Chapter V: Part 5

Mr. Gossett paused and felt in his pockets, evidently searching for something. "Have you seen a pistol lying loose anywhere around here?" he asked.

"It's all safe," replied Aaron.

"You've got it. Very well. I was just going to pull it out and hand it to you. Come on; it's getting late." Seeing that Aaron made no movement, Mr. Gossett tried another scheme. "Well, if you won't go home," he said, "and I think I can promise that you'll be sorry if you don't, get in the buggy and drive part of the way for me. I'm afraid of that horse after his caper to-night."

"Well, I'll do that," remarked Aaron.

He helped Mr. Gossett into the buggy, untied the lines, took his seat by his owner, and the two were soon on their way home.

X.

CHUNKY RILEY SEES A QUEER SIGHT.

There is no doubt that Mr. Gossett was sincere in what he said to Aaron. There is no doubt that he fully intended to carry out the promises he had made in the hope of inducing the runaway to return home with him. Nor can it be doubted that he had some sort of respect for a slave who, although a fugitive with a reward offered for his capture, was willing to go to the rescue of his owner at a very critical moment. Mr. Gossett was indeed a harsh, hard, calculating man, whose whole mind was bent on accumulating "prop'ty," as he called it, to the end that he might be looked up to as Addison Abercrombie and other planters were. But after all, he was a human being, and he admired strength, courage, audacity, and the suggestion of craftiness that he thought he discovered in Aaron.

Moreover, he was not without a lurking fear of the runaway, for, at bottom, Mr. Gossett's was essentially a weak nature. This weakness constantly displayed itself in his hectoring, blustering, overbearing manner toward those over whom he had any authority. It was natural, therefore, that Mr. Gossett should have a secret dread of Aaron, as well as a lively desire to conciliate him up to a certain point. More than this, Mr. Gossett had been impressed by the neighborhood talk about the queer runaway. As long as such talk was confined to the negroes he paid no attention to it; but when such a sage as Mr. Jonathan Gadsby, a man of large experience and likewise a justice of the peace, was ready to agree to some of the most marvelous tales told about the agencies that Aaron was able to call to his aid, the superstitious fears of Mr. Gossett began to give him an uneasy feeling.

The first proposition that Mr. Gadsby laid down was that Aaron was "not by no means a nigger, as anybody with eyes in their head could see." That fact was first to be considered. Admit it, and everything else that was said would follow as a matter of course. Mr. Gadsby's argument, judicially delivered to whomsoever wanted to hear it, was this: It was plain to be seen that the runaway was no more like a nigger than a donkey is like a race-horse. Now, if he wasn't a nigger what was he trying to play nigger for? What was he up to? Why couldn't the track dogs catch him? When some one said Mr. Simmons's dogs hadn't tried, Mr. Gadsby would answer that when Mr. Simmons's dogs did try they'd make a worse muddle of it than ever. Why? Because the runaway had on him the marks of the men that called the elements to help them. Mr. Gadsby knew it, because he had seen their pictures in the books, and the runaway looked just like them. Mr. Gadsby's memory was exact. The pictures he had seen were in a book called the "Arabian Nights."

Mr. Gossett thought of what Mr. Gadsby had said, as he sat with Aaron in the buggy, and cold chills began to creep up his spine. He edged away as far as he could, but Aaron paid no attention to his movement. Once the horse turned its head sidewise and whinnied. Aaron made some sort of reply that was unintelligible to Mr. Gossett. The horse stopped still, Aaron jumped from the buggy, went to the animal's head, and presently came back with a part of the harness in his hand, which he threw on the bottom of the buggy.

"What's that?" Mr. Gossett asked.

"Bridle. Bit hurt horse's mouth." He then coolly pulled the reins in and placed them with the bridle.

"Why, confound it, don't you know this horse is as wild as a buck? Are you fixing to have me killed? What are you doing now?"

Aaron had taken the whip from its thimble, laid the lash gently on the horse's back, and held it there. In response to his chirrup the horse whinnied gratefully and shook its head playfully.

When Mr. Gossett saw that the horse was going easily and that it seemed to be completely under Aaron's control, he remembered again what Mr. Gadsby had said about people who were able to call the elements to their aid, and it caused a big lump to rise in his throat. What was this going on right before his eyes? A runaway sitting by his side and driving a fractious and easily frightened horse without bit or bridle? And then another thought crossed Mr. Gossett's mind--a thought so direful that it caused a cold sweat to stand on his forehead. Was it the runaway's intention to jump suddenly from the buggy and strike the horse with the whip? But Aaron showed no such purpose or desire. Once he leaned forward, peering into the darkness, and said something to the horse.

"What is it?" Mr. Gossett asked nervously.

"Some buggies coming along," replied Aaron.

"Can you pass them here?"

"If they give your wheels one inch to spare," replied Aaron. "Tell 'em to bear to the right."

"Hello, there!" cried Mr. Gossett.

"Hello, yourself!" answered a voice.

"That you, Terrell?"

"Yes, ain't that Gossett?"

"The same. Bear to the right. Where've you been?"

"Been to the lodge at Harmony." The attic of the schoolhouse at Harmony was used as a Masonic lodge.

"Who's behind you?" Mr. Gossett inquired.

"Denham, Aiken, Griffin, and Gatewood."

