Chapter II: Part 2

I asked Kloster about anniversaries when I went for my lesson on Friday. He is a very human little man, full of sympathy,---the sort of comprehending sympathy that laughs and understands together, yet his genius seems to detach him from other Germans, for he criticizes them with a dispassionate thoroughness that is surprising. The remarks he makes about the Kaiser, for instance, whom he irreverently alludes to as S. M.--(short and rude for _Seine Majestat_)--simply make me shiver in this country of _lese majeste_. In England, where we can say what we like, I have never heard anybody say anything disrespectful about the King. Here, where you go to prison if you laugh even at officials, even at a policeman, at anything whatever in buttons, for that is the punishable offence of Beamtenbeleidigung--haven't they got heavenly words--Kloster and people I have come across in his rooms say what they like; and what they like is very rude indeed about that sacred man the Kaiser, who doesn't appear to be at all popular. But then Kloster belongs to the intelligents, and his friends are all people of intelligence, and that sort of person doesn't care very much, I think, for absolute monarchs. Kloster says they're anachronisms, that the world is too old for them, too grown-up for pretences and decorations. And when I went for my lesson on Friday I found his front door wreathed with evergreens and paper flowers,--pretences and decorations crawling even round Kloster--and I went in very reluctantly, not knowing what sort of a memorial celebration I was going to tumble into. But it was only that his wife--I didn't know he had a wife, he seemed altogether so happily unmarried--was coming home. She had been away for three weeks; not nearly long enough, you and I and others of our self-depreciatory and self-critical country would think, to deserve an evergreen garland round our door on coming back. He laughed when I told him I had been afraid to come in lest I should disturb retrospective obsequies.

"We are still so near, my dear Mees Chrees," he said, shrugging a fat shoulder--he asked me what I was called at home, and I said you called me Chris, and he said he would, with my permission, also call me Chrees, but with Mees in front of it to show that though he desired to be friendly he also wished to remain respectful--"we are still so near as a nation to the child and to the savage. To the clever child, and the powerful savage. We like simple and gross emotions and plenty of them; obvious tastes in our food and our pleasures, and a great deal of it; fat in our food, and fat in our women. And, like the child, when we mourn we mourn to excess, and enjoy ourselves in that excess; and, like the savage, we are afraid, and therefore hedge ourselves about with observances, celebrations, cannon, kings. In no other country is there more than one king. In ours we find three and an emperor necessary. The savage who fears all things does not fear more than we Germans. We fear other nations, we fear other people, we fear public opinion to an extent incredible, and tremble before the opinion of our servants and tradespeople; we fear our own manners and therefore are obliged to preserve the idiotic practice of duelling, in which as often as not the man whose honour is being satisfied is the one who is killed; we fear all those above us, of whom there are invariably a great many; we fear all officials, and our country drips with officials. The only person we do not fear is God."

"But--" I began, remembering their motto, bestowed on them by Bismarck,

"Yes, yes, I know," he interrupted. "It is not, however, true. The contrary is the truth. We Germans fear not God, but everything else in the world. It is only fear that makes us polite, fear of the duel; for, like the child and the savage, we have not had time to acquire the habit of good manners, the habit which makes manners inevitable and invariable, and it is not natural to us to be polite. We are polite only by the force of fear. Consequently--for all men must have their relaxations--whenever we meet the weak, the beneath us, the momentarily helpless, we are brutal. It is an immense relief to be for a moment natural. Every German welcomes even the smallest opportunity."

You would be greatly interested in Kloster, I'm certain. He sits there, his fiddle on his fat little knees, his bow punctuating his sentences with quivers and raps, his shiny bald head reflecting the light from the window behind him, and his eyes coming very much out of his face, which is excessively red. He looks like an amiable prawn; not in the least like a person with an active and destructive mind, not in the least like a great musician. He has the very opposite of the bushy eyebrows and overhanging forehead and deep set eyes and lots of hair you're supposed to have if you've got much music in you. He came over to me the other day after I had finished playing, and stretched up--he's a good bit smaller than I am--and carefully drew his finger along my eyebrows, each in turn. I couldn't think what he was doing.

"My finger is clean, Mees Chrees," he said, seeing me draw back. "I have just wiped it, Be not, therefore, afraid. But you have the real Beethoven brow--the very shape--and I must touch it. I regret if it incommodes you, but I must touch it. I have seen no such resemblance to the brow of the Master. You might be his child."

I needn't tell you, darling mother, that I went back to the boarders and the midday guests not minding them much. If I only could talk German properly I would have loved to have leant across the table to Herr Mannfried, an unwholesome looking young man who comes in to dinner every day from a bank in the Potsdamerstrasse, and is very full of that hatred which is really passion for England, and has pale hair and a mouth exactly like two scarlet slugs--I'm sorry to be so horrid, but it _is_ like two scarlet slugs--and said,--"Have you noticed that I have a _Beethovenkopf_? What do you think of me, an _Englanderin_, having such a thing? One of your own great men says so, so it must be true."

