Chapter II: Part 2

A queer, baffled, half-wicked look came on his face. He could not stay long at the cottage. Suddenly he must swing on to his bicycle and go—anywhere. Anywhere, away from the place. He would stay a few days with his mother in the old home. His mother adored him and grieved as a mother would. But the little, baffled, half-wicked smile curled on his face, and he swung away from his mother’s solicitude as from everything else.

Always moving on—from place to place, friend to friend: and always swinging away from sympathy. As soon as sympathy, like a soft hand, was reached out to touch him, away he swerved, instinctively, as a harmless snake swerves and swerves and swerves away from an outstretched hand. Away he must go. And periodically he went back to Winifred.

He was terrible to her now, like a temptation. She had devoted herself to her children and her church. Joyce was once more on her feet; but, alas! lame, with iron supports to her leg, and a little crutch. It was strange how she had grown into a long, pallid, wild little thing. Strange that the pain had not made her soft and docile, but had brought out a wild, almost maenad temper in the child. She was seven, and long and white and thin, but by no means subdued. Her blonde hair was darkening. She still had long sufferings to face, and, in her own childish consciousness, the stigma of her lameness to bear.

And she bore it. An almost maenad courage seemed to possess her, as if she were a long, thin, young weapon of life. She acknowledged all her mother’s care. She would stand by her mother for ever. But some of her father’s fine-tempered desperation flashed in her.

When Egbert saw his little girl limping horribly—not only limping but lurching horribly in crippled, childish way, his heart again hardened with chagrin, like steel that is tempered again. There was a tacit understanding between him and his little girl: not what we would call love, but a weapon-like kinship. There was a tiny touch of irony in his manner towards her, contrasting sharply with Winifred’s heavy, unleavened solicitude and care. The child flickered back to him with an answering little smile of irony and recklessness: an odd flippancy which made Winifred only the more sombre and earnest.

The Marshalls took endless thought and trouble for the child, searching out every means to save her limb and her active freedom. They spared no effort and no money, they spared no strength of will. With all their slow, heavy power of will they willed that Joyce should save her liberty of movement, should win back her wild, free grace. Even if it took a long time to recover, it should be recovered.

So the situation stood. And Joyce submitted, week after week, month after month to the tyranny and pain of the treatment. She acknowledged the honourable effort on her behalf. But her flamy reckless spirit was her father’s. It was he who had all the glamour for her. He and she were like members of some forbidden secret society who know one another but may not recognise one another. Knowledge they had in common, the same secret of life, the father and the child. But the child stayed in the camp of her mother, honourably, and the father wandered outside like Ishmael, only coming sometimes to sit in the home for an hour or two, an evening or two beside the camp fire, like Ishmael, in a curious silence and tension, with the mocking answer of the desert speaking out of his silence, and annulling the whole convention of the domestic home.

His presence was almost an anguish to Winifred. She prayed against it. That little cleft between his brow, that flickering, wicked, little smile that seemed to haunt his face, and above all, the triumphant loneliness, the Ishmael quality. And then the erectness of his supple body, like a symbol. The very way he stood, so quiet, so insidious, like an erect, supple symbol of life, the living body, confronting her downcast soul, was torture to her. He was like a supple living idol moving before her eyes, and she felt if she watched him she was damned.

And he came and made himself at home in her little home. When he was there, moving in his own quiet way, she felt as if the whole great law of sacrifice, by which she had elected to live, were annulled. He annulled by his very presence the laws of her life. And what did he substitute? Ah, against that question she hardened herself in recoil.

It was awful to her to have to have him about—moving about in his shirt-sleeves, speaking in his tenor, throaty voice to the children. Annabel simply adored him, and he teased the little girl. The baby, Barbara, was not sure of him. She had been born a stranger to him. But even the nurse, when she saw his white shoulder of flesh through the slits of his torn shirt, thought it a shame.

Winifred felt it was only another weapon of his against her.

“You have other shirts—why do you wear that old one that is all torn, Egbert?” she said.

“I may as well wear it out,” he said subtly.

He knew she would not offer to mend it for him. She _could_ not. And no, she would not. Had she not her own gods to honour? And could she betray them, submitting to his Baal and Ashtaroth? And it was terrible to her, his unsheathed presence, that seemed to annul her and her faith, like another revelation. Like a gleaming idol evoked against her, a vivid life-idol that might triumph.

He came and he went—and she persisted. And then the great war broke out. He was a man who could not go to the dogs. He could not dissipate himself. He was pure-bred in his Englishness, and even when he would have killed to be vicious, he could not.

So when the war broke out his whole instinct was against it: against war. He had not the faintest desire to overcome any foreigners or to help in their death. He had no conception of Imperial England, and Rule Britannia was just a joke to him. He was a pure-blooded Englishman, perfect in his race, and when he was truly himself he could no more have been aggressive on the score of his Englishness than a rose can be aggressive on the score of its rosiness.

No, he had no desire to defy Germany and to exalt England. The distinction between German and English was not for him the distinction between good and bad. It was the distinction between blue water-flowers and red or white bush-blossoms: just difference. The difference between the wild boar and the wild bear. And a man was good or bad according to his nature, not according to his nationality.

