Chapter II: A Born Leader (1)

The event which proved David Glasgow Farragut's qualities as a leader happened before he was thirteen.

He was with his adopted father, Captain Porter, on board the Essex, when war was declared with England in 1812. A number of prizes were captured by the Essex, and David was ordered by Captain Porter to take one of the captured vessels, with her commander as navigator, to Valparaiso. Although inwardly quailing before the violent-tempered old captain of the prize ship, of whom, as he afterward confessed, he was really "a little afraid," the boy assumed the command with a fearless air.

On giving his first order, that the "main topsail be filled away," the trouble began. The old captain, furious at hearing a command given aboard his vessel by a boy not yet in his teens, replied to the order, with an oath, that he would shoot any one who dared touch a rope without his orders. Having delivered this mandate, he rushed below for his pistols.

The situation was critical. If the young commander hesitated for a moment, or showed the least sign of submitting to be bullied, his authority would instantly have fallen from him. Boy as he was, David realized this, and, calling one of the crew to him, explained what had taken place, and repeated his order. With a hearty "Aye, aye, sir!" the sailor flew to the ropes, while the plucky midshipman called down to the captain that "if he came on deck with his pistols, he would be thrown overboard."

David's victory was complete. During the remainder of the voyage none dared dispute his authority. Indeed his coolness and promptitude had won for him the lasting admiration of the crew.

III. "FARRAGUT IS THE MAN"

The great turning point which placed Farragut at the head of the American navy was reached in 1861, when Virginia seceded from the Union, and he had to choose between the cause of the North and that of the South. He dearly loved his native South, and said, "God forbid that I should have to raise my hand against her," but he determined, come what would, to "stick to the flag."

So it came about that when, in order to secure the control of the Mississippi, the national government resolved upon the capture of New Orleans, Farragut was chosen to lead the undertaking. Several officers, noted for their loyalty, good judgment, and daring, were suggested, but the Secretary of the Navy said, "Farragut is the man."

The opportunity for which all his previous noble life and brilliant services had been a preparation came to him when he was sixty-one years old. The command laid upon him was "the certain capture of the city of New Orleans." "The department and the country," so ran his instructions, "require of you success. ... If successful, you open the way to the sea for the great West, never again to be closed. The rebellion will be riven in the center, and the flag, to which you have been so faithful, will recover its supremacy in every state."

On January 9, 1862, Farragut was appointed to the command of the western gulf blockading squadron. "On February 2," says the National Cyclopedia of American Biograph, "he sailed on the steam sloop Hartford from Hampton Roads, arriving at the appointed rendezvous, Ship Island, in sixteen days. His fleet, consisting of six war steamers, sixteen gunboats, twenty-one mortar vessels, under the command of Commodore David D. Porter, and five supply ships, was the largest that had ever sailed under the American flag. Yet the task assigned him, the passing of the forts below New Orleans, the capture of the city, and the opening of the Mississippi River through its entire length was one of difficulty unprecedented in the history of naval warfare."

Danger or death had no terror for the brave sailor. Before setting out on his hazardous enterprise, he said: "If I die in the attempt, it will only be what every officer has to expect. He who dies in doing his duty to his country, and at peace with his God, has played the drama of life to the best advantage."

The hero did not die. He fought and won the great battle, and thus executed the command laid upon him,--"the certain capture of the city of New Orleans." The victory was accomplished with the loss of but one ship, and 184 men killed and wounded,--"a feat in naval warfare," says his son and biographer, "which has no precedent, and which is still without a parallel, except the one furnished by Farragut himself, two years later, at Mobile."

HE AIMED HIGH AND HIT THE MARK

"Without vision the people perish"

Without a high ideal an individual never climbs. Keep your eyes on the mountain top, and, though you may stumble and fall many times in the ascent, though great bowlders, dense forests, and roaring torrents may often bar the way, look right on, never losing sight of the light which shines away up in the clear atmosphere of the mountain peak, and you will ultimately reach your goal.

When the late Horace Maynard, LL.D., entered Amherst College, he exposed himself to the ridicule and jibing questions of his fellow-students by placing over the door of his room a large square of white cardboard on which was inscribed in bold outlines the single letter "V." Disregarding comment and question, the young man applied himself to his work, ever keeping in mind the height to which he wished to climb, the first step toward which was signified by the mysterious "V."

Four years later, after receiving the compliments of professors and students on the way he had acquitted himself as valedictorian of his class, young Maynard called the attention of his fellow-graduates to the letter over his door. Then a light broke in upon them, and they cried out, "Is it possible that you had the valedictory in mind when you put that 'V' over your door?"

"Assuredly I had," was the emphatic reply.

On he climbed, from height to height, becoming successively professor of mathematics in the University of Tennessee, lawyer, member of Congress, attorney-general of Tennessee, United States minister to Constantinople, and, finally, postmaster-general.

Honorable ambition is the leaven that raises the whole mass of mankind. Ideals, visions, are the stepping-stones by which we rise to higher things.

"Still, through our paltry stir and strife,
Glows down the wished ideal,
And longing molds in clay what life
Carves in the marble real;

"To let the new life in, we know,
Desire must ope the portal,--
Perhaps the longing to be so
Helps make the soul immortal."