We are studying the Bach Chaconne now. He is showing me a different reading of it, his idea. He is going to play it at the Philarmonie here next week. I wish you could hear him. He was intending to go to London this season and play with a special orchestra of picked players, but has changed his mind. I asked him why, and he shrugged his shoulder and said his agent, who arranges these things, seemed to think he had better not. I asked him why again--you know my persistency--for I can't conceive why it should be better not for London to have such a joy and for him to give it, but he only shrugged his shoulder again, and said he always did what his agent told him to do. "My agent knows his business, my dear Mees Chrees," he said. "I put my affairs in his hands, and having done so I obey him. It saves trouble. Obedience is a comfortable thing."

"Then why--" I began, remembering the things he says about kings and masters and persons in authority; but he picked up his violin and began to play a bit. "See," he said, "this is how--"

And when he plays I can only stand and listen. It is like a spell. One stands there, and forgets. . . .

_Evening_.

I've been reading your last darling letter again, so full of love, so full of thought for me, out in a corner of the Thiergarten this afternoon, and I see that while I'm eagerly writing and writing to you, page after page of the things I want to tell you, I forget to tell you the things you want to know. I believe I never answer _any_ of your questions! It's because I'm so all right, so comfortable as far as my body goes, that I don't remember to say so. I have heaps to eat, and it is very satisfying food, being German, and will make me grow sideways quite soon, I should think, for Frau Berg fills us up daily with dumplings, and I'm certain they must end by somehow showing; and I haven't had a single cold since I've been here, so I'm outgrowing them at last; and I'm not sitting up late reading,--I couldn't if I tried, for Wanda, the general servant, who is general also in her person rather than particular--aren't I being funny--comes at ten o'clock each night on her way to bed and takes away my lamp.

"Rules," said Frau Berg briefly, when I asked if it wasn't a little early to leave me in the dark. "And you are not left in the dark. Have I not provided a candle and matches for the chance infirmities of the night?"

But the candle is cheap and dim, so I don't sit up trying to read by that. I preserve it wholly for the infirmities.

I've been in the Thiergarten most of the afternoon, sitting in a green corner I found where there is some grass and daisies down by a pond and away from a path, and accordingly away from the Sunday crowds. I watched the birds, and read the Winter's Tale, and picked some daisies, and felt very happy. The daisies are in a saucer before me at this moment. Everything smelt so good,--so warm, and sweet, and young, with the leaves on the oaks still little and delicate. Life is an admirable arrangement, isn't it, little mother. It is so clever of it to have a June in every year and a morning in every day, let alone things like birds, and Shakespeare, and one's work. You've sometimes told me, when I was being particularly happy, that there were even greater happiness ahead for me,--when I have a lover, you said; when I have a husband; when I have a child. I suppose you know, my wise, beloved mother; but the delight of work, of doing the work well that one is best fitted for, will be very hard to beat. It is an exultation, a rapture, that manifest progress to better and better results through one's own effort. After all, being obliged on Sundays to do nothing isn't so bad, because then I have time to think, to step back a little and look at life.

See what a quiet afternoon sunning myself among daisies has done for me. A week ago I was measuring the months to be got through before being with you again, in dismay. Now I feel as if I were very happily climbing up a pleasant hill, just steep enough to make me glad I can climb well, and all the way is beautiful and safe, and on the top there is you. To get to the top will be perfect joy, but the getting there is very wonderful too. You'll judge, from all this that I've had a happy week, that work is going well, and that I'm hopeful and confident. I mustn't be too confident, I know, but confidence is a great thing to work on. I've never done anything good on days of dejection.

Goodnight, dear mother. I feel so close to you tonight, just as if you were here in the room with me, and I had only to put out my finger and touch Love. I don't believe there's much in this body business. It is only spirit that matters really; and nothing can stop your spirit and mine being together.

Your Chris.

Still, a body is a great comfort when it comes to wanting to kiss one's darling mother.

_Berlin, Sunday, June 2lst, 1914_.

My precious mother,

The weeks fly by, full of work and _Weltpolitik_. They talk of nothing here at meals but this _Weltpolitik_. I've just been having a dose of it at breakfast. To say that the boarders are interested in it is to speak feebly: they blaze with interest, they explode with it, they scorch and sizzle. And they are so pugnacious! Not to each other, for contrary to the attitude at Kloster's they are knit together by the toughest band of uncritical and obedient admiration for everything German, but they are pugnacious to the Swede girl and myself. Especially to myself. There is a holy calm about the Swede girl that nothing can disturb. She has an enviable gift for getting on with her meals and saying nothing. I wish I had it. Directly I have learned a new German word I want to say it. I accumulate German words every day, of course, and there's something in my nature and something in the way I'm talked at and to at Frau Berg's table that makes me want to say all the words I've got as quickly as possible. And as I can't string them into sentences my conversation consists of single words, which produce a very odd effect, quite unintended, of detached explosions. When I've come to the end of them I take to English, and the boarders plunge in after me, and swim or drown in it according to their several ability.