Egbert was well-bred, and this was part of his natural understanding. It was merely unnatural to him to hate a nation _en bloc_. Certain individuals he disliked, and others he liked, and the mass he knew nothing about. Certain deeds he disliked, certain deeds seemed natural to him, and about most deeds he had no particular feeling.

He had, however, the one deepest pure-bred instinct. He recoiled inevitably from having his feelings dictated to him by the mass feeling. His feelings were his own, his understanding was his own, and he would never go back on either, willingly. Shall a man become inferior to his own true knowledge and self, just because the mob expects it of him?

What Egbert felt subtly and without question, his father-in-law felt also in a rough, more combative way. Different as the two men were, they were two real Englishmen, and their instincts were almost the same.

And Godfrey Marshall had the world to reckon with. There was German military aggression, and the English non-military idea of liberty and the “conquests of peace”—meaning industrialism. Even if the choice between militarism and industrialism were a choice of evils, the elderly man asserted his choice of the latter, perforce. He whose soul was quick with the instinct of power.

Egbert just refused to reckon with the world. He just refused even to decide between German militarism and British industrialism. He chose neither. As for atrocities, he despised the people who committed them as inferior criminal types. There was nothing national about crime.

And yet, war! War! Just war! Not right or wrong, but just war itself. Should he join? Should he give himself over to war? The question was in his mind for some weeks. Not because he thought England was right and Germany wrong. Probably Germany was wrong, but he refused to make a choice. Not because he felt inspired. No. But just—war.

The deterrent was, the giving himself over into the power of other men, and into the power of the mob-spirit of a democratic army. Should he give himself over? Should he make over his own life and body to the control of something which he _knew_ was inferior, in spirit, to his own self? Should he commit himself into the power of an inferior control? Should he? Should he betray himself?

He was going to put himself into the power of his inferiors, and he knew it. He was going to subjugate himself. He was going to be ordered about by petty _canaille_ of non-commissioned officers—and even commissioned officers. He who was born and bred free. Should he do it?

He went to his wife, to speak to her.

“Shall I join up, Winifred?”

She was silent. Her instinct also was dead against it. And yet a certain profound resentment made her answer:

“You have three children dependent on you. I don’t know whether you have thought of that.”

It was still only the third month of the war, and the old pre-war ideas were still alive.

“Of course. But it won’t make much difference to them. I shall be earning a shilling a day, at least.”

“You’d better speak to father, I think,” she replied heavily.

Egbert went to his father-in-law. The elderly man’s heart was full of resentment.

“I should say,” he said rather sourly, “it is the best thing you could do.”

Egbert went and joined up immediately, as a private soldier. He was drafted into the light artillery.

Winifred now had a new duty towards him: the duty of a wife towards a husband who is himself performing his duty towards the world. She loved him still. She would always love him, as far as earthly love went. But it was duty she now lived by. When he came back to her in khaki, a soldier, she submitted to him as a wife. It was her duty. But to his passion she could never again fully submit. Something prevented her, for ever: even her own deepest choice.

He went back again to camp. It did not suit him to be a modern soldier. In the thick, gritty, hideous khaki his subtle physique was extinguished as if he had been killed. In the ugly intimacy of the camp his thoroughbred sensibilities were just degraded. But he had chosen, so he accepted. An ugly little look came on to his face, of a man who has accepted his own degradation.

In the early spring Winifred went down to Crockham to be there when primroses were out, and the tassels hanging on the hazel-bushes. She felt something like a reconciliation towards Egbert, now he was a prisoner in camp most of his days. Joyce was wild with delight at seeing the garden and the common again, after the eight or nine months of London and misery. She was still lame. She still had the irons up her leg. But she lurched about with a wild, crippled agility.

Egbert came for a week-end, in his gritty, thick, sand-paper khaki and puttees and the hideous cap. Nay, he looked terrible. And on his face a slightly impure look, a little sore on his lip, as if he had eaten too much or drunk too much or let his blood become a little unclean. He was almost uglily healthy, with the camp life. It did not suit him.

Winifred waited for him in a little passion of duty and sacrifice, willing to serve the soldier, if not the man. It only made him feel a little more ugly inside. The week-end was torment to him: the memory of the camp, the knowledge of the life he led there; even the sight of his own legs in that abhorrent khaki. He felt as if the hideous cloth went into his blood and made it gritty and dirty. Then Winifred so ready to serve the _soldier_, when she repudiated the man. And this made the grit worse between his teeth. And the children running around playing and calling in the rather mincing fashion of children who have nurses and governesses and literature in the family. And Joyce so lame! It had all become unreal to him, after the camp. It only set his soul on edge. He left at dawn on the Monday morning, glad to get back to the realness and vulgarity of the camp.

Winifred would never meet him again at the cottage—only in London, where the world was with them. But sometimes he came alone to Crockham perhaps when friends were staying there. And then he would work awhile in his garden. This summer still it would flame with blue anchusas and big red poppies, the mulleins would sway their soft, downy erections in the air: he loved mulleins: and the honeysuckle would stream out scent like memory, when the owl was whooing. Then he sat by the fire with the friends and with Winifred’s sisters, and they sang the folk-songs. He put on thin civilian clothes and his charm and his beauty and the supple dominancy of his body glowed out again. But Winifred was not there.

At the end of the summer he went to Flanders, into action. He seemed already to have gone out of life, beyond the pale of life. He hardly remembered his life any more, being like a man who is going to take a jump from a height, and is only looking to where he must land.

