Chapter VI: Part 6

But Mr. Lawrence Grant's character in certain circumstances would seem to have as startling and inexplicable contradictions as Clementina Harcourt's, and three days later he halted his horse at the entrance of Los Gatos Rancho. The Home of the Cats--so called from the catamounts which infested the locality--which had for over a century lazily basked before one of the hottest canyons in the Coast Range, had lately been stirred into some activity by the American, Don Diego Fletcher, who had bought it, put up a saw-mill, and deforested the canyon. Still there remained enough suggestion of a feline haunt about it to make Grant feel as if he had tracked hither some stealthy enemy, in spite of the peaceful intimation conveyed by the sign on a rough boarded shed at the wayside, that the “Los Gatos Land and Lumber Company” held their office there.

A cigarette-smoking peon lounged before the door. Yes; Don Diego was there, but as he had arrived from Santa Clara only last night and was going to Colonel Ramirez that afternoon, he was engaged. Unless the business was important--but the cool, determined manner of Grant, even more than his words, signified that it WAS important, and the servant led the way to Don Diego's presence.

There certainly was nothing in the appearance of this sylvan proprietor and newspaper capitalist to justify Grant's suspicion of a surreptitious foe. A handsome man scarcely older than himself, in spite of a wavy mass of perfectly white hair which contrasted singularly with his brown mustache and dark sunburned face. So disguising was the effect of these contradictions, that he not only looked unlike anybody else, but even his nationality seemed to be a matter of doubt. Only his eyes, light blue and intelligent, which had a singular expression of gentleness and worry, appeared individual to the man. His manner was cultivated and easy. He motioned his visitor courteously to a chair.

“I was referred to you,” said Grant, almost abruptly, “as the person responsible for a series of slanderous attacks against Mr. Daniel Harcourt in the 'Clarion,' of which paper I believe you are the proprietor. I was told that you declined to give the authority for your action, unless you were forced to by legal proceedings.”

Fletcher's sensitive blue eyes rested upon Grant's with an expression of constrained pain and pity. “I heard of your inquiries, Mr. Grant; you were making them on behalf of this Mr. Harcourt or Harkutt”--he made the distinction with intentional deliberation--“with a view, I believe, to some arbitration. The case was stated to you fairly, I think; I believe I have nothing to add to it.”

“That was your answer to the ambassador of Mr. Harcourt,” said Grant, coldly, “and as such I delivered it to him; but I am here to-day to speak on my own account.”

What could be seen of Mr. Fletcher's lips appeared to curl in an odd smile. “Indeed, I thought it was--or would be--all in the family.”

Grant's face grew more stern, and his gray eyes glittered. “You'll find my status in this matter so far independent that I don't propose, like Mr. Harcourt, either to begin a suit or to rest quietly under the calumny. Briefly, Mr. Fletcher, as you or your informant knows, I was the surveyor who revealed to Mr. Harcourt the value of the land to which he claimed a title from your man, this Elijah or 'Lige Curtis as you call him,”--he could not resist this imitation of his adversary's supercilious affectation of precise nomenclature,--“and it was upon my representation of its value as an investment that he began the improvements which have made him wealthy. If this title was fraudulently obtained, all the facts pertaining to it are sufficiently related to connect me with the conspiracy.”

“Are you not a little hasty in your presumption, Mr. Grant?” said Fletcher, with unfeigned surprise.

“That is for ME to judge, Mr. Fletcher,” returned Grant, haughtily.

“But the name of Professor Grant is known to all California as beyond the breath of calumny or suspicion.”

“It is because of that fact that I propose to keep it so.”

“And may I ask in what way you wish me to assist you in so doing?”

“By promptly and publicly retracting in the 'Clarion' every word of this slander against Harcourt.”

Fletcher looked steadfastly at the speaker. “And if I decline?”

“I think you have been long enough in California, Mr. Fletcher, to know the alternative expected of a gentleman,” said Grant, coldly.

Mr. Fletcher kept his gentle blue eyes--in which surprise still overbalanced their expression of pained concern--on Grant's face.

“But is not this more in the style of Colonel Starbottle than Professor Grant?” he asked, with a faint smile.

Grant rose instantly with a white face. “You will have a better opportunity of judging,” he said, “when Colonel Starbottle has the honor of waiting upon you from me. Meantime, I thank you for reminding me of the indiscretion into which my folly, in still believing that this thing could be settled amicably, has led me.”