It's queer, the atmosphere here,--in this house, in the streets, wherever one goes. They all seem to be in a condition of tension--of intense, tightly-strung waiting, very like that breathless expectancy in the last act of "Tristan" when Isolde's ship is sighted and all the violins hang high up on to a shrill, intolerably eager note. There's a sort of fever. And the big words! I thought Germans were stolid, quiet people. But how they talk! And always in capital letters. They talk in tremendous capitals about what they call the _deutscke Standpunkt_; and the _deutsche Standpunkt_ is the most wonderful thing you ever came across. Butter wouldn't melt in its mouth. It is too great and good, almost, they give one to understand, for a world so far behind in high qualities to appreciate. No other people has anything approaching it. As far as I can make out, stripped of its decorations its main idea is that what Germans do is right and what other people do is wrong. Even when it is exactly the same thing. And also, that wrong becomes right directly it has anything to do with Germans. Not with _a_ German. The individual German can and does commit every sort of wrong, just as other individuals do in other countries, and he gets punished for them with tremendous harshness; Kloster says with unfairness. But directly he is in the plural and becomes _Wir Deutschen_, as they are forever saying, his crimes become virtues. As a body he purifies, he has a purging quality. Today they were saying at breakfast that if a crime is big enough, if it is on a grand scale, it leaves off being a crime, for then it is a success, and success is always virtue,--that is, I gather, if it is a German success; if it is a French one it is an outrage. You mustn't rob a widow, for instance, they said, because that is stupid; the result is small and you may be found out and be cut by your friends. But you may rob a great many widows and it will be a successful business deal. No one will say anything, because you have been clever and successful.

I know this view is not altogether unknown in other countries, but they don't hold it deliberately as a whole nation. Among other things that Hilda Seeberg's father did which roused her unforgiveness was just this,--to rob too few widows, come to grief over it, and go bankrupt for very little. She told me about it in an outburst of dark confidence. Just talking of it made her eyes black with anger. It was so terrible, she said, to smash for a small amount,--such an overwhelming shame for the Seeberg family, whose poverty thus became apparent and unhideable. If one smashes, she said, one does it for millions, otherwise one doesn't smash. There is something so chic about millions, she said, that whether you make them or whether you lose them you are equally well thought-of and renowned.

"But it is better to--well, disappoint few widows than many," I suggested, picking my words.

"For less than a million marks," she said, eyeing me sternly, "it is a disgrace to fail."

They're funny, aren't they. I'm greatly interested. They remind me more and more of what Kloster says they are, clever children. They have the unmoral quality of children. I listen--they treat me as if I were the audience, and they address themselves in a bunch to my corner--and I put in one of my words now and then, generally with an unfortunate effect, for they talk even louder after that, and then presently the men get up and put their heels together and make a stiff inclusive bow and disappear, and Frau Berg folds up her napkin and brushes the crumbs out of her creases and says, "_Ja, ja_," with a sigh, as a sort of final benediction on the departed conversation, and then rises slowly and locks up the sugar, and then treads heavily away down the passage and has a brief skirmish in the kitchen with Wanda, who daily tries to pretend there hadn't been any pudding left over, and then treads heavily back again to her bedroom, and shuts herself in till four o'clock for her _Mittagsruhe_; and the other boarders drift away one by one, and I run out for a walk to get unstiffened after having practised all the morning, and as I walk I think over what they've been saying, and try to see things from their angle, and simply can't.

On Tuesdays and Fridays I have my lesson, and tell Kloster about them. He says they're entirely typical of the great bulk of the nation. "_Wir Deutschen_," he says, and laughs, "are the easiest people in the world to govern, because we are obedient and inflammable. We have that obedience of mind so convenient to Authority, and we are inflammable because we are greedy. Any prospect held out to us of getting something belonging to some one else sets us instantly alight. Dangle some one else's sausage before our eyes, and we will go anywhere after it. Wonderful material for S. M." And he adds a few irreverences.

Last Wednesday was his concert at the Philarmonie. He played like an angel. It was so strange, the fat, red, more than commonplace-looking little bald man, with his quite expressionless face, his wilfully stupid face--for I believe he does it on purpose, that blankness, that bulgy look of one who never thinks and only eats--and then the heavenly music. It was as strange and arresting as that other mixture, that startling one of the men who sell flowers in the London streets and the flowers they sell. What does it look like, those poor ragged men shuffling along the kerb, and in their arms, rubbing against their dirty shoulders, great baskets of beauty, baskets heaped up with charming aristocrats, gracious and delicate purities of shape and colour and scent. The strangest effect of all is when they happen, round about Easter, to be selling only lilies, and the unearthly purity of the lilies shines on the passersby from close to the seller's terrible face. Christ must often have looked like that, when he sat close up to Pharisees.

