Chapter XXIV: Part VII: The Hermit of the Wood (4)
GO from me. Yet I feel that I shall stand
Henceforward in thy shadow. Nevermore
Alone upon the threshold of my door
Of individual life I shall command
The uses of my soul, nor lift my hand
Serenely in the sunshine as before,
Without the sense of that which I forbore--
Thy touch upon the palm. The widest land
Doom takes to part us, leaves thy heart in mine
With pulses that beat double. What I do
And what I dream include thee, as the wine
Must taste of its own grapes. And when I sue
God for myself, He hears that name of thine,
And sees within my eyes the tears of two.
Elizabeth Barrett Browning. 1806-1861
685. Sonnets from the Portuguese iv
IF thou must love me, let it be for naught
Except for love's sake only. Do not say,
'I love her for her smile--her look--her way
Of speaking gently,--for a trick of thought
That falls in well with mine, and certes brought
A sense of pleasant ease on such a day'--
For these things in themselves, Beloved, may
Be changed, or change for thee--and love, so wrought,
May be unwrought so. Neither love me for
Thine own dear pity's wiping my cheeks dry:
A creature might forget to weep, who bore
Thy comfort long, and lose thy love thereby!
But love me for love's sake, that evermore
Thou mayst love on, through love's eternity.
Elizabeth Barrett Browning. 1806-1861
686. Sonnets from the Portuguese v
WHEN our two souls stand up erect and strong,
Face to face, silent, drawing nigh and nigher,
Until the lengthening wings break into fire
At either curving point,--what bitter wrong
Can the earth do us, that we should not long
Be here contented? Think! In mounting higher,
The angels would press on us, and aspire
To drop some golden orb of perfect song
Into our deep, dear silence. Let us stay
Rather on earth, Beloved--where the unfit
Contrarious moods of men recoil away
And isolate pure spirits, and permit
A place to stand and love in for a day,
With darkness and the death-hour rounding it.
Elizabeth Barrett Browning. 1806-1861
687. A Musical Instrument
WHAT was he doing, the great god Pan, Down in the reeds by the river? Spreading ruin and scattering ban, Splashing and paddling with hoofs of a goat, And breaking the golden lilies afloat With the dragon-fly on the river.
He tore out a reed, the great god Pan, From the deep cool bed of the river; The limpid water turbidly ran, And the broken lilies a-dying lay, And the dragon-fly had fled away, Ere he brought it out of the river.
High on the shore sat the great god Pan, While turbidly flow'd the river; And hack'd and hew'd as a great god can With his hard bleak steel at the patient reed, Till there was not a sign of the leaf indeed To prove it fresh from the river.
He cut it short, did the great god Pan (How tall it stood in the river!), Then drew the pith, like the heart of a man, Steadily from the outside ring, And notch'd the poor dry empty thing In holes, as he sat by the river.
'This is the way,' laugh'd the great god Pan (Laugh'd while he sat by the river), 'The only way, since gods began To make sweet music, they could succeed.' Then dropping his mouth to a hole in the reed, He blew in power by the river.
Sweet, sweet, sweet, O Pan! Piercing sweet by the river! Blinding sweet, O great god Pan! The sun on the hill forgot to die, And the lilies revived, and the dragon-fly Came back to dream on the river.
Yet half a beast is the great god Pan, To laugh as he sits by the river, Making a poet out of a man: The true gods sigh for the cost and pain-- For the reed which grows nevermore again As a reed with the reeds of the river.
Frederick Tennyson. 1807-1898
688. The Holy Tide
THE days are sad, it is the Holy tide:
The Winter morn is short, the Night is long;
So let the lifeless Hours be glorified
With deathless thoughts and echo'd in sweet song:
And through the sunset of this purple cup
They will resume the roses of their prime,
And the old Dead will hear us and wake up,
Pass with dim smiles and make our hearts sublime!
