Chapter I: Front Matter (1)

COLLECTED POEMS OF ROBERT FROST

NEW YORK HENRY HOLT AND COMPANY

_Fourth Printing_

Copyright 1930 by Henry Holt and Company, Inc Manufactured in the United States of America

CONTENTS

The Pasture page 1

A BOY’S WILL

Into my Own 5 Ghost House 6 My November Guest 8 Love and a Question 9 A Late Walk 11 Stars 12 Storm Fear 13 Wind and Window Flower 14 To the Thawing Wind 16 A Prayer in Spring 17 Flower-Gathering 18 Rose Pogonias 19 Waiting 20 In a Vale 21 A Dream Pang 22 In Neglect 23 The Vantage Point 24 Mowing 25 Going for Water 26 Revelation 27 The Trial by Existence 28 The Tuft of Flowers 31 Pan With Us 33 The Demiurge’s Laugh 35 Now Close the Windows 36 In Hardwood Groves 37 A Line-Storm Song 38 October 40 My Butterfly 41 Reluctance 43

NORTH OF BOSTON

Mending Wall 47 The Death of the Hired Man 49 The Mountain 56 A Hundred Collars 61 Home Burial 69 The Black Cottage 74 Blueberries 78 A Servant to Servants 82 After Apple-Picking 88 The Code 90 The Generations of Men 94 The Housekeeper 103 The Fear 112 The Self-Seeker 117 The Wood-Pile 126 Good Hours 128

MOUNTAIN INTERVAL

The Road Not Taken 131 Christmas Trees 132 An Old Man’s Winter Night 135 The Exposed Nest 136 A Patch of Old Snow 138 In the Home Stretch 139 The Telephone 147 Meeting and Passing 148 Hyla Brook 149 The Oven Bird 150 Bond and Free 151 Birches 152 Pea Brush 154 Putting in the Seed 155 A Time to Talk 156 The Cow in Apple Time 157 An Encounter 158 Range-Finding 159 The Hill Wife 160 The Bonfire 163 A Girl’s Garden 167 Locked Out 169 The Last Word of a Bluebird 170 ‘Out, Out--’ 171 Brown’s Descent 173 The Gum-Gatherer 176 The Line-Gang 178 The Vanishing Red 179 Snow 180 The Sound of the Trees 195

NEW HAMPSHIRE

New Hampshire 199 A Star in a Stone-Boat 213 The Census-Taker 216 The Star-Splitter 218 Maple 222 The Axe-Helve 228 The Grindstone 232 Paul’s Wife 235 Wild Grapes 240 Place for a Third 244 Two Witches 247 An Empty Threat 256 A Fountain, a Bottle, a Donkey’s Ears and Some Books 258 I Will Sing You One-O 264 Fragmentary Blue 267 Fire and Ice 268 In a Disused Graveyard 269 Dust of Snow 270 To E. T. 271 Nothing Gold Can Stay 272 The Runaway 273 The Aim Was Song 274 Stopping by Woods on a Snowy Evening 275 For Once, Then, Something 276 Blue-Butterfly Day 277 The Onset 278 To Earthward 279 Good-Bye and Keep Cold 281 Two Look at Two 282 Not to Keep 284 A Brook in the City 285 The Kitchen Chimney 286 Looking for a Sunset Bird in Winter 287 A Boundless Moment 288 Evening in a Sugar Orchard 289 Gathering Leaves 290 The Valley’s Singing Day 291 Misgiving 292 A Hillside Thaw 293 Plowmen 295 On a Tree Fallen Across the Road 296 Our Singing Strength 297 The Lockless Door 299 The Need of Being Versed in Country Things 300

WEST-RUNNING BROOK

Spring Pools 303 The Freedom of the Moon 304 The Rose Family 305 Fireflies in the Garden 306 Atmosphere 307 Devotion 308 On Going Unnoticed 309 The Cocoon 310 A Passing Glimpse 311 A Peck of Gold 312 Acceptance 313 Once by the Pacific 314 Lodged 315 A Minor Bird 316 Bereft 317 Tree at My Window 318 The Peaceful Shepherd 319 The Thatch 320 A Winter Eden 322 The Flood 323 Acquainted With the Night 324 The Lovely Shall Be Choosers 325 West-running Brook 327 Sand Dunes 330 Canis Major 331 A Soldier 332 Immigrants 333 Hannibal 334 The Flower Boat 335 The Times Table 336 The Investment 337 The Last Mowing 338 The Birthplace 339 The Door in the Dark 340 Dust in the Eyes 341 Sitting by a Bush in Broad Sunlight 342 The Armful 343 What Fifty Said 344 Riders 345 On Looking Up By Chance at the Constellations 346 The Bear 347 The Egg and the Machine 349

_The Pasture_

I’m going out to clean the pasture spring;
I’ll only stop to rake the leaves away
(And wait to watch the water clear, I may):
I sha’n’t be gone long.--You come too.

I’m going out to fetch the little calf
That’s standing by the mother. It’s so young,
It totters when she licks it with her tongue.
I sha’n’t be gone long.--You come too.

A BOY’S WILL

_Into my Own_

One of my wishes is that those dark trees,
So old and firm they scarcely show the breeze,
Were not, as ’twere, the merest mask of gloom,
But stretched away unto the edge of doom.

I should not be withheld but that some day
Into their vastness I should steal away,
Fearless of ever finding open land,
Or highway where the slow wheel pours the sand.

I do not see why I should e’er turn back,
Or those should not set forth upon my track
To overtake me, who should miss me here
And long to know if still I held them dear.

They would not find me changed from him they knew--
Only more sure of all I thought was true.