There were, in fact, four buggies, Mr. Griffin being on horseback, and they were all close together. Mr. Gossett had but to seize Aaron, yell for help, and his neighbors would soon have the runaway tied hard and fast with the reins in the bottom of the buggy. That is, if Aaron couldn't call the elements to his aid--but suppose he could? What then? These thoughts passed through Mr. Gossett's mind, and he was strongly tempted to try the experiment; but he refrained. He said good-night, but Mr. Aiken hailed him.

"You know that new school teacher at Abercrombie's?"

"I haven't seen him," said Mr. Gossett.

"Well, he's there. Keep an eye on him. He's a rank abolitionist."

"Is that so?" exclaimed Mr. Gossett in a tone of amazement.

"So I've heard. He'll bear watching."

"Well, well, well!" Mr. Gossett ejaculated.

"What's that?" Aaron asked in a low tone, as they passed the last of the four buggies.

"What's what?"

"Abolitioner."

"Oh, that's one of these blamed new-fangled parties. You wouldn't know if I were to tell you."

In a little while they began to draw near Mr. Gossett's home, and he renewed his efforts to prevail on Aaron to go to the cabin that had been assigned to him, and to remain as one of the hands. Finally as they came within hailing distance of the house, Mr. Gossett said:--

"If you've made up your mind to stay, you may take the horse and put it up. If you won't stay, don't let the other niggers see you. Stop the horse if you can."

Aaron pressed the whip on the horse's flank, and instantly the buggy came to a standstill. The runaway jumped from the buggy, placed the whip in its thimble, and stood a moment as if reflecting. Then he raised his right arm in the air--a gesture that Mr. Gossett could not see, however--and said good-night.

"Wait!" exclaimed Mr. Gossett. "Where's my pistol?"

"Inside the buggy seat," replied Aaron, and disappeared in the darkness.

Mr. Gossett called a negro to take the horse, and it seemed as if one sprang from the ground to answer the call, with "Yes, Marster!" on the end of his tongue. It was Chunky Riley.

"How long have you been standing here?" asked Mr. Gossett suspiciously.

"No time, Marster. Des come a-runnin' when I hear de buggy wheels scrunchin' on de gravel. I hear you talkin' to de hoss whiles I comin' froo de big gate down yander by de barn."

"You're a mighty swift runner, then," remarked Mr. Gossett doubtfully.

"Yasser, I'm a right peart nigger. I'm short, but soon." Thereupon Chunky Riley pretended to laugh. Then he made a discovery, and became very serious. "Marster, dey ain't no sign er no bridle on dish yer hoss. An' whar de lines? Is anybody ever see de beat er dat? Marster, how in de name er goodness kin you drive dish yer hoss widout bridle er lines?"

"It's easy enough when you know how," replied Mr. Gossett complacently. He was flattered and soothed by the idea that Chunky Riley would believe him to be a greater man than ever. "Give the horse a good feed," commanded Mr. Gossett. "He has traveled far to-night, and he and I have seen some queer sights."

"Well, suh!" exclaimed Chunky Riley, with well-affected amazement. He caught the horse by the forelock and led it carefully through the gate into the lot, thence to the buggy-shelter, where he proceeded to take off the harness.

He shook his head and muttered to himself all the while, for he was wrestling with the most mysterious problem that had ever been presented to his mind. He had seen Aaron in the buggy with his master; he had heard his master begging Aaron not to stay in the woods; he had seen and heard these things with his own eyes and ears, and they were too mysterious for his simple mind to explain. Didn't Aaron belong to Chunky Riley's master? Wasn't he a runaway? Didn't his master try to catch him? Didn't he have the Simmons nigger-dogs after him that very day? Well, then, why didn't his master keep Aaron while he had him in the buggy? Why did he sit still and allow the runaway to go back to the woods?

This was much more mysterious to Chunky Riley than anything he had ever heard of. He could make neither head nor tail of it. He knew that Aaron had some mysterious influence over the animals, both wild and tame. That could be accounted for on grounds that were entirely plausible and satisfactory to the suggestions of Chunky Riley's superstition. But did Aaron have the same power over his own master? It certainly seemed so, for he rode in the buggy with him, and went off into the woods again right before Mr. Gossett's eyes.

But wait a minute! If Aaron really had any influence over his own master, why didn't he stay at home instead of going into the woods? This was a problem too complicated for Chunky Riley to work out. But it worried him so that he whispered it among the other negroes on the place, and so it spread through all that region.

A fortnight afterwards it was nothing uncommon for negroes to come at night from plantations miles away so that they might hear from Chunky Riley's own lips what he had seen.

The tale that Chunky Riley told was beyond belief, but it was all the more impressive on that account. And it was very fortunate for Aaron, too, in one respect. After the story that Chunky Riley told became bruited about, there was not a negro to be found who could be bribed or frightened into spying on Aaron's movements, or who could be induced to say that he had seen him.

It was observed, too, by all the negroes, as well as by many of the white people, that Mr. Gossett seemed to lose interest in his fugitive slave. He made no more efforts to capture Aaron, and, when twitted about it by some of his near neighbors, his invariable remark was, "Oh, the nigger'll come home soon enough when cold weather sets in. A nigger can stand everything except cold weather." Yet Mr. Gossett's neighbors all knew that nothing was easier than for a runaway to make a fire in the woods and keep himself fairly comfortable. They wondered, therefore, why the well-known energy of Mr. Gossett in capturing his runaway negroes--and he had a remarkable experience in the matter of runaways--should suddenly cool down with respect to Aaron.