The days are sad, it is the Holy tide:
Be dusky mistletoes and hollies strown,
Sharp as the spear that pierced His sacred side,
Red as the drops upon His thorny crown;
No haggard Passion and no lawless Mirth
Fright off the solemn Muse,--tell sweet old tales,
Sing songs as we sit brooding o'er the hearth,
Till the lamp flickers, and the memory fails.
Henry Wadsworth Longfellow. 1807-1882
689. My Lost Youth
OFTEN I think of the beautiful town
That is seated by the sea;
Often in thought go up and down
The pleasant streets of that dear old town,
And my youth comes back to me.
And a verse of a Lapland song
Is haunting my memory still:
'A boy's will is the wind's will,
And the thoughts of youth are long, long thoughts.'
I can see the shadowy lines of its trees,
And catch, in sudden gleams,
The sheen of the far-surrounding seas,
And islands that were the Hesperides
Of all my boyish dreams.
And the burden of that old song,
It murmurs and whispers still:
'A boy's will is the wind's will,
And the thoughts of youth are long, long thoughts.'
I remember the black wharves and the slips,
And the sea-tides tossing free;
And Spanish sailors with bearded lips,
And the beauty and mystery of the ships,
And the magic of the sea.
And the voice of that wayward song
Is singing and saying still:
'A boy's will is the wind's will,
And the thoughts of youth are long, long thoughts.'
I remember the bulwarks by the shore,
And the fort upon the hill;
The sunrise gun with its hollow roar,
The drum-beat repeated o'er and o'er,
And the bugle wild and shrill.
And the music of that old song
Throbs in my memory still:
'A boy's will is the wind's will,
And the thoughts of youth are long, long thoughts.'
I remember the sea-fight far away,
How it thunder'd o'er the tide!
And the dead sea-captains, as they lay
In their graves o'erlooking the tranquil bay
Where they in battle died.
And the sound of that mournful song
Goes through me with a thrill:
'A boy's will is the wind's will,
And the thoughts of youth are long, long thoughts.'
I can see the breezy dome of groves,
The shadows of Deering's woods;
And the friendships old and the early loves
Come back with a Sabbath sound, as of doves
In quiet neighbourhoods.
And the verse of that sweet old song,
It flutters and murmurs still:
'A boy's will is the wind's will,
And the thoughts of youth are long, long thoughts.'
I remember the gleams and glooms that dart
Across the schoolboy's brain;
The song and the silence in the heart,
That in part are prophecies, and in part
Are longings wild and vain.
And the voice of that fitful song
Sings on, and is never still:
'A boy's will is the wind's will,
And the thoughts of youth are long, long thoughts.'
There are things of which I may not speak;
There are dreams that cannot die;
There are thoughts that make the strong heart weak,
And bring a pallor into the cheek,
And a mist before the eye.
And the words of that fatal song
Come over me like a chill:
'A boy's will is the wind's will,
And the thoughts of youth are long, long thoughts.'
Strange to me now are the forms I meet
When I visit the dear old town;
But the native air is pure and sweet,
And the trees that o'ershadow each well-known street,
As they balance up and down,
Are singing the beautiful song,
Are sighing and whispering still:
'A boy's will is the wind's will,
And the thoughts of youth are long, long thoughts.'
And Deering's woods are fresh and fair,
And with joy that is almost pain
My heart goes back to wander there,
And among the dreams of the days that were
I find my lost youth again.
And the strange and beautiful song,
The groves are repeating it still:
'A boy's will is the wind's will,
And the thoughts of youth are long, long thoughts.'
John Greenleaf Whittier. 1807-1892
690. Vesta
O CHRIST of God! whose life and death
Our own have reconciled,
Most quietly, most tenderly
Take home thy star-named child!
Thy grace is in her patient eyes,
Thy words are on her tongue;
The very silence round her seems
As if the angels sung.
Her smile is as a listening child's
Who hears its mother's call;
The lilies of Thy perfect peace
About her pillow fall.