_Ghost House_

I dwell in a lonely house I know
That vanished many a summer ago,
And left no trace but the cellar walls,
And a cellar in which the daylight falls,
And the purple-stemmed wild raspberries grow.

O’er ruined fences the grape-vines shield
The woods come back to the mowing field;
The orchard tree has grown one copse
Of new wood and old where the woodpecker chops;
The footpath down to the well is healed.

I dwell with a strangely aching heart
In that vanished abode there far apart
On that disused and forgotten road
That has no dust-bath now for the toad.
Night comes; the black bats tumble and dart;

The whippoorwill is coming to shout
And hush and cluck and flutter about:
I hear him begin far enough away
Full many a time to say his say
Before he arrives to say it out.

It is under the small, dim, summer star.
I know not who these mute folk are
Who share the unlit place with me--
Those stones out under the low-limbed tree
Doubtless bear names that the mosses mar.

They are tireless folk, but slow and sad,
Though two, close-keeping, are lass and lad,--
With none among them that ever sings,
And yet, in view of how many things,
As sweet companions as might be had.

_My November Guest_

My Sorrow, when she’s here with me,
Thinks these dark days of autumn rain
Are beautiful as days can be;
She loves the bare, the withered tree;
She walks the sodden pasture lane.

Her pleasure will not let me stay.
She talks and I am fain to list:
She’s glad the birds are gone away,
She’s glad her simple worsted grey
Is silver now with clinging mist.

The desolate, deserted trees,
The faded earth, the heavy sky,
The beauties she so truly sees,
She thinks I have no eye for these,
And vexes me for reason why.

Not yesterday I learned to know
The love of bare November days
Before the coming of the snow,
But it were vain to tell her so,
And they are better for her praise.

_Love and a Question_

A Stranger came to the door at eve,
And he spoke the bridegroom fair.
He bore a green-white stick in his hand,
And, for all burden, care.
He asked with the eyes more than the lips
For a shelter for the night,
And he turned and looked at the road afar
Without a window light.

The bridegroom came forth into the porch
With ‘Let us look at the sky,
And question what of the night to be,
Stranger, you and I.’
The woodbine leaves littered the yard,
The woodbine berries were blue,
Autumn, yes, winter was in the wind;
‘Stranger, I wish I knew.’

Within, the bride in the dusk alone
Bent over the open fire,
Her face rose-red with the glowing coal
And the thought of the heart’s desire.
The bridegroom looked at the weary road,
Yet saw but her within,
And wished her heart in a case of gold
And pinned with a silver pin.

The bridegroom thought it little to give
A dole of bread, a purse,
A heartfelt prayer for the poor of God,
Or for the rich a curse;
But whether or not a man was asked
To mar the love of two
By harboring woe in the bridal house,
The bridegroom wished he knew.

_A Late Walk_

When I go up through the mowing field,
The headless aftermath,
Smooth-laid like thatch with the heavy dew,
Half closes the garden path.

And when I come to the garden ground,
The whir of sober birds
Up from the tangle of withered weeds
Is sadder than any words.

A tree beside the wall stands bare,
But a leaf that lingered brown,
Disturbed, I doubt not, by my thought,
Comes softly rattling down.

I end not far from my going forth
By picking the faded blue
Of the last remaining aster flower
To carry again to you.

_Stars_

How countlessly they congregate
O’er our tumultuous snow,
Which flows in shapes as tall as trees
When wintry winds do blow!--

As if with keenness for our fate,
Our faltering few steps on
To white rest, and a place of rest
Invisible at dawn,--

And yet with neither love nor hate,
Those stars like some snow-white
Minerva’s snow-white marble eyes
Without the gift of sight.

_Storm Fear_

When the wind works against us in the dark,
And pelts with snow
The lower chamber window on the east,
And whispers with a sort of stifled bark,
The beast,
‘Come out! Come out!’--
It costs no inward struggle not to go,
Ah, no!
I count our strength,
Two and a child,
Those of us not asleep subdued to mark
How the cold creeps as the fire dies at length,--
How drifts are piled,
Dooryard and road ungraded,
Till even the comforting barn grows far away,
And my heart owns a doubt
Whether ’tis in us to arise with day
And save ourselves unaided.

_Wind and Window Flower_

Lovers, forget your love,
And list to the love of these,
She a window flower,
And he a winter breeze.

When the frosty window veil
Was melted down at noon,
And the cagèd yellow bird
Hung over her in tune,

He marked her through the pane,
He could not help but mark,
And only passed her by,
To come again at dark.

He was a winter wind,
Concerned with ice and snow.
Dead weeds and unmated birds,
And little of love could know.

But he sighed upon the sill,
He gave the sash a shake,
As witness all within
Who lay that night awake.

Perchance he half prevailed
To win her for the flight
From the firelit looking-glass
And warm stove-window light.

But the flower leaned aside
And thought of naught to say,
And morning found the breeze
A hundred miles away.

_To the Thawing Wind_

Come with rain, O loud Southwester!
Bring the singer, bring the nester;
Give the buried flower a dream;
Make the settled snow-bank steam;
Find the brown beneath the white;
But whate’er you do to-night,
Bathe my window, make it flow,
Melt it as the ice will go;
Melt the glass and leave the sticks
Like a hermit’s crucifix;
Burst into my narrow stall;
Swing the picture on the wall;
Run the rattling pages o’er;
Scatter poems on the floor;
Turn the poet out of door.

_Prayer in Spring_

Oh, give us pleasure in the flowers to-day;
And give us not to think so far away
As the uncertain harvest; keep us here
All simply in the springing of the year.

Oh, give us pleasure in the orchard white,
Like nothing else by day, like ghosts by night;
And make us happy in the happy bees,
The swarm dilating round the perfect trees.