He bowed coldly and withdrew. Nevertheless, as he mounted his horse and rode away, he felt his cheeks burning. Yet he had acted upon calm consideration; he knew that to the ordinary Californian experience there was nothing quixotic nor exaggerated in the attitude he had taken. Men had quarreled and fought on less grounds; he had even half convinced himself that he HAD been insulted, and that his own professional reputation demanded the withdrawal of the attack on Harcourt on purely business grounds; but he was not satisfied of the personal responsibility of Fletcher nor of his gratuitous malignity. Nor did the man look like a tool in the hands of some unscrupulous and hidden enemy. However, he had played his card. If he succeeded only in provoking a duel with Fletcher, he at least would divert the public attention from Harcourt to himself. He knew that his superior position would throw the lesser victim in the background. He would make the sacrifice; that was his duty as a gentleman, even if SHE would not care to accept it as an earnest of his unselfish love!

He had reached the point where the mountain track entered the Santa Clara turnpike when his attention was attracted by a handsome but old-fashioned carriage drawn by four white mules, which passed down the road before him and turned suddenly off into a private road. But it was not this picturesque gala equipage of some local Spanish grandee that brought a thrill to his nerves and a flash to his eye; it was the unmistakable, tall, elegant figure and handsome profile of Clementina, reclining in light gauzy wraps against the back seat! It was no fanciful resemblance, the outcome of his reverie,--there never was any one like her!--it WAS she herself! But what was she doing here?

A vaquero cantered from the cross road where the dust of the vehicle still hung. Grant hailed him. Ah! it was a fine carroza de cuatro mulas that he had just passed! Si, Senor, truly; it was of Don Jose Ramirez, who lived just under the hill. It was bringing company to the casa.

Ramirez! That was where Fletcher was going! Had Clementina known that he was one of Fletcher's friends? Might she not be exposed to unpleasantness, marked coolness, or even insult in that unexpected meeting? Ought she not to be warned or prepared for it? She had banished Grant from her presence until this stain was removed from her father's name, but could she blame him for trying to save her from contact with her father's slanderer? No! He turned his horse abruptly into the cross road and spurred forward in the direction of the casa.

It was quite visible now--a low-walled, quadrangular mass of whitewashed adobe lying like a drift on the green hillside. The carriage and four had far preceded him, and was already half up the winding road towards the house. Later he saw them reach the courtyard and disappear within. He would be quite in time to speak with her before she retired to change her dress. He would simply say that while making a professional visit to Los Gatos Land Company office he had become aware of Fletcher's connection with it, and accidentally of his intended visit to Ramirez. His chance meeting with the carriage on the highway had determined his course.

As he rode into the courtyard he observed that it was also approached by another road, evidently nearer Los Gatos, and probably the older and shorter communication between the two ranchos. The fact was significantly demonstrated a moment later. He had given his horse to a servant, sent in his card to Clementina, and had dropped listlessly on one of the benches of the gallery surrounding the patio, when a horseman rode briskly into the opposite gateway, and dismounted with a familiar air. A waiting peon who recognized him informed him that the Dona was engaged with a visitor, but that they were both returning to the gallery for chocolate in a moment. The stranger was the man he had left only an hour before--Don Diego Fletcher!

In an instant the idiotic fatuity of his position struck him fully. His only excuse for following Clementina had been to warn her of the coming of this man who had just entered, and who would now meet her as quickly as himself. For a brief moment the idea of quietly slipping out to the corral, mounting his horse again, and flying from the rancho, crossed his mind; but the thought that he would be running away from the man he had just challenged, and perhaps some new hostility that had sprung up in his heart against him, compelled him to remain. The eyes of both men met; Fletcher's in half-wondering annoyance, Grant's in ill-concealed antagonism. What they would have said is not known, for at that moment the voices of Clementina and Mrs. Ramirez were heard in the passage, and they both entered the gallery. The two men were standing together; it was impossible to see one without the other.

And yet Grant, whose eyes were instantly directed to Clementina, thought that she had noted neither. She remained for an instant standing in the doorway in the same self-possessed, coldly graceful pose he remembered she had taken on the platform at Tasajara. Her eyelids were slightly downcast, as if she had been arrested by some sudden thought or some shy maiden sensitiveness; in her hesitation Mrs. Ramirez passed impatiently before her.

“Mother of God!” said that lively lady, regarding the two speechless men, “is it an indiscretion we are making here--or are you dumb? You, Don Diego, are loud enough when you and Don Jose are together; at least introduce your friend.”

