Chapter II: Part 2

From head to foot he tingled with the delight of Spring, prodigal with creative power. Of course he could fly the bushes and fling wild across the open! Of course the wind and moonlight fitted close and soft about him like a skin! Of course he had youth and beauty for playmates, with dancing, laughter, singing, and a thousand kisses! For he and she were natural once again. They were free together of those long-forgotten days when "Pan leaped through the roses in the month of June...!"

With the girl swaying this way and that upon his shoulders, tweaking his horns with mischief and desire, hanging her flying hair before his eyes, then bending swiftly over again to lift it, he danced to join the rest of their companions in the little moonlit grove of pines beyond....

3

They rose somewhat pointed, perhaps, against the moonlight, those English pines--more with the shape of cypresses, some might have thought. A stream gushed down between their roots, there were mossy ferns, and rough grey boulders with lichen on them. But there was no dimness, for the silver of the moon sprinkled freely through the branches like the faint sunlight that it really was, and the air ran out to meet them with a heady fragrance that was wiser far than wine.

The girl, in an instant, was whirled from her perch on his shoulders and caught by a dozen arms that bore her into the heart of the jolly, careless throng. Whisht! Whew! Whir! She was gone, but another, fairer still, was in her place, with skins as soft and knees that clung as tightly. Her eyes were liquid amber, grapes hung between her little breasts, her arms entwined about him, smoother than marble, and as cool. She had a crystal laugh.

But he flung her off, so that she fell plump among a group of bigger figures lolling against a twisted root and roaring with a jollity that boomed like wind through the chorus of a song. They seized her, kissed her, then sent her flying. They were happier with their glad singing. They held stone goblets, red and foaming, in their broad-palmed hands.

"The mountains lie behind us!" cried a figure dancing past. "We are come at last into our valley of delight. Grapes, breasts, and rich red lips! Ho! Ho! It is time to press them that the juice of life may run!" He waved a cluster of ferns across the air and vanished amid a cloud of song and laughter.

"It is ours. Use it!" answered a deep, ringing voice. "The valleys are our own. No climbing now!" And a wind of echoing cries gave answer from all sides. "Life! Life! Life! Abundant, flowing over--use it, use it!"

A troop of nymphs rushed forth, escaped from clustering arms and lips they yet openly desired. He chased them in and out among the waving branches, while she who had brought him ever followed, and sped past him and away again. He caught three gleaming soft brown bodies, then fell beneath them, smothered, bubbling with joyous laughter--next freed himself and, while they sought to drag him captive again, escaped and raced with a leap upon a slimmer, sweeter outline that swung up--only just in time--upon a lower bough, whence she leaned down above him with hanging net of hair and merry eyes. A few feet beyond his reach, she laughed and teased him--the one who had brought him in, the one he ever sought, and who for ever sought him too....

It became a riotous glory of wild children who romped and played with an impassioned glee beneath the moon. For the world was young and they, her happy offspring, glowed with the life she poured so freely into them. All intermingled, the laughing voices rose into a foam of song that broke against the stars. The difficult mountains had been climbed and were forgotten. Good! Then, enjoy the luxuriant, fruitful valley and be glad! And glad they were, brimful with spontaneous energy, natural as birds and animals that obeyed the big, deep rhythm of a simpler age--natural as wind and innocent as sunshine.

Yet, for all the untamed riot, there was a lift of beauty pulsing underneath. Even when the wildest abandon approached the heat of orgy, when the recklessness appeared excess--there hid that marvellous touch of loveliness which makes the natural sacred. There was coherence, purpose, the fulfilling of an exquisite law: there was worship. The form it took, haply, was strange as well as riotous, yet in its strangeness dreamed innocence and purity, and in its very riot flamed that spirit which is divine.

For he found himself at length beside her once again; breathless and panting, her sweet brown limbs aglow from the excitement of escape denied; eyes shining like a blaze of stars, and pulses beating with tumultuous life--helpless and yielding against the strength that pinned her down between the roots. His eyes put mastery on her own. She looked up into his face, obedient, happy, soft with love, surrendered with the same delicious abandon that had swept her for a moment into other arms. "You caught me in the end," she sighed. "I only played awhile."

"I hold you for ever," he replied, half wondering at the rough power in his voice.

It was here the hush of worship stole upon her little face, into her obedient eyes, about her parted lips. She ceased her wilful struggling.

"Listen!" she whispered. "I hear a step upon the glades beyond. The iris and the lily open; the earth is ready, waiting; we must be ready too! _He_ is coming!"

He released her and sprang up; the entire company rose too. All stood, all bowed the head. There was an instant's subtle panic, but it was the panic of reverent awe that preludes a descent of deity. For a wind passed through the branches with a sound that is the oldest in the world and so the youngest. Above it there rose the shrill, faint piping of a little reed. Only the first, true sounds were audible--wind and water--the tinkling of the dewdrops as they fell, the murmur of the trees against the air. This was the piping that they heard. And in the hush the stars bent down to hear, the riot paused, the orgy passed and died. The figures waited, kneeling then with one accord. They listened with--the Earth.

"He comes.... He comes ..." the valley breathed about them.

There was a footfall from far away, treading across a world unruined and unstained. It fell with the wind and water, sweetening the valley into life as it approached. Across the rivers and forests it came gently, tenderly, but swiftly and with a power that knew majesty.

"He comes.... He comes...!" rose with the murmur of the wind and water from the host of lowered heads.