She leans from out our clinging arms
To rest herself in Thine;
Alone to Thee, dear Lord, can we
Our well-beloved resign.
O, less for her than for ourselves
We bow our heads and pray;
Her setting star, like Bethlehem's,
To Thee shall point the way!
Helen Selina, Lady Dufferin. 1807-1867
691. Lament of the Irish Emigrant
I'M sittin' on the stile, Mary,
Where we sat side by side
On a bright May mornin' long ago,
When first you were my bride;
The corn was springin' fresh and green,
And the lark sang loud and high--
And the red was on your lip, Mary,
And the love-light in your eye.
The place is little changed, Mary,
The day is bright as then,
The lark's loud song is in my ear,
And the corn is green again;
But I miss the soft clasp of your hand,
And your breath warm on my cheek,
And I still keep list'ning for the words
You never more will speak.
'Tis but a step down yonder lane,
And the little church stands near,
The church where we were wed, Mary,
I see the spire from here.
But the graveyard lies between, Mary,
And my step might break your rest--
For I've laid you, darling! down to sleep,
With your baby on your breast.
I'm very lonely now, Mary,
For the poor make no new friends,
But, O, they love the better still,
The few our Father sends!
And you were all I had, Mary,
My blessin' and my pride:
There 's nothin' left to care for now,
Since my poor Mary died.
Yours was the good, brave heart, Mary,
That still kept hoping on,
When the trust in God had left my soul,
And my arm's young strength was gone:
There was comfort ever on your lip,
And the kind look on your brow--
I bless you, Mary, for that same,
Though you cannot hear me now.
I thank you for the patient smile
When your heart was fit to break,
When the hunger pain was gnawin' there,
And you hid it, for my sake!
I bless you for the pleasant word,
When your heart was sad and sore--
O, I'm thankful you are gone, Mary,
Where grief can't reach you more!
I'm biddin' you a long farewell,
My Mary--kind and true!
But I'll not forget you, darling!
In the land I'm goin' to;
They say there 's bread and work for all,
And the sun shines always there--
But I'll not forget old Ireland,
Were it fifty times as fair!
And often in those grand old woods
I'll sit, and shut my eyes,
And my heart will travel back again
To the place where Mary lies;
And I'll think I see the little stile
Where we sat side by side:
And the springin' corn, and the bright May morn,
When first you were my bride.
Caroline Elizabeth Sarah Norton. 1808-1876
692. I do not love Thee
I DO not love thee!--no! I do not love thee! And yet when thou art absent I am sad; And envy even the bright blue sky above thee, Whose quiet stars may see thee and be glad.
I do not love thee!--yet, I know not why,
Whate'er thou dost seems still well done, to me:
And often in my solitude I sigh
That those I do love are not more like thee!
I do not love thee!--yet, when thou art gone,
I hate the sound (though those who speak be dear)
Which breaks the lingering echo of the tone
Thy voice of music leaves upon my ear.
I do not love thee!--yet thy speaking eyes,
With their deep, bright, and most expressive blue,
Between me and the midnight heaven arise,
Oftener than any eyes I ever knew.
I know I do not love thee! yet, alas!
Others will scarcely trust my candid heart;
And oft I catch them smiling as they pass,
Because they see me gazing where thou art.
Charles Tennyson Turner. 1808-1879
693. Letty's Globe
WHEN Letty had scarce pass'd her third glad year, And her young artless words began to flow, One day we gave the child a colour'd sphere Of the wide earth, that she might mark and know, By tint and outline, all its sea and land. She patted all the world; old empires peep'd Between her baby fingers; her soft hand Was welcome at all frontiers. How she leap'd, And laugh'd and prattled in her world-wide bliss; But when we turn'd her sweet unlearned eye On our own isle, she raised a joyous cry-- 'Oh! yes, I see it, Letty's home is there!' And while she hid all England with a kiss, Bright over Europe fell her golden hair.