But although Kloster's music was certainly as beautiful as the lilies, he himself wasn't like those tragic sellers. It was only that he was so very ordinary,--a little man compact, apparently, of grossness, and the music he was making was so divine. It was that marvellous French and Russian stuff. I must play it to you, and play it to you, till you love it. It's like nothing there has ever been. It is of an exquisite youth,--untouched, fearless, quite heedless of tradition, going its own way straight through and over difficulties and prohibitions that for centuries have been supposed final. People like Wagner and Strauss and the rest seem so much sticky and insanitary mud next to these exquisite young ones, and so very old; and not old and wonderful like the great men, Beethoven and Bach and Mozart, but uglily old like a noisy old lady in a yellow wig.

The audience applauded, but wasn't quite sure. Such a master as Kloster, and one of their own flesh and blood, is always applauded, but I think the irregularity, the utter carelessness of the music, its apparently accidental beauty, was difficult for them. Germans have to have beauty explained to them and accounted for,--stamped first by an official, authorized, before they can be comfortable with it. I sat in a corner and cried, it was so lovely. I couldn't help it. I hid away and pulled my hat over my face and tried not to, for there was a German in eyeglasses near me, who, perceiving I wanted to hide, instantly spent his time staring at me to find out why. The music held all things in it that I have known or guessed, all the beauty, the wonder, of life and death and love. I _recognised_ it. I almost called out, "Yes--of course--_I_ know that too."

Afterwards I would have liked best to go home and to sleep with the sound of it still in my heart, but Kloster sent round a note saying I was to come to supper and meet some people who would be useful for me to know. One of his pupils, who brought the note, had been ordered to pilot me safely to the house, it being late, and as we walked and Kloster drove in somebody's car he was there already when we arrived, busy opening beer bottles and looking much more appropriate than he had done an hour earlier. I can't tell you how kindly he greeted me, and with what charming little elucidatory comments he presented me to his wife and the other guests. He actually seemed proud of me. Think how I must have glowed.

"This is Mees Chrees," he said, taking my hand and leading me into the middle of the room. "I will not and cannot embark on her family name, for it is one of those English names that a prudent man avoids. Nor does it matter. For in ten years--nay, in five--all Europe will have learned it by heart."

There were about a dozen people, and we had beer and sandwiches and were very happy. Kloster sat eating sandwiches and staring benevolently at us all, more like an amiable and hospitable prawn than ever. You don't know, little mother, how wonderful it is that he should say these praising things of me, for I'm told by other pupils that he is dreadfully severe and disagreeable if he doesn't think one is getting on. It was immensely kind of him to ask me to supper, for there was somebody there, a Grafin Koseritz, whose husband is in the ministry, and who is herself very influential and violently interested in music. She pulls most of the strings at Bayreuth, Kloster says, more of them even than Frau Cosima now that she is old, and gets one into anything she likes if she thinks one is worth while. She was very amiable and gracious, and told me I must marry a German! Because, she said, all good music is by rights, by natural rights, the property of Germany.

I wanted to say what about Debussy, and Ravel, and Stravinski, but I didn't.

She said how much she enjoyed these informal evenings at Kloster's, and that she had a daughter about my age who was devoted, too, to music, and a worshipper of Kloster's.

I asked if she was there, for there was a girl away in a corner, but she looked shocked, and said "Oh no"; and after a pause she said again, "Oh no. One doesn't bring one's daughter here."

"But I'm a daughter." I said,--I admit tactlessly; and she skimmed away over that to things that sounded wise but weren't really, about violins and the technique of fiddling.

Not that I haven't already felt it, the cleavage here in the classes; but this was my first experience of the real thing, the real Junker lady--the Koseritzes are Prussians. She, being married and mature, can dabble if she likes in other sets, can come down as a bright patroness from another world and clean her feathers in a refreshing mud bath, as Kloster put it, commenting on his supper party at my lesson last Friday; but she would carefully keep her young daughter out of it.

They made me play after supper. Actually Kloster brought out his Strad and said I should play on that. It was evident he thought it important for me to play to these particular people, so though I was dreadfully taken aback and afraid I was going to disgrace my master, I was so much touched by this kindness and care for my future that I obeyed without a word. I played the Kreutzer Sonata, and an officer played the accompaniment, a young man who looked so fearfully smart and correct and wooden that I wondered why he was there till he began to play, and then I knew; and as soon as I started I forgot the people sitting round so close to me, so awkwardly and embarrassingly near. The Strad fascinated me. It seemed to be playing by itself, singing to me, telling me strange and beautiful secrets. I stood there just listening to it.

They were all very kind and enthusiastic, and talked eagerly to each other of a new star, a _trouvaille_. Think of your Chris, only the other day being put in a corner by you in just expiation of her offensiveness--it really feels as if it were yesterday--think of her being a new, or anything else, star! But I won't be too proud, because people are always easily kind after supper, and besides they had been greatly stirred all the evening at the concert by Kloster's playing. He was pleased too, and said some encouraging and delightful things. The Junker lady was very kind, and asked me to lunch with her, and I'm going tomorrow. The young man who played the accompaniment bowed, clicked his heels together, caught up my hand, and kissed it. He didn't say anything. Kloster says he is passionately devoted to music, and so good at it that he would easily have been a first-rate musician if he hadn't happened to have been born a Junker, and therefore has to be an officer. It's a tragedy, apparently, for Kloster says he hates soldiering, and is ill if he is kept away long from music. He went away soon after that.