The footfall came nearer, treading a world grown soft with worship. It reached the grove. It entered. There was a sense of intolerable loveliness, of brimming life, of rapture. The thousand faces lifted like a cloud. They heard the piping close. And so He came.

But He came with blessing. With the stupendous Presence there was joy, the joy of abundant, natural life, pure as the sunlight and the wind. He passed among them. There was great movement--as of a forest shaking, as of deep water falling, as of a cornfield swaying to the wind, yet gentle as of a harebell shedding its burden of dew that it has held too long because of love. He passed among them, touching every head. The great hand swept with tenderness each face, lingered a moment on each beating heart. There was sweetness, peace, and loveliness; but above all, there was--life. He sanctioned every natural joy in them and blessed each passion with his power of creation.... Yet each one saw him differently: some as a wife or maiden desired with fire, some as a youth or stalwart husband, others as a figure veiled with stars or cloaked in luminous mist, hardly attainable; others, again--the fewest these, not more than two or three--as that mysterious wonder which tempts the heart away from known familiar sweetness into a wilderness of undecipherable magic without flesh and blood....

To two, in particular, He came so near that they could feel his breath of hills and fields upon their eyes. He touched them with both mighty hands. He stroked the marble breasts, He felt the little hidden horns ... and, as they bent lower so that their lips met together for an instant, He took her arms and twined them about the curved, brown neck that she might hold him closer still....

Again a footfall sounded far away upon an unruined world ... and He was gone--back into the wind and water whence He came. The thousand faces lifted; all stood up; the hush of worship still among them. There was a quiet as of the dawn. The piping floated over woods and fields, fading into silence. All looked at one another.... And then once more the laughter and the play broke loose.

4

"We'll go," she cried, "and peep upon that other world where life hangs like a prison on their eyes!" And, in a moment, they were across the soaking grass, the lawn and flower-beds, and close to the walls of the heavy mansion. He peered in through a window, lifting her up to peer in with him. He recognised the world to which outwardly he belonged; he understood; a little gasp escaped him; and a slight shiver ran down the girl's body into his own. She turned her eyes away. "See," she murmured in his ear, "it's ugly, it's not natural. They feel guilty and ashamed. There is no innocence!" She saw the men; it was the women that he saw chiefly.

Lolling ungracefully, with a kind of boldness that asserted independence, the women smoked their cigarettes with an air of invitation they sought to conceal and yet showed plainly. He saw his familiar world in nakedness. Their backs were bare, for all the elaborate clothes they wore; they hung their breasts uncleanly; in their eyes shone light that had never known the open sun. Hoping they were alluring and desirable, they feigned a guilty ignorance of that hope. They all pretended. Instead of wind and dew upon their hair, he saw flowers grown artificially to ape wild beauty, tresses without lustre borrowed from the slums of city factories. He watched them manoeuvring with the men; heard dark sentences; caught gestures half delivered whose meaning should just convey that glimpse of guilt they deemed to increase pleasure. The women were calculating, but nowhere glad; the men experienced, but nowhere joyous. Pretended innocence lay cloaked with a veil of something that whispered secretly, clandestine, ashamed, yet with a brazen air that laid mockery instead of sunshine in their smiles. Vice masqueraded in the ugly shape of pleasure; beauty was degraded into calculated tricks. They were not natural. They knew not joy.

"The forward ones, the civilised!" she laughed in his ear, tweaking his horns with energy. "_We_ are the backward!"

"Unclean," he muttered, recalling a catchword of the world he gazed upon.

They were the civilised! They were refined and educated--advanced. Generations of careful breeding, mate cautiously selecting mate, laid the polish of caste upon their hands and faces where gleamed ridiculous, untaught jewels--rings, bracelets, necklaces hanging absurdly from every possible angle.

"But--they are dressed up--for fun," he exclaimed, more to himself than to the girl in skins who clung to his shoulders with her naked arms.

"_Un_dressed!" she answered, putting her brown hand in play across his eyes. "Only they have forgotten even that!" And another shiver passed through her into him. He turned and hid his face against the soft skins that touched his cheek. He kissed her body. Seizing his horns, she pressed him to her, laughing happily.

"Look!" she whispered, raising her head again; "they're coming out." And he saw that two of them, a man and a girl, with an interchange of secret glances, had stolen from the room and were already by the door of the conservatory that led into the garden. It was his wife to be--and his distinguished cousin.

"Oh, Pan!" she cried in mischief. The girl sprang from his arms and pointed. "We will follow them. We will put natural life into their little veins!"

"Or panic terror," he answered, catching the yellow panther skin and following her swiftly round the building. He kept in the shadow, though she ran full into the blaze of moonlight. "But they can't see us," she called, looking over her shoulder a moment. "They can only feel our presence, perhaps." And, as she danced across the lawn, it seemed a moonbeam slipped from a sapling birch tree that the wind curved earthwards, then tossed back against the sky.

Keeping just ahead, they led the pair, by methods known instinctively to elemental blood yet not translatable--led them towards the little grove of waiting pines. The night wind murmured in the branches; a bird woke into a sudden burst of song. These sounds were plainly audible. But four little pointed ears caught other, wilder notes behind the wind and music of the bird--the cries and ringing laughter, the leaping footsteps and the happy singing of their merry kin within the wood.

And the throng paused then amid the revels to watch the "civilised" draw near. They presently reached the trees, halted, looked about them, hesitated a moment--then, with a hurried movement as of shame and fear lest they be caught, entered the zone of shadow.