But it must not be supposed that this made any real difference. On the contrary, as soon as George Gossett found that his father was willing to allow matters to take their course as far as Aaron was concerned, he took upon himself the task of capturing the fugitive, and in this business he was able to enlist the interest of the young men of the neighborhood, who, without asking anybody's advice, constituted themselves the patrol. George Gossett's explanation to his companions, in engaging their assistance, was, "Pap is getting old, and he ain't got time to be setting up late at night and galloping about all day trying to catch a runaway nigger."

These young fellows were quite willing to pledge themselves to George Gossett's plans. They had arrived at the age when the vigor of youth seeks an outlet, and it was merely in the nature of a frolic for them to ride half the night patrolling, and sit out the other half watching for Aaron.

But there was one peculiarity about the vigils that were kept on account of Aaron. They were carried on, for the most part, within tasting distance of the stillhouse run by Mr. Fullalove, which was on a small watercourse not far from the Abercrombie place. Mr. Fullalove was employed simply to superintend the distilling of peach and apple brandy and corn whiskey; and although it was his duty to taste of the low wines as they trickled from the spout of the "worm," he could truthfully boast, as he frequently did, that not a drop of liquor had gone down his throat for "forty year." Being a temperance man, and feeling himself responsible for the "stuff" at the still, he was inclined to resent the freedom with which the young men conducted themselves. Sometimes they paid for what they drank, but more often they didn't, and at such times Mr. Fullalove would limp about attending to his business (he had what he called a "game leg") with tight-shut lips, refusing to respond to the most civil question.

But usually the young men were very good company, and, occasionally, when Mr. Fullalove was suffering from pains in his "game leg," they would keep up his fires for him. And that was no light task, for the still was of large capacity. Take it all in all, however, one night with another, Mr. Fullalove was perfectly willing to dispense with both the services and the presence of the roystering young men.

But one night when they came the old man had something interesting to tell them.

"You fellers ought to 'a' been here awhile ago," he said. "I reckon you'd 'a' seed somethin' that'd 'a' made you open your eyes. I was settin' in my cheer over thar, some'rs betwixt a nod an' a dream, when it seems like I heard a dog a-whinin' in the bushes. Then I heard a stick crack, an' when I opened my eyes who should I see but the biggest, strappin'est buck nigger that ever trod shoe leather. I say 'Nigger,'" Mr. Fullalove explained, "bekaze I dunner what else to say, but ef that man's a nigger I'm mighty much mistaken. He's dark enough for to be a nigger, but he ain't got the right color, an' he ain't got the right countenance, an' he ain't got the right kind of ha'r, an' he ain't got the right king of twang to his tongue."

Mr. Fullalove paused a moment to see what effect this would have on the young men. Then he went on:--

"I heard a dog whinin' out thar in the bushes, but I didn't pay no attention to it. Then I stoops down for to git a splinter for to light my pipe, an' when I look up thar was this big, tall--well, you can call him 'nigger' ef you want to. I come mighty nigh jumpin' out'n my skin. I drapt splinter, pipe, hat, an' eve'ything else you can think of, an' ef the man hadn't 'a' retched down an' picked 'em up I dunno as I'd 'a' found 'em by now. I ain't had sech a turn,--well, not sence that night when the 'worm' got chugged up an' the cap of the still blow'd off.

"'Hello,' says I, 'when did you git in? You might 'a' knocked at the door,' says I. I tried for to make out I wern't skeer'd, but 't wa'n't no go. The man--nigger or ha'nt, whichsomever it might 'a' been--know'd e'en about as well as I did that he'd skeered me. Says he, 'Will you please, sir, give me as much as a spoonful of low-wines for to rub on my legs?' says he. 'I've been on my feet so long that my limbs are sore,' says he.

"'Why, tooby shore I will,' says I, 'ef you'll make affydavy that you'll not creep up on me an' skeer me out'n two years' growth,' says I. You may not believe me," Mr. Fullalove continued solemnly, "but that man stood up thar an' never cracked a smile. I got one of them half-pint ticklers an' let the low-wines run in it hot from the worm. He taken it an' set right on that log thar an' poured it in his han' an' rubbed it on his legs. Now, ef that'd 'a' been one of you boys, you'd 'a' swaller'd the low-wines an' rubbed your legs wi' the bottle."

George Gossett knew that the man Mr. Fullalove had seen was no other than Aaron, the runaway.

"Which way did he go, Uncle Jake?" George inquired.

"Make inquirements of the wind, child! The wind knows lot more about it than me. The man bowed, raised his right han' in the a'r, taken a couple of steps, an'--_fwiff_--he was gone! Whether he floated or flew, I'll never tell you, but he done uther one er t' other, maybe both."

"I'd give a twenty-dollar bill if I could have been here!" exclaimed George Gossett.

"On what bank, Gossett?" asked one of his companions.

"On a sandbank," remarked Mr. Fullalove sarcastically.

"And I'll give a five-dollar bill to know which way he went," said young Gossett, paying no attention to gibe or sarcasm.

"Plank down your money!" exclaimed Mr. Fullalove.

The young man pulled a bill from his pocket, unrolled it, and held it in his hand.

"He went the way the wind blow'd! Gi' me the money," said Mr. Fullalove solemnly.