And make us happy in the darting bird
That suddenly above the bees is heard,
The meteor that thrusts in with needle bill,
And off a blossom in mid air stands still.

For this is love and nothing else is love,
The which it is reserved for God above
To sanctify to what far ends He will,
But which it only needs that we fulfil.

_Flower-Gathering_

I left you in the morning,
And in the morning glow,
You walked a way beside me
To make me sad to go.
Do you know me in the gloaming,
Gaunt and dusty grey with roaming?
Are you dumb because you know me not,
Or dumb because you know?

All for me? And not a question
For the faded flowers gay
That could take me from beside you
For the ages of a day?
They are yours, and be the measure
Of their worth for you to treasure,
The measure of the little while
That I’ve been long away.

_Rose Pogonias_

A saturated meadow,
Sun-shaped and jewel-small,
A circle scarcely wider
Than the trees around were tall;
Where winds were quite excluded,
And the air was stifling sweet
With the breath of many flowers,--
A temple of the heat.

There we bowed us in the burning,
As the sun’s right worship is,
To pick where none could miss them
A thousand orchises;
For though the grass was scattered,
Yet every second spear
Seemed tipped with wings of color,
That tinged the atmosphere.

We raised a simple prayer
Before we left the spot,
That in the general mowing
That place might be forgot;
Or if not all so favoured,
Obtain such grace of hours,
That none should mow the grass there
While so confused with flowers.

_Waiting_

AFIELD AT DUSK

What things for dream there are when spectre-like,
Moving among tall haycocks lightly piled,
I enter alone upon the stubble field,
From which the laborers’ voices late have died,
And in the antiphony of afterglow
And rising full moon, sit me down
Upon the full moon’s side of the first haycock
And lose myself amid so many alike.

I dream upon the opposing lights of the hour,
Preventing shadow until the moon prevail;
I dream upon the night-hawks peopling heaven,
Each circling each with vague unearthly cry,
Or plunging headlong with fierce twang afar;
And on the bat’s mute antics, who would seem
Dimly to have made out my secret place,
Only to lose it when he pirouettes,
And seek it endlessly with purblind haste;
On the last swallow’s sweep; and on the rasp
In the abyss of odor and rustle at my back,
That, silenced by my advent, finds once more,
After an interval, his instrument,
And tries once--twice--and thrice if I be there;
And on the worn book of old-golden song
I brought not here to read, it seems, but hold
And freshen in this air of withering sweetness;
But on the memory of one absent most,
For whom these lines when they shall greet her eye.

_In a Vale_

When I was young, we dwelt in a vale
By a misty fen that rang all night,
And thus it was the maidens pale
I knew so well, whose garments trail
Across the reeds to a window light.

The fen had every kind of bloom,
And for every kind there was a face,
And a voice that has sounded in my room
Across the sill from the outer gloom.
Each came singly unto her place,

But all came every night with the mist;
And often they brought so much to say
Of things of moment to which, they wist,
One so lonely was fain to list,
That the stars were almost faded away

Before the last went, heavy with dew,
Back to the place from which she came--
Where the bird was before it flew,
Where the flower was before it grew,
Where bird and flower were one and the same.

And thus it is I know so well
Why the flower has odor, the bird has song.
You have only to ask me, and I can tell.
No, not vainly there did I dwell,
Nor vainly listen all the night long.

_A Dream Pang_

I had withdrawn in forest, and my song
Was swallowed up in leaves that blew alway;
And to the forest edge you came one day
(This was my dream) and looked and pondered long,
But did not enter, though the wish was strong:
You shook your pensive head as who should say,
‘I dare not--too far in his footsteps stray--
He must seek me would he undo the wrong.’

Not far, but near, I stood and saw it all
Behind low boughs the trees let down outside;
And the sweet pang it cost me not to call
And tell you that I saw does still abide.
But ’tis not true that thus I dwelt aloof,
For the wood wakes, and you are here for proof.

_In Neglect_

They leave us so to the way we took,
As two in whom they were proved mistaken,
That we sit sometimes in the wayside nook,
With mischievous, vagrant, seraphic look,
And _try_ if we cannot feel forsaken.

_The Vantage Point_

If tired of trees I seek again mankind,
Well I know where to hie me--in the dawn,
To a slope where the cattle keep the lawn.
There amid lolling juniper reclined,
Myself unseen, I see in white defined
Far off the homes of men, and farther still,
The graves of men on an opposing hill,
Living or dead, whichever are to mind.

And if by noon I have too much of these,
I have but to turn on my arm, and lo,
The sun-burned hillside sets my face aglow,
My breathing shakes the bluet like a breeze,
I smell the earth, I smell the bruisèd plant,
I look into the crater of the ant.

_Mowing_

There was never a sound beside the wood but one,
And that was my long scythe whispering to the ground.
What was it it whispered? I knew not well myself;
Perhaps it was something about the heat of the sun,
Something, perhaps, about the lack of sound--
And that was why it whispered and did not speak.
It was no dream of the gift of idle hours,
Or easy gold at the hand of fay or elf:
Anything more than the truth would have seemed too weak
To the earnest love that laid the swale in rows,
Not without feeble-pointed spikes of flowers
(Pale orchises), and scared a bright green snake.
The fact is the sweetest dream that labor knows.
My long scythe whispered and left the hay to make.

_Going for Water_

The well was dry beside the door,
And so we went with pail and can
Across the fields behind the house
To seek the brook if still it ran;

Not loth to have excuse to go,
Because the autumn eve was fair
(Though chill), because the fields were ours,
And by the brook our woods were there.