"Let's go in here," said the man, without music in his voice. "It's dry on the pine needles, and we can't be seen." He led the way; she picked up her skirts and followed over the strip of long wet grass. "Here's a log all ready for us," he added, sat down, and drew her into his arms with a sigh of satisfaction. "Sit on my knee; it's warmer for your pretty figure." He chuckled; evidently they were on familiar terms, for though she hesitated, pretending to be coy, there was no real resistance in her, and she allowed the ungraceful roughness. "But are we _quite_ safe? Are you sure?" she asked between his kisses.

"What does it matter, even if we're not?" he replied, establishing her more securely on his knees. "But, as a matter of fact, we're safer here than in my own house." He kissed her hungrily. "By Jove, Hermione, but you're divine," he cried passionately, "divinely beautiful. I love you with every atom of my being--with my soul."

"Yes, dear, I know--I mean, I know you do, but----"

"But what?" he asked impatiently.

"Those detectives----"

He laughed. Yet it seemed to annoy him. "My wife is a beast, isn't she?--to have me watched like that," he said quickly.

"They're everywhere," she replied, a sudden hush in her tone. She looked at the encircling trees a moment, then added bitterly: "I hate her, simply _hate_ her."

"I love you," he cried, crushing her to him, "that's all that matters now. Don't let's waste time talking about the rest." She contrived to shudder, and hid her face against his coat, while he showered kisses on her neck and hair.

And the solemn pine trees watched them, the silvery moonlight fell on their faces, the scent of new-mown hay went floating past.

"I love you with my very soul," he repeated with intense conviction. "I'd do anything, give up anything, bear anything--just to give you a moment's happiness. I swear it--before God!"

There was a faint sound among the trees behind them, and the girl sat up, alert. She would have scrambled to her feet, but that he held her tight.

"What the devil's the matter with you to-night?" he asked in a different tone, his vexation plainly audible. "You're as nervy as if _you_ were being watched, instead of me."

She paused before she answered, her finger on her lip. Then she said slowly, hushing her voice a little:

"Watched! That's exactly what I did feel. I've felt it ever since we came into the wood."

"Nonsense, Hermione. It's too many cigarettes." He drew her back into his arms, forcing her head up so that he could kiss her better.

"I suppose it is nonsense," she said, smiling. "It's gone now, anyhow."

He began admiring her hair, her dress, her shoes, her pretty ankles, while she resisted in a way that proved her practice. "It's not _me_ you love," she pouted, yet drinking in his praise. She listened to his repeated assurances that he loved her with his "soul" and was prepared for any sacrifice.

"I feel so safe with you," she murmured, knowing the moves in the game as well as he did. She looked up guiltily into his face, and he looked down with a passion that he thought perhaps was joy.

"You'll be married before the summer's out," he said, "and all the thrill and excitement will be over. Poor Hermione!" She lay back in his arms, drawing his face down with both hands, and kissing him on the lips. "You'll have more of him than you can do with--eh? As much as you care about, anyhow."

"I shall be much more free," she whispered. "Things will be easier. And I've got to marry some one----"

She broke off with another start. There was a sound again behind them. The man heard nothing. The blood in his temples pulsed too loudly, doubtless.

"Well, what is it this time?" he asked sharply.

She was peering into the wood, where the patches of dark shadow and moonlit spaces made odd, irregular patterns in the air. A low branch waved slightly in the wind.

"Did you hear that?" she asked nervously.

"Wind," he replied, annoyed that her change of mood disturbed his pleasure.

"But something moved----"

"Only a branch. We're quite alone, quite safe, I tell you," and there was a rasping sound in his voice as he said it. "Don't be so imaginative. I can take care of you."

She sprang up. The moonlight caught her figure, revealing its exquisite young curves beneath the smother of the costly clothing. Her hair had dropped a little in the struggle. The man eyed her eagerly, making a quick, impatient gesture towards her, then stopped abruptly. He saw the terror in her eyes.

"Oh, hark! What's that?" she whispered in a startled voice. She put her finger up. "Oh, let's go back. I don't like this wood. I'm frightened."

"Rubbish," he said, and tried to catch her by the waist.

"It's safer in the house--my room--or yours----" She broke off again. "There it is--don't you hear? It's a footstep!" Her face was whiter than the moon.

"I tell you it's the wind in the branches," he repeated gruffly. "Oh, come on, _do_. We were just getting jolly together. There's nothing to be afraid of. Can't you believe me?" He tried to pull her down upon his knee again with force. His face wore an unpleasant expression that was half leer, half grin.

But the girl stood away from him. She continued to peer nervously about her. She listened.

"You give me the creeps," he exclaimed crossly, clawing at her waist again with passionate eagerness that now betrayed exasperation. His disappointment turned him coarse.

The girl made a quick movement of escape, turning so as to look in every direction. She gave a little scream.

"That _was_ a step. Oh, oh, it's close beside us. I heard it. We're being watched!" she cried in terror. She darted towards him, then shrank back. He did not try to touch her this time.

"Moonshine!" he growled. "You've spoilt my--spoilt our chance with your silly nerves."

But she did not hear him apparently. She stood there shivering as with sudden cold.

"There! I saw it again. I'm sure of it. Something went past me through the air."

And the man, still thinking only of his own pleasure frustrated, got up heavily, something like anger in his eyes. "All right," he said testily; "if you're going to make a fuss, we'd better go. The house _is_ safer, possibly, as you say. You know my room. Come along!" Even that risk he would not take. He loved her with his "soul."