Edgar Allan Poe. 1809-1849
694. To Helen
HELEN, thy beauty is to me
Like those Nicean barks of yore
That gently, o'er a perfumed sea,
The weary way-worn wanderer bore
To his own native shore.
On desperate seas long wont to roam, Thy hyacinth hair, thy classic face, Thy Naiad airs have brought me home To the glory that was Greece, And the grandeur that was Rome.
Lo, in yon brilliant window-niche
How statue-like I see thee stand,
The agate lamp within thy hand,
Ah! Psyche, from the regions which
Are holy land!
Edgar Allan Poe. 1809-1849
695. Annabel Lee
IT was many and many a year ago,
In a kingdom by the sea,
That a maiden there lived whom you may know
By the name of Annabel Lee.
And this maiden she lived with no other thought
Than to love and be loved by me.
I was a child and she was a child
In this kingdom by the sea:
But we loved with a love that was more than love--
I and my Annabel Lee,
With a love that the winged seraphs of heaven
Coveted her and me.
And this was the reason that, long ago,
In this kingdom by the sea,
A wind blew out of a cloud, chilling
My beautiful Annabel Lee,
So that her high-born kinsmen came
And bore her away from me,
To shut her up in a sepulchre
In this kingdom by the sea.
The angels, not half so happy in heaven,
Went envying her and me--
Yes! that was the reason (as all men know,
In this kingdom by the sea)
That the wind came out of the cloud one night,
Chilling and killing my Annabel Lee.
But our love it was stronger by far than the love
Of those who were older than we--
Of many far wiser than we--
And neither the angels in heaven above,
Nor the demons down under the sea,
Can ever dissever my soul from the soul
Of the beautiful Annabel Lee:
For the moon never beams without bringing me dreams
Of the beautiful Annabel Lee;
And the stars never rise, but I feel the bright eyes
Of the beautiful Annabel Lee;
And so, all the night-tide, I lie down by the side
Of my darling--my darling--my life and my bride,
In the sepulchre there by the sea,
In her tomb by the sounding sea.
Edgar Allan Poe. 1809-1849
696. For Annie
THANK Heaven! the crisis--
The danger is past,
And the lingering illness
Is over at last--
And the fever called 'Living'
Is conquer'd at last.
Sadly, I know
I am shorn of my strength,
And no muscle I move
As I lie at full length:
But no matter--I feel
I am better at length.
And I rest so composedly
Now, in my bed,
That any beholder
Might fancy me dead--
Might start at beholding me,
Thinking me dead.
The moaning and groaning,
The sighing and sobbing,
Are quieted now,
With that horrible throbbing
At heart--ah, that horrible,
Horrible throbbing!
The sickness--the nausea--
The pitiless pain--
Have ceased, with the fever
That madden'd my brain--
With the fever called 'Living'
That burn'd in my brain.
And O! of all tortures
That torture the worst
Has abated--the terrible
Torture of thirst
For the naphthaline river
Of Passion accurst--
I have drunk of a water
That quenches all thirst.
--Of a water that flows,
With a lullaby sound,
From a spring but a very few
Feet under ground--
From a cavern not very far
Down under ground.
And ah! let it never
Be foolishly said
That my room it is gloomy,
And narrow my bed;
For man never slept
In a different bed--
And, to sleep, you must slumber
In just such a bed.
My tantalized spirit
Here blandly reposes,
Forgetting, or never
Regretting its roses--
Its old agitations
Of myrtles and roses:
For now, while so quietly
Lying, it fancies
A holier odour
About it, of pansies--
A rosemary odour,
Commingled with pansies--
With rue and the beautiful
Puritan pansies.
And so it lies happily,
Bathing in many
A dream of the truth
And the beauty of Annie--
Drown'd in a bath
Of the tresses of Annie.
She tenderly kiss'd me,
She fondly caress'd,
And then I fell gently
To sleep on her breast--
Deeply to sleep
From the heaven of her breast.