Whereat the young men laughed loudly, but not louder than Mr. Fullalove.

"Some of your low-wines must have slipped down your goozle," remarked George Gossett somewhat resentfully.

Later, when the young men were patrolling the plantations in a vain search for Aaron, their leader remarked:--

"The nigger that old Fullalove saw was pap's runaway."

"But," said one, "the old man says he wasn't a nigger."

"Shucks! Fallalove's so old he couldn't tell a mulatto from a white man at night. You needn't tell me; that nigger hangs around the Abercrombie place, and if we'll hang around there we'll catch him."

So they agreed then and there to lay siege, at it were, to the Abercrombie place every night, until they succeeded either in capturing Aaron or in finding out something definite about his movements. This siege was to go on in all sorts of weather and under all sorts of conditions.

XI.

THE PROBLEM THAT TIMOLEON PRESENTED.

When Mr. Abercrombie heard of the capers of the Black Stallion, he determined to place the horse in quarters that were more secure. But where? There was but one building on the place that could be regarded as perfectly secure--the crib in the five-acre lot. This crib was built of logs hewn square and mortised together at the ends. It had been built to hold corn and other grain, and logs were used instead of planks because the nearest sawmill was some distance away, and the logs were cheaper and handier. Moreover, as they were hewn from the hearts of the pines they would last longer than sawn lumber.

This building was therefore selected as the Black Stallion's stable, and it was made ready. A trough was fitted up and the edges trimmed with hoop iron to prevent the horse from gnawing it to pieces. The floor was taken away and a new door made, a thick, heavy affair. To guard against all accidents a hole, which could be opened or closed from the outside, was cut through the logs over the trough, so that when the Black Stallion was in one of his tantrums he could be fed and watered without risk to life or limb.

When everything was ready, the question arose, how was the horse to be removed to his new quarters? Mr. Abercrombie considered the matter an entire afternoon, and then decided to postpone it until the next day. He said something about it at supper, and this caused Mrs. Abercrombie to remark that she hoped he would get rid of such a savage creature. She said she should never feel safe while the horse remained on the place. But Mr. Abercrombie laughed at this excess of fear, and so did Little Crotchet, who made bold to say that if his father would permit him, he would have Timoleon put in his stable that very night, and it would be done so quietly that nobody on the place would know how or when it happened.

Mr. Abercrombie regarded his son with tender and smiling eyes.

"And what wonderful person will do this for you, my boy?"

"A friend of mine," replied Little Crotchet seriously.

"Well, you have so many friends that I'll never guess the name," remarked his father.

"Oh, but this is one of the most particular, particularest of my friends," the lad explained.

"I suppose you know he is getting up a great reputation among the servants," said Mrs. Abercrombie to her husband, half in jest and half in earnest.

"I know they are all very fond of him, my dear."

"Of course they are--how can they help themselves?" the lad's mother cried. "But this is 'a most particular, particularest' reputation." She quizzically quoted Little Crotchet's phrase, and he laughed when he heard it fall from her lips. "It is something quite wonderful. Since the time that he issued orders for no one to bother him after nine o'clock at night, the servants say that he talks with 'ha'nts.' They say he has become so familiar with bogies and such things that he can be heard talking with them at all hours of the night."

"Your mother has been counting the candles on you, my boy" remarked Mr. Abercrombie jokingly.

"Why, father! how can you put such an idea in the child's mind?" protested Mrs. Abercrombie.

"He's only teasing you, mama," said Little Crotchet.

"I heard him talking to a bogie the other night," remarked Mr. Hudspeth, the Teacher.

"Oh, I don't think you're a bogie," cried Little Crotchet. "You would have been one, though, if you had kept me in those awful books."

The Teacher had mischievously thrown out this hint about Aaron to see what effect it would have. He was amazed at the lad's self-possession, and at the deft manner in which he had turned the hint aside.

"Oh, have you been admitted to the sanctum?" inquired the lad's mother, laughing.

"I paused at the door to say good-night and remained until I learned a lesson I never shall forget," said Mr. Hudspeth.

"Ah, you're finding our boy out, eh?" exclaimed Mr. Abercrombie with a show of pride.

"He possesses already the highest culture the mind of man is capable of," Mr. Hudspeth declared. His tone was so solemn and his manner so earnest that Little Crotchet blushed. "He is cultured in the humanities. That is apart from scholarship," the Teacher explained, "but without it all knowledge is cold and dark and unfruitful."

"I know he is very humane," suggested Mr. Abercrombie.

"Oh, it is more than that," said Mr. Hudspeth; "far more than that. All sensitive people are tender-hearted. One may read a book and yet not catch the message it conveys. But this lad"--He paused and suddenly changed the subject. "He said he could have Timoleon carried to the new stable, and you are inclined to be doubtful. But he can do more than that: he can have the horse removed without bridle or halter."

"Then you know our boy better than we do!" Mrs. Abercrombie's tone was almost reproachful.

"I found him out quite by accident," replied Mr. Hudspeth.

Little Crotchet in his quaint way called attention to the fact that he was blushing again. "You've made me blush twice," he said, "and I can't stay after that."

At a sign, Jemimy, the house girl, who was waiting on the table--the same Jemimy who afterward had a daughter named Drusilla--turned the lad's chair about. He balanced himself on his crutches, and without touching his feet to the floor walked across the room to the hall, and so up the stairway. On the landing he paused.