They crept stealthily out of the wood, the girl slightly in front of him, casting frightened backward glances. Afraid, guilty, ashamed, with an air as though they had been detected, they stole back towards the garden and the house, and disappeared from view.

And a wind rose suddenly with a rushing sound, poured through the wood as though to cleanse it, swept out the artificial scent and trace of shame, and brought back again the song, the laughter, and the happy revels. It roared across the park, it shook the windows of the house, then sank away as quickly as it came. The trees stood motionless again, guarding their secret in the clean, sweet moonlight that held the world in dream until the dawn stole up and sunshine took the earth with joy.

III

THE WINGS OF HORUS

Binovitch had the bird in him somewhere: in his features, certainly, with his piercing eye and hawk-like nose; in his movements, with his quick way of flitting, hopping, darting; in the way he perched on the edge of a chair; in the manner he pecked at his food; in his twittering, high-pitched voice as well; and, above all, in his mind. He skimmed all subjects and picked their heart out neatly, as a bird skims lawn or air to snatch its prey. He had the bird's-eye view of everything. He loved birds and understood them instinctively; could imitate their whistling notes with astonishing accuracy. Their one quality he had not was poise and balance. He was a nervous little man; he was neurasthenic. And he was in Egypt by doctor's orders.

Such imaginative, unnecessary ideas he had! Such uncommon beliefs!

"The old Egyptians," he said laughingly, yet with a touch of solemn conviction in his manner, "were a great people. Their consciousness was different from ours. The bird idea, for instance, conveyed a sense of deity to them--of bird deity, that is: they had sacred birds--hawks, ibis, and so forth--and worshipped them." And he put his tongue out as though to say with challenge, "Ha, ha!"

"They also worshipped cats and crocodiles and cows," grinned Palazov. Binovitch seemed to dart across the table at his adversary. His eyes flashed; his nose pecked the air. Almost one could imagine the beating of his angry wings.

"Because everything alive," he half screamed, "was a symbol of some spiritual power to them. Your mind is as literal as a dictionary and as incoherent. Pages of ink without connected meaning! Verb always in the infinitive! If you were an old Egyptian, you--you"--he flashed and spluttered, his tongue shot out again, his keen eyes blazed--"you might take all those words and spin them into a great interpretation of life, a cosmic romance, as they did. Instead, you get the bitter, dead taste of ink in your mouth, and spit it over us like that"--he made a quick movement of his whole body as a bird that shakes itself--"in empty phrases."

Khilkoff ordered another bottle of champagne, while Vera, his sister, said half nervously, "Let's go for a drive; it's moonlight." There was enthusiasm at once. Another of the party called the head waiter and told him to pack food and drink in baskets. It was only eleven o'clock. They would drive out into the desert, have a meal at two in the morning, tell stories, sing, and see the dawn.

It was in one of those cosmopolitan hotels in Egypt which attract the ordinary tourists as well as those who are doing a "cure," and all these Russians were ill with one thing or another. All were ordered out for their health, and all were the despair of their doctors. They were as unmanageable as a bazaar and as incoherent. Excess and bed were their routine. They lived, but none of them got better. Equally, none of them got angry. They talked in this strange personal way without a shred of malice or offence. The English, French, and Germans in the hotel watched them with remote amazement, referring to them as "that Russian lot." Their energy was elemental. They never stopped. They merely disappeared when the pace became too fast, then reappeared again after a day or two, and resumed their "living" as before. Binovitch, despite his neurasthenia, was the life of the party. He was also a special patient of Dr. Plitzinger, the famous psychiatrist, who took a peculiar interest in his case. It was not surprising. Binovitch was a man of unusual ability and of genuine, deep culture. But there was something more about him that stimulated curiosity. There was this striking originality. He said and did surprising things.

"I could fly if I wanted to," he said once when the airmen came to astonish the natives with their biplanes over the desert, "but without all that machinery and noise. It's only a question of believing and understanding----"

"Show us!" they cried. "Let's see you fly!"

"He's got it! He's off again! One of his impossible moments."

These occasions when Binovitch let himself go always proved wildly entertaining. He said monstrously incredible things as though he really did believe them. They loved his madness, for it gave them new sensations.

"It's only levitation, after all, this flying," he exclaimed, shooting out his tongue between the words, as his habit was when excited; "and what is levitation but a power of the air? None of you can hang an orange in space for a second, with all your scientific knowledge; but the moon is always levitated perfectly. And the stars. D'you think they swing on wires? What raised the enormous stones of ancient Egypt? D'you really believe it was heaped-up sand and ropes and clumsy leverage and all our weary and laborious mechanical contrivances? Bah! It was levitation. It was the powers of the air. Believe in those powers, and gravity becomes a mere nursery trick--true where it is, but true nowhere else. To know the fourth dimension is to step out of a locked room and appear instantly on the roof or in another country altogether. To know the powers of the air, similarly, is to annihilate what you call weight--and fly."

"Show us, show us!" they cried, roaring with delighted laughter.

"It's a question of belief," he repeated, his tongue appearing and disappearing like a pointed shadow. "It's in the heart; the power of the air gets into your whole being. Why should I show you? Why should I ask my deity to persuade your scoffing little minds by any miracle? For it is deity, I tell you, and nothing else. I _know_ it. Follow one idea like that, as I follow my bird idea--follow it with the impetus and undeviating concentration of a projectile--and you arrive at power. You know deity--the bird idea of deity, that is. _They_ knew that. The old Egyptians knew it."

"Oh, show us, show us!" they shouted impatiently, wearied of his nonsense-talk. "Get up and fly! Levitate yourself, as they did! Become a star!"