We ran as if to meet the moon
That slowly dawned behind the trees,
The barren boughs without the leaves,
Without the birds, without the breeze.

But once within the wood, we paused
Like gnomes that hid us from the moon,
Ready to run to hiding new
With laughter when she found us soon.

Each laid on other a staying hand
To listen ere we dared to look,
And in the hush we joined to make
We heard, we knew we heard the brook.

A note as from a single place,
A slender tinkling fall that made
Now drops that floated on the pool
Like pearls, and now a silver blade.

_Revelation_

We make ourselves a place apart
Behind light words that tease and flout,
But oh, the agitated heart
Till someone find us really out.

’Tis pity if the case require
(Or so we say) that in the end
We speak the literal to inspire
The understanding of a friend.

But so with all, from babes that play
At hide-and-seek to God afar,
So all who hide too well away
Must speak and tell us where they are.

_The Trial by Existence_

Even the bravest that are slain
Shall not dissemble their surprise
On waking to find valor reign,
Even as on earth, in paradise;
And where they sought without the sword
Wide fields of asphodel fore’er,
To find that the utmost reward
Of daring should be still to dare.

The light of heaven falls whole and white
And is not shattered into dyes,
The light for ever is morning light;
The hills are verdured pasture-wise;
The angel hosts with freshness go,
And seek with laughter what to brave;--
And binding all is the hushed snow
Of the far-distant breaking wave.

And from a cliff-top is proclaimed
The gathering of the souls for birth,
The trial by existence named,
The obscuration upon earth.
And the slant spirits trooping by
In streams and cross- and counter-streams
Can but give ear to that sweet cry
For its suggestion of what dreams!

And the more loitering are turned
To view once more the sacrifice
Of those who for some good discerned
Will gladly give up paradise.
And a white shimmering concourse rolls
Toward the throne to witness there
The speeding of devoted souls
Which God makes his especial care.

And none are taken but who will,
Having first heard the life read out
That opens earthward, good and ill,
Beyond the shadow of a doubt;
And very beautifully God limns,
And tenderly, life’s little dream,
But naught extenuates or dims,
Setting the thing that is supreme.

Nor is there wanting in the press
Some spirit to stand simply forth,
Heroic in its nakedness,
Against the uttermost of earth.
The tale of earth’s unhonored things
Sounds nobler there than ’neath the sun;
And the mind whirls and the heart sings,
And a shout greets the daring one.

But always God speaks at the end:
‘One thought in agony of strife
The bravest would have by for friend,
The memory that he chose the life;
But the pure fate to which you go
Admits no memory of choice,
Or the woe were not earthly woe
To which you give the assenting voice.’

And so the choice must be again,
But the last choice is still the same;
And the awe passes wonder then,
And a hush falls for all acclaim.
And God has taken a flower of gold
And broken it, and used therefrom
The mystic link to bind and hold
Spirit to matter till death come.

’Tis of the essence of life here,
Though we choose greatly, still to lack
The lasting memory at all clear,
That life has for us on the wrack
Nothing but what we somehow chose;
Thus are we wholly stripped of pride
In the pain that has but one close,
Bearing it crushed and mystified.

_The Tuft of Flowers_

I went to turn the grass once after one
Who mowed it in the dew before the sun.

The dew was gone that made his blade so keen
Before I came to view the levelled scene.

I looked for him behind an isle of trees;
I listened for his whetstone on the breeze.

But he had gone his way, the grass all mown,
And I must be, as he had been,--alone,

‘As all must be,’ I said within my heart,
‘Whether they work together or apart.’

But as I said it, swift there passed me by
On noiseless wing a bewildered butterfly,

Seeking with memories grown dim o’er night
Some resting flower of yesterday’s delight.

And once I marked his flight go round and round,
As where some flower lay withering on the ground.

And then he flew as far as eye could see,
And then on tremulous wing came back to me.

I thought of questions that have no reply,
And would have turned to toss the grass to dry;

But he turned first, and led my eye to look
At a tall tuft of flowers beside a brook,

A leaping tongue of bloom the scythe had spared
Beside a reedy brook the scythe had bared.

I left my place to know them by their name,
Finding them butterfly weed when I came.

The mower in the dew had loved them thus,
By leaving them to flourish, not for us,

Nor yet to draw one thought of ours to him,
But from sheer morning gladness at the brim.

The butterfly and I had lit upon,
Nevertheless, a message from the dawn,

That made me hear the wakening birds around,
And hear his long scythe whispering to the ground,

And feel a spirit kindred to my own;
So that henceforth I worked no more alone;

But glad with him, I worked as with his aid,
And weary, sought at noon with him the shade;

And dreaming, as it were, held brotherly speech
With one whose thought I had not hoped to reach.

‘Men work together,’ I told him from the heart,
‘Whether they work together or apart.’

_Pan With Us_

Pan came out of the woods one day,--
His skin and his hair and his eyes were gray,
The gray of the moss of walls were they,--
And stood in the sun and looked his fill
At wooded valley and wooded hill.

He stood in the zephyr, pipes in hand,
On a height of naked pasture land;
In all the country he did command
He saw no smoke and he saw no roof.
That was well! and he stamped a hoof.

His heart knew peace, for none came here
To this lean feeding save once a year
Someone to salt the half-wild steer,
Or homespun children with clicking pails
Who see so little they tell no tales.

He tossed his pipes, too hard to teach
A new-world song, far out of reach,
For a sylvan sign that the blue jay’s screech
And the whimper of hawks beside the sun
Were music enough for him, for one.

Times were changed from what they were:
Such pipes kept less of power to stir
The fruited bough of the juniper
And the fragile bluets clustered there
Than the merest aimless breath of air.