"Shall I have Timoleon put in the new stable to-night?" he asked.

"By all means, my boy--if you can," answered Mr. Abercrombie. "If you succeed I'll give you a handsome present."

Little Crotchet always paused on the stair landing to say something, but never to say good-night. After a while his mother would go up and sit with him a few minutes, by way of kissing him good-night, and, later, his father would make the same little journey for the same purpose.

On this particular night, those whom Little Crotchet had left at the table remained conversing longer than usual. Mr. Hudspeth had something more to say about humanity-culture; and although he employed "the Concord dialect," as Mr. Abercrombie called it, his discourse was both interesting and stimulating. In the midst of it Jemimy dropped a plate and broke it. The crash of the piece of china put a temporary end to the conversation, and the silence that ensued had its humorous side. Jemimy's eyes, big as saucers and as white, were turned toward a door that led to the sitting-room. The door softly opened, and a portly negro woman, with a bunch of keys hanging at her waist, came into the dining-room. This was Mammy Lucy, the housekeeper. She never once glanced toward her master and mistress.

"White er blue?" she inquired in a low voice.

"Blue," replied Jemimy.

"Dat counts fer two," Mammy Lucy remarked. "You've done broke five. One mo', en you'll go whar you b'long. I done say mo' dan once you ain't got no business in dis house. De fiel' 's whar you b'long at."

Jemimy couldn't help that. She couldn't help anything. She knew how the Little Master would have the Black Stallion moved from one stable to the other. She knew, and she never would tell. They might send her to the field, they might drown her or strangle her, they might cut off her ears or gouge her eyes out, they might send her to town to the calaboose, they might do anything they pleased, but she never would tell. Not while her name was Jemimy, and she'd be named that until after she was put under the ground and covered up; and even then she wouldn't tell.

Later when Mr. Abercrombie went upstairs to say good-night to Little Crotchet, the lad asked if he might have Timoleon trained. He had heard his father talking of getting a trainer from Mobile, and so he made the suggestion that, instead of going to that expense, it might be well to have the horse trained by his "friend," as he called Aaron.

Mr. Abercrombie guessed who Little Crotchet's friend was, but, to please the lad, feigned ignorance. He told his son that the training of such a horse as Timoleon was a very delicate piece of business, and should be undertaken by no one but an expert. Now, if Little Crotchet's "friend" was an expert, which was not likely, well and good; if not, he might ruin a good horse. Still, if Little Crotchet was sure that everything would be all right, why, there would be no objection. At any rate, the horse was now old enough to be broken to the saddle, and Little Crotchet's "friend" could do that if no more.

So it was settled, and the lad was very happy. He made his signal for Aaron early and often, but, somehow, the Son of Ben Ali was long in coming that night. The reason was plain enough when he did come, but Little Crotchet was very impatient. The moon was shining, and as George Gossett and his companions had refused to raise the siege a single night since Mr. Fullalove had seen the runaway at the stillhouse, Aaron found it difficult to respond promptly when the Little Master signaled him to come. It is not an easy matter to pass a picket line of patrollers when the moon is shining as it shines in Georgia at the beginning of autumn, and as it shone on the Abercrombie place the night that Little Crotchet was so anxious to see Aaron.

Rambler was very busy that night trying to find a place where Aaron might pass the patrollers without attracting attention, but he had to give it up for a time. At last, however, three of them, George Gossett among the number, concluded to pay another visit to Mr. Fullalove, and this left the way clear. Aaron was prompt to take advantage of it. Going half bent, he kept in the shadow of the fence, slipped through the small jungle of black-jacks, ran swiftly across an open space to the negro cabins, flitted to the garden fence, and in the shadow of that fled to the front yard, and so up the friendly oak.

Oh, but Little Crotchet was impatient! He was almost ready to frown when Aaron made his appearance; but when the runaway told him of the big moon and the patrollers, he grew uneasy; and after telling Aaron about the Black Stallion, how the horse must be removed to the new stable, and how he must be broken to saddle and bridle, Little Crotchet declared that he was sorry he had signaled to Aaron.

"They'll catch you to-night, sure," he said.

But Aaron shook his head. "No, Little Master, not to-night. Not while I'm with the grandson of Abdallah."

"Oh, I see!" laughed Little Crotchet; "you'll stay in his stable. Good! I'll bring you your breakfast in the morning."

Aaron smiled, shaking his head and looking at the basket of victuals that Little Crotchet always had ready for him when he came.

"No, Little Master! This will do. I'll not take the basket to-night. I'll put the victuals in my wallet." This was a bag suspended from his shoulder by a strap, being made after the manner of the satchels in which the children used to carry their books to school.

Aaron had another idea in his head, but he gave no hint of it to little Crotchet, for he didn't know how it would succeed. So he sat by the lad's bedside and drove away the red goblin, Pain, and waited until George Gossett and his companions had time to make another visit to the stillhouse. Then he took the big key of the new stable from the mantel, slipped it on his belt,--a leathern thong that he always wore around his body,--placed in his wallet the substantial lunch that the Little Master had saved for him, and prepared to take his leave. This time he did not snuff out the light, but placed the candlestick on the hearth.

When Aaron went out at the window, Little Crotchet was sound asleep, and seemed to be smiling. The Son of Ben Ali was smiling too, and continued to smile even as he descended the oak.