Grant quickly recovered himself. “I am afraid,” he said, coming forward, “unless Miss Harcourt does, that I am a mere trespasser in your house, Senora. I saw her pass in your carriage a few moments ago, and having a message for her I ventured to follow her here.”

“It is Mr. Grant, a friend of my father's,” said Clementina, smiling with equanimity, as if just awakening from a momentary abstraction, yet apparently unconscious of Grant's imploring eyes; “but the other gentleman I have not the pleasure of knowing.”

“Ah! Don Diego Fletcher, a countryman of yours; and yet I think he knows you not.”

Clementina's face betrayed no indication of the presence of her father's foe, and yet Grant knew that she must have recognized his name, as she looked towards Fletcher with perfect self-possession. He was too much engaged in watching her to take note of Fletcher's manifest disturbance, or the evident effort with which he at last bowed to her. That this unexpected double meeting with the daughter of the man he had wronged, and the man who had espoused the quarrel, should be confounding to him appeared only natural. But he was unprepared to understand the feverish alacrity with which he accepted Dona Maria's invitation to chocolate, or the equally animated way in which Clementina threw herself into her hostess's Spanish levity. He knew it was an awkward situation, that must be surmounted without a scene; he was quite prepared in the presence of Clementina to be civil to Fletcher; but it was odd that in this feverish exchange of courtesies and compliments HE, Grant, should feel the greater awkwardness and be the most ill at ease. He sat down and took his part in the conversation; he let it transpire for Clementina's benefit that he had been to Los Gatos only on business, yet there was no opportunity for even a significant glance, and he had the added embarrassment of seeing that she exhibited no surprise nor seemed to attach the least importance to his inopportune visit. In a miserable indecision he allowed himself to be carried away by the high-flown hospitality of his Spanish hostess, and consented to stay to an early dinner. It was part of the infelicity of circumstance that the voluble Dona Maria--electing him as the distinguished stranger above the resident Fletcher--monopolized him and attached him to her side. She would do the honors of her house; she must show him the ruins of the old Mission beside the corral; Don Diego and Clementina would join them presently in the garden. He cast a despairing glance at the placidly smiling Clementina, who was apparently equally indifferent to the evident constraint and assumed ease of the man beside her, and turned away with Mrs. Ramirez.

A silence fell upon the gallery so deep that the receding voices and footsteps of Grant and his hostess in the long passage were distinctly heard until they reached the end. Then Fletcher arose with an inarticulate exclamation. Clementina instantly put her finger to her lips, glanced around the gallery, extended her hand to him, and saying “Come,” half-led, half-dragged him into the passage. To the right she turned and pushed open the door of a small room that seemed a combination of boudoir and oratory, lit by a French window opening to the garden, and flanked by a large black and white crucifix with a prie Dieu beneath it. Closing the door behind them she turned and faced her companion. But it was no longer the face of the woman who had been sitting in the gallery; it was the face that had looked back at her from the mirror at Tasajara the night that Grant had left her--eager, flushed, material with commonplace excitement!

“'Lige Curtis,” she said.

“Yes,” he answered passionately, “Lige Curtis, whom you thought dead! 'Lige Curtis, whom you once pitied, condoled with and despised! 'Lige Curtis, whose lands and property have enriched you! 'Lige Curtis, who would have shared it with you freely at the time, but whom your father juggled and defrauded of it! 'Lige Curtis, branded by him as a drunken outcast and suicide! 'Lige Curtis”--

“Hush!” She clapped her little hand over his mouth with a quick but awkward schoolgirl gesture, inconceivable to any who had known her usual languid elegance of motion, and held it there. He struggled angrily, impatiently, reproachfully, and then, with a sudden characteristic weakness that seemed as much of a revelation as her once hoydenish manner, kissed it, when she let it drop. Then placing both her hands still girlishly on her slim waist and curtseying grotesquely before him, she said: “'Lige Curtis! Oh, yes! 'Lige Curtis, who swore to do everything for me! 'Lige Curtis, who promised to give up liquor for me,--who was to leave Tasajara for me! 'Lige Curtis, who was to reform, and keep his land as a nest-egg for us both in the future, and then who sold it--and himself--and me--to dad for a glass of whiskey! 'Lige Curtis, who disappeared, and then let us think he was dead, only that he might attack us out of the ambush of his grave!”

