Captain Ryecroft--not the shadow of one. If there were, it is soon to be dissipated. For while they are deliberating on what had best next be done, a noise outside, a buzz of voices, excited exclamations, at length culminating in a cheer, tell of some one fresh arrived and received triumphantly.
They are not left long to conjecture who the new arrival is. One of the policemen stationed at the door stepping aside tells who--the man after Captain Ryecroft himself most wanted. No need saying it is Jack Wingate.
But a word about how the waterman has come thither, arriving at such a time, and why not sooner. It is all in a nutshell. But the hour before he returned from the duck-shooting expedition on the shores of the Severn sea, with his boat brought back by road--on a donkey cart. On arrival at his home, and hearing of the great event at Llangorren, he had launched his skiff, leaped into it, and pulled himself down to the Court as if rowing in a regatta.
In the _patois_ of the American prairies he is now "arrove," and, still panting for breath, is brought before the Coroner's Court, and submitted to examination. His testimony confirms that of his old fare--in every particular about which he can testify. All the more credible is it from his own character. The young waterman is well known as a man of veracity--incapable of bearing false witness.
When he tells them that after the Captain had joined him, and was still with him in the boat, he not only saw a lady in the little house overhead, but recognised her as the young mistress of Llangorren--when he positively swears to the fact--no one any more thinks that she whose body lies dead was drowned or otherwise injured by the man standing bowed and broken over it. Least of all the other, who alike suffers and sorrows. For soon as Wingate has finished giving evidence, George Shenstone steps forward, and holding out his hand to his late rival, says, in the hearing of all--
"Forgive me, sir, for having wronged you by suspicion! I now make reparation for it in the only way I can--by declaring that I believe you as innocent as myself."
The generous behaviour of the baronet's son strikes home to every heart, and his example is imitated by others. Hands from every side are stretched towards that of the stranger, giving it a grasp which tells of their owners being also convinced of his innocence.
But the inquest is not yet ended--not for hours. Over the dead body of one in social rank as she, no mere perfunctory investigation would satisfy the public demand, nor would any Coroner dare to withdraw till everything has been thoroughly sifted, and to the bottom.
In view of the new facts brought out by Captain Ryecroft and his boatman--above all that cry heard by them--suspicions of foul play are rife as ever, though no longer pointed at him.
As everything in the shape of verbal testimony worth taking has been taken, the Coroner calls upon his jury to go with him to the place where the body was taken out of the water. Leaving it in charge of two policemen, they sally forth from the house two and two, he preceding, the crowd pressing close.
First they visit the little dock, in which they see two boats--the _Gwendoline_ and _Mary_--lying just as they were on that night when Captain Ryecroft stepped across the one to take his seat in the other. He is with the Coroner--so is Wingate--and both questioned give minute account of that embarkation, again in brief _resume_ going over the circumstances that preceded and followed it.
The next move is to the summer-house, to which the distance from the dock is noted, one of the jurymen stepping it--the object to discover how time will correspond to the incidents as detailed. Not that there is any doubt about the truth of Captain Ryecroft's statements, nor those of the boatman; for both are fully believed. The measuring is only to assist in making calculation how long time may have intervened between the lovers' quarrel and the death-like cry, without thought of their having any connection--much less that the one was either cause or consequence of the other.
Again there is consultation at the summer-house, with questions asked, some of which are answered by George Shenstone, who shows the spot where he picked up the ring. And outside, standing on the cliff's brink, Ryecroft and the waterman point to the place, near as they can fix it, where their boat was when the sad sound reached their ears, again recounting what they did after.