THE EVOLUTION OF A VIOLINIST

He was a famous artist whom kings and queens and emperors delighted to honor. The emperor of all the Russias had sent him an affectionate letter, written by his own hand; the empress, a magnificent emerald ring set with diamonds; the king of his own beloved Norway, who had listened reverently, standing with uncovered head, while he, the king of violinists, played before him, had bestowed upon him the Order of Vasa; the king of Copenhagen presented him with a gold snuffbox, encrusted with diamonds; while, at a public dinner given him by the students of Christiana, he was crowned with a laurel wreath. Not all the thousands who thronged to hear him in London could gain entrance to the concert hall, and in Liverpool he received four thousand dollars for one evening's performance.

Yet the homage of the great ones of the earth, the princely gifts bestowed upon him, the admiration of the thousands who hung entranced on every note breathed by his magic violin, gave less delight than the boy of fourteen experienced when he received from an old man, whose heart his playing had gladdened, the present of four pairs of doves, with a card suspended by a blue ribbon round the neck of one, bearing his own name, "Ole Bull."

The soul of little Ole Bull had always been attuned to melody, from the time when, a toddling boy of four, he had kissed with passionate delight the little yellow violin given him by his uncle. How happy he was, as he wandered alone through the meadows, listening with the inner ear of heaven-born genius to the great song of nature. The bluebells, the buttercups, and the blades of grass sang to him in low, sweet tones, unheard by duller ears. How he thrilled with delight when he touched the strings of the little red violin, purchased for him when he was eight years old. His father destined him for the church, and, feeling that music should form part of the education of a clergyman, he consented to the mother's proposition that the boy should take lessons on the violin.

Ole could not sleep for joy, that first night of ownership; and, when the house was wrapped in slumber, he got up and stole on tiptoe to the room where his treasure lay. The bow seemed to beckon to him, the pretty pearl screws to smile at him out of their red setting. "I pinched the strings just a little," he said. "It smiled at me ever more and more. I took up the bow and looked at it. It said to me it would be pleasant to try it across the strings. So I did try it just a very, very little, and it did sing to me so sweetly. At first I did play very soft. But presently I did begin a capriccio, which I like very much, and it did go ever louder and louder; and I forgot that it was midnight and that everybody was asleep. Presently I hear something crack; and the next minute I feel my father's whip across my shoulders. My little red violin dropped on the floor, and was broken. I weep much for it, but it did no good. They did have a doctor to it next day, but it never recovered its health."

He was given another violin, however, and, when only ten, he would wander into the fields and woods, and spend hours playing his own improvisations, echoing the song of the birds, the murmur of the brook, the thunder of the waterfall, the soughing of the wind among the trees, the roar of the storm.

But childhood's days are short. The years fly by. The little Ole is eighteen, a student in the University of Christiana, preparing for the ministry. His brother students beg him to play for a charitable association. He remembers his father's request that he yield not to his passion for music, but being urged for "sweet charity's sake," he consents.

The youth's struggle between the soul's imperative demand and the equally imperative parental dictate was pathetic. Meanwhile the position of musical director of the Philharmonic and Dramatic Societies becoming vacant, Ole was appointed to the office; and, seeing that it was useless to contend longer against the genius of his son, the disappointed father allowed him to accept the directorship.

When fairly launched on a musical career, his trials and disappointments began. Wishing to assure himself whether he had genius or not, he traveled five hundred miles to see and hear the celebrated Louis Spohr, who received the tremulous youth coldly, and gave him no encouragement. No matter, he would go to the city of art. In Paris he heard Berlioz and other great musicians. Entranced he listened, in his high seat at the top of the house, to the exquisite notes of Malibran.

His soul feasted on music, but his money was fast dwindling away, and the body could not be sustained by sweet sounds. But the poor unknown violinist, who was only another atom in the surging life of the great city, could earn nothing. He was on the verge of starvation, but he would not go back to Christiana. He must still struggle and study. He became ill of brain fever, and was tenderly nursed back to life by the granddaughter of his kind landlady, pretty little Felicie Villeminot, who afterward became his wife. He had drained the cup of poverty and disappointment to the dregs, but the tide was about to turn.

He was invited to play at a concert presided over by the Duke of Montebello, and this led to other profitable engagements. But the great opportunity of his life came to him in Bologna. The people had thronged to the opera house to hear Malibran. She had disappointed them, and they were in no mood to be lenient to the unknown violinist who had the temerity to try to fill her place.

He came on the stage. He bowed. He grew pale under the cold gaze of the thousands of unsympathetic eyes turned upon him. But the touch of his beloved violin gave him confidence. Lovingly, tenderly, he drew the bow across the strings. The coldly critical eyes no longer gazed at him. The unsympathetic audience melted away. He and his violin were one and alone. In the hands of the great magician the instrument was more than human. It talked; it laughed; it wept; it controlled the moods of men as the wind controls the sea.