Grafin Koseritz brought me back in her car and dropped me at Frau Berg's on her way home. She lives in the Sommerstrasse, next to the Brandenburger Thor, so she isn't very far from me. She shuddered when she looked up at Frau Berg's house. It did look very dismal.

_Bedtime_.

I'm so sleepy, precious mother, so sleepy that I must go straight to bed. I can't hold my head up or my eyes open. I think it's the weather--it was very hot today. Good night and bless you, my sweetest mother.

Your own Chris who loves you.

_Berlin, Sunday, June 28th. Evening_.

Beloved little mother,

I didn't write this morning, but went for a whole day into the woods, because it was such a hot day and I longed to get away from Berlin. I've been wandering about Potsdam. It is only half an hour away in the train, and is full of woods and stretches of water, as well as palaces. Palaces weren't the mood I was in. I wanted to walk and walk, and get some of the pavement stiffness out of my legs, and when I was tired sit down under a tree and eat the bread and chocolate I took with me and stare at the sky through leaves. So I did.

I've had a most beautiful day, the best since I left you. I didn't speak to a soul all day, and found a place up behind Sans Souci on the edge of a wood looking out over a ryefield to an old windmill, and there I sat for hours; and after I had finished remembering what I could of the Scholar Gypsy, which is what one generally does when one sits in summer on the edge of a cornfield, I sorted out my thoughts. They've been getting confused lately in the rush of work day after day, as confused as the drawer I keep my gloves and ribbons in, thrusting them in as I take them off and never having time to tidy. Life tears along, and I have hardly time to look at my treasures. I'm going to look at them and count them up on Sundays. As the summer goes on I'll pilgrimage out every Sunday to the woods, as regularly as the pious go to church, and for much the same reason,--to consider, and praise, and thank.

I took your two letters with me, reading them again in the woods. They seemed even more dear out there where it was beautiful. You sound so content, darling mother, about me, and so full of belief in me. You may be very sure that if a human being, by trying and working, can justify your dear belief it's your Chris. The snapshot of the border full of Canterbury bells makes me able to picture you. Do you wear the old garden hat I loved you so in when you garden? Tell me, because I want to think of you _exactly_. It makes my mouth water, those Canterbury bells. I can see their lovely colours, their pink and blue and purple, with the white Sweet Williams and the pale lilac violas you write about. Well, there's nothing of that in the Lutzowstrasse. No wonder I went away from it this morning to go out and look for June in the woods. The woods were a little thin and austere, for there has been no rain lately, but how enchanting after the barren dustiness of my Berlin street! I did love it so. And I felt so free and glorious, coming off on my own for my hard-earned Sunday outing, just like any other young man.

The train going down was full of officers, and they all looked very smart and efficient and satisfied with themselves and life. In my compartment they were talking together eagerly all the way, talking shop with unaffected appetite, as though shop were so interesting that even on Sundays they couldn't let it be, and poring together over maps. No trace of stolidity. But where is this stolidity one has heard about? Compared to the Germans I've seen, it is we who are stolid; stolid, and slow, and bored. The last thing these people are is bored. On the contrary, the officers had that same excitement about them, that same strung-upness, that the men boarders at Frau Berg's have.

Potsdam is charming, and swarms with palaces and parks. If it hadn't been woods I was after I would have explored it with great interest. Do you remember when you read Carlyle's Frederick to me that winter you were trying to persuade me to learn to sew? And, bribing me to sew, you read aloud? I didn't learn to sew, but I did learn a great deal about Potsdam and Hohenzollerns, and some Sunday when it isn't quite so fine I shall go down and visit Sans Souci, and creep back into the past again. But today I didn't want walls and roofs, I wanted just to walk and walk. It was very crowded in the train coming back, full of people who had been out for the day, and weary little children were crying, and we all sat heaped up anyhow. I know I clutched two babies on my lap, and that they showed every sign of having no self-control. They were very sweet, though, and I wouldn't have minded it a bit if I had had lots of skirts; but when you only have two!

Wanda was very kind, and brought me some secret coffee and bread and butter to my room when I told her I had walked at least ten miles and was too tired to go into supper. She cried out "_Herr Je_!"--which I'm afraid is short for Lord Jesus, and is an exclamation dear to her--and seized the coffee pot at once and started heating it up. I remembered afterwards that German miles are three times the size of English ones, so no wonder she said _Herr Je_. But just think: I haven't seen a single boarder for a whole day. I do feel so much refreshed.