Remaining a while longer on the cliff, the Coroner and jury, with craned necks, look over its edge. Directly below is the little embayment in which the body was found. It is angular, somewhat horse-shoe shaped; the water within stagnant, which accounts for the corpse not having been swept away. There is not much current in the backwash at any part; enough to have carried it off had the drowning been done elsewhere. But beyond doubt it has been there. Such is the conclusion arrived at by the Coroner's jury, firmly established in their minds, at sight of something hitherto unnoticed by them. For though not in a body, individually each had already inspected the place, negligently. But now in official form, with wits on the alert, one looking over detects certain abrasions on the face of the cliff--scratches on the red sandstone--distinguishable by the fresher tint of the rock-- unquestionably made by something that had fallen from above, and what but the body of Gwendoline Wynn? They see, moreover, some branches of a juniper bush near the cliff's base, broken, but still clinging. Through that the falling form must have descended!
There is no further doubting the fact. There went she over; the only questions undetermined being, whether with her own will, by misadventure, or man's violence. In other words, was it suicide, accident, or murder?
To the last many circumstances point, and especially the fact of the body remaining where it went into the water. A woman being drowned accidentally, or drowning herself, in the death struggle would have worked away some distance from the spot she had fallen, or thrown herself in. Still the same would occur if thrown in by another; only that this other might by some means have extinguished life beforehand.
This last thought, or surmise, carries Coroner and jury back to the house, and to a more particular examination of the body. In which they are assisted by medical men--surgeons and physicians--several of both being present, unofficially; among them the one who administers to the ailings of Miss Linton. There is none of them who has attended Gwendoline Wynn, who never knew ailment of any kind.
Their _post-mortem_ examining does not extend to dissection. There is no need. Without it there are tests which tell the cause of death--that of drowning.
Beyond this they can throw no light on the affair, which remains mysterious as ever.
Flung back on reasoning of the analytical kind, the Coroner and his jury can come to no other conclusion than that the first plunge into the water, in whatever way made, was almost instantly fatal; and if a struggle followed it ended by the body returning to, and sinking in the same place where it first went down.
Among the people outside pass many surmises, guesses, and conjectures. Suspicions also, but no more pointing to Captain Ryecroft.
They take another, and more natural, direction. Still nothing has transpired to inculpate any one, or, in the finding of a Coroner's jury, connect man or woman with it.
This is at length pronounced in the usual formula, with its customary tag:--"Found Drowned. But how, etc, etc."
With such ambiguous rendering the once beautiful body of Gwendoline Wynn is consigned to a coffin, and in due time deposited in the family vault, under the chancel of Llangorren Church.
Volume Two, Chapter XXVII.
A MAN WHO THINKS IT MURDER.
Had Gwendoline Wynn been a poor cottage girl, instead of a rich young lady--owner of estates--the world would soon have ceased to think of her. As it is most people have settled down to the belief that she has simply been the victim of a misadventure, her death due to accident.
Only a few have other thoughts, but none that she has committed suicide. The theory of _felo de se_ is not entertained, because not entertainable. For, in addition to the testimony taken at the Coroner's inquest, other facts came out in examination by the magistrates, showing there was no adequate reason why she should put an end to her life. A lover's quarrel of a night's, still less an hour's duration, could not so result. And that there was nothing beyond this Miss Linton is able to say assuredly. Still more Eleanor Lees, who, by confidences exchanged, and mutually imparted, was perfectly _au fait_ to the feelings of her relative and friend--knew her hopes, and her fears, and that among the last there was none to justify the deed of despair. Doubts now and then, for when and where is love without them; but with Gwen Wynn slight, evanescent as the clouds in a summer sky. She was satisfied that Vivian Ryecroft loved her, as that she herself lived. How could it be otherwise? and her behaviour on the night of the ball was only a transient spite which would have passed off soon as the excitement was over, and calm reflection returned. Altogether impossible she could have given way to it so far as in wilful rage to take the last leap into eternity. More likely standing on the cliff's edge, anxiously straining her eyes after the boat which was bearing him away in anger, her foot slipped upon the rock, and she fell over into the flood.
So argues Eleanor Lees, and such is the almost universal belief at the close of the inquest, and for some time after. And if not self-destruction, no more could it be murder with a view to robbery.