The audience scarcely breathed. Criticism was disarmed. Malibran was forgotten. The people were under the spell of the enchanter. Orpheus had come again. But suddenly the music ceased. The spell was broken. With a shock the audience returned to earth, and Ole Bull, restored to consciousness of his whereabouts by the storm of applause which shook the house, found himself famous forever.

His triumph was complete, but his work was not over, for the price of fame is ceaseless endeavor. But the turning point had been passed. He had seized the great opportunity for which his life had been a preparation, and it had placed him on the roll of the immortals.

THE LESSON OF THE TEAKETTLE

The teakettle was singing merrily over the fire; the good aunt was bustling round, on housewifely cares intent, and her little nephew sat dreamily gazing into the glowing blaze on the kitchen hearth.

Presently the teakettle ceased singing, and a column of steam came rushing from its pipe. The boy started to his feet, raised the lid from the kettle, and peered in at the bubbling, boiling water, with a look of intense interest. Then he rushed off for a teacup, and, holding it over the steam, eagerly watched the latter as it condensed and formed into tiny drops of water on the inside of the cup.

Returning from an upper room, whither her duties had called her, the thrifty aunt was shocked to find her nephew engaged in so profitless an occupation, and soundly scolded him for what she called his trifling. The good lady little dreamed that James Watt was even then unconsciously studying the germ of the science by which he "transformed the steam engine from a mere toy into the most wonderful instrument which human industry has ever had at its command."

This studious little Scottish lad, who, because too frail to go to school, had been taught at home, was very different from other boys. When only six or seven years old, he would lie for hours on the hearth, in the little cottage at Greenock, near Glasgow, where he was born in 1736, drawing geometrical figures with pieces of colored chalk. He loved, too, to gaze at the stars, and longed to solve their mysteries. But his favorite pastime was to burrow among the ropes and sails and tackles in his father's store, trying to find out how they were made and what purposes they served.

In spite of his limited advantages and frail health, at fifteen he was the wonder of the public school, which he had attended for two years. His favorite studies were mathematics and natural philosophy. He had also made good progress in chemistry, physiology, mineralogy, and botany, and, at the same time, had learned carpentry and acquired some skill as a worker in metals.

So studious and ambitious a youth scarcely needed the spur of poverty to induce him to make the most of his talents. The spur was there, however, and, at the age of eighteen, though delicate in health, he was obliged to go out and battle with the world.

Having first spent some time in Glasgow, learning how to make mathematical instruments, he determined to go to London, there to perfect himself in his trade.

Working early and late, and suffering frequently from cold and hunger, he broke down under the unequal strain, and was obliged to return to his parents for a time until health was regained.

Always struggling against great odds, he returned to Glasgow when his trade was mastered, and began to make mathematical instruments, for which, however, he found little sale. Then, to help eke out a living, he began to make and mend other instruments,--fiddles, guitars, and flutes,--and finally built an organ,--a very superior one, too,--with several additions of his own invention.

A commonplace incident enough it seemed, in the routine of his daily occupation, when, one morning, a model of Newcomen's engine was brought to him for repair, yet it marked the turning point in his career, which ultimately led from poverty and struggle to fame and affluence.

Watt's practiced eye at once perceived the defects in the Newcomen engine, which, although the best then in existence could not do much better or quicker work than horses. Filled with enthusiasm over the plans which he had conceived for the construction of a really powerful engine, he immediately set to work, and spent two months in an old cellar, working on a model. "My whole thoughts are bent on this machine," he wrote to a friend. "I can think of nothing else."

So absorbed had he become in his new work that the old business of making and mending instruments had declined. This was all the more unfortunate as he was no longer struggling for himself alone. He had fallen in love with, and married, his cousin, Margaret Miller, who brought him the greatest happiness of his life. The neglect of the only practical means of support he had reduced Watt and his family to the direst poverty. More than once his health failed, and often the brave spirit was almost broken, as when he exclaimed in heaviness of heart, "Of all the things in the world, there is nothing so foolish as inventing."

Five years had passed since the model of the Newcomen engine had been sent to him for repair before he succeeded in securing a patent on his own invention. Yet five more long years of bitter drudgery, clutched in the grip of poverty, debt, and sickness, did the brave inventor, sustained by the love and help of his noble wife, toil through. On his thirty-fifth birthday he said, "To-day I enter the thirty-fifth year of my life, and I think I have hardly yet done thirty-five pence worth of good in the world; but I cannot help it."

Poor Watt! He had traveled with bleeding feet along the same thorny path trod by the great inventors and benefactors of all ages. But, in spite of all obstacles, he persevered; and, after ten years of inconceivable labor and hardship, during which his beautiful wife died, he had a glorious triumph. His perfected steam engine was the wonder of the age. Sir James Mackintosh placed him "at the head of all inventors in all ages and nations." "I look upon him," said the poet Wordsworth, "considering both the magnitude and the universality of his genius, as, perhaps, the most extraordinary man that this country ever produced."

Wealthy beyond his desires,--for he cared not for wealth,--crowned with the laurel wreath of fame, honored by the civilized world as one of its greatest benefactors, the struggle over, the triumph achieved, on August 19, 1819, he lay down to rest.