He was twice slightly wounded, in two months. But not enough to put him off duty for more than a day or two. They were retiring again, holding the enemy back. He was in the rear—three machine-guns. The country was all pleasant, war had not yet trampled it. Only the air seemed shattered, and the land awaiting death. It was a small, unimportant action in which he was engaged.

The guns were stationed on a little bushy hillock just outside a village. But occasionally, it was difficult to say from which direction, came the sharp crackle of rifle-fire, and beyond, the far-off thud of cannon. The afternoon was wintry and cold.

A lieutenant stood on a little iron platform at the top of the ladders, taking the sights and giving the aim, calling in a high, tense, mechanical voice. Out of the sky came the sharp cry of the directions, then the warning numbers, then “Fire!” The shot went, the piston of the gun sprang back, there was a sharp explosion, and a very faint film of smoke in the air. Then the other two guns fired, and there was a lull. The officer was uncertain of the enemy’s position. The thick clump of horse-chestnut trees below was without change. Only in the far distance the sound of heavy firing continued, so far off as to give a sense of peace.

The gorse bushes on either hand were dark, but a few sparks of flowers showed yellow. He noticed them almost unconsciously as he waited, in the lull. He was in his shirt-sleeves, and the air came chill on his arms. Again his shirt was slit on the shoulders, and the flesh showed through. He was dirty and unkempt. But his face was quiet. So many things go out of consciousness before we come to the end of consciousness.

Before him, below, was the highroad, running between high banks of grass and gorse. He saw the whitish muddy tracks and deep scores in the road, where the part of the regiment had retired. Now all was still. Sounds that came, came from the outside. The place where he stood was still silent, chill, serene: the white church among the trees beyond seemed like a thought only.

He moved into a lightning-like mechanical response at the sharp cry from the officer overhead. Mechanism, the pure mechanical action of obedience at the guns. Pure mechanical action at the guns. It left the soul unburdened, brooding in dark nakedness. In the end, the soul is alone, brooding on the face of the uncreated flux, as a bird on a dark sea.

Nothing could be seen but the road, and a crucifix knocked slanting and the dark, autumnal fields and woods. There appeared three horsemen on a little eminence, very small, on the crest of a ploughed field. They were our own men. Of the enemy, nothing.

The lull continued. Then suddenly came sharp orders, and a new direction of the guns, and an intense, exciting activity. Yet at the centre the soul remained dark and aloof, alone.

But even so, it was the soul that heard the new sound: the new, deep “papp!” of a gun that seemed to touch right upon the soul. He kept up the rapid activity at the machine-gun, sweating. But in his soul was the echo of the new, deep sound, deeper than life.

And in confirmation came the awful faint whistling of a shell, advancing almost suddenly into a piercing, tearing shriek that would tear through the membrane of life. He heard it in his ears, but he heard it also in his soul, in tension. There was relief when the thing had swung by and struck, away beyond. He heard the hoarseness of its explosion, and the voice of the soldier calling to the horses. But he did not turn round to look. He only noticed a twig of holly with red berries fall like a gift on to the road below.

Not this time, not this time. Whither thou goest I will go. Did he say it to the shell, or to whom? Whither thou goest I will go. Then, the faint whistling of another shell dawned, and his blood became small and still to receive it. It drew nearer, like some horrible blast of wind; his blood lost consciousness. But in the second of suspension he saw the heavy shell swoop to earth, into the rocky bushes on the right, and earth and stones poured up into the sky. It was as if he heard no sound. The earth and stones and fragments of bush fell to earth again, and there was the same unchanging peace. The Germans had got the aim.

Would they move now? Would they retire? Yes. The officer was giving the last lightning-rapid orders to fire before withdrawing. A shell passed unnoticed in the rapidity of action. And then, into the silence, into the suspense where the soul brooded, finally crashed a noise and a darkness and a moment’s flaming agony and horror. Ah, he had seen the dark bird flying towards him, flying home this time. In one instant life and eternity went up in a conflagration of agony, then there was a weight of darkness.

When faintly something began to struggle in the darkness, a consciousness of himself, he was aware of a great load and a clanging sound. To have known the moment of death! And to be forced, before dying, to review it. So, fate, even in death.

There was a resounding of pain. It seemed to sound from the outside of his consciousness: like a loud bell clanging very near. Yet he knew it was himself. He must associate himself with it. After a lapse and a new effort, he identified a pain in his head, a large pain that clanged and resounded. So far he could identify himself with himself. Then there was a lapse.

After a time he seemed to wake up again, and waking, to know that he was at the front, and that he was killed. He did not open his eyes. Light was not yet his. The clanging pain in his head rang out the rest of his consciousness. So he lapsed away from consciousness, in unutterable sick abandon of life.

Bit by bit, like a doom came the necessity to know. He was hit in the head. It was only a vague surmise at first. But in the swinging of the pendulum of pain, swinging ever nearer and nearer, to touch him into an agony of consciousness and a consciousness of agony, gradually the knowledge emerged—he must be hit in the head—hit on the left brow; if so, there would be blood—was there blood?—could he feel blood in his left eye? Then the clanging seemed to burst the membrane of his brain, like death-madness.