The valuable effects left untouched upon her person forbade supposition of that. If murder, the motive must have been other than the possession of a few hundred pounds' worth of jewellery. So reasons the world at large, naturally enough.
For all, there are a few who still cling to a suspicion of there having been foul play; but not now with any reference to Captain Ryecroft. Nor are they the same who had suspected him. Those yet doubting the accidental death are the intimate friends of the Wynn family, who knew of its affairs relating to the property with the conditions on which the Llangorren estates were held. Up to this time only a limited number of individuals has been aware of their descent to Lewin Murdock. And when at length this fact comes out, and still more emphatically by the gentleman himself taking possession of them, the thoughts of the people revert to the mystery of Miss Wynn's death, so unsatisfactory cleared up at the Coroner's inquest.
Still the suspicions thus newly aroused, and pointing in another quarter, are confined to those acquainted with the character of the new man suspected. Nor are they many. Beyond the obscure corner of Bugg's Ferry there are few who have ever heard of, still fewer ever seen him. Outside the pale of "society," with most part of his life passed abroad, he is a stranger, not only to the gentry of the neighbourhood, but most of the common people as well. Jack Wingate chanced to have heard of him by reason of his proximity to Bugg's Ferry, and his own necessity for oft going there. But possibly as much on the account of the intimate relations existing between the owner of Glyngog House and Coracle Dick.
Others less interested know little of either individual, and when it is told that a Mr Lewin Murdock has succeeded to the estates of Llangorren--at the same time it becoming known that he is the cousin of her whom death has deprived of them--to the general public the succession seems natural enough; since it has been long understood that the lady had no nearer relative.
Therefore, only the few intimately familiar with the facts relating to the reversion of the property held fast to the suspicion thus excited. But as no word came out, either at the inquest or elsewhere, and nothing has since arisen to justify it, they also begin to share the universal belief, that for the death of Gwendoline Wynn nobody is to blame.
Even George Shenstone, sorely grieving, accepts it thus. Of unsuspicious nature--incapable of believing in a crime so terrible--a deed so dark, as that would infer--he cannot suppose that the gentleman now his nearest neighbour--for the lands of Llangorren adjoin those of his father--has come into possession of them by such foul means as murder.
His father may think differently, he knowing more of Lewin Murdock. Not much of his late life, but his earlier, with its surroundings and antecedents. Still Sir George is silent, whatever his thoughts. It is not a subject to be lightly spoken of, or rashly commented upon.
There is one who, more than any other, reflects upon the sad fate of her whom he had so fondly loved, and differing from the rest as to how she came to her death--this one is Captain Ryecroft. He, too, might have yielded to the popular impression of its having been accidental, but for certain circumstances that have come to his knowledge, and which he has yet kept to himself. He had not forgotten what was, at an early period, communicated to him by the waterman Wingate, about the odd-looking old house up the glen; nor yet the uneasy manner of Gwendoline Wynn, when once in conversation with her he referred to the place and its occupier. This, with Jack's original story, and other details added, besides incidents that have since transpired, are recalled to him vividly on hearing that the owner of Glyngog has also become owner of Llangorren.
It is some time before this news reaches him. For just after the inquest an important matter had arisen affecting some property of his own, which required his presence in Dublin--there for days detaining him. Having settled it, he has returned to the same town and hotel where he had been the summer sojourning. Nor came he back on errand aimless, but with a purpose. Ill-satisfied with the finding of the Coroner's jury, he is determined to investigate the affair in his own way.
Accident he does not believe in--least of all, that the lady having made a false step, had fallen over the cliff. When he last saw her she was inside the pavilion, leaning over the baluster rail, breast high; protected by it. If gazing after him and his boat, the position gave her as good a view as she could have. Why should she have gone outside? And the cry heard so soon after? It was not like that of one falling, and so far. In descent it would have been repeated, which it was not!