HOW THE ART OF PRINTING WAS DISCOVERED

"Look, Grandfather; see what the letters have done!" exclaimed a delighted boy, as he picked up the piece of parchment in which Grandfather Coster had carried the bark letters cut from the trees in the grove, for the instruction and amusement of his little grandsons.

"See what the letters have done!" echoed the old man. "Bless me, what does the child mean?" and his eyes twinkled with pleasure, as he noted the astonishment and pleasure visible on the little face. "Let me see what it is that pleases thee so, Laurence," and he eagerly took the parchment from the boy's hand.

"Bless my soul!" cried the old man, after gazing spellbound upon it for some seconds. The track of the mysterious footprint in the sand excited no more surprise in the mind of Robinson Crusoe than Grandfather Coster felt at the sight which met his eyes. There, distinctly impressed upon the parchment, was a clear imprint of the bark letters; though, of course, they were reversed or turned about.

But you twentieth-century young folks who have your fill of story books, picture books, and reading matter of all kinds, are wondering, perhaps, what all this talk about bark letters and parchment and imprint of letters means.

To understand it, you must carry your imagination away back more than five centuries--quite a long journey of the mind, even for "grown-ups"--to a time when there were no printed books, and when very, very few of the rich and noble, and scarcely any of the so-called common people, could read. In those far-off days there were no public libraries, and no books except rare and expensive volumes, written by hand, mainly by monks in their quiet monasteries, on parchment or vellum.

In the quaint, drowsy, picturesque town of Haarlem, in Holland, with its narrow, irregular, grass-grown streets and many-gabled houses, the projecting upper stories of which almost meet, one particular house, which seems even older than any of the others, is pointed out to visitors as one of the most interesting sights of the ancient place. It was in this house that Laurence Coster, the father of the art of printing, the man--at least so runs the legend--who made it possible for the poorest and humblest to enjoy the inestimable luxury of books and reading, lived and loved and dreamed more than five hundred years ago.

Coster was warden of the little church which stood near his home, and his days flowed peacefully on, in a quiet, uneventful way, occupied with the duties of his office, and reading and study, for he was one of those who had mastered the art of reading. A diligent student, he had conned over and over, until he knew them by heart, the few manuscript volumes owned by the little church of which he was warden.

A lover of solitude, as well as student and dreamer, the church warden's favorite resort, when his duties left him at leisure, was a dense grove not far from the town. Thither he went when he wished to be free from all distraction, to think and dream over many things which would appear nonsensical to his sober, practical-minded neighbors. There he indulged in day dreams and poetic fancies; and once, when in a sentimental mood, he carved the initials of the lady of his love on one of the trees.

In time a fair young wife and children came, bringing new brightness and joy to the serious-minded warden. With ever increasing interests, he passed on from youth to middle life, and from middle life to old age. Then his son married, and again the patter of little feet filled the old home and made music in the ears of Grandfather Coster, whom the baby grandchildren almost worshiped.

To amuse the children, and to impart to them whatever knowledge he himself possessed, became the delight of his old age. Then the habit acquired in youth of carving letters in the bark of the trees served a very useful purpose in furthering his object. He still loved to take solitary walks, and many a quiet summer afternoon the familiar figure of the venerable churchwarden, in his seedy black cloak and sugar-loaf hat, might be seen wending its way along the banks of the River Spaaren to his favorite resort in the grove.

One day, while reclining on a mossy couch beneath a spreading beech tree, amusing himself by tearing strips of bark from the tree that shaded him, and carving letters with his knife, a happy thought entered his mind. "Why can I not," he mused within himself, "cut those letters out, carry them home, and, while using them as playthings, teach the little ones how to read?"

The plan worked admirably. Long practice had made the old man quite expert in fashioning the letters, and many hours of quiet happiness were spent in the grove in this pleasing occupation. One afternoon he succeeded in cutting some unusually fine specimens, and, chuckling to himself over the delight they would give the children, he wrapped them carefully, placing them side by side in an old piece of parchment which he happened to have in his pocket. The bark from which they had been cut being fresh and full of sap, and the letters being firmly pressed upon the parchment, the result was the series of "pictures" which delighted the child and gave to the world the first suggestion of a printing press.

And then a mighty thought flashed across the brain of the poor, humble, unknown churchwarden, a thought the realization of which was destined not only to make him famous for all time, but to revolutionize the whole world. The first dim suggestion came to him in this form, "By having a series of letters and impressing them over and over again on parchment, cannot books be printed instead of written, and so multiplied and cheapened as to be brought within the reach of all?"

The remainder of his life was given up to developing this great idea. He cut more letters from bark, and, covering the smooth surface with ink, pressed them upon parchment, thus getting a better impression, though still blurred and imperfect. He then cut letters from wood instead of bark, and managed to invent himself a better and thicker ink, which did not blur the page. Next, he cut letters from lead, and then from pewter. Every hour was absorbed in the work of making possible the art of printing. His simple-minded neighbors thought he had lost his mind, and some of the more superstitious spread the report that he was a sorcerer. But, like all other great discoverers, he heeded not annoyances or discouragements. Shutting himself away from the prying curiosity of the ignorant and superstitious, he plodded on, making steady, if slow, advance toward the realization of his dream.