Rambler was waiting for him, and, instead of being asleep, was wide awake and very much disturbed. One of the patrollers, no less a person than George Gossett,--young Grizzly, as Rambler named him,--had been to the spring for water. This was what disturbed the dog, and it was somewhat disturbing to Aaron; for the high wines or low wines, or whatever it was that was dealt out to them at the stillhouse, might make young Gossett and his companions bold enough to search the premises, even though Mr. Abercrombie had warned them that he could take care of his own place and wanted none of their interference in any way, shape, or form.

If Aaron could get to the stable, where the Black Stallion had his temporary quarters, all would be well. He could then proceed to carry out the idea he had in his mind, which was a very bold one, so bold that it might be said to depend on accident for its success.

The moon was shining brightly, even brilliantly, as Aaron stood at the corner of the great house and looked toward the horse lot. He could easily reach the negro quarters, he could even reach the black-jack thicket beyond, but he would be farther from the lot than ever, and still have an acre of moonlight to wade through. What he did was both bold and simple, and its very boldness made it successful.

He stepped back to the garden gate, threw it wide open, and slammed it to again. The noise was loud enough to be heard all over the place. George Gossett heard it and was sure the noise was made by Mr. Abercrombie. Aaron walked from the house straight toward the horse lot, whistling loudly and melodiously some catchy air he had heard the negroes sing. Rambler was whistling too, but the sound came through his nose, and it was not a tune, but a complaint and a warning.

Aaron paid no heed to the warning and cared nothing for the complaint. He went through the moonlight, whistling, and there was a swagger about his gait such as the negroes assume when they are feeling particularly happy. Behind a tree, not twenty-five yards away, George Gossett stood. Rambler caught his scent in the air and announced the fact by a low growl. But this announcement only made Aaron whistle the louder.

There was no need for him to whistle, if he had but known it; for when young Gossett heard the garden gate slammed to and saw what seemed to be a negro come away from the house whistling, he at once decided that some one of the hands had been receiving his orders from Mr. Abercrombie. Thus deciding, George Gossett paid no further attention to Aaron, but kept himself more closely concealed behind the tree that sheltered him. He looked at Aaron, and that more than once; but though the moonlight was brilliant, it was only moonlight after all.

Aaron disappeared in the deep shadows that fell about the horse lot, and George Gossett forgot in a few minutes that any one had waded through the pond of moonlight that lay shimmering between the garden gate and the lot where Timoleon held sway. Indeed, there was nothing about the incident to attract attention. As he stood leaning against the tree, young Gossett could see the negroes constantly passing to and fro about their cabins. There was no lack of movement. Some of the negroes carried torches of "fat" pine in spite of the fact that the moon was shining, and so made themselves more conspicuous. But this peculiarity was so familiar to the young man's experience that it never occurred to him to remark it.

He could even hear parts of their conversation, for they made not the slightest effort to suppress their voices or subdue their laughter, which was loud and long and frequent. It was especially vociferous when Turin came to the door of one of the cabins and cried to Uncle Fountain, who had just gone out:--

"Nigger man! You better not try to slip off to Spivey's dis night."

"How come, I like ter know?" said Uncle Fountain.

"Patterollers on de hill yander," replied Turin.

"How you know?" Uncle Fountain asked.

"I done seed um."

"What dey doin' out dar?"

"Ketchin' grasshoppers, I speck!"

From every cabin came a roar of laughter, and the whole plantation seemed to enjoy the joke. The calves in the ginhouse lot bleated, the dogs barked, the geese cackled, and the guinea hens shrieked "Potrack! run here! go back!" as loud as they could, and a peafowl, roosting on the pinnacle of the roof of the great house, joined in with a wailing cry that could be heard for miles.

The lack of respect shown by the Abercrombie negroes for the patrollers irritated George Gossett, but it was a relief to him to know that if the negroes on his "pap's" place were to make any reference to the patrollers they would bow their heads and speak in subdued whispers.

From one of the cabins came the sound of "patting" and dancing, and the noise made by the feet of the dancer was so responsive to that made by the hands of the man who was patting that only an expert ear could distinguish the difference. The dance was followed by a friendly tussle, and a negro suddenly ran out at the door, pursued by another. The pursuer halted, however, and cried out:--

"Ef you fool wid me, nigger, I'll make Marster sen' you in de lot dar an' move dat ar' wil' hoss to his new stable."

"Marster was made 'fo' you wuz de maker," answered the pursued, who had now stopped running.

"Ding 'em!" said young Gossett in a low tone to himself, "they're always and eternally frolicking on this place. No wonder they ain't able to do no more work in the daytime!"

Fretting inwardly, the young man changed his position, and continued to watch for the runaway. How long he stood there young Gossett could not say. Whether the spirits he had swallowed at the stillhouse benumbed his faculties so that he fell into a doze, he did not know. He could only remember that he was aroused from apparent unconsciousness by a tremendous clamor that seemed to come from the hill where he had left the most of his companions. It was a noise of rushing and running, squealing horses, and the exclamations of frightened men.

Young Gossett did not pause to interpret the clamor that came to his ears, but ran back toward the hill as hard as he could go.

XII.

WHAT THE PATROLLERS SAW AND HEARD.

The scheme which Aaron had conceived, and which he proposed to carry out without delay, was bold, and yet very simple,--simple, that is to say, from his point of view. It came into his mind while he was in Little Crotchet's room, and fashioned itself as he went whistling to the horse lot in full view of George Gossett.