You know I told you in my last letter I was going to lunch with the Koseritzes on Monday, and so I did, and the chief thing that happened there, was that I was shy. Imagine it. So shy that I blushed and dropped things. For years I haven't thought of what I looked like when I've been with other people, because for years other people have been so absorbingly interesting that I forgot I was there too; but at the Koseritzes I suddenly found myself remembering, greatly to my horror, that I have a face, and that it goes about with me wherever I go, and that parts of it are--well, I don't like them. And I remembered that my hair had been done in a hurry, and that the fingers of my left hand have four hard lumps on their tips where they press the strings of my fiddle, and that they're very ugly, but then one can't have things both ways, can one. Also I became aware of my clothes, and we know how fatal that is when they are weak clothes like mine, don't we, little mother? You used to exhort me to put them on with care and concentration, and then leave them to God. Such sound advice! And I've followed it so long that I do completely forget them; but last Monday I didn't. They were urged on my notice by Grafin Koseritz's daughter, whose eyes ran over me from head to foot and then back again when I came in. She was the neatest thing--_aus dem Ei gegossen_, as they express perfect correctness of appearance. I suddenly knew, what I have always suspected, that I was blowsy,--blowsy and loose-jointed, with legs that are too long and not the right sort of feet. I hated my _Beethovenkopf_ and all its hair. I wanted to have less hair, and for it to be drawn neatly high off my face and brushed and waved in beautiful regular lines. And I wanted a spotless lacy blouse, and a string of pearls round my throat, and a perfectly made blue serge skirt without mud on it,--it was raining, and I had walked. Do you know what I felt like? A _goodnatured_ thing. The sort of creature people say generously about afterwards, "Oh, but she's so goodnatured."

Grafin Koseritz was terribly kind to me, and that made me shyer than ever, for I knew she was trying to put me at my ease, and you can imagine how shy _that_ made me. I blushed and dropped things, and the more I blushed and dropped things the kinder she was. And all the time my contemporary, Helena, looked at me with the same calm eyes. She has a completely emotionless face. I saw no trace of a passion for music or for anything else in it. She made no approaches of any sort to me, she just calmly looked at me. Her mother talked with the extreme vivacity of the hostess who has a difficult party on hand. There was a silent governess between two children. Junkerlets still in the school-room, who stared uninterruptedly at me and seemed unsuccessfully endeavouring to place me; there was a young lady cousin who talked during the whole meal in an undertone to Helena; and there was Graf Koseritz, an abstracted man who came in late, muttered something vague on being introduced to me and told I was a new genius Kloster had unearthed, sat down to his meal from which he did not look up again, and was monosyllabic when his wife tried to draw him in and make the conversation appear general. And all the time, while lending an ear to her cousin's murmur of talk, Helena's calm eyes lingered on one portion after the other of your poor vulnerable Chris.

Actually I found myself hoping hotly that I hadn't forgotten to wash my ears that morning in the melee of getting up. I have to wash myself in bits, one at a time, because at Frau Berg's I'm only given a very small tin tub, the bath being used for keeping extra bedding in. It is difficult and distracting, and sometimes one forgets little things like ears, little extra things like that; and when Helena's calm eyes, which appeared to have no sort of flicker in them, or hesitation, or blink, settled on one of my ears and hung there motionless, I became so much unnerved that I upset the spoon out of the whipped-cream dish that was just being served to me, on to the floor. It was a parquet floor, and the spoon made such a noise, and the cream made such a mess. I was so wretched, because I had already upset a pepper thing earlier in the meal, and spilt some water. The white-gloved butler advanced in a sort of stately goose-step with another spoon, which he placed on the dish being handed to me, and a third menial of lesser splendour but also white-gloved brought a cloth and wiped up the mess, and the Grafin became more terribly and volubly kind than ever. Helena's eyes never wavered. They were still on my ear. A little more and I would have reached that state the goaded shy get to when they suddenly in their agony say more striking things than the boldest would dream of saying, but Herr von Inster came in.

He is the young man I told you about who played my accompaniment the other night. We had got to the coffee, and the servants were gone, and the Graf had lit a cigar and was gazing in deep abstraction at the tablecloth while the Grafin assured me of his keen interest in music and its interpretation by the young and promising, and Helena's eyes were resting on a spot there is on my only really nice blouse,--I can't think how it got there, mother darling, and I'm fearfully sorry, and I've tried to get it out with benzin and stuff, but it is better to wear a blouse with spots on it than not to wear a blouse at all, isn't it. I had pinned some flowers on it too, to hide it, and so they did at first, but they were fading and hanging down, and there was the spot, and Helena found it. Well, Herr von Inster came in, and put us all right. He looks like nothing but a smart young officer, very beautiful and slim in his Garde-Uhlan uniform, but he is really a lot of other things besides. He is the Koseritz's cousin, and Helena says _Du_ to him. He was very polite, said the right things to everybody, explained he had had his luncheon, but thought, as he was passing, he would look in. He would not deny, be said, that he had heard I was coming--he made me a little bow across the table and smiled--and that he had hopes I might perhaps be persuaded to play.