Was there blood on his face? Was hot blood flowing? Or was it dry blood congealing down his cheek? It took him hours even to ask the question: time being no more than an agony in darkness, without measurement.

A long time after he had opened his eyes he realised he was seeing something—something, something, but the effort to recall what was too great. No, no; no recall!

Were they the stars in the dark sky? Was it possible it was stars in the dark sky? Stars? The world? Ah, no, he could not know it! Stars and the world were gone for him, he closed his eyes. No stars, no sky, no world. No, No! The thick darkness of blood alone. It should be one great lapse into the thick darkness of blood in agony.

Death, oh, death! The world all blood, and the blood all writhing with death. The soul like the tiniest little light out on a dark sea, the sea of blood. And the light guttering, beating, pulsing in a windless storm, wishing it could go out, yet unable.

There had been life. There had been Winifred and his children. But the frail death-agony effort to catch at straws of memory, straws of life from the past, brought on too great a nausea. No, No! No Winifred, no children. No world, no people. Better the agony of dissolution ahead than the nausea of the effort backwards. Better the terrible work should go forward, the dissolving into the black sea of death, in the extremity of dissolution, than that there should be any reaching back towards life. To forget! To forget! Utterly, utterly to forget, in the great forgetting of death. To break the core and the unit of life, and to lapse out on the great darkness. Only that. To break the clue, and mingle and commingle with the one darkness, without afterwards or forwards. Let the black sea of death itself solve the problem of futurity. Let the will of man break and give up.

What was that? A light! A terrible light! Was it figures? Was it legs of a horse colossal—colossal above him: huge, huge?

The Germans heard a slight noise, and started. Then, in the glare of a light-bomb, by the side of the heap of earth thrown up by the shell, they saw the dead face.

TICKETS, PLEASE

There is in the Midlands a single-line tramway system which boldly leaves the county town and plunges off into the black, industrial countryside, up hill and down dale, through the long ugly villages of workmen’s houses, over canals and railways, past churches perched high and nobly over the smoke and shadows, through stark, grimy cold little market-places, tilting away in a rush past cinemas and shops down to the hollow where the collieries are, then up again, past a little rural church, under the ash trees, on in a rush to the terminus, the last little ugly place of industry, the cold little town that shivers on the edge of the wild, gloomy country beyond. There the green and creamy coloured tram-car seems to pause and purr with curious satisfaction. But in a few minutes—the clock on the turret of the Co-operative Wholesale Society’s Shops gives the time—away it starts once more on the adventure. Again there are the reckless swoops downhill, bouncing the loops: again the chilly wait in the hill-top market-place: again the breathless slithering round the precipitous drop under the church: again the patient halts at the loops, waiting for the outcoming car: so on and on, for two long hours, till at last the city looms beyond the fat gas-works, the narrow factories draw near, we are in the sordid streets of the great town, once more we sidle to a standstill at our terminus, abashed by the great crimson and cream-coloured city cars, but still perky, jaunty, somewhat dare-devil, green as a jaunty sprig of parsley out of a black colliery garden.

To ride on these cars is always an adventure. Since we are in war-time, the drivers are men unfit for active service: cripples and hunchbacks. So they have the spirit of the devil in them. The ride becomes a steeple-chase. Hurray! we have leapt in a clear jump over the canal bridges—now for the four-lane corner. With a shriek and a trail of sparks we are clear again. To be sure, a tram often leaps the rails—but what matter! It sits in a ditch till other trams come to haul it out. It is quite common for a car, packed with one solid mass of living people, to come to a dead halt in the midst of unbroken blackness, the heart of nowhere on a dark night, and for the driver and the girl conductor to call, “All get off—car’s on fire!” Instead, however, of rushing out in a panic, the passengers stolidly reply: “Get on—get on! We’re not coming out. We’re stopping where we are. Push on, George.” So till flames actually appear.

The reason for this reluctance to dismount is that the nights are howlingly cold, black, and windswept, and a car is a haven of refuge. From village to village the miners travel, for a change of cinema, of girl, of pub. The trams are desperately packed. Who is going to risk himself in the black gulf outside, to wait perhaps an hour for another tram, then to see the forlorn notice “Depot Only,” because there is something wrong! Or to greet a unit of three bright cars all so tight with people that they sail past with a howl of derision. Trams that pass in the night.

This, the most dangerous tram-service in England, as the authorities themselves declare, with pride, is entirely conducted by girls, and driven by rash young men, a little crippled, or by delicate young men, who creep forward in terror. The girls are fearless young hussies. In their ugly blue uniform, skirts up to their knees, shapeless old peaked caps on their heads, they have all the _sang-froid_ of an old non-commissioned officer. With a tram packed with howling colliers, roaring hymns downstairs and a sort of antiphony of obscenities upstairs, the lasses are perfectly at their ease. They pounce on the youths who try to evade their ticket-machine. They push off the men at the end of their distance. They are not going to be done in the eye—not they. They fear nobody—and everybody fears them.

“Hello, Annie!”

“Hello, Ted!”

“Oh, mind my corn, Miss Stone. It’s my belief you’ve got a heart of stone, for you’ve trod on it again.”

“You should keep it in your pocket,” replies Miss Stone, and she goes sturdily upstairs in her high boots.

“Tickets, please.”