He swung himself over the fence, and made directly for Timoleon's stable. The Black Stallion heard some one fumbling about the door, and breathed hard through his nostrils, making a low, fluttering sound, as high-spirited horses do when they are suspicious or angry. It was a fair warning to any and all who might dare to open the door and enter that stable.

"So!" said Aaron; "that is the welcome you give to all who may come to make you comfortable."

At the sound of that voice, Timoleon snorted cheerfully and whinnied, saying: "Change places with me, Son of Ben Ali, and then see who will warn all comers. Why, the ox has better treatment, and the plow mule is pampered. What am I that my food should be thrown at me through the cracks? The man that fed me comes no more."

"He is where your teeth and your temper put him, Grandson of Abdallah. But there is to be a change. This night you go to your new house, where everything is fresh and clean and comfortable. And you are to learn to hold a bit in your mouth and a man on your back, as Abdallah before you did."

"That is nothing, Son of Ben Ali. Then I can gallop, and smell the fresh air from the fields. What man am I to carry, Son of Ben Ali?"

"Let the White-Haired Master settle that, Grandson of Abdallah. This night, before you go to your new house, you are to have a run with me."

Timoleon snorted with delight. He was ready, and more than ready. He was stiff and sore from standing in the stable.

"But before we start, Grandson of Abdallah, this must be said: No noise before I give the word; none of the loud screaming that men call whickering. You know my hand. You are to have a frolic, and a fine one, but before you begin it, wait for the word. Now, then, we will go."

With his hand on the horse's withers, Aaron guided Timoleon to the gate. They went through the lot in which the Black Stallion's new stable stood, out at the gate through which Buster John and Sweetest Susan rode years afterward, and into the lane that led to the public road. But instead of going toward the road, they followed the lane back into the plantation, until they came to what was called "the double gates." Going through these, they found themselves in the pasture that sloped gradually upward to the hill from which Aaron was in the habit of watching the light in Little Crotchet's window.

The hoofs of the Black Stallion hardly made a sound on the soft turf. Guided by Aaron, he ascended the hill until they were on a level with and not far from the fence on which Mr. Gossett, his son George, and Jim Simmons had carried on their controversy about Addison Abercrombie. Here Aaron brought Timoleon to a halt, while Rambler went forward to see what discovery he could make.

He soon found where the horses of the patrollers were stationed. There were five. Three had evidently been trained to "stand without tying," as the saying is, while one of the patrollers was sitting against a tree, holding the other two. All this Rambler knew, for he went so near that the patroller saw him, and hurled a pine burr at him. It was a harmless enough missile, but it had not left Rambler in a good humor. Then it was that Aaron spoke to the horse, and gave him the word.

"Grandson of Abdallah, the horses and the man are yonder. Give them a taste of your playfulness. Show them what a frolic is, but cover your teeth with your lips,--no blood to-night. Spare the horses. They have gone hungry for hours, but they must obey the bit. Spare the man, too, but if you can strip him of his coat as he flees, well and good. You will see other men come running. They will be filled with fear. Give them also a taste of your playfulness. Let them see the grandson of Abdallah when he is frolicsome. But mind! No blood to-night,--no broken bones!"

The situation promised to be so exciting that Timoleon snorted loudly and fiercely, whereupon one of the horses held by the patroller answered with a questioning neigh, which was cut short by a cruel jerk of the bridle rein by the man who held it. The man was dozing under the influence of Mr. Fullalove's low-wines, and the sudden neighing of the horse startled and irritated him.

But in the twinkling of an eye terror took the place of irritation, for the Black Stallion, pretending to himself that the neigh was a challenge, screamed fiercely in reply and went charging upon the group with open mouth and eyes that glowed in the dark. The horses knew well what that scream meant. Those that were not held by the patroller ran away panic-stricken, snorting, and whickering. The two that were held by the patroller cared nothing for bits now, but broke away from the man, after dragging him several yards (for he had the reins wrapped about his wrist) and joined the others.

They dragged the man right in the Black Stallion's path, and there left him straggling to his hands and knees, with his right arm so severely wrenched that he could hardly use it. But, fortunately for the patroller, Timoleon's eyes were keen, and he saw the man in time to leap over him, screaming wildly as he did so. The man fell over on his side at that instant. Glancing upward he saw the huge hulk of the horse flying over him, and his reason nearly left him. Was it really a horse, or was it that arch-fiend Beelzebub that he had read about in the books, and whose name he had heard thundered from the pulpit at the camp meeting? "Beelzebub is abroad in the land to-day!" the preacher had cried. Was it indeed true?

The Black Stallion drove the crazed horses before him hither and yonder, but always turning them back to the point where they had been standing. The stampede was presently joined by three or four mules that had been turned in the pasture. The patrollers, who had been watching and guarding the approaches to the Abercrombie place, came running to see what the trouble was. George Gossett, being farther away from the pasture than the rest, was the last to reach the scene, but he arrived soon enough to see the Black Stallion seize one of his companions by the coat-tails and literally strip him of the garment.