Not having a fiddle I couldn't do that. I wish I could have, for I'm instantly natural and happy when I get playing; but the Grafin said she hoped I would play to some of her friends one evening as soon as she could arrange it,--friends interested in youthful geniuses, as she put it.

I said I would love to, and that it was so kind of her, but privately I thought I would inquire of Kloster first; for if her friends are all as deeply interested in music as the Graf and Helena, then I would be doing better and more profitably by going to bed at ten o'clock as usual, rather than emerge bedizened from my lair to go and flaunt in these haunts of splendid virtue.

After Herr von Inster came I began faintly to enjoy myself, for he talked all round, and greatly and obviously relieved his aunt by doing so. Helena let go of my ear and looked at him. Once she very nearly smiled. The other girl left off murmuring, and talked about things I could talk about too, such as England and Germany--they're never tired of that--and Strauss and Debussy. Only the Graf sat mute, his eyes fixed on the tablecloth.

"My husband is dying to hear you play," said the Grafin, when he got up presently to go back to his work. "Absolutely _dying_," she said, recklessly padding out the leanness of his very bald good-bye to me.

He said nothing even to that. He just went. He didn't seem to be dying.

Herr von luster walked back with me. He is very agreeable-looking, with kind eyes that are both shrewd and sad. He talks English very well, and so did everybody at the Koseritzes who talked at all. He is pathetically keen on music. Kloster says he would have been a really great player, but being a Junker settles him for ever. It is tragic to be forced out of one's natural bent, and he says he hates soldiering. People in the street were very polite, and made way for me because I was with an officer. I wasn't pushed off the pavement once.

Good night my own mother. I've had a happy week. I put my arms round you and kiss you with all that I have of love.

Your Chris.

Wanda came in in great excitement to fetch my tray just now, and said a prince has been assassinated. She heard the _Herrschaften_ saying so at supper. She thought they said it was an Austrian, but whatever prince it was it was _Majestatsbeleidigung_ to get killing him, and she marvelled how any one had dared. Then Frau Berg herself came to tell me. By this time I was in bed,--pig-tailed, and ready to go to sleep. She was tremendously excited, and I felt a cold shiver down my back watching her. She was so much excited that I caught it from her and was excited too. Well, it is very dreadful the way these king-people get bombed out of life. She said it was the Austrian heir to the throne and his wife, both of them. But of course you'll know all about it by the time you get this. She didn't know any details, but there had been extra editions of the Sunday papers, and she said it would mean war.

"War?" I echoed.

"War," she repeated; and began to tread heavily about the room saying, "War. War."

"But who with?" I asked, watching her fascinated, sitting up in bed holding on to my knees.

"It will come," said Frau Berg, treading about like some huge Judaic prophetess who sniffs blood. "It must come. There will be no quiet in the world till blood has been let."

"But what blood?" I asked, rather tremulously, for her voice and behaviour curdled me.

"The blood of all those evil-doers who are responsible," she said; and she paused a moment at the foot of my bed and folded her arms across her chest--they could hardly reach, and the word chest sounds much too flat--and added, "Of whom there are many."

Then she began to walk about again, and each time a foot went down the room shook. "All, all need punishing," she said as she walked. "There will be, there must be, punishment for this. Great and terrible. Blood will, blood must flow in streams before such a crime can be regarded as washed out. Such evil-doers must be emptied of all their blood."

And then luckily she went away, for I was beginning to freeze to the sheets with horror.

I got out of bed to write this. You'll be shocked too, I know. The way royalties are snuffed out one after the other! How glad I am I'm not one and you're not one, and we can live safely and fruitfully outside the range of bombs. Poor things. It is very horrible. Yet they never seem to abdicate or want not to be royalties, so that I suppose they think it worth it on the whole. But Frau Berg was terrible. What a bloodthirsty woman. I wonder if the other boarders will talk like that. I do pray not, for I hate the very word blood. And why does she say there'll be war? They will catch the murderers and punish them as they've done before, and there'll be an end of it. There wasn't war when the Empress of Austria was killed, or the King and Queen of Servia. I think Frau Berg wanted to make me creep. She has a fixed idea that English people are every one of them much too comfortable, and should at all costs be made to know what being uncomfortable is like. For their good, I suppose.

_Berlin, Tuesday, June 30th, 1914_.

Darling mother,

How splendid that you're going to Switzerland next month with the Cunliffes. I do think it is glorious, and it will make you so strong for the winter. And think how much nearer you'll be to me! I always suspected Mrs. Cunliffe of being secretly an angel, and now I know it. Your letter has just come and I simply had to tell you how glad I am.

Chris.

This isn't a letter, it's a cry of joy.

_Berlin, Sunday, July 5th, 1914_.