She is peremptory, suspicious, and ready to hit first. She can hold her own against ten thousand. The step of that tram-car is her Thermopylæ.

Therefore, there is a certain wild romance aboard these cars—and in the sturdy bosom of Annie herself. The time for soft romance is in the morning, between ten o’clock and one, when things are rather slack: that is, except market-day and Saturday. Thus Annie has time to look about her. Then she often hops off her car and into a shop where she has spied something, while the driver chats in the main road. There is very good feeling between the girls and the drivers. Are they not companions in peril, shipments aboard this careering vessel of a tram-car, for ever rocking on the waves of a stormy land?

Then, also, during the easy hours, the inspectors are most in evidence. For some reason, everybody employed in this tram-service is young: there are no grey heads. It would not do. Therefore the inspectors are of the right age, and one, the chief, is also good-looking. See him stand on a wet, gloomy morning, in his long oil-skin, his peaked cap well down over his eyes, waiting to board a car. His face is ruddy, his small brown moustache is weathered, he has a faint impudent smile. Fairly tall and agile, even in his waterproof, he springs aboard a car and greets Annie.

“Hello, Annie! Keeping the wet out?”

“Trying to.”

There are only two people in the car. Inspecting is soon over. Then for a long and impudent chat on the foot-board, a good, easy, twelve-mile chat.

The inspector’s name is John Thomas Raynor—always called John Thomas, except sometimes, in malice, Coddy. His face sets in fury when he is addressed, from a distance, with this abbreviation. There is considerable scandal about John Thomas in half a dozen villages. He flirts with the girl conductors in the morning, and walks out with them in the dark night, when they leave their tram-car at the depôt. Of course, the girls quit the service frequently. Then he flirts and walks out with the newcomer: always providing she is sufficiently attractive, and that she will consent to walk. It is remarkable, however, that most of the girls are quite comely, they are all young, and this roving life aboard the car gives them a sailor’s dash and recklessness. What matter how they behave when the ship is in port. Tomorrow they will be aboard again.

Annie, however, was something of a Tartar, and her sharp tongue had kept John Thomas at arm’s length for many months. Perhaps, therefore, she liked him all the more: for he always came up smiling, with impudence. She watched him vanquish one girl, then another. She could tell by the movement of his mouth and eyes, when he flirted with her in the morning, that he had been walking out with this lass, or the other, the night before. A fine cock-of-the-walk he was. She could sum him up pretty well.

In this subtle antagonism they knew each other like old friends, they were as shrewd with one another almost as man and wife. But Annie had always kept him sufficiently at arm’s length. Besides, she had a boy of her own.

The Statutes fair, however, came in November, at Bestwood. It happened that Annie had the Monday night off. It was a drizzling ugly night, yet she dressed herself up and went to the fair ground. She was alone, but she expected soon to find a pal of some sort.

The roundabouts were veering round and grinding out their music, the side shows were making as much commotion as possible. In the cocoanut shies there were no cocoanuts, but artificial war-time substitutes, which the lads declared were fastened into the irons. There was a sad decline in brilliance and luxury. None the less, the ground was muddy as ever, there was the same crush, the press of faces lighted up by the flares and the electric lights, the same smell of naphtha and a few fried potatoes, and of electricity.

Who should be the first to greet Miss Annie on the showground but John Thomas? He had a black overcoat buttoned up to his chin, and a tweed cap pulled down over his brows, his face between was ruddy and smiling and handy as ever. She knew so well the way his mouth moved.

She was very glad to have a “boy”. To be at the Statutes without a fellow was no fun. Instantly, like the gallant he was, he took her on the dragons, grim-toothed, round-about switchbacks. It was not nearly so exciting as a tram-car actually. But, then, to be seated in a shaking, green dragon, uplifted above the sea of bubble faces, careering in a rickety fashion in the lower heavens, whilst John Thomas leaned over her, his cigarette in his mouth, was after all the right style. She was a plump, quick, alive little creature. So she was quite excited and happy.

John Thomas made her stay on for the next round. And therefore she could hardly for shame repulse him when he put his arm round her and drew her a little nearer to him, in a very warm and cuddly manner. Besides, he was fairly discreet, he kept his movement as hidden as possible. She looked down, and saw that his red, clean hand was out of sight of the crowd. And they knew each other so well. So they warmed up to the fair.

After the dragons they went on the horses. John Thomas paid each time, so she could but be complaisant. He, of course, sat astride on the outer horse—named “Black Bess”—and she sat sideways, towards him, on the inner horse—named “Wildfire”. But of course John Thomas was not going to sit discreetly on “Black Bess”, holding the brass bar. Round they spun and heaved, in the light. And round he swung on his wooden steed, flinging one leg across her mount, and perilously tipping up and down, across the space, half lying back, laughing at her. He was perfectly happy; she was afraid her hat was on one side, but she was excited.

He threw quoits on a table, and won for her two large, pale-blue hat-pins. And then, hearing the noise of the cinemas, announcing another performance, they climbed the boards and went in.

Of course, during these performances pitch darkness falls from time to time, when the machine goes wrong. Then there is a wild whooping, and a loud smacking of simulated kisses. In these moments John Thomas drew Annie towards him. After all, he had a wonderfully warm, cosy way of holding a girl with his arm, he seemed to make such a nice fit. And, after all, it was pleasant to be so held: so very comforting and cosy and nice. He leaned over her and she felt his breath on her hair; she knew he wanted to kiss her on the lips. And, after all, he was so warm and she fitted in to him so softly. After all, she wanted him to touch her lips.