They were pipes of pagan mirth,
And the world had found new terms of worth.
He laid him down on the sun-burned earth
And ravelled a flower and looked away--
Play? Play?--What should he play?

_The Demiurge’s Laugh_

It was far in the sameness of the wood;
I was running with joy on the Demon’s trail,
Though I knew what I hunted was no true god.
It was just as the light was beginning to fail
That I suddenly heard--all I needed to hear:
It has lasted me many and many a year.

The sound was behind me instead of before,
A sleepy sound, but mocking half,
As of one who utterly couldn’t care.
The Demon arose from his wallow to laugh,
Brushing the dirt from his eye as he went;
And well I knew what the Demon meant.

I shall not forget how his laugh rang out.
I felt as a fool to have been so caught,
And checked my steps to make pretence
It was something among the leaves I sought
(Though doubtful whether he stayed to see).
Thereafter I sat me against a tree.

_Now Close the Windows_

Now close the windows and hush all the fields;
If the trees must, let them silently toss;
No bird is singing now, and if there is,
Be it my loss.

It will be long ere the marshes resume,
It will be long ere the earliest bird:
So close the windows and not hear the wind,
But see all wind-stirred.

_In Hardwood Groves_

The same leaves over and over again!
They fall from giving shade above
To make one texture of faded brown
And fit the earth like a leather glove.

Before the leaves can mount again
To fill the trees with another shade,
They must go down past things coming up,
They must go down into the dark decayed.

They _must_ be pierced by flowers and put
Beneath the feet of dancing flowers.
However it is in some other world
I know that this is the way in ours.

_A Line-Storm Song_

The line-storm clouds fly tattered and swift,
The road is forlorn all day,
Where a myriad snowy quartz stones lift,
And the hoof-prints vanish away.
The roadside flowers, too wet for the bee,
Expend their bloom in vain.
Come over the hills and far with me,
And be my love in the rain.

The birds have less to say for themselves
In the wood-world’s torn despair
Than now these numberless years the elves,
Although they are no less there:
All song of the woods is crushed like some
Wild, easily shattered rose.
Come, be my love in the wet woods, come,
Where the boughs rain when it blows.

There is the gale to urge behind
And bruit our singing down,
And the shallow waters aflutter with wind
From which to gather your gown.
What matter if we go clear to the west,
And come not through dry-shod?
For wilding brooch shall wet your breast
The rain-fresh goldenrod.

Oh, never this whelming east wind swells
But it seems like the sea’s return
To the ancient lands where it left the shells
Before the age of the fern;
And it seems like the time when after doubt
Our love came back amain.
Oh, come forth into the storm and rout
And be my love in the rain.

_October_

O hushed October morning mild,
Thy leaves have ripened to the fall;
To-morrow’s wind, if it be wild,
Should waste them all.
The crows above the forest call;
To-morrow they may form and go.
O hushed October morning mild,
Begin the hours of this day slow.
Make the day seem to us less brief.
Hearts not averse to being beguiled,
Beguile us in the way you know.
Release one leaf at break of day;
At noon release another leaf;
One from our trees, one far away.
Retard the sun with gentle mist;
Enchant the land with amethyst.
Slow, slow!
For the grapes’ sake, if they were all,
Whose leaves already are burnt with frost,
Whose clustered fruit must else be lost--
For the grapes’ sake along the wall.

_My Butterfly_

Thine emulous fond flowers are dead, too,
And the daft sun-assaulter, he
That frighted thee so oft, is fled or dead:
Save only me
(Nor is it sad to thee!)
Save only me
There is none left to mourn thee in the fields.

The gray grass is scarce dappled with the snow;
Its two banks have not shut upon the river;
But it is long ago--
It seems forever--
Since first I saw thee glance,
With all thy dazzling other ones,
In airy dalliance,
Precipitate in love,
Tossed, tangled, whirled and whirled above,
Like a limp rose-wreath in a fairy dance.

When that was, the soft mist
Of my regret hung not on all the land,
And I was glad for thee,
And glad for me, I wist.

Thou didst not know, who tottered, wandering on high,
That fate had made thee for the pleasure of the wind,
With those great careless wings,
Nor yet did I.

And there were other things:
It seemed God let thee flutter from his gentle clasp:
Then fearful he had let thee win
Too far beyond him to be gathered in,
Snatched thee, o’er eager, with ungentle grasp.

Ah! I remember me
How once conspiracy was rife
Against my life--
The languor of it and the dreaming fond;
Surging, the grasses dizzied me of thought,
The breeze three odors brought,
And a gem-flower waved in a wand!

Then when I was distraught
And could not speak,
Sidelong, full on my cheek,
What should that reckless zephyr fling
But the wild touch of thy dye-dusty wing!

I found that wing broken to-day!
For thou art dead, I said,
And the strange birds say.
I found it with the withered leaves
Under the eaves.

_Reluctance_

Out through the fields and the woods
And over the walls I have wended;
I have climbed the hills of view
And looked at the world, and descended;
I have come by the highway home,
And lo, it is ended.

The leaves are all dead on the ground,
Save those that the oak is keeping
To ravel them one by one
And let them go scraping and creeping
Out over the crusted snow,
When others are sleeping.

And the dead leaves lie huddled and still,
No longer blown hither and thither;
The last lone aster is gone;
The flowers of the wich-hazel wither;
The heart is still aching to seek,
But the feet question ‘Whither?’

Ah, when to the heart of man
Was it ever less than a treason
To go with the drift of things,
To yield with a grace to reason,
And bow and accept the end
Of a love or a season?