Binovitch turned suddenly very pale, and an odd light shone in his keen brown eyes. He rose slowly from the edge of the chair where he was perched. Something about him changed. There was silence instantly.

"I _will_ show you," he said calmly, to their intense amazement; "not to convince your disbelief, but to prove it to myself. For the powers of the air are with me here. I believe. And Horus, great falcon-headed symbol, is my patron god."

The suppressed energy in his voice and manner was indescribable. There was a sense of lifting, upheaving power about him. He raised his arms; his face turned upward; he inflated his lungs with a deep, long breath, and his voice broke into a kind of singing cry, half prayer, half chant:

"O Horus,
Bright-eyed deity of wind,
[1]Feather my soul
Though earth's thick air,
To know thy awful swiftness----"

[1] The Russian is untranslatable. The phrase means, "Give my
life wings."

He broke off suddenly. He climbed lightly and swiftly upon the nearest table--it was in a deserted card-room, after a game in which he had lost more pounds than there are days in the year--and leaped into the air. He hovered a second, spread his arms and legs in space, appeared to float a moment, then buckled, rushed down and forward, and dropped in a heap upon the floor, while every one roared with laughter.

But the laughter died out quickly, for there was something in his wild performance that was peculiar and unusual. It was uncanny, not quite natural. His body had seemed, as with Mordkin and Nijinski, literally to hang upon the air a moment. For a second he gave the distressing impression of overcoming gravity. There was a touch in it of that faint horror which appals by its very vagueness. He picked himself up unhurt, and his face was as grave as a portrait in the academy, but with a new expression in it that everybody noticed with this strange, half-shocked amazement. And it was this expression that extinguished the claps of laughter as wind that takes away the sound of bells. Like many ugly men, he was an inimitable actor, and his facial repertory was endless and incredible. But this was neither acting nor clever manipulation of expressive features. There was something in his curious Russian physiognomy that made the heart beat slower. And that was why the laughter died away so suddenly.

"You ought to have flown farther," cried some one. It expressed what all had felt.

"Icarus didn't drink champagne," another replied, with a laugh; but nobody laughed with him.

"You went too near to Vera," said Palazov, "and passion melted the wax." But his face twitched oddly as he said it. There was something he did not understand, and so heartily disliked.

The strange expression on the features deepened. It was arresting in a disagreeable, almost in a horrible, way. The talk stopped dead; all stared; there was a feeling of dismay in everybody's heart, yet unexplained. Some lowered their eyes, or else looked stupidly elsewhere; but the women of the party felt a kind of fascination. Vera, in particular, could not move her sight away. The joking reference to his passionate admiration for her passed unnoticed. There was a general and individual sense of shock. And a chorus of whispers rose instantly:

"Look at Binovitch! What's happened to his face?"

"He's changed--he's changing!"

"God! Why he looks like a--bird!"

But no one laughed. Instead, they chose the names of birds--hawk, eagle, even owl. The figure of a man leaning against the edge of the door, watching them closely, they did not notice. He had been passing down the corridor, had looked in unobserved, and then had paused. He had seen the whole performance. He watched Binovitch narrowly, now with calm, discerning eyes. It was Dr Plitzinger, the great psychiatrist.

For Binovitch had picked himself up from the floor in a way that was oddly self-possessed, and precluded the least possibility of the ludicrous. He looked neither foolish nor abashed. He looked surprised, but also he looked half angry and half frightened. As some one had said, he "ought to have flown farther." That was the incredible impression his acrobatics had produced--incredible, yet somehow actual. This uncanny idea prevailed, as at a séance where nothing genuine is expected to happen, and something genuine, after all, does happen. There was no pretence in this: Binovitch had flown.

And now he stood there, white in the face--with terror and with anger white. He looked extraordinary, this little, neurasthenic Russian, but he looked at the same time half terrific. Another thing, not commonly experienced by men, was in him, breaking out of him, affecting _directly_ the minds of his companions. His mouth opened; blood and fury shone in his blazing eyes; his tongue shot out like an ant-eater's, though even in that the comic had no place. His arms were spread like flapping wings, and his voice rose dreadfully:

"He failed me, he failed me!" he tried to bellow. "Horus, my falcon-headed deity, my power of the air, deserted me! Hell take him! Hell burn his wings and blast his piercing sight! Hell scorch him into dust for his false prophecies! I curse him--I curse Horus!"

The voice that should have roared across the silent room emitted, instead, this high-pitched, bird-like scream. The added touch of sound, the reality it lent, was ghastly. Yet it was marvellously done and acted. The entire thing was a bit of instantaneous inspiration--his voice, his words, his gestures, his whole wild appearance. Only--here was the reality that caused the sense of shock--the expression on his altered features was genuine. _That_ was not assumed. There was something new and alien in him, something cold and difficult to human life, something alert and swift and cruel, of another element than earth. A strange, rapacious grandeur had leaped upon the struggling features. The face looked hawk-like.

And he came forward suddenly and sharply toward Vera, whose fixed, staring eyes had never once ceased watching him with a kind of anxious and devouring pain in them. She was both drawn and beaten back. Binovitch advanced on tiptoe. No doubt he still was acting, still pretending this mad nonsense that he worshipped Horus, the falcon-headed deity of forgotten days, and that Horus had failed him in his hour of need; but somehow there was just a hint of too much reality in the way he moved and looked. The girl, a little creature, with fluffy golden hair, opened her lips; her cigarette fell to the floor; she shrank back; she looked for a moment like some smaller, coloured bird trying to escape from a great pursuing hawk; she screamed. Binovitch, his arms wide, his bird-like face thrust forward, had swooped upon her. He leaped. Almost he caught her.