"One day, while old Coster was thus busily at work," says George Makepeace Towle, "a sturdy German youth, with a knapsack slung across his back, trudged into Haarlem. By some chance this youth happened to hear how the churchwarden was at work upon a wild scheme to print books instead of writing them. With beating heart, the young man repaired to Coster's house and made all haste to knock at the churchwarden's humble door."

The "sturdy German youth" who knocked at Laurence Coster's door was Johann Gutenberg, the inventor of modern printing. Coster invited him to enter. Gutenberg accepted the invitation, and then stated the object of his visit. He desired to learn more about the work on which Coster was engaged. Delighted to have a visitor who was honestly interested in his work, the old man eagerly explained its details to the youth, and showed him some examples of his printing.

Gutenberg was much impressed by what he saw, but still more by the possibilities which he dimly foresaw in Coster's discovery. "But we can do much better than this," he said with the enthusiasm of youth. "Your printing is even slower than the writing of the monks. From this day forth I will work upon this problem, and not rest till I have solved it."

Johann Gutenberg kept his word. He never rested until he had given the art of printing to the world. But to Laurence Coster, in the first place, if legend speaks truth, we owe one of the greatest inventions that has ever blessed mankind.

SEA FEVER AND WHAT IT LED TO

"Jim, you've too good a head on you to be a wood chopper or a canal driver," said the captain of the canal boat for whom young Garfield had engaged to drive horses along the towpath.

"Jim" had always loved books from the time when, seated on his father's knee, he had with his baby lips pronounced after him the name "Plutarch." Mr. Garfield had been reading "Plutarch's Lives," and was much astonished when, without hesitation or stammering, his little son distinctly pronounced the name of the Greek biographer. Turning to his wife, with a glow of love and pride, the fond father said, "Eliza, this boy will be a scholar some day."

Perhaps the near approach of death had clarified the father's vision, but when, soon after, the sorrowing wife was left a widow, with an indebted farm and four little children to care for, she saw little chance for the fulfillment of the prophecy.

Even in his babyhood the boy whose future greatness the father dimly felt had learned the lesson of self-reliance. The familiar words which so often fell from his lips--"I can do that"--enabled him to conquer difficulties before which stouter hearts than that of a little child might well have quailed.

The teaching of his good mother, that "God will bless all our efforts to do the best we can," became a part of the fiber of his being. "What will He do," asked the boy one day, "when we don't do the best we can?" "He will withhold His blessing; and that is the greatest calamity that could possibly happen to us," was the reply, which made a deep impression on the mind of the questioner.

In spite of almost constant toil, and very meager schooling,--only a few weeks each year,--James Garfield excelled all his companions in the log schoolhouse. Besides solving at home in the long winter evenings, by the light of the pine fire, all the knotty problems in Adams' Arithmetic--the terror of many a schoolboy--he found time to revel in the pages of "Robinson Crusoe" and "Josephus." The latter was his special favorite.

Before he was fifteen, Garfield had successfully followed the occupations of farmer, wood chopper, and carpenter. No matter what his occupation was he always managed to find some time for reading.

He had recently read some of Marryat's novels, "Sindbad the Sailor," "The Pirate's Own Book," and others of a similar nature, which had smitten him with a virulent attack of sea fever. This is a mental disease which many robust, adventurous boys are apt to contract in their teens. Garfield felt that he must "sail the ocean blue." The glamour of the sea was upon him. Everything must give way before it. His mother, however, could not be induced to assent to his plans, and, after long pleading, would only compromise by agreeing that he might, if he could, secure a berth on one of the vessels navigating Lake Erie.

He was rudely repulsed by the owner of the first vessel to whom he applied, a brutal, drunken creature, who answered his request for employment with an oath and a rough "Get off this schooner in double quick, or I'll throw you into the dock." Garfield turned away in disgust, his ardor for the sea somewhat dampened by the man's appearance and behavior. In this mood he met his cousin, formerly a schoolmaster, then captain of a canal boat, with whom he at once engaged to drive his horses.

After a few months on the towpath, young Garfield contracted another kind of fever quite unlike that from which he had been suffering previously, and went home to be nursed out of it by his ever faithful mother.

During his convalescence he thought a great deal over his cousin's words,--"Jim, you've got too good a head on you to be a wood chopper or a canal driver." "He who wills to do anything will do it," he had learned from his mother's lips when a mere baby, and then and there he said in his heart, "I will be a scholar; I will go to college." And so, out of his sea fever and towpath experience was born the resolution that made the turning point in his career.

Action followed hot upon resolve. He lost no time in applying himself to the work of securing an education. Alternately chopping wood and carpentering, farming and teaching school, ringing bells and sweeping floors, he worked his way through seminary and college. His strong will and resolute purpose to make the most of himself not only enabled him to obtain an education, but raised him from the towpath to the presidential chair.

GLADSTONE FOUND TIME TO BE KIND

A kindly act is a kernel sown,
That will grow to a goodly tree,
Shedding its fruit when time has flown
Down the gulf of Eternity.
JOHN BOYLE O'REILLY.