NORTH OF BOSTON

_Mending Wall_

Something there is that doesn’t love a wall,
That sends the frozen-ground-swell under it,
And spills the upper boulders in the sun;
And makes gaps even two can pass abreast.
The work of hunters is another thing;
I have come after them and made repair
Where they have left not one stone on a stone,
But they would have the rabbit out of hiding,
To please the yelping dogs. The gaps I mean,
No one has seen them made or heard them made,
But at spring mending-time we find them there.
I let my neighbour know beyond the hill;
And on a day we meet to walk the line
And set the wall between us once again.
We keep the wall between us as we go.
To each the boulders that have fallen to each.
And some are loaves and some so nearly balls
We have to use a spell to make them balance:
‘Stay where you are until our backs are turned!’
We wear our fingers rough with handling them.
Oh, just another kind of out-door game,
One on a side. It comes to little more:
There where it is we do not need the wall:
He is all pine and I am apple orchard.
My apple trees will never get across
And eat the cones under his pines, I tell him.
He only says, ‘Good fences make good neighbours.’
Spring is the mischief in me, and I wonder
If I could put a notion in his head:
‘_Why_ do they make good neighbours? Isn’t it
Where there are cows? But here there are no cows.
Before I built a wall I’d ask to know
What I was walling in or walling out,
And to whom I was like to give offence.
Something there is that doesn’t love a wall,
That wants it down.’ I could say ‘Elves’ to him,
But it’s not elves exactly, and I’d rather
He said it for himself. I see him there
Bringing a stone grasped firmly by the top
In each hand, like an old-stone savage armed.
He moves in darkness as it seems to me,
Not of woods only and the shade of trees.
He will not go behind his father’s saying,
And he likes having thought of it so well
He says again, ‘Good fences make good neighbours.’

_The Death of the Hired Man_

Mary sat musing on the lamp-flame at the table
Waiting for Warren. When she heard his step,
She ran on tip-toe down the darkened passage
To meet him in the doorway with the news
And put him on his guard. ‘Silas is back.’
She pushed him outward with her through the door
And shut it after her. ‘Be kind,’ she said.
She took the market things from Warren’s arms
And set them on the porch, then drew him down
To sit beside her on the wooden steps.

‘When was I ever anything but kind to him?
But I’ll not have the fellow back,’ he said.
‘I told him so last haying, didn’t I?
“If he left then,” I said, “that ended it.”
What good is he? Who else will harbour him
At his age for the little he can do?
What help he is there’s no depending on.
Off he goes always when I need him most.
“He thinks he ought to earn a little pay,
Enough at least to buy tobacco with,
So he won’t have to beg and be beholden.”
“All right,” I say, “I can’t afford to pay
Any fixed wages, though I wish I could.”
“Someone else can.” “Then someone else will have to.”
I shouldn’t mind his bettering himself
If that was what it was. You can be certain,
When he begins like that, there’s someone at him
Trying to coax him off with pocket-money,--
In haying time, when any help is scarce.
In winter he comes back to us. I’m done.’

‘Sh! not so loud: he’ll hear you,’ Mary said.

‘I want him to: he’ll have to soon or late.’

‘He’s worn out. He’s asleep beside the stove.
When I came up from Rowe’s I found him here,
Huddled against the barn-door fast asleep,
A miserable sight, and frightening, too--
You needn’t smile--I didn’t recognise him--
I wasn’t looking for him--and he’s changed.
Wait till you see.’

‘Where did you say he’d been?’

‘He didn’t say. I dragged him to the house,
And gave him tea and tried to make him smoke.
I tried to make him talk about his travels.
Nothing would do: he just kept nodding off.’

‘What did he say? Did he say anything?’

‘But little.’

‘Anything? Mary, confess
He said he’d come to ditch the meadow for me.’

‘Warren!’

‘But did he? I just want to know.’

‘Of course he did. What would you have him say?
Surely you wouldn’t grudge the poor old man
Some humble way to save his self-respect.
He added, if you really care to know,
He meant to clear the upper pasture, too.
That sounds like something you have heard before?
Warren, I wish you could have heard the way
He jumbled everything. I stopped to look
Two or three times--he made me feel so queer--
To see if he was talking in his sleep.
He ran on Harold Wilson--you remember--
The boy you had in haying four years since.
He’s finished school, and teaching in his college.
Silas declares you’ll have to get him back.
He says they two will make a team for work:
Between them they will lay this farm as smooth!
The way he mixed that in with other things.
He thinks young Wilson a likely lad, though daft
On education--you know how they fought
All through July under the blazing sun,
Silas up on the cart to build the load,
Harold along beside to pitch it on.’

‘Yes, I took care to keep well out of earshot.’

‘Well, those days trouble Silas like a dream.
You wouldn’t think they would. How some things linger!
Harold’s young college boy’s assurance piqued him.
After so many years he still keeps finding
Good arguments he sees he might have used.
I sympathise. I know just how it feels
To think of the right thing to say too late.
Harold’s associated in his mind with Latin.
He asked me what I thought of Harold’s saying
He studied Latin like the violin
Because he liked it--that an argument!
He said he couldn’t make the boy believe
He could find water with a hazel prong--
Which showed how much good school had ever done
He wanted to go over that. But most of all
He thinks if he could have another chance
To teach him how to build a load of hay--’

‘I know, that’s Silas’ one accomplishment.
He bundles every forkful in its place,
And tags and numbers it for future reference,
So he can find and easily dislodge it
In the unloading. Silas does that well.
He takes it out in bunches like big birds’ nests.
You never see him standing on the hay
He’s trying to lift, straining to lift himself.’

‘He thinks if he could teach him that, he’d be
Some good perhaps to someone in the world.
He hates to see a boy the fool of books.
Poor Silas, so concerned for other folk,
And nothing to look backward to with pride,
And nothing to look forward to with hope,
So now and never any different.’