Of suicide he has never entertained a thought--above all, for the reason suggested--jealousy of himself. How could he, while so keenly suffering it for her! No, it could not be that; nor suicide from any cause.
The more he ponders upon it, the surer grows he that Gwendoline Wynn has been the victim of a villainous murder. And it is for this reason he has returned to the Wye, first to satisfy himself of the fact; then, if possible, to find the perpetrator, and bring him to justice.
As no robber has done the drowning, conjecture is narrowed to a point; his suspicions finally becoming fixed on Lewin Murdock.
He may be mistaken, but will not surrender them until he find evidence of their being erroneous, or proof that they are correct. And to obtain it he will devote, if need be, all the rest of his days, with the remainder of his fortune. For what are either now to him? In life he has had but one love, real, and reaching the height of a passion. She who inspired it is now sleeping her last sleep--lying cold in her tomb-- his love and memory of her alone remaining warm.
His grief has been great, but its first wild throes have passed and he can reflect calmly--more carefully consider, what he should do. From the first some thoughts about Murdock were in his mind; still only vague. Now, on returning to Herefordshire, and hearing what has happened meanwhile--for during his absence there has been a removal from Glyngog to Llangorren--the occurrence, so suggestive, restores his former train of reflection, placing things in a clearer light.
As the hunter, hitherto pursuing upon a cold trail, is excited by finding the slot fresher, so he. And so will he follow it to the end-- the last trace or sign. For no game, however grand--elephant, lion, or tiger--could attract like that he believes himself to be after--a human tiger--a murderer.
END OF VOLUME TWO.
Volume Three, Chapter I.
ONCE MORE UPON THE RIVER.
Nowhere in England, perhaps nowhere in Europe, is the autumnal foliage more charmingly tinted than on the banks of the Wye, where it runs through the shire of Hereford. There Vaga threads her way amid woods that appear painted, and in colours almost as vivid as those of the famed American forests. The beech, instead of, as elsewhere, dying off dull bistre, takes a tint of bright amber; the chestnut turns translucent lemon; the oak leaves show rose-colours along their edges, and the wych-hazel coral red by its umbels of thickly clustering fruit. Here and there along the high-pitched hill sides flecks of crimson proclaim the wild cherry, spots of hoar white bespeak the climbing clematis, scarlet the holly with its wax-like berries, and maroon red the hawthorn; while interspersed and contrasting are dashes of green in all its varied shades, where yews, junipers, gorse, ivy, and other indigenous evergreens display their living verdure throughout all the year, daring winter's frosts, and defying its snows.
It is autumn now, and the woods of the Wye have donned its dress; no livery of faded green, nor sombre russet, but a robe of gaudiest sheen, its hues scarlet, crimson, green, and golden. Brown October elsewhere, is brilliant here; and though leaves have fallen, and are falling, the sight suggests no thought of decay, nor brings sadness to the heart of the beholder. Instead, the gaudy tapestry hanging from the trees, and the gay-coloured carpet spread underneath, but gladden it. Still further is it rejoiced by sounds heard. For the woods of Wyeside are not voiceless, even in winter. Within them the birds ever sing, and although their autumn concert may not equal that of spring,--lacking its leading tenor, the nightingale--still is it alike vociferous and alike splendidly attuned. Bold as ever is the flageolet note of the blackbird; not less loud and sweet the carol of his shyer cousin the thrush; as erst soft and tender the cooing of the cushat; and with mirth unabated the cackle of the green woodpecker, as with long tongue, prehensile as human hand, it penetrates the ant-hive in search of its insect prey.
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October it is; and where the Wye's silver stream, like a grand glistening snake, meanders amid these woods of golden hue and glorious song, a small row-boat is seen dropping downward. There are two men in it; one rowing, the other seated in the stern sheets, steering. The same individuals have been observed before in like relative position and similarly occupied. For he at the oars is Jack Wingate, the steerer Captain Ryecroft.