The terror-stricken horses, when they found an opportunity, ran toward the double gates where they had entered the pasture. Aaron, expecting this, had opened the gates, and the five horses, crowding on one another's heels, went through like a whirlwind, having left the mules far behind. Aaron closed the gates again, and went running to where he heard the Black Stallion still plunging about. By this time the mules were huddled together in a far corner of the field; but Timoleon had paid no attention to them. He could have caught and killed them over and over again. He was now in pursuit of the patrollers. George Gossett, running toward the fence, tripped and fell, and narrowly escaped the Black Stallion's hoofs. He was not far from the fence when he fell, and he rolled and scrambled and crawled fast enough to elude Timoleon, who turned and ran at him again. In one way and another all the patrollers escaped with their lives, and, once the fence was between them and the snorting demon, they made haste to visit Mr. Fullalove's stillhouse, and relate to him the story of their marvelous adventure, consoling themselves, meanwhile, with copious draughts of the warm low-wines.

"I believe the thing had wings," said one of the patrollers, "and if I didn't see smoke coming out of his mouth when he ran at me, I'm mighty much mistaken. I never shall believe it wasn't Beelzebub." This was the man who had been set upon so suddenly while watching the horses and dozing.

Some of the others were inclined to agree with this view of the case; but George Gossett was sure it was a horse.

"I was right at him," he said, "when he pulled off Monk's coat, and it was a horse, even to the mane and tail. I was looking at him when he turned and made for me. Then I tripped and fell, and just did get to the fence in time to save my neck."

"You hear that, don't you, Mr. Fullalove?" remarked the man who had been holding the horses. "It pulled Monk's coat off, and then Gossett just had time to get to the fence to save his neck! Why, it's as natchul as pig-tracks. Every hoss you meet tries to pull your coat off, and you have to run for a fence if you want to save your neck. That's Gossett's idee. If that thing was a hoss, I don't want to see no more hosses. I'll tell you that."

"Well," said Mr. Fullalove, "there are times and occasions-more espeshually occasions, as you may say--when a hoss mought take a notion for to cut up some such rippit as that. You take that black hoss of Colonel Abercrombie's--not a fortnight ago he got out of his pen and ketched a nigger and like to 'a' killed him."

"Maybe it's that same hoss in the field yonder," suggested George Gossett.

"No," replied Mr. Fullalove. "That hoss is penned up so he can't git out of his stable--much less the lot--if so be some un ain't took and gone and turned him out and led him to the field. And if that had 'a' been done you could 'a' heard him squealin' every foot of the way."

"If anybody wants to call the Old Boy a hoss," said the man who had been first attacked, "they are more than welcome."

"Boys," remarked Mr. Fullalove, "if any of you have got the idee that the Old Boy was after you, you'd better stay as fur from this stillhouse as you can, and try to act as if you had souls for to save. What have you done with your hosses?"

"We couldn't tote 'em, and so we had to leave 'em," Gossett answered, making a poor effort to laugh. "What I hate about it is that I took a fool notion and rode pap's horse to-night. He'll be hot as pepper."

"Ain't you going for to make some sorter effort to git your hosses out of the field?" inquired Mr. Fullalove.

"He can have my hoss and welcome," said the man who insisted on the Beelzebub theory.

"I wouldn't go in that field, not for forty horses," another patroller protested.

"I might go there for forty horses," said George Gossett, "but I'll not go back for one, even though it's pap's."

"Well, it's mighty quiet and serene up there now," suggested Mr. Fullalove, listening with his hand to his ear.

"He's caught 'em and now he's skinning 'em," said the man who believed Beelzebub was abroad that night.

The patrollers stayed at the stillhouse until the low-wines gave them courage, and then they went home with George Gossett. They were bold enough to go by the double gates, to see if they had been opened, but the gates were closed tight. They listened a few moments, but not a sound could be heard, save the loud, wailing cry of the peafowl that rested on the Abercrombie house. As they went along the road they found and caught four of the horses. The horse that George Gossett had ridden was safe at home.

The young men agreed on one thing, namely: That they would give the Abercrombie place the go-by for some time to come; while the man that thought he had seen Beelzebub said that he was sick of the whole business and would have no more of it, being more firmly convinced than ever that the scenes they had witnessed were supernatural. Even George Gossett declared that he intended to advise "pap" to sell the runaway, "if he could find anybody fool enough to buy him."

It must not be forgotten that though Gossett and his companions were the only ones that witnessed the terrifying spectacle presented by the Black Stallion as he ran screaming about the pasture, they were not the only ones that heard the uproar that accompanied it. The negroes heard it, and every ear was bent to listen. Randall had his hand raised over his head and held it there, as he paused to catch the drift and meaning of the fuss. Big Sal was reaching in a corner for her frying-pan. She paused, half bent, her arm reaching out, while she listened. Turin was singing, but the song was suddenly cut short.

Mr. Abercrombie heard it, but his thoughts were far afield, and so he paid little attention to it. The geese, the guinea hens, and the peafowl heard it and joined heartily in with a loud and lusty chorus. Mammy Lucy heard it and came noiselessly to the library door and looked in inquiringly.

"What is the noise about, Lucy?" inquired Mr. Abercrombie.

"Dat what I wanter know, Marster. It soun' ter me like dat ar hoss done got loose agin."

Then the White-Haired Master, remembering that he had consented for Little Crotchet's "friend" to remove the Black Stallion to his new quarters, regretted that he had been so heedless. It was all his own fault, he thought, as he rose hastily and went out into the moonlight bare-headed. He called Randall and Turin, and both came running.