No one could say exactly what happened. Play, become suddenly and unexpectedly too real, confuses the emotions. The change of key was swift. From fun to terror is a dislocating jolt upon the mind. Some one--it was Khilkoff, the brother--upset a chair; everybody spoke at once; everybody stood up. An unaccountable feeling of disaster was in the air, as with those drinkers' quarrels that blaze out from nothing, and end in a pistol-shot and death, no one able to explain clearly how it came about. It was the silent, watching figure in the doorway who saved the situation. Before any one had noticed his approach, there he was among the group, laughing, talking, applauding--between Binovitch and Vera. He was vigorously patting his patient on the back, and his voice rose easily above the general clamour. He was a strong, quiet personality; even in his laughter there was authority. And his laughter now was the only sound in the room, as though by his mere presence peace and harmony were restored. Confidence came with him. The noise subsided; Vera was in her chair again. Khilkoff poured out a glass of wine for the great man.

"The Czar!" said Plitzinger, sipping his champagne, while all stood up, delighted with his compliment and tact. "And to your opening night with the Russian ballet," he added quickly a second toast, "or to your first performance at the Moscow Théâtre des Arts!" Smiling significantly, he glanced at Binovitch; he clinked glasses with him. Their arms were already linked, but it was Palazov who noticed that the doctor's fingers seemed rather tight upon the creased black coat. All drank, looking with laughter, yet with a touch of respect, toward Binovitch, who stood there dwarfed beside the stalwart Austrian, and suddenly as meek and subdued as any mole. Apparently the abrupt change of key had taken his mind successfully off something else.

"Of course--'The Fire-Bird,'" exclaimed the little man, mentioning the famous Russian ballet. "The very thing!" he exclaimed. "For _us_," he added, looking with devouring eyes at Vera. He was greatly pleased. He began talking vociferously about dancing and the rationale of dancing. They told him he was an undiscovered master. He was delighted. He winked at Vera and touched her glass again with his. "We'll make our début together," he cried. "We'll begin at Covent Garden, in London. I'll design the dresses and the posters 'The Hawk and the Dove!' _Magnifique!_ I in dark grey, and you in blue and gold! Ah, dancing, you know, is sacred. The little self is lost, absorbed. It is ecstasy, it is divine. And dancing in air--the passion of the birds and stars--ah! they are the movements of the gods. You know deity that way--by living it."

He went on and on. His entire being had shifted with a leap upon this new subject. The idea of realising divinity by dancing it absorbed him. The party discussed it with him as though nothing else existed in the world, all sitting now and talking eagerly together. Vera took the cigarette he offered her, lighting it from his own; their fingers touched; he was as harmless and normal as a retired diplomat in a drawing-room. But it was Plitzinger whose subtle manoeuvring had accomplished the change so cleverly, and it was Plitzinger who presently suggested a game of billiards, and led him off, full now of a fresh enthusiasm for cannons, balls, and pockets, into another room. They departed arm in arm, laughing and talking together.

Their departure, it seemed, made no great difference at first. Vera's eyes watched him out of sight, then turned to listen to Baron Minski, who was describing with gusto how he caught wolves alive for coursing purposes. The speed and power of the wolf, he said, was impossible to realise; the force of their awful leap, the strength of their teeth, which could bite through metal stirrup-fastenings. He showed a scar on his arm and another on his lip. He was telling truth, and everybody listened with deep interest. The narrative lasted perhaps ten minutes or more, when Minski abruptly stopped. He had come to an end; he looked about him; he saw his glass, and emptied it. There was a general pause. Another subject did not at once present itself. Sighs were heard; several fidgeted; fresh cigarettes were lighted. But there was no sign of boredom, for where one or two Russians are gathered together there is always life. They produce gaiety and enthusiasm as wind produces waves. Like great children, they plunge whole-heartedly into whatever interest presents itself at the moment. There is a kind of uncouth gambolling in their way of taking life. It seems as if they are always fighting that deep, underlying, national sadness which creeps into their very blood.

"Midnight!" then exclaimed Palazov, abruptly, looking at his watch; and the others fell instantly to talking about that watch, admiring it and asking questions. For the moment that very ordinary timepiece became the centre of observation. Palazov mentioned the price. "It never stops," he said proudly, "not even under water." He looked up at everybody, challenging admiration. And he told how, at a country house, he made a bet that he would swim to a certain island in the lake, and won the bet. He and a girl were the winners, but as it was a horse they had bet, he got nothing out of it for himself, giving the horse to her. It was a genuine grievance in him. One felt he could have cried as he spoke of it. "But the watch went all the time," he said delightedly, holding the gun-metal object in his hand to show, "and I was twelve minutes in the water with my clothes on."

Yet this fragmentary talk was nothing but pretence. The sound of clicking billiard-balls was audible from the room at the end of the corridor. There was another pause. The pause, however, was intentional. It was not vacuity of mind or absence of ideas that caused it. There was another subject, an unfinished subject that each member of the group was still considering. Only no one cared to begin about it till at last, unable to resist the strain any longer, Palazov turned to Khilkoff, who was saying he would take a "whisky-soda," as the champagne was too sweet, and whispered something beneath his breath; whereupon Khilkoff, forgetting his drink, glanced at his sister, shrugged his shoulders, and made a curious grimace. "He's all right now"--his reply was just audible--"he's with Plitzinger." He cocked his head sidewise to indicate that the clicking of the billiard-balls still was going on.