But the light sprang up; she also started electrically, and put her hat straight. He left his arm lying nonchalantly behind her. Well, it was fun, it was exciting to be at the Statutes with John Thomas.

When the cinema was over they went for a walk across the dark, damp fields. He had all the arts of love-making. He was especially good at holding a girl, when he sat with her on a stile in the black, drizzling darkness. He seemed to be holding her in space, against his own warmth and gratification. And his kisses were soft and slow and searching.

So Annie walked out with John Thomas, though she kept her own boy dangling in the distance. Some of the tram-girls chose to be huffy. But there, you must take things as you find them, in this life.

There was no mistake about it, Annie liked John Thomas a good deal. She felt so rich and warm in herself whenever he was near. And John Thomas really liked Annie, more than usual. The soft, melting way in which she could flow into a fellow, as if she melted into his very bones, was something rare and good. He fully appreciated this.

But with a developing acquaintance there began a developing intimacy. Annie wanted to consider him a person, a man; she wanted to take an intelligent interest in him, and to have an intelligent response. She did not want a mere nocturnal presence, which was what he was so far. And she prided herself that he could not leave her.

Here she made a mistake. John Thomas intended to remain a nocturnal presence; he had no idea of becoming an all-round individual to her. When she started to take an intelligent interest in him and his life and his character, he sheered off. He hated intelligent interest. And he knew that the only way to stop it was to avoid it. The possessive female was aroused in Annie. So he left her.

It is no use saying she was not surprised. She was at first startled, thrown out of her count. For she had been so _very_ sure of holding him. For a while she was staggered, and everything became uncertain to her. Then she wept with fury, indignation, desolation, and misery. Then she had a spasm of despair. And then, when he came, still impudently, on to her car, still familiar, but letting her see by the movement of his head that he had gone away to somebody else for the time being, and was enjoying pastures new, then she determined to have her own back.

She had a very shrewd idea what girls John Thomas had taken out. She went to Nora Purdy. Nora was a tall, rather pale, but well-built girl, with beautiful yellow hair. She was rather secretive.

“Hey!” said Annie, accosting her; then softly, “Who’s John Thomas on with now?”

“I don’t know,” said Nora.

“Why tha does,” said Annie, ironically lapsing into dialect. “Tha knows as well as I do.”

“Well, I do, then,” said Nora. “It isn’t me, so don’t bother.”

“It’s Cissy Meakin, isn’t it?”

“It is, for all I know.”

“Hasn’t he got a face on him!” said Annie. “I don’t half like his cheek. I could knock him off the foot-board when he comes round at me.”

“He’ll get dropped-on one of these days,” said Nora.

“Ay, he will, when somebody makes up their mind to drop it on him. I should like to see him taken down a peg or two, shouldn’t you?”

“I shouldn’t mind,” said Nora.

“You’ve got quite as much cause to as I have,” said Annie. “But we’ll drop on him one of these days, my girl. What? Don’t you want to?”

“I don’t mind,” said Nora.

But as a matter of fact, Nora was much more vindictive than Annie.

One by one Annie went the round of the old flames. It so happened that Cissy Meakin left the tramway service in quite a short time. Her mother made her leave. Then John Thomas was on the _qui-vive_. He cast his eyes over his old flock. And his eyes lighted on Annie. He thought she would be safe now. Besides, he liked her.

She arranged to walk home with him on Sunday night. It so happened that her car would be in the depôt at half past nine: the last car would come in at 10.15. So John Thomas was to wait for her there.

At the depôt the girls had a little waiting-room of their own. It was quite rough, but cosy, with a fire and an oven and a mirror, and table and wooden chairs. The half dozen girls who knew John Thomas only too well had arranged to take service this Sunday afternoon. So, as the cars began to come in, early, the girls dropped into the waiting-room. And instead of hurrying off home, they sat around the fire and had a cup of tea. Outside was the darkness and lawlessness of war-time.

John Thomas came on the car after Annie, at about a quarter to ten. He poked his head easily into the girls’ waiting-room.

“Prayer-meeting?” he asked.

“Ay,” said Laura Sharp. “Ladies only.”

“That’s me!” said John Thomas. It was one of his favourite exclamations.

“Shut the door, boy,” said Muriel Baggaley.

“On which side of me?” said John Thomas.

“Which tha likes,” said Polly Birkin.

He had come in and closed the door behind him. The girls moved in their circle, to make a place for him near the fire. He took off his great-coat and pushed back his hat.

“Who handles the teapot?” he said.

Nora Purdy silently poured him out a cup of tea.

“Want a bit o’ my bread and drippin’?” said Muriel Baggaley to him.

“Ay, give us a bit.”

And he began to eat his piece of bread.

“There’s no place like home, girls,” he said.

They all looked at him as he uttered this piece of impudence. He seemed to be sunning himself in the presence of so many damsels.

“Especially if you’re not afraid to go home in the dark,” said Laura Sharp.

“Me! By myself I am.”

They sat till they heard the last tram come in. In a few minutes Emma Houselay entered.

“Come on, my old duck!” cried Polly Birkin.