My blessed little mother,

It has been so hot this week. We've been sweltering up here under the roof. If you are having it anything like this at Chertsey the sooner you persuade the Cunliffes to leave for Switzerland the better. Just the sight of snow on the mountains out of your window would keep you cool. You know I told you my bedroom looks onto the Lutzowstrasse and the sun beats on it nearly all day, and flies in great numbers have taken to coming up here and listening to me play, and it is difficult to practise satisfactorily while they walk about enraptured on my neck. I can't swish them away, because both my hands are busy. I wish I had a tail.

Frau Berg says there never used to be flies in this room, and suggests with some sternness that I brought them with me,--the eggs, I suppose, in my luggage. She is inclined to deny that they're here at all, on the ground chiefly that nothing so irregular as a fly out of its proper place, which is, she says, a manure heap, is possible in Germany. It is too well managed, is Germany, she says. I said I supposed she knew that because she had seen it in the newspapers. I was snappy, you see. The hot weather makes me disposed, I'm afraid, to impatience with Frau Berg. She is so large, and she seems to soak up what air there is, and whenever she has sat on a chair it keeps warm afterwards for hours. If only some clever American with inventions rioting in his brain would come here and adapt her to being an electric fan! I want one so badly, and she would be beautiful whirling round, and would make an immense volume of air, I'm sure.

Well, darling one, you see I'm peevish. It's because I'm so hot, and it doesn't get cool at night. And the food is so hot too and so greasy, and the pallid young man with the red mouth who sits opposite me at dinner melts visibly and continuously all the time, and Wanda coming round with the dishes is like the coming of a blast of hot air. Kloster says I'm working too much, and wants me to practise less. I said I didn't see that practising less would make Wanda and the young man cooler. I did try it one day when my head ached, and you've no idea what a long day it seemed. So empty. Nothing to do. Only Berlin. And one feels more alone in Berlin than anywhere in the world, I think. Kloster says it's because I'm working too much, but I don't see how working less would make Berlin more companionable. Of course I'm not a bit alone really, for there is Kloster, who takes a very real and lively interest in me and is the most delightful of men, and there is Herr von Inster, who has been twice to see me since that day I lunched at his aunt's, and everybody in this house talks to me now,--more to me, I think, than to any other of the boarders, because I'm English and they seem to want to educate me out of it. And Hilda Seeberg has actually got as far in friendship as a cautious invitation to have chocolate with her one afternoon some day in the future at Wertheim's; and the pallid young man has suggested showing me the Hohenzollern museum some Sunday, where he can explain to me, by means of relics, the glorious history of that high family, as he put it; and Frau Berg, though she looks like some massive Satan, isn't really satanic I expect; and Dr. Krummlaut says every day as he comes into the diningroom rubbing his hands and passes my chair, "_Na, was macht England_?" which is a sign he is being gracious. It is only a feeling, this of being completely alone. But I've got it, and the longer I'm here and the better I know people the greater it becomes. It's an _uneasiness_. I feel as if my _spirit_ were alone,--the real, ultimate and only bit of me that is me and that matters.

If I go on like this you too, my little mother, will begin echoing Kloster and tell me that I'm working too much. Dear England. Dear, dear England. To find out how much one loves England all one has to do is to come to Germany.

Of course they talk of nothing else at every meal here now but the Archduke's murder. It's the impudence of the Servians that chiefly makes them gasp. That they should dare! Dr. Krummlaut says they never would have dared if they hadn't been instigated to this deed of atrocious blasphemy by Russia,--Russia bursting with envy of the Germanic powers and encouraging every affront to them. The whole table, except the Swede who eats steadily on, sees red at the word affront. Frau Berg reiterates that the world needs blood-letting before there can be any real calm again, but it isn't German blood she wants to let. Germany is surrounded by enormously wicked people, I gather, all swollen with envy, hatred and malice, and all of gigantic size. In the middle of these monsters browses Germany, very white and woolly-haired and loveable, a little lamb among the nations, artlessly only wanting to love and be loved, weak physically compared to its towering neighbours, but strong in simplicity and the knowledge of its _gute Recht_. And when they say these things they all turn to me for endorsement and approval--they've given up seeking response from the Swede, because she only eats--and I hastily run over my best words and pick out the most suitable one, which is generally _herrlich_, or else _ich gratuliere_. The gigantic, the really cosmic cynicism I fling into it glances off their comfortable thick skins unnoticed.

I think Kloster is right, and they haven't grown up yet. People like the Koseritzes, people of the world, don't show how young they are in the way these middle-class Germans do, but I daresay they are just the same really. They have the greediness of children too,--I don't mean in things to eat, though they have that too, and take the violent interest of ten years old in what there'll be for dinner--I mean greed for other people's possessions. In all their talk, all their expoundings of _deutsche Idealen_, I have found no trace of consideration for others, or even of any sort of recognition that other nations too may have rights and virtues. I asked Kloster whether I hadn't chanced on a little group of people who were exceptions in their way of looking at life, and he said No, they were perfectly typical of the Prussians, and that the other classes, upper and lower, thought in the same way, the difference lying only in their manner of expressing it.