The subject was out: all turned their heads; voices hummed and buzzed; questions were asked and answered or half answered; eyebrows were raised, shoulders shrugged, hands spread out expressively. There came into the atmosphere a feeling of presentiment, of mystery, of things half understood; primitive, buried instinct stirred a little, the kind of racial dread of vague emotions that might gain the upper hand if encouraged. They shrank from looking something in the face, while yet this unwelcome influence drew closer round them all. They discussed Binovitch and his astonishing performance. Pretty little Vera listened with large and troubled eyes, though saying nothing. The Arab waiter had put out the lights in the corridor, and only a solitary cluster burned now above their heads, leaving their faces in shadow. In the distance the clicking of the billiard-balls still continued.

"It was not play; it was real," exclaimed Minski vehemently. "I can catch wolves," he blurted; "but birds--ugh!--and human birds!" He was half inarticulate. He had witnessed something he could not understand, and it had touched instinctive terror in him. "It was the way he leaped that put the wolf first into my mind, only it was not a wolf at all." The others agreed and disagreed. "It was play at first, but it was reality at the end," another whispered; "and it was no animal he mimicked, but a bird, and a bird of prey at that!"

Vera thrilled. In the Russian woman hides that touch of savagery which loves to be caught, mastered, swept helplessly away, captured utterly and deliciously by the one strong enough to do it thoroughly. She left her chair and sat down beside an older woman in the party, who took her arm quietly at once. Her little face wore a perplexed expression, mournful, yet somehow wild. It was clear that Binovitch was not indifferent to her.

"It's become an _idée fixe_ with him," this older woman said. "The bird idea lives in his mind. He lives it in his imagination. Ever since that time at Edfu, when he pretended to worship the great stone falcons outside the temple--the Horus figures--he's been full of it." She stopped. The way Binovitch had behaved at Edfu was better left unmentioned at the moment, perhaps. A slight shiver ran round the listening group, each one waiting for some one else to focus their emotion, and so explain it by saying the convincing thing. Only no one ventured. Then Vera abruptly gave a little jump.

"Hark!" she exclaimed, in a staccato whisper, speaking for the first time. She sat bolt upright. She was listening. "Hark!" she repeated. "There it is again, but nearer than before. It's coming closer. I hear it." She trembled. Her voice, her manner, above all her great staring eyes, startled everybody. No one spoke for several seconds; all listened. The clicking of the billiard-balls had ceased. The halls and corridors lay in darkness, and gloom was over the big hotel. Everybody was in bed.

"Hear what?" asked the older woman soothingly, yet with a perceptible quaver in her voice, too. She was aware that the girl's arm shook upon her own.

"Do you not hear it, too?" the girl whispered.

All listened without speaking. All watched her paling face. Something wonderful, yet half terrible, seemed in the air about them. There was a dull murmur, audible, faint, remote, its direction hard to tell. It had come suddenly from nowhere. They shivered. That strange racial thrill again passed into the group, unwelcome, unexplained. It was aboriginal; it belonged to the unconscious primitive mind, half childish, half terrifying.

"_What_ do you hear?" her brother asked angrily--the irritable anger of nervous fear.

"When he came at me," she answered very low, "I heard it first. I hear it now again. Listen! He's coming."

And at that minute, out of the dark mouth of the corridor, emerged two human figures, Plitzinger and Binovitch. Their game was over: they were going up to bed. They passed the open door of the card-room. But Binovitch was being half dragged, half restrained, for he was apparently attempting to run down the passage with flying, dancing leaps. He bounded. It was like a huge bird trying to rise for flight, while his companion kept him down by force upon the earth. As they entered the strip of light, Plitzinger changed his own position, placing himself swiftly between his companion and the group in the dark corner of the room. He hurried Binovitch along as though he sheltered him from view. They passed into the shadows down the passage. They disappeared. And every one looked significantly, questioningly, at his neighbour, though at first saying no word. It seemed that a curious disturbance of the air had followed them audibly.

Vera was the first to open her lips. "You heard it _then_," she said breathlessly, her face whiter than the ceiling.

"Damn!" exclaimed her brother furiously. "It was wind against the outside walls--wind in the desert. The sand is driving."

Vera looked at him. She shrank closer against the side of the older woman, whose arm was tight about her.

"It was _not_ wind," she whispered simply. She paused. All waited uneasily for the completion of her sentence. They stared into her face like peasants who expected a miracle.

"Wings," she whispered. "It was the sound of enormous wings."

* * * * *

And at four o'clock in the morning, when they all returned exhausted from their excursion into the desert, little Binovitch was sleeping soundly and peacefully in his bed. They passed his door on tiptoe. But he did not hear them. He was dreaming. His spirit was at Edfu, experiencing with that ancient deity who was master of all flying life those strange enjoyments upon which his own troubled human heart was passionately set. Safe with that mighty falcon whose powers his lips had scorned a few hours before, his soul, released in vivid dream, went sweetly flying. It was amazing, it was gorgeous. He skimmed the Nile at lightning speed. Dashing down headlong from the height of the great Pyramid, he chased with faultless accuracy a little dove that sought vainly to hide from his terrific pursuit beneath the palm trees. For what he loved must worship where he worshipped, and the majesty of those tremendous effigies had fired his imagination to the creative point where expression was imperative.