In the restless desire for acquisition,--acquisition of money, of power, or of fame,--there is danger of selfishness, self-absorption, closing the doors of our hearts against the demands of brotherly love, courtesy, and kindness.

"I cannot afford to help," say the poor in pocket; "all I have is too little for my own needs." "I should like to help others," says the ambitious student, whose every spare moment is crowded with some extra task, "but I have no money, and cannot afford to take the time from my studies to give sympathy or kind words to the suffering and the poor." Says the busy man of affairs: "I am willing to give money, but my time is too valuable to be spent in talking to sick people or shiftless, lazy ones. That sort of work is not in my line. I leave it to women and the charitable organizations."

The business man forgets, as do many of us, the truth expressed by Ruskin, that "a little thought and a little kindness are often worth more than a great deal of money." A few kind words, a little sympathy and encouragement have often brought sunshine and hope into the lives of men and women who were on the verge of despair.

The great demand is on people's hearts rather than on their purses. In the matter of kindness we can all afford to be generous whether we have money or not. The schoolboy may give it as freely as the millionaire. No one is so driven by work that he has not time, now and then, to say a kind word or do a kind deed that will help to brighten life for another. If the prime minister of England, William E. Gladstone, could find time to carry a bunch of flowers to a little sick crossing-sweeper, shall we not be ashamed to make for ourselves the excuse, "I haven't time to be kind"?

A TRIBUNE OF THE PEOPLE

Clad in a homespun tow shirt, shrunken, butternut-colored, linsey-woolsey pantaloons, battered straw hat, and much-mended jacket and shoes, with ten dollars in his pocket, and all his other worldly goods packed in the bundle he carried on his back, Horace Greeley, the future founder of the New York Tribune, started to seek his fortune in New York.

A newspaper had always been an object of interest and delight to the little delicate, tow-haired boy, and at the mature age of six he had made up his mind to be a printer. His love of reading was unusual in one so young. Before he was six he had read the Bible and "Pilgrim's Progress" through.

Like the children of all poor farmers, Horace was put to work as soon as he was able to do anything. But he made the most of the opportunities given him to attend school, and his love of reading; stimulated him to unusual efforts to procure books. By selling nuts and bundles of kindling wood at the village store, before he was ten he had earned enough money to buy a copy of Shakespeare and of Mrs. Hemans's poems. He borrowed every book that could be found within a radius of seven miles of his home, and by many readings he had made himself familiar with the score of old volumes in his log-cabin home.

Mrs. Sarah K. Bolton draws a pleasing picture of the farmer boy reading at night after the day's work on the farm was done. "He gathered a stock of pine knots," she says, "and, lighting one each night, lay down by the hearth and read, oblivious to all around him. The neighbors came and made their friendly visits, and ate apples and drank cider, as was the fashion, but the lad never noticed their coming or their going. When really forced to leave his precious books for bed, he would repeat the information he had learned, or the lessons for the next day to his brother, who usually, most ungraciously, fell asleep before the conversation was half completed."

"Ah!" said Zaccheus Greeley, Horace's father, when the boy one day, in a fit of abstraction, tried to yoke the "off" ox on the "near" side: "Ah! that boy will never know enough to get on in the world. He'll never know more than enough to come in when it rains!"

Yet this boy knew so much that when at fourteen he secured a place as printer in a newspaper office at East Poultney, Vermont, he was looked up to by his fellow-printers as equal in learning to the editor himself.

At first they tried to make merry at his expense, poking fun at his odd-looking garments, his uncouth appearance, and his pale, delicate face and almost white hair, which subsequently won for him the nickname of "Ghost." But when they saw that Horace was too good humored and too much in earnest with his work to be disturbed by their teasing, they gave it up. In a short time he became a general favorite, not only in the office, but in the town of Poultney, whose debating and literary societies soon recognized him as leader. Even the minister, the lawyer, and the school-teachers looked up to the poor, retiring young printer, who was a veritable encyclopedia of knowledge, ready at all times to speak or to write an essay on any subject.

But the Poultney newspaper was obliged to suspend soon after Horace had learned his trade, and, penniless,--for every cent of his earnings beyond what furnished the bare necessaries of life had been sent home to his parents in the wilderness,--he faced the world once more.

After working in different small towns wherever he could get a "job," reading, studying, enlarging his knowledge all the time when not in the office, he made up his mind to go to New York, "to be somebody," as he put it.

When he stepped off the towboat at Whitehall, near the Battery, that sunny morning in August, 1831, with only the experience of a score of years in life, a stout heart, quick brain, nimble fingers, and an abiding faith in God as his capital, his prospects certainly were not very alluring.

"An overgrown, awkward, white-headed, forlorn-looking boy; a pack suspended on a staff over his right shoulder; his dress unrivaled in sylvan simplicity since the primitive fig leaves of Eden; the expression of his face presenting a strange union of wonder and apathy: his whole appearance gave you the impression of a runaway apprentice in desperate search of employment. Ignorant alike of the world and its ways, he seemed to the denizens of the city almost like a wanderer from another planet."

Such was the impression Horace Greeley made on a New Yorker on his first arrival in that city which was to be the scene of his future work and triumphs.