When the light was extinguish'd,
She cover'd me warm,
And she pray'd to the angels
To keep me from harm--
To the queen of the angels
To shield me from harm.
And I lie so composedly,
Now, in my bed
(Knowing her love),
That you fancy me dead--
And I rest so contentedly,
Now, in my bed
(With her love at my breast),
That you fancy me dead--
That you shudder to look at me,
Thinking me dead.
But my heart it is brighter
Than all of the many
Stars in the sky,
For it sparkles with Annie--
It glows with the light
Of the love of my Annie--
With the thought of the light
Of the eyes of my Annie.
Edward Fitzgerald. 1809-1883
697. Old Song
TIS a dull sight
To see the year dying,
When winter winds
Set the yellow wood sighing:
Sighing, O sighing!
When such a time cometh
I do retire
Into an old room
Beside a bright fire:
O, pile a bright fire!
And there I sit
Reading old things,
Of knights and lorn damsels,
While the wind sings--
O, drearily sings!
I never look out
Nor attend to the blast;
For all to be seen
Is the leaves falling fast:
Falling, falling!
But close at the hearth,
Like a cricket, sit I,
Reading of summer
And chivalry--
Gallant chivalry!
Then with an old friend
I talk of our youth--
How 'twas gladsome, but often
Foolish, forsooth:
But gladsome, gladsome!
Or, to get merry,
We sing some old rhyme
That made the wood ring again
In summer time--
Sweet summer time!
Then go we smoking,
Silent and snug:
Naught passes between us,
Save a brown jug--
Sometimes!
And sometimes a tear
Will rise in each eye,
Seeing the two old friends
So merrily--
So merrily!
And ere to bed
Go we, go we,
Down on the ashes
We kneel on the knee,
Praying together!
Thus, then, live I
Till, 'mid all the gloom,
By Heaven! the bold sun
Is with me in the room
Shining, shining!
Then the clouds part,
Swallows soaring between;
The spring is alive,
And the meadows are green!
I jump up like mad,
Break the old pipe in twain,
And away to the meadows,
The meadows again!
Edward Fitzgerald. 1809-1883
698. From Omar Khayyám
I
A BOOK of Verses underneath the Bough, A Jug of Wine, a Loaf of Bread--and Thou Beside me singing in the Wilderness-- O, Wilderness were Paradise enow!
Some for the Glories of This World; and some Sigh for the Prophet's Paradise to come; Ah, take the Cash, and let the Credit go, Nor heed the rumble of a distant Drum!
Look to the blowing Rose about us--'Lo, Laughing,' she says, 'into the world I blow, At once the silken tassel of my Purse Tear, and its Treasure on the Garden throw.'
And those who husbanded the Golden grain And those who flung it to the winds like Rain Alike to no such aureate Earth are turn'd As, buried once, Men want dug up again.
II
Think, in this batter'd Caravanserai Whose Portals are alternate Night and Day, How Sultán after Sultán with his Pomp Abode his destined Hour, and went his way.
They say the Lion and the Lizard keep The Courts where Jamshyd gloried and drank deep: And Bahrám, that great Hunter--the wild Ass Stamps o'er his Head, but cannot break his Sleep.
I sometimes think that never blows so red The Rose as where some buried Caesar bled; That every Hyacinth the Garden wears Dropt in her Lap from some once lovely Head.
And this reviving Herb whose tender Green Fledges the River-Lip on which we lean-- Ah, lean upon it lightly! for who knows From what once lovely Lip it springs unseen!
Ah, my Beloved, fill the Cup that clears TO-DAY of past Regrets and Future Fears: To-morrow!--Why, To-morrow I may be Myself with Yesterday's Sev'n thousand Years.
For some we loved, the loveliest and the best That from his Vintage rolling Time hath prest, Have drunk their Cup a Round or two before, And one by one crept silently to rest.
