Chapter III
_On Duerer's landscape, with reference to the sentence on p. 101_:
"I hope you are pleased."
252. I spoke just now only of the ill-shaped body of this figure of Fortune, or Pleasure. Beneath her feet is an elaborate landscape. It is all drawn out of Duerer's head;--he would look at bones or tendons carefully, or at the leaf details of foreground;--but at the breadth and loveliness of real landscape, never.
He has tried to give you a bird's-eye view of Germany; rocks, and woods, and clouds, and brooks, and the pebbles in their beds, and mills, and cottages, and fences, and what not; but it is all a feverish dream, ghastly and strange, a monotone of diseased imagination.
And here is a little bit of the world he would not look at--of the great river of his land, with a single cluster of its reeds, and two boats, and an island with a village, and the way for the eternal waters opened between the rounded hills.[BP]
It is just what you may see any day, anywhere,--innocent, seemingly artless; but the artlessness of Turner is like the face of Gainsborough's village girl, and a joy forever.
Comments
Log in to leave a comment.
Ariadne Florentina: Six Lectures on Wood and Metal EngravingChapter III
0%1 min left in chapter