“Yes, but think what I have suffered all these years; not for the cursed land--you know I never cared for that--but for YOU,--you, Clementina,--YOU rich, admired by every one; idolized, held far above me,--ME, the forgotten outcast, the wretched suicide--and yet the man to whom you had once plighted your troth. Which of those greedy fortune-hunters whom my money--my life-blood as you might have thought it was--attracted to you, did you care to tell that you had ever slipped out of the little garden gate at Sidon to meet that outcast! Do you wonder that as the years passed and YOU were happy, I did not choose to be so forgotten? Do you wonder that when YOU shut the door on the past I managed to open it again--if only a little way--that its light might startle you?”

Yet she did not seem startled or disturbed, and remained only looking at him critically.

“You say that you have suffered,” she replied with a smile. “You don't look it! Your hair is white, but it is becoming to you, and you are a handsomer man, 'Lige Curtis, than you were when I first met you; you are finer,” she went on, still regarding him, “stronger and healthier than you were five years ago; you are rich and prosperous, you have everything to make you happy, but”--here she laughed a little, held out both her hands, taking his and holding his arms apart in a rustic, homely fashion--“but you are still the same old 'Lige Curtis! It was like you to go off and hide yourself in that idiotic way; it was like you to let the property slide in that stupid, unselfish fashion; it was like you to get real mad, and say all those mean, silly things to dad, that didn't hurt him--in your regular looney style; for rich or poor, drunk or sober, ragged or elegant, plain or handsome,--you're always the same 'Lige Curtis!”

In proportion as that material, practical, rustic self--which nobody but 'Lige Curtis had ever seen--came back to her, so in proportion the irresolute, wavering, weak and emotional vagabond of Sidon came out to meet it. He looked at her with a vague smile; his five years of childish resentment, albeit carried on the shoulders of a man mentally and morally her superior, melted away. He drew her towards him, yet at the same moment a quick suspicion returned.

“Well, and what are you doing here? Has this man who has followed you any right, any claim upon you?”

“None but what you in your folly have forced upon him! You have made him father's ally. I don't know why he came here. I only know why I did--to find YOU!”

“You suspected then?”

“I KNEW! Hush!”

The returning voices of Grant and of Mrs. Ramirez were heard in the courtyard. Clementina made a warning yet girlishly mirthful gesture, again caught his hand, drew him quickly to the French window, and slipped through it with him into the garden, where they were quickly lost in the shadows of a ceanothus hedge.

“They have probably met Don Jose in the orchard, and as he and Don Diego have business together, Dona Clementina has without doubt gone to her room and left them. For you are not very entertaining to the ladies to-day,--you two caballeros! You have much politics together, eh?--or you have discussed and disagreed, eh? I will look for the Senorita, and let you go, Don Distraido!”

It is to be feared that Grant's apologies and attempts to detain her were equally feeble,--as it seemed to him that this was the only chance he might have of seeing Clementina except in company with Fletcher. As Mrs. Ramirez left he lit a cigarette and listlessly walked up and down the gallery. But Clementina did not come, neither did his hostess return. A subdued step in the passage raised his hopes,--it was only the grizzled major domo, to show him his room that he might prepare for dinner.

He followed mechanically down the long passage to a second corridor. There was a chance that he might meet Clementina, but he reached his room without encountering any one. It was a large vaulted apartment with a single window, a deep embrasure in the thick wall that seemed to focus like a telescope some forgotten, sequestered part of the leafy garden. While washing his hands, gazing absently at the green vignette framed by the dark opening, his attention was drawn to a movement of the foliage, stirred apparently by the rapid passage of two half-hidden figures. The quick flash of a feminine skirt seemed to indicate the coy flight of some romping maid of the casa, and the pursuit and struggle of her vaquero swain. To a despairing lover even the spectacle of innocent, pastoral happiness in others is not apt to be soothing, and Grant was turning impatiently away when he suddenly stopped with a rigid face and quickly approached the window. In her struggles with the unseen Corydon, the clustering leaves seemed to have yielded at the same moment with the coy Chloris, and parting--disclosed a stolen kiss! Grant's hand lay like ice against the wall. For, disengaging Fletcher's arm from her waist and freeing her skirt from the foliage, it was the calm, passionless Clementina herself who stepped out, and moved pensively towards the casa.

CHAPER XI.