“It _is_ perishing,” said Emma, holding her fingers to the fire.

“But—I’m afraid to, go home in, the dark,” sang Laura Sharp, the tune having got into her mind.

“Who’re you going with tonight, John Thomas?” asked Muriel Baggaley, coolly.

“Tonight?” said John Thomas. “Oh, I’m going home by myself tonight—all on my lonely-O.”

“That’s me!” said Nora Purdy, using his own ejaculation.

The girls laughed shrilly.

“Me as well, Nora,” said John Thomas.

“Don’t know what you mean,” said Laura.

“Yes, I’m toddling,” said he, rising and reaching for his overcoat.

“Nay,” said Polly. “We’re all here waiting for you.”

“We’ve got to be up in good time in the morning,” he said, in the benevolent official manner.

They all laughed.

“Nay,” said Muriel. “Don’t leave us all lonely, John Thomas. Take one!”

“I’ll take the lot, if you like,” he responded gallantly.

“That you won’t either,” said Muriel, “Two’s company; seven’s too much of a good thing.”

“Nay—take one,” said Laura. “Fair and square, all above board, and say which.”

“Ay,” cried Annie, speaking for the first time. “Pick, John Thomas; let’s hear thee.”

“Nay,” he said. “I’m going home quiet tonight. Feeling good, for once.”

“Whereabouts?” said Annie. “Take a good un, then. But tha’s got to take one of us!”

“Nay, how can I take one,” he said, laughing uneasily. “I don’t want to make enemies.”

“You’d only make _one_,” said Annie.

“The chosen _one_,” added Laura.

“Oh, my! Who said girls!” exclaimed John Thomas, again turning, as if to escape. “Well—good-night.”

“Nay, you’ve got to make your pick,” said Muriel. “Turn your face to the wall, and say which one touches you. Go on—we shall only just touch your back—one of us. Go on—turn your face to the wall, and don’t look, and say which one touches you.”

He was uneasy, mistrusting them. Yet he had not the courage to break away. They pushed him to a wall and stood him there with his face to it. Behind his back they all grimaced, tittering. He looked so comical. He looked around uneasily.

“Go on!” he cried.

“You’re looking—you’re looking!” they shouted.

He turned his head away. And suddenly, with a movement like a swift cat, Annie went forward and fetched him a box on the side of the head that sent his cap flying and himself staggering. He started round.

But at Annie’s signal they all flew at him, slapping him, pinching him, pulling his hair, though more in fun than in spite or anger. He, however, saw red. His blue eyes flamed with strange fear as well as fury, and he butted through the girls to the door. It was locked. He wrenched at it. Roused, alert, the girls stood round and looked at him. He faced them, at bay. At that moment they were rather horrifying to him, as they stood in their short uniforms. He was distinctly afraid.

“Come on, John Thomas! Come on! Choose!” said Annie.

“What are you after? Open the door,” he said.

“We shan’t—not till you’ve chosen!” said Muriel.

“Chosen what?” he said.

“Chosen the one you’re going to marry,” she replied.

He hesitated a moment.

“Open the blasted door,” he said, “and get back to your senses.” He spoke with official authority.

“You’ve got to choose!” cried the girls.

“Come on!” cried Annie, looking him in the eye.” Come on! Come on!”

He went forward, rather vaguely. She had taken off her belt, and swinging it, she fetched him a sharp blow over the head with the buckle end. He sprang and seized her. But immediately the other girls rushed upon him, pulling and tearing and beating him. Their blood was now thoroughly up. He was their sport now. They were going to have their own back, out of him. Strange, wild creatures, they hung on him and rushed at him to bear him down. His tunic was torn right up the back, Nora had hold at the back of his collar, and was actually strangling him. Luckily the button burst. He struggled in a wild frenzy of fury and terror, almost mad terror. His tunic was simply torn off his back, his shirt-sleeves were torn away, his arms were naked. The girls rushed at him, clenched their hands on him and pulled at him: or they rushed at him and pushed him, butted him with all their might: or they struck him wild blows. He ducked and cringed and struck sideways. They became more intense.

At last he was down. They rushed on him, kneeling on him. He had neither breath nor strength to move. His face was bleeding with a long scratch, his brow was bruised.

Annie knelt on him, the other girls knelt and hung on to him. Their faces were flushed, their hair wild, their eyes were all glittering strangely. He lay at last quite still, with face averted, as an animal lies when it is defeated and at the mercy of the captor. Sometimes his eye glanced back at the wild faces of the girls. His breast rose heavily, his wrists were torn.

“Now, then, my fellow!” gasped Annie at length. “Now then—now—”

At the sound of her terrifying, cold triumph, he suddenly started to struggle as an animal might, but the girls threw themselves upon him with unnatural strength and power, forcing him down.

“Yes—now, then!” gasped Annie at length.

And there was a dead silence, in which the thud of heart-beating was to be heard. It was a suspense of pure silence in every soul.

“Now you know where you are,” said Annie.

The sight of his white, bare arm maddened the girls. He lay in a kind of trance of fear and antagonism. They felt themselves filled with supernatural strength.

Suddenly Polly started to laugh—to giggle wildly—helplessly—and Emma and Muriel joined in. But Annie and Nora and Laura remained the same, tense, watchful, with gleaming eyes. He winced away from these eyes.