Part of a moon was falling down the west,
Dragging the whole sky with it to the hills.
Its light poured softly in her lap. She saw it
And spread her apron to it. She put out her hand
Among the harp-like morning-glory strings,
Taut with the dew from garden bed to eaves,
As if she played unheard some tenderness
That wrought on him beside her in the night.
‘Warren,’ she said, ‘he has come home to die:
You needn’t be afraid he’ll leave you this time.’

‘Home,’ he mocked gently.

‘Yes, what else but home?
It all depends on what you mean by home.
Of course he’s nothing to us, any more
Than was the hound that came a stranger to us
Out of the woods, worn out upon the trail.’

‘Home is the place where, when you have to go there,
They have to take you in.’

‘I should have called it
Something you somehow haven’t to deserve.’

Warren leaned out and took a step or two,
Picked up a little stick, and brought it back
And broke it in his hand and tossed it by.
‘Silas has better claim on us you think
Than on his brother? Thirteen little miles
As the road winds would bring him to his door.
Silas has walked that far no doubt to-day.
Why didn’t he go there? His brother’s rich,
A somebody--director in the bank.’

‘He never told us that.’

‘We know it though.’

‘I think his brother ought to help, of course.
I’ll see to that if there is need. He ought of right
To take him in, and might be willing to--
He may be better than appearances.
But have some pity on Silas. Do you think
If he had any pride in claiming kin
Or anything he looked for from his brother,
He’d keep so still about him all this time?’

‘I wonder what’s between them.’

‘I can tell you.
Silas is what he is--we wouldn’t mind him--
But just the kind that kinsfolk can’t abide.
He never did a thing so very bad.
He don’t know why he isn’t quite as good
As anybody. Worthless though he is,
He won’t be made ashamed to please his brother.’

‘_I_ can’t think Si ever hurt anyone.’

‘No, but he hurt my heart the way he lay
And rolled his old head on that sharp-edged chair-back.
He wouldn’t let me put him on the lounge.
You must go in and see what you can do.
I made the bed up for him there to-night.
You’ll be surprised at him--how much he’s broken.
His working days are done; I’m sure of it.’

‘I’d not be in a hurry to say that.’

‘I haven’t been. Go, look, see for yourself.
But, Warren, please remember how it is:
He’s come to help you ditch the meadow.
He has a plan. You mustn’t laugh at him.
He may not speak of it, and then he may.
I’ll sit and see if that small sailing cloud
Will hit or miss the moon.’

It hit the moon.
Then there were three there, making a dim row,
The moon, the little silver cloud, and she.

Warren returned--too soon, it seemed to her,
Slipped to her side, caught up her hand and waited.

‘Warren?’ she questioned.

‘Dead,’ was all he answered.

_The Mountain_

The mountain held the town as in a shadow.
I saw so much before I slept there once:
I noticed that I missed stars in the west,
Where its black body cut into the sky.
Near me it seemed: I felt it like a wall
Behind which I was sheltered from a wind.
And yet between the town and it I found,
When I walked forth at dawn to see new things,
Were fields, a river, and beyond, more fields.
The river at the time was fallen away,
And made a widespread brawl on cobble-stones;
But the signs showed what it had done in spring:
Good grass land gullied out, and in the grass
Ridges of sand, and driftwood stripped of bark.
I crossed the river and swung round the mountain.
And there I met a man who moved so slow
With white-faced oxen in a heavy cart,
It seemed no harm to stop him altogether.

‘What town is this?’ I asked.

‘This? Lunenburg.’

Then I was wrong: the town of my sojourn,
Beyond the bridge, was not that of the mountain,
But only felt at night its shadowy presence.
‘Where is your village? Very far from here?’

‘There is no village--only scattered farms.
We were but sixty voters last election.
We can’t in nature grow to many more:
That thing takes all the room!’ He moved his goad.
The mountain stood there to be pointed at.
Pasture ran up the side a little way,
And then there was a wall of trees with trunks;
After that only tops of trees, and cliffs
Imperfectly concealed among the leaves.
A dry ravine emerged from under boughs
Into the pasture.

‘That looks like a path.
Is that the way to reach the top from here?--
Not for this morning, but some other time:
I must be getting back to breakfast now.’

‘I don’t advise your trying from this side.
There is no proper path, but those that _have_
Been up, I understand, have climbed from Ladd’s.
That’s five miles back. You can’t mistake the place:
They logged it there last winter some way up.
I’d take you, but I’m bound the other way.’

‘You’ve never climbed it?’

‘I’ve been on the sides,
Deer-hunting and trout-fishing. There’s a brook
That starts up on it somewhere--I’ve heard say
Right on the top, tip-top--a curious thing.
But what would interest you about the brook,
It’s always cold in summer, warm in winter.
One of the great sights going is to see
It steam in winter like an ox’s breath,
Until the bushes all along its banks
Are inch-deep with the frosty spines and bristles--
You know the kind. Then let the sun shine on it!’

‘There ought to be a view around the world
From such a mountain--if it isn’t wooded
Clear to the top.’ I saw through leafy screens
Great granite terraces in sun and shadow,
Shelves one could rest a knee on getting up--
With depths behind him sheer a hundred feet;
Or turn and sit on and look out and down,
With little ferns in crevices at his elbow.

‘As to that I can’t say. But there’s the spring,
Right on the summit, almost like a fountain.
That ought to be worth seeing.’

‘If it’s there.
You never saw it?’