Little thought the young waterman, when that "big gift"--the ten pound bank-note--was thrust into his palm, he would so soon again have the generous donor for a fare.
He has him now, without knowing why, or inquiring. Too glad once more to sit on his boat's thwarts, _vis-a-vis_ with the Captain, it would ill become him to be inquisitive. Besides, there is a feeling of solemnity in their thus again being together, with sadness pervading the thoughts of both, and holding speech in restraint. All he knows is that his old fare has hired him for a row down the river, but bent on no fishing business. For it is twilight. His excursion has a different object; but what the boatman cannot tell. No inference could be drawn from the laconic order he received at embarking.
"Row me down the river, Jack!" distance and all else left undefined.
And down Jack is rowing him in regular measured stroke, no words passing between them. Both are silent, as though listening to the plash of the oar-blades, or the roundelay of late singing birds on the river's bank.
Yet neither of these sounds has place in their thoughts; instead, only the memory of one different and less pleasant. For they are thinking of cries--shrieks heard by them not so long ago, and still too fresh in their memory.
Ryecroft is the first to break silence, saying,--
"This must be about the place where we heard it."
Although not a word has been said of what the "it" is, and the remark seems made in soliloquy rather than as an interrogation, Wingate well knows what is meant, as shown by his rejoinder:--
"It's the very spot, Captain."
"Ah! you know it?"
"I do--am sure. You see that big poplar standing on the bank there?"
"Yes; well?"
"We wor just abreast o' it when ye bid me hold way. In course we must a heard the screech just then."
"Hold way now! Pull back a length or two. Steady her. Keep opposite the tree!"
The boatman obeys; first pulling the back stroke, then staying his craft against the current.
Once more relapsing into silence, Ryecroft sends his gaze down stream, as though noting the distance to Llangorren Court, whose chimneys are visible in the moonlight now on. Then, as if satisfied with some mental observation, he directs the other to row off. But as the kiosk-like structure comes within sight, he orders another pause, while making a minute survey of the summer-house, and the stretch of water between. Part of this is the main channel of the river, the other portion being the narrow way behind the eyot; on approaching which the pavilion is again lost to view, hidden by a tope of tall trees. But once within the bye-way it can be again sighted; and when near the entrance to this the waterman gets the word to pull into it.
He is somewhat surprised at receiving this direction. It is the way to Llangorren Court, by the boat-stair, and he knows the people now living there are not friends of his fare--not even acquaintances, so far as he has heard. Surely the Captain is not going to call on Mr Lewin Murdock--in amicable intercourse?
So queries Jack Wingate, but only of himself, and without receiving answer. One way or other he will soon get it; and thus consoling himself, he rows on into the narrower channel.
Not much farther before getting convinced that the Captain has no intention of making a call at the Court, nor is the _Mary_ to enter that little dock, where more than once she has lain moored beside the _Gwendoline_. When opposite the summer-house he is once more commanded to bring to, with the intimation added:
"I'm not going any farther, Jack."
Jack ceases stroke, and again holds the skiff so as to hinder it from drifting.
Ryecroft sits with eyes turned towards the cliff, taking in its facade from base to summit, as though engaged in a geological study, or trigonometrical calculation.
The waterman, for a while wondering what it is all about, soon begins to have a glimmer of comprehension. It is clearer when he is directed to scull the boat up into the little cove where the body was found. Soon as he has her steadied inside it, close up against the cliff's base, Ryecroft draws out a small lamp, and lights it. He then rises to his feet, and leaning forward, lays hold of a projecting point of rock. On that resting his hand, he continues for some time regarding the scratches on its surface, supposed to have been made by the feet of the drowned lady in her downward descent. Where he stands they are close to his eyes, and he can trace them from commencement to termination. And so doing, a shadow of doubt is seen to steal over his face, as though he doubted the finding of the Coroner's jury, and the belief of every one that Gwendoline Wynn had there fallen over.