He tramped the streets all that day, Friday, and the next, looking for work, everywhere getting the same discouraging reply, "No, we don't want any one."

At last, when weary and disheartened, his ten dollars almost gone, he had decided to shake the dust of New York from his feet, the foreman of a printing office engaged him to do some work that most of the men in the office had refused to touch. The setting up of a Polyglot Testament, with involved marginal references, was something new for the supposed "green" hand from the country. But when the day was done, the young printer was no longer looked upon as "green" by his fellow-workers, for he had done more and better work than the oldest and most experienced hands who had tried the Testament.

But, oh, what hard work it was, beginning at six o'clock in the morning, and working long after the going down of the sun, by the light of a candle stuck in a bottle, to earn six dollars a week, most of which was sent to his dear ones at home.

After nearly ten years more of struggle and privation, Greeley entered upon the great work of his life--the founding and editing of the New York Tribune. He had very little money to start with, and even that little was borrowed. But he had courage, truth, honesty, a noble purpose, and rare ability and industry to supplement his small financial capital. He needed them all in the work he had undertaken, for he was handicapped not only by lack of means, but also by the opposition of some of the New York papers.

In spite of the adverse conditions he succeeded in establishing one of the greatest and most popular newspapers in the country. The Tribune became the champion of the oppressed, the guardian of justice, the defender of truth, a power for good in the land. Through his paper Greeley became a tribune of the people. No thought of making money hampered him in his work. Unselfishly he wrought as editor, writer, and lecturer for the good of his country and the uplifting of mankind. "He who by voice or pen," he said, "strikes his best blow at the impostures or vices whereby our race is debased and paralyzed, may close his eyes in death, consoled and cheered by the reflection that he has done what he could for the emancipation and elevation of his kind."

Well, then, might he rejoice in his life work, for his voice and pen had to the last been active in thus serving the race.

He died on November 29, 1872, at the age of sixty-one. So great a man had Horace Greeley, the poor New Hampshire farmer boy, become that the whole nation mourned for his death. The people felt that in him they had lost one of their best friends. A workman who attended his funeral expressed the feeling of his fellow-workmen all over the land when he said, "It is little enough to lose a day for Horace Greeley who spent many a day working for us." "I've come a hundred miles to be at the funeral of Horace Greeley," said a farmer.

The great tribune had deserved well of the people and of his country.

THE MIGHT OF PATIENCE

Perhaps some would feel inclined to ridicule rather than applaud the patience of a poor Chinese woman who tried to make a needle from a rod of iron by rubbing it against a stone.

It is doubtful whether she succeeded or not, but, so the story runs, the sight of the worker plying her seemingly hopeless task, put new courage and determination into the heart of a young Chinese student, who, in deep despondency, stood watching her.

Because of repeated failures in his studies, ambition and hope had left him. Bitterly disappointed with himself, and despairing of ever accomplishing anything, the young man had thrown his books aside in disgust. Put to shame, however, by the lesson taught by the old woman, he gathered his scattered forces together, went to work with renewed ardor, and, wedding Patience and Energy, became, in time, one of the greatest scholars in China.

When you know you are on the right track, do not let any failures dim your vision or discourage you, for you cannot tell how close you may be to victory. Have patience and stick, stick, stick. It is eternally true that he

"Who steers right on
Will gain, at length, however far, the port."

THE INSPIRATION OF GAMBETTA

"Try to come home a somebody!" Long after Leon Gambetta had left the old French town of Cahors, where he was born October 30, 1838, long after the gay and brilliant streets of Paris had become familiar to him, did the parting words of his idolized mother ring in his ears, "Try to come home a somebody!" Pinched for food and clothes, as he often was, while he studied early and late in his bare garret near the Sorbonne, the memory of that dear mother cheered and strengthened him.

He could still feel her tears and kisses on his cheek, and the tender clasp of her hand as she pressed into his the slender purse of money which she had saved to release him from the drudgery of an occupation he loathed, and to enable him to become a great lawyer in Paris. How well he remembered her delight in listening to him declaim the speeches of Thiers and Guizot from the pages of the National, which she had taught him to read when but a mere baby, and from which he imbibed his first lessons in republicanism,--lessons that he never afterward forgot.

Such deep root had they taken that he could not be induced to change his views by the fathers of the preparatory school at Monfaucon, whither he had been sent to be trained for the priesthood. Finally despairing of bringing the young radical to their way of thinking, the Monfaucon fathers sent him home to his parents. "You will never make a priest of him," they wrote; "he has a character that cannot be disciplined."

His father, an honest but narrow-minded Italian, whose ideas did not soar beyond his little bazaar and grocery store, was displeased with the boy, who was then only ten years old. He could not understand how one so young dared to think his own thoughts and hold his own opinions. The neighbors held up their hands in dismay, and prophesied, "He will end his days in the Bastile." His mother wept and blamed herself and the National as the cause of all the trouble.

How little the fond mother, the disappointed father, or the gloomily foreboding neighbors dreamt to what heights those early lessons they now so bitterly deplored were to lead!