Then suddenly, at the very moment of delicious capture, the dream turned horrible, becoming awful with the nightmare touch. The sky lost all its blue and sunshine. Far, far below him the little dove enticed him into nameless depths, so that he flew faster and faster, yet never fast enough to overtake it. Behind him came a great thing down the air, black, hovering, with gigantic wings outstretched. It had terrific eyes, and the beating of its feathers stole his wind away. It followed him, crowding space. He was aware of a colossal beak, curved like a scimitar and pointed wickedly like a tooth of iron. He dropped. He faltered. He tried to scream.

Through empty space he fell, caught by the neck. The huge spectral falcon was upon him. The talons were in his heart. And in sleep he remembered then that he had cursed. He recalled his reckless language. The curse of the ignorant is meaningless; that of the worshipper is real. This attack was on his soul. He had invoked it. He realised next, with a touch of ghastly horror, that the dove he chased was, after all, the bait that had lured him purposely to destruction, and awoke with a suffocating terror upon him, and his entire body bathed in icy perspiration. Outside the open window he heard a sound of wings retreating with powerful strokes into the surrounding darkness of the sky.

The nightmare made its impression upon Binovitch's impressionable and dramatic temperament. It aggravated his tendencies. He related it next day to Mme. de Drühn, the friend of Vera, telling it with that somewhat boisterous laughter some minds use to disguise less kind emotions. But he received no encouragement. The mood of the previous night was not recoverable; it was already ancient history. Russians never make the banal mistake of repeating a sensation till it is exhausted; they hurry on to novelties. Life flashes and rushes with them, never standing still for exposure before the cameras of their minds. Mme. de Drühn, however, took the trouble to mention the matter to Plitzinger, for Plitzinger, like Freud of Vienna, held that dreams revealed subconscious tendencies which sooner or later must betray themselves in action.

"Thank you for telling me," he smiled politely, "but I have already heard it from him." He watched her eyes for a moment, really examining her soul. "Binovitch, you see," he continued, apparently satisfied with what he saw, "I regard as that rare phenomenon--a genius without an outlet. His spirit, intensely creative, finds no adequate expression. His power of production is enormous and prolific; yet he accomplishes nothing." He paused an instant. "Binovitch, therefore, is in danger of poisoning--himself." He looked steadily into her face, as a man who weighs how much he may confide. "Now," he continued, "_if_ we can find an outlet for him, a field wherein his bursting imaginative genius can produce results--above all, _visible_ results"--he shrugged his shoulders--"the man is saved. Otherwise"--he looked extraordinarily impressive--"there is bound to be sooner or later----"

"Madness?" she asked very quietly.

"An explosion, let us say," he replied gravely. "For instance, take this Horus obsession of his, quite wrong archæologically though it is. _Au fond_ it is megalomania of a most unusual kind. His passionate interest, his love, his worship of birds, wholesome enough in itself, finds no satisfying outlet. A man who _really_ loves birds neither keeps them in cages nor shoots them nor stuffs them. What, then, can he do? The commonplace bird-lover observes them through glasses, studies their habits, then writes a book about them. But a man like Binovitch, overflowing with this intense creative power of mind and imagination, is not content with that. He wants to know them from within. He wants to feel what they feel, to live their life. He wants to _become_ them. You follow me? Not quite. Well, he seeks to be identified with the object of his sacred, passionate adoration. All genius seeks to know the thing itself from its own point of view. It desires union. That tendency, unrecognised by himself, perhaps, and therefore subconscious, hides in his very soul." He paused a moment. "And the sudden sight of those majestic figures at Edfu--that crystallisation of his _idée fixe_ in granite--took hold of this excess in him, so to speak--and is now focusing it toward some definite act. Binovitch sometimes--feels himself a bird! You noticed what occurred last night?"

She nodded; a slight shiver passed over her.

"A most curious performance," she murmured; "an exhibition I never want to see again."

"The most curious part," replied the doctor coolly, "was its truth."

"Its truth!" she exclaimed beneath her breath. She was frightened by something in his voice and by the uncommon gravity in his eyes. It seemed to arrest her intelligence. She felt upon the edge of things beyond her. "You mean that Binovitch did for a moment--hang--in the air?" The other verb, the right one, she could not bring herself to use.

The great man's face was enigmatical. He talked to her sympathy, perhaps, rather than to her mind.

"Real genius," he said smilingly, "is as rare as talent, even great talent, is common. It means that the personality, if only for one second, becomes everything; becomes the universe; becomes the soul of the world. It gets the flash. It is identified with the universal life. Being everything and everywhere, all is possible to it--in that second of vivid realisation. It can brood with the crystal, grow with the plant, leap with the animal, fly with the bird: genius unifies all three. That is the meaning of 'creative.' It is faith. Knowing it, you can pass through fire and not be burned, walk on water and not sink, move a mountain, fly. Because you _are_ fire, water, earth, air. Genius, you see, is madness in the magnificent sense of being superhuman. Binovitch has it."

He broke off abruptly, seeing he was not understood. Some great enthusiasm in him he deliberately suppressed.

"The point is," he resumed, speaking more carefully, "that we must try to lead this passionate constructive genius of the man into some human channel that will absorb it, and therefore render it harmless."

"He loves Vera," the woman said, bewildered, yet seizing this point correctly.

"But would he marry her?" asked Plitzinger at once.

"He is already married."

The doctor looked steadily at her a moment, hesitating whether he should utter all his thought.

"In that case," he said slowly after a pause, "it is better he or she should leave."

His tone and manner were exceedingly impressive.