And we, that now make merry in the Room They left, and Summer dresses in new bloom, Ourselves must we beneath the Couch of Earth Descend--ourselves to make a Couch--for whom?
Ah, make the most of what we yet may spend, Before we too into the Dust descend; Dust unto Dust, and under Dust to lie, Sans Wine, sans Song, sans Singer, and--sans End!
III
Ah, with the Grape my fading Life provide, And wash my Body whence the Life has died, And lay me, shrouded in the living Leaf, By some not unfrequented Garden-side....
Yon rising Moon that looks for us again-- How oft hereafter will she wax and wane; How oft hereafter rising look or us Through this same Garden--and for one in vain!
And when like her O Sákí, you shall pass Among the Guests star-scatter'd on the Grass, And in your joyous errand reach the spot Where I made One--turn down an empty Glass!
Alfred Tennyson, Lord Tennyson. 1809-1892
699. Mariana
WITH blackest moss the flower-plots
Were thickly crusted, one and all:
The rusted nails fell from the knots
That held the pear to the gable-wall.
The broken sheds look'd sad and strange:
Unlifted was the clinking latch;
Weeded and worn the ancient thatch
Upon the lonely moated grange.
She only said, 'My life is dreary,
He cometh not,' she said;
She said, 'I am aweary, aweary,
I would that I were dead!'
Her tears fell with the dews at even;
Her tears fell ere the dews were dried;
She could not look on the sweet heaven,
Either at morn or eventide.
After the flitting of the bats,
When thickest dark did trance the sky,
She drew her casement-curtain by,
And glanced athwart the glooming flats.
She only said, 'The night is dreary,
He cometh not,' she said;
She said, 'I am aweary, aweary,
I would that I were dead!'
Upon the middle of the night,
Waking she heard the night-fowl crow:
The cock sung out an hour ere light:
From the dark fen the oxen's low
Came to her: without hope of change,
In sleep she seem'd to walk forlorn,
Till cold winds woke the gray-eyed morn
About the lonely moated grange.
She only said, 'The day is dreary,
He cometh not,' she said;
She said, 'I am aweary, aweary,
I would that I were dead!'
About a stone-cast from the wall
A sluice with blacken'd waters slept,
And o'er it many, round and small,
The cluster'd marish-mosses crept.
Hard by a poplar shook alway,
All silver-green with gnarled bark:
For leagues no other tree did mark
The level waste, the rounding gray.
She only said, 'My life is dreary,
He cometh not,' she said;
She said, 'I am aweary, aweary,
I would that I were dead!'
And ever when the moon was low,
And the shrill winds were up and away,
In the white curtain, to and fro,
She saw the gusty shadow sway.
But when the moon was very low,
And wild winds bound within their cell,
The shadow of the poplar fell
Upon her bed, across her brow.
She only said, 'The night is dreary,
He cometh not,' she said;
She said, 'I am aweary, aweary,
I would that I were dead!'
All day within the dreamy house,
The doors upon their hinges creak'd;
The blue fly sung in the pane; the mouse
Behind the mouldering wainscot shriek'd,
Or from the crevice peer'd about.
Old faces glimmer'd thro' the doors,
Old footsteps trod the upper floors,
Old voices call'd her from without.
She only said, 'My life is dreary,
He cometh not,' she said;
She said, 'I am aweary, aweary,'
I would that I were dead!'
The sparrow's chirrup on the roof,
The slow clock ticking, and the sound
Which to the wooing wind aloof
The poplar made, did all confound
Her sense; but most she loathed the hour
When the thick-moted sunbeam lay
Athwart the chambers, and the day
Was sloping toward his western bower.
Then, said she, 'I am very dreary,
He will not come,' she said;
She wept, 'I am aweary, aweary,
O God, that I were dead!'
Alfred Tennyson, Lord Tennyson. 1809-1892
700. The Lady of Shalott
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Bulchevy's Book of English VerseChapter XXIV: Part VII: The Hermit of the Wood (4)
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