When at sixteen Leon Gambetta returned from the Lyceum to which he had been sent on his return from the Monfaucon seminary, his wide reading and deep study had but intensified and broadened the radicalism of his childhood. He longed to go to Paris to study law, but his father insisted that he must now confine his thoughts to selling groceries and yards of ribbon and lace, as he expected his son to succeed him in the business.

Poor, foolish Joseph Gambetta! he would confine the young eagle in a barnyard. But the eagle pined and drooped in his cage, and then the loving mother--ah, those loving mothers, will their boys ever realize how much they owe them!--threw open the doors and gave him freedom, an opportunity to win fame and fortune in the great city of Paris.

And now what mattered it that his clothes were poor, that his food was scant, and that it was often bitterly cold in his little garret. If not for his own sake, he MUST for hers "come home a somebody."

The doors which led to a wider future were already opening. The professors at the Sorbonne appreciated his great intellect and originality. "You have a true vocation," said one. "Follow it. But go to the bar, where your voice, which is one in a thousand, will carry you on, study and intelligence aiding. The lecture room is a narrow theater. If you like, I will write to your father to tell him what my opinion of you is." And he wrote, "The best investment you ever made would be to spend what money you can divert from your business in helping your son to become an advocate."

To such good purpose did the young student use his time that within two years he won his diploma. Still too young to be admitted to the bar, he spent a year studying life in Paris, listening to the debates in the Corps Legislatif, reading and debating in the radical club which he had organized, making himself ready at every point for the great opportunity which gained him a national reputation and made him the idol of the masses.

In 1868 his masterly defense of Delescluze, the radical editor, against the prosecution of the Imperial government, brought the brilliant but hitherto unknown young lawyer prominently before the public. He lost his case, but won fame. Gambetta had waited eighteen months for his first brief, and five times eighteen months for his first great case. This case proved to be the initial step that led him from victory to victory, until, after the fall of Napoleon at Sedan, he became practically Dictator of France. He was, more than any one man, the maker of the French Republic, whose rights and liberties he ever defended, even at the risk of his life. He died December 31, 1882.

Well had he fulfilled the hopes and ambitions of his loving mother, well had he answered the pathetic appeal, "Try to come home a somebody."

ANDREW JACKSON THE BOY WHO "NEVER WOULD GIVE UP"

"Sir, I am a prisoner of war, and demand to be treated as such," was the spirited reply of Andrew Jackson to a British officer who had commanded him to clean his boots.

This was characteristic of the future hero of New Orleans, and president of the United States, whose independent spirit rebelled at the insolent command of his captor.

The officer drew his sword to enforce obedience, but, nothing daunted, the youth, although then only fourteen, persisted in his refusal. He tried to parry the sword thrusts aimed at him, but did not escape without wounds on head and arm, the marks of which he carried to his grave.

Stubborn, self-willed, and always dominated by the desire to be a leader, Andrew Jackson was by no means a model boy. But his honesty, love of truth, indomitable will and courage, in spite of his many faults, led him to greatness.

He was born with fighting blood in his veins, and, like other eminent men who have risen to the White House, poor. His father, an Irish immigrant, died before his youngest son was born,--in 1767,--and life held for the boy more hard knocks than soft places. His mother, who was ambitious to make him a clergyman, tried to secure him some early advantages of schooling. Andrew, however, was not of a studious disposition, nor at all inclined to the ministry, and made little effort to profit by even the limited opportunities he had.

But despite all the disadvantages of environment and mental traits by which he was handicapped, he was bound by the force of certain other traits to be a winner in the battle of life. The quality to which his success is chiefly owing is revealed by the words of a school-fellow, who, in spite of Jackson's slender physique and lack of physical strength at that time, felt the force of his iron will. Speaking of their wrestling matches at school, this boy said, "I could throw him [Jackson] three times out of four, but he never would stay throwed. He was dead game and never would give up."

A boy who "never would stay throwed," and "never would give up" would succeed though the whole world tried to bar his progress.

When, at the age of fifteen, he found himself alone in the world, homeless and penniless, he adapted himself to anything he could find to do.

Worker in a saddler's shop, school-teacher, lawyer, merchant, judge of the Supreme Court, United States senator, soldier, leader, step by step the son of the poor Irish immigrant rose to the highest office to which his countrymen could elect him--the presidency of the United States.

Rash, headstrong, and narrow-minded, Andrew Jackson fell into many errors during his life, but, notwithstanding his shortcomings, he persistently tried to live up to his boyhood's motto, "Ask nothing but what is right--submit to nothing wrong."

SIR HUMPHRY DAVY'S GREATEST DISCOVERY, MICHAEL FARADAY

He was only a little, barefooted errand boy, the son of a poor blacksmith. His school life ended in his thirteenth year. The extent of his education then was limited to a knowledge of the three "R's." As he trudged on his daily rounds, through the busy streets of London, delivering newspapers and books to the customers of his employer, there was little difference, outwardly, between him and scores of other boys who jostled one another in the narrow, crowded thoroughfares. But under the shabby jacket of Michael Faraday beat a heart braver and tenderer than the average; and, under the well-worn cap, a brain was throbbing that was destined to illuminate the world of science with a light that would never grow dim.