Bending lower, and examining the broken branches of the juniper, he doubts no more, but is sure--convinced of the contrary!
Jack Wingate sees him start back with a strange surprised look, at the same time exclaiming,--
"I thought as much! No accident!--no suicide--murdered!"
Still wondering, the waterman asks no questions. Whatever it may mean, he expects to be told in time, and is therefore patient.
His patience is not tried by having to stay much longer there. Only a few moments more, during which Ryecroft bends over the boat's side, takes the juniper twigs in his hand, one after the other, raises them up as they were before being broken, then lets them gently down again!
To his companion he says nothing to explain this apparently eccentric manipulation, leaving Jack to guesses. Only when it is over, and he is apparently satisfied, or with observation exhausted, giving the order,--
"Way, Wingate! Row back--up the river!"
With alacrity the waterman obeys; but too glad to get out of that shadowy passage. For a weird feeling is upon him, as he remembers how there the screech owls mournfully cried, as if to make him sadder when thinking of his own lost love.
Moving out into the main channel and on up stream, Ryecroft is once more silent and musing. But on reaching the place from which the pavilion can be again sighted, he turns round on the thwart and looks back. It startles him to see a form under the shadow of its roof--a woman!--how different from that he last saw there! The ex-cocotte of Paris--faded flower of the Jardin Mabille--has replaced the fresh beautiful blossom of Wyeside--blighted in its bloom!
Volume Three, Chapter II.
THE CRUSHED JUNIPER.
Notwithstanding the caution with which Captain Ryecroft made his reconnaissance, it was nevertheless observed. And from beginning to end. Before his boat drew near the end of the eyot, above the place where for the second time it had stopped, it came under the eye of a man who chanced to be standing on the cliff by the side of the summer-house.
That he was there by accident, or at all events not looking out for a boat could be told by his behaviour on first sighting this; neither by change of attitude nor glance of eye evincing any interest in it. His reflection is--
"Some fellows after salmon, I suppose. Have been up to that famous catching place by the Ferry, and are on the way home downward--to Rock Weir, no doubt? Ha!"
The ejaculation is drawn from him by seeing the boat come to a stop, and remain stationary in the middle of the stream.
"What's that for?" he asks himself, now more carefully examining the craft.
It is still full four hundred yards from him, but the moonlight being in his favour he makes it out to be a pair-oared skiff with two men in it.
"They don't seem to be dropping a net," he observes, "nor engaged about anything. That's odd!"
Before they came to a stop he heard a murmur of voices, as of speech, a few words, exchanged between them, but too distant for him to distinguish what they had said. Now they are silent, sitting without stir; only a slight movement in the arms of the oarsman to keep the boat in its place.
All this seems strange to him observing: not less when a flood of moonlight brighter than usual falls over the boat, and he can tell by the attitude of the man in the stern, with face turned upward, that he is regarding the structure on the cliff.
He is not himself standing beside it now. Soon as becoming interested by the behaviour of the men in the boat, from its seeming eccentricity, he had glided back behind a bush, and there now crouches, an instinct prompting him to conceal himself.
Soon after he sees the boat moving on, and then for a few seconds it is out of sight, again coming under his view near the upper end of the islet, evidently setting in for the old channel. And while he watches, it enters!
As this is a sort of private way, the eyot itself being an adjunct of the ornamental grounds of Llangorren, he wonders whose boat it can be, and what its business there. By the backwash it must be making for the dock and stair; the men in it, or one of them, for the Court.
While still surprisedly conjecturing, his ears admonish him that the oars are at rest, and another stoppage has taken place. He cannot see the skiff now, as the high bank hinders. Besides, the narrow passage is arcaded over by trees still in thick foliage; and, though the moon is shining brightly above, scarce a ray reaches the surface of the water. But an occasional creak of an oar in its rowlock, and some words spoken in low tone--so low he cannot make them out--tell him that the stoppage is directly opposite the spot where he is crouching--as predatory animal in wait for its prey.