“Yes,” said Annie, in a curious low tone, secret and deadly. “Yes! You’ve got it now! You know what you’ve done, don’t you? You know what you’ve done.”

He made no sound nor sign, but lay with bright, averted eyes, and averted, bleeding face.

“You ought to be _killed_, that’s what you ought,” said Annie, tensely. “You ought to be _killed_.” And there was a terrifying lust in her voice.

Polly was ceasing to laugh, and giving long-drawn Oh-h-hs and sighs as she came to herself.

“He’s got to choose,” she said vaguely.

“Oh, yes, he has,” said Laura, with vindictive decision.

“Do you hear—do you hear?” said Annie. And with a sharp movement, that made him wince, she turned his face to her.

“Do you hear?” she repeated, shaking him.

But he was quite dumb. She fetched him a sharp slap on the face. He started, and his eyes widened. Then his face darkened with defiance, after all.

“Do you hear?” she repeated.

He only looked at her with hostile eyes.

“Speak!” she said, putting her face devilishly near his.

“What?” he said, almost overcome.

“You’ve got to _choose!_” she cried, as if it were some terrible menace, and as if it hurt her that she could not exact more.

“What?” he said, in fear.

“Choose your girl, Coddy. You’ve got to choose her now. And you’ll get your neck broken if you play any more of your tricks, my boy. You’re settled now.”

There was a pause. Again he averted his face. He was cunning in his overthrow. He did not give in to them really—no, not if they tore him to bits.

“All right, then,” he said, “I choose Annie.” His voice was strange and full of malice. Annie let go of him as if he had been a hot coal.

“He’s chosen Annie!” said the girls in chorus.

“Me!” cried Annie. She was still kneeling, but away from him. He was still lying prostrate, with averted face. The girls grouped uneasily around.

“Me!” repeated Annie, with a terrible bitter accent.

Then she got up, drawing away from him with strange disgust and bitterness.

“I wouldn’t touch him,” she said.

But her face quivered with a kind of agony, she seemed as if she would fall. The other girls turned aside. He remained lying on the floor, with his torn clothes and bleeding, averted face.

“Oh, if he’s chosen—” said Polly.

“I don’t want him—he can choose again,” said Annie, with the same rather bitter hopelessness.

“Get up,” said Polly, lifting his shoulder. “Get up.”

He rose slowly, a strange, ragged, dazed creature. The girls eyed him from a distance, curiously, furtively, dangerously.

“Who wants him?” cried Laura, roughly.

“Nobody,” they answered, with contempt. Yet each one of them waited for him to look at her, hoped he would look at her. All except Annie, and something was broken in her.

He, however, kept his face closed and averted from them all. There was a silence of the end. He picked up the torn pieces of his tunic, without knowing what to do with them. The girls stood about uneasily, flushed, panting, tidying their hair and their dress unconsciously, and watching him. He looked at none of them. He espied his cap in a corner, and went and picked it up. He put it on his head, and one of the girls burst into a shrill, hysteric laugh at the sight he presented. He, however, took no heed, but went straight to where his overcoat hung on a peg. The girls moved away from contact with him as if he had been an electric wire. He put on his coat and buttoned it down. Then he rolled his tunic-rags into a bundle, and stood before the locked door, dumbly.

“Open the door, somebody,” said Laura.

“Annie’s got the key,” said one.

Annie silently offered the key to the girls. Nora unlocked the door.

“Tit for tat, old man,” she said. “Show yourself a man, and don’t bear a grudge.”

But without a word or sign he had opened the door and gone, his face closed, his head dropped.

“That’ll learn him,” said Laura.

“Coddy!” said Nora.

“Shut up, for God’s sake!” cried Annie fiercely, as if in torture.

“Well, I’m about ready to go, Polly. Look sharp!” said Muriel.

The girls were all anxious to be off. They were tidying themselves hurriedly, with mute, stupefied faces.

THE BLIND MAN

Isabel Pervin was listening for two sounds—for the sound of wheels on the drive outside and for the noise of her husband’s footsteps in the hall. Her dearest and oldest friend, a man who seemed almost indispensable to her living, would drive up in the rainy dusk of the closing November day. The trap had gone to fetch him from the station. And her husband, who had been blinded in Flanders, and who had a disfiguring mark on his brow, would be coming in from the outhouses.

He had been home for a year now. He was totally blind. Yet they had been very happy. The Grange was Maurice’s own place. The back was a farmstead, and the Wernhams, who occupied the rear premises, acted as farmers. Isabel lived with her husband in the handsome rooms in front. She and he had been almost entirely alone together since he was wounded. They talked and sang and read together in a wonderful and unspeakable intimacy. Then she reviewed books for a Scottish newspaper, carrying on her old interest, and he occupied himself a good deal with the farm. Sightless, he could still discuss everything with Wernham, and he could also do a good deal of work about the place—menial work, it is true, but it gave him satisfaction. He milked the cows, carried in the pails, turned the separator, attended to the pigs and horses. Life was still very full and strangely serene for the blind man, peaceful with the almost incomprehensible peace of immediate contact in darkness. With his wife he had a whole world, rich and real and invisible.

They were newly and remotely happy. He did not even regret the loss of his sight in these times of dark, palpable joy. A certain exultance swelled his soul.