‘I guess there’s no doubt
About its being there. I never saw it.
It may not be right on the very top:
It wouldn’t have to be a long way down
To have some head of water from above,
And a _good distance_ down might not be noticed
By anyone who’d come a long way up.
One time I asked a fellow climbing it
To look and tell me later how it was.’

‘What did he say?’

‘He said there was a lake
Somewhere in Ireland on a mountain top.’

‘But a lake’s different. What about the spring?’

‘He never got up high enough to see.
That’s why I don’t advise your trying this side.
He tried this side. I’ve always meant to go
And look myself, but you know how it is:
It doesn’t seem so much to climb a mountain
You’ve worked around the foot of all your life.
What would I do? Go in my overalls,
With a big stick, the same as when the cows
Haven’t come down to the bars at milking time?
Or with a shotgun for a stray black bear?
’Twouldn’t seem real to climb for climbing it.’

‘I shouldn’t climb it if I didn’t want to--
Not for the sake of climbing. What’s its name?’

‘We call it Hor: I don’t know if that’s right.’

‘Can one walk around it? Would it be too far?’

‘You can drive round and keep in Lunenburg,
But it’s as much as ever you can do,
The boundary lines keep in so close to it.
Hor is the township, and the township’s Hor--
_And_ a few houses sprinkled round the foot,
Like boulders broken off the upper cliff,
Rolled out a little farther than the rest.’

‘Warm in December, cold in June, you say?’

‘I don’t suppose the water’s changed at all.
You and I know enough to know it’s warm
Compared with cold, and cold compared with warm.
But all the fun’s in how you say a thing.’

‘You’ve lived here all your life?’

‘Ever since Hor
Was no bigger than a--’ What, I did not hear.
He drew the oxen toward him with light touches
Of his slim goad on nose and offside flank,
Gave them their marching orders and was moving.

_A Hundred Collars_

Lancaster bore him--such a little town,
Such a great man. It doesn’t see him often
Of late years, though he keeps the old homestead
And sends the children down there with their mother
To run wild in the summer--a little wild.
Sometimes he joins them for a day or two
And sees old friends he somehow can’t get near.
They meet him in the general store at night,
Pre-occupied with formidable mail,
Rifling a printed letter as he talks.
They seem afraid. He wouldn’t have it so:
Though a great scholar, he’s a democrat,
If not at heart, at least on principle.
Lately when coming up to Lancaster,
His train being late, he missed another train
And had four hours to wait at Woodsville Junction
After eleven o’clock at night. Too tired
To think of sitting such an ordeal out,
He turned to the hotel to find a bed.

‘No room,’ the night clerk said. ‘Unless--’

Woodsville’s a place of shrieks and wandering lamps
And cars that shock and rattle--and _one_ hotel.

‘You say “unless.”’

‘Unless you wouldn’t mind
Sharing a room with someone else.’

‘Who is it?’

‘A man.’

‘So I should hope. What kind of man?’

‘I know him: he’s all right. A man’s a man.
Separate beds, of course, you understand.’
The night clerk blinked his eyes and dared him on.

‘Who’s that man sleeping in the office chair?
Has he had the refusal of my chance?’

‘He was afraid of being robbed or murdered.
What do you say?’

‘I’ll have to have a bed.’

The night clerk led him up three flights of stairs
And down a narrow passage full of doors,
At the last one of which he knocked and entered.
‘Lafe, here’s a fellow wants to share your room.’

‘Show him this way. I’m not afraid of him.
I’m not so drunk I can’t take care of myself.’

The night clerk clapped a bedstead on the foot.
‘This will be yours. Good-night,’ he said, and went.

‘Lafe was the name, I think?’

‘Yes, _Lay_fayette.
You got it the first time. And yours?’

‘Magoon.
Doctor Magoon.’

‘A Doctor?’

‘Well, a teacher.’

‘Professor Square-the-circle-till-you’re-tired?
Hold on, there’s something I don’t think of now
That I had on my mind to ask the first
Man that knew anything I happened in with.
I’ll ask you later--don’t let me forget it.’

The Doctor looked at Lafe and looked away.
A man? A brute. Naked above the waist,
He sat there creased and shining in the light,
Fumbling the buttons in a well-starched shirt.
‘I’m moving into a size-larger shirt.
I’ve felt mean lately; mean’s no name for it.
I just found what the matter was to-night:
I’ve been a-choking like a nursery tree
When it outgrows the wire band of its name tag.
I blamed it on the hot spell we’ve been having.
’Twas nothing but my foolish hanging back,
Not liking to own up I’d grown a size.
Number eighteen this is. What size do you wear?’

The Doctor caught his throat convulsively.
‘Oh--ah--fourteen--fourteen.’

‘Fourteen! You say so!
I can remember when I wore fourteen.
And come to think I must have back at home
More than a hundred collars, size fourteen.
Too bad to waste them all. You ought to have them.
They’re yours and welcome; let me send them to you.
What makes you stand there on one leg like that?
You’re not much furtherer than where Kike left you.
You act as if you wished you hadn’t come.
Sit down or lie down, friend; you make me nervous.’

The Doctor made a subdued dash for it,
And propped himself at bay against a pillow.

‘Not that way, with your shoes on Kike’s white bed.
You can’t rest that way. Let me pull your shoes off.’

‘Don’t touch me, please--I say, don’t touch me, please.
I’ll not be put to bed by you, my man.’

‘Just as you say. Have it your own way then.
“My man” is it? You talk like a professor.
Speaking of who’s afraid of who, however,
I’m thinking I have more to lose than you
If anything should happen to be wrong.
Who wants to cut your number fourteen throat!
Let’s have a show down as an evidence
Of good faith. There is ninety dollars.
Come, if you’re not afraid.’

‘_I_’m not afraid.
There’s five: that’s all I carry.’