What was at first mere curiosity, and then matter of but slight surprise, is now an object of keen solicitude. For of all places in the world, to him there is none invested with greater interest than that where the boat has been brought to. Why has it stopped there? Why is it staying? For he can tell it is by the silence continuing. Above all, who are the men in it?
He asks these questions of himself, but does not stay to reason out the answers. He will best get them by his eyes; and to obtain sight of the skiff and its occupants, he glides a little way along the cliff, looking out for a convenient spot. Finding one, he drops first to his knees, then upon all fours, and crawls out to its edge. Craning his head over, but cautiously, and with a care it shall be under cover of some fern leaves, he has a view of the water below, with the boat on it--only indistinct on account of the obscurity. He can make out the figures of the two men, though not their faces, nor anything by which he may identify them--if already known. But he sees that which helps to a conjecture, at the same sharpening his apprehensions. The boat once more in motion, not moving off, but up into the little cove, where a dead body late lay! Then, as one of the men strikes a match and sets light to a lamp, lighting up his own face with that of the other opposite, he on the bank above at length recognises both.
But it is no longer a surprise to him. The presence of the skiff there, the movements of the men in it--like his own, evidently under restraint and stealthy--have prepared him for seeing whom he now sees--Captain Ryecroft and the waterman Wingate.
Still he cannot think of what they are after, though he has his suspicions; the place, with something only known to himself, suggesting them--conjecture at first soon becoming certainty, as he sees the ex-officer of Hussars rise to his feet, hold his lamp close to the cliff's face, and inspect the abrasions on the rock!
He is not more certain, but only more apprehensive, when the crushed juniper twigs are taken in hand, examined, and let go again. For he has by this divined the object of it all.
If any doubt lingered, it is set at rest by the exclamatory words following, which, though but muttered, reach him on the cliff above, heard clear enough--
"No accident--no suicide--murdered!" They carry tremor to his heart, making him feel as a fox that hears the tongue of hound on its track. Still distant, but for all causing it fear, and driving it to think of subterfuge.
And of this thinks he, as he lies with his face among the ferns; ponders upon it till the boat has passed back up the dark passage out into the river, and he hears the last light dipping of its oars in the far distance.
He even forgets a woman, for whom he was waiting at the summer-house, and who there without finding him has flitted off again.
At length rising to his feet, and going a little way, he too gets into a boat--one he finds, with oars aboard, down in the dock. It is not the _Gwendoline_--she is gone.
Seating himself on the mid thwart, he takes up the oars, and pulls towards the place lately occupied by the skiff of the waterman. When inside the cove he lights a match, and holds it close to the face of the rock where Ryecroft held his lamp. It burns out and he draws a second across the sand paper; this to show him the broken branches of the juniper, which he also takes in hand and examines. Soon also dropping them, with a look of surprise, followed by the exclamatory phrases--
"Prodigiously strange! I see his drift now. Cunning fellow! On the track he has discovered the trick, and 'twill need another trick to throw him off it. This bush must be uprooted--destroyed."
He is in the act of grasping the juniper to pluck it out by the roots. A dwarf thing, this could be easily done. But a thought stays him-- another precautionary forecast, as evinced by his words--
"That won't do."
After repeating them, he drops back on the boat's thwart, and sits for a while considering, with eyes turned toward the cliff, ranging it up and down.
"Ah!" he exclaims at length, "the very thing; as if the devil himself had fixed it for me! That _will_ do; smash the bush to atoms--blot out everything, as if an earthquake had gone over Llangorren."
While thus oddly soliloquising, his eyes are still turned upward, apparently regarding a ledge which, almost loose as a boulder, projects from the bank above. It is directly over the juniper, and if detached from its bed, as it easily might be, would go crashing down, carrying the bush with it.
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Gwen Wynn: A Romance of the WyeChapter X: Part 10
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