“Readers of the 'Clarion' will have noticed that allusion has been frequently made in these columns to certain rumors concerning the early history of Tasajara which were supposed to affect the pioneer record of Daniel Harcourt. It was deemed by the conductors of this journal to be only consistent with the fearless and independent duty undertaken by the 'Clarion' that these rumors should be fully chronicled as part of the information required by the readers of a first-class newspaper, unbiased by any consideration of the social position of the parties, but simply as a matter of news. For this the 'Clarion' does not deem it necessary to utter a word of apology. But for that editorial comment or attitude which the proprietors felt was justified by the reliable sources of their information they now consider it only due in honor to themselves, their readers, and Mr. Harcourt to fully and freely apologize. A patient and laborious investigation enables them to state that the alleged facts published by the 'Clarion' and copied by other journals are utterly unsupported by testimony, and the charges--although more or less vague--which were based upon them are equally untenable. We are now satisfied that one 'Elijah Curtis,' a former pioneer of Tasajara who disappeared five years ago, and was supposed to be drowned, has not only made no claim to the Tasajara property, as alleged, but has given no sign of his equally alleged resuscitation and present existence, and that on the minutest investigation there appears nothing either in his disappearance, or the transfer of his property to Daniel Harcourt, that could in any way disturb the uncontested title to Tasajara or the unimpeachable character of its present owner. The whole story now seems to have been the outcome of one of those stupid rural hoaxes too common in California.”

“Well,” said Mrs. Ashwood, laying aside the 'Clarion' with a skeptical shrug of her pretty shoulders, as she glanced up at her brother; “I suppose this means that you are going to propose again to the young lady?”

“I have,” said Jack Shipley, “that's the worst of it--and got my answer before this came out.”

“Jack!” said Mrs. Ashwood, thoroughly surprised.

“Yes! You see, Conny, as I told you three weeks ago, she said she wanted time to consider,--that she scarcely knew me, and all that! Well, I thought it wasn't exactly a gentleman's business to seem to stand off after that last attack on her father, and so, last week, I went down to San Jose, where she was staying, and begged her not to keep me in suspense. And, by Jove! she froze me with a look, and said that with these aspersions on her father's character, she preferred not to be under obligations to any one.”

“And you believed her?”

“Oh, hang it all! Look here, Conny,--I wish you'd just try for once to find out some good in that family, besides what that sentimental young widower John Milton may have. You seem to think because they've quarreled with HIM there isn't a virtue left among them.”

Far from seeming to offer any suggestion of feminine retaliation, Mrs. Ashwood smiled sweetly. “My dear Jack, I have no desire to keep you from trying your luck again with Miss Clementina, if that's what you mean, and indeed I shouldn't be surprised if a family who felt a mesalliance as sensitively as the Harcourts felt that affair of their son's, would be as keenly alive to the advantages of a good match for their daughter. As to young Mr. Harcourt, he never talked to me of the vices of his family, nor has he lately troubled me much with the presence of his own virtues. I haven't heard from him since we came here.”

“I suppose he is satisfied with the government berth you got for him,” returned her brother dryly.

“He was very grateful to Senator Flynn, who appreciates his talents, but who offered it to him as a mere question of fitness,” replied Mrs. Ashwood with great precision of statement. “But you don't seem to know he declined it on account of his other work.”

“Preferred his old Bohemian ways, eh? You can't change those fellows, Conny. They can't get over the fascinations of vagabondage. Sorry your lady-patroness scheme didn't work. Pity you couldn't have promoted him in the line of his profession, as the Grand Duchess of Girolstein did Fritz.”

“For Heaven's sake, Jack, go to Clementina! You may not be successful, but there at least the perfect gentlemanliness and good taste of your illustrations will not be thrown away.”

“I think of going to San Francisco tomorrow, anyway,” returned Jack with affected carelessness. “I'm getting rather bored with this wild seaside watering place and its glitter of ocean and hopeless background of mountain. It's nothing to me that 'there's no land nearer than Japan' out there. It may be very healthful to the tissues, but it's weariness to the spirit, and I don't see why we can't wait at San Francisco till the rains send us further south, as well as here.”

He had walked to the balcony of their sitting-room in the little seaside hotel where this conversation took place, and gazed discontentedly over the curving bay and sandy shore before him. After a slight pause Mrs. Ashwood stepped out beside him.

“Very likely I may go with you,” she said, with a perceptible tone of weariness. “We will see after the post arrives.”

“By the way, there is a little package for you in my room, that came this morning. I brought it up, but forgot to give it to you. You'll find it on my table.”

Mrs. Ashwood abstractedly turned away and entered her brother's room from the same balcony. The forgotten parcel, which looked like a roll of manuscript, was lying on his dressing-table. She gazed attentively at the handwriting on the wrapper and then gave a quick glance around her. A sudden and subtle change came over her. She neither flushed nor paled, nor did the delicate lines of expression in her face quiver or change. But as she held the parcel in her hand her whole being seemed to undergo some exquisite suffusion. As the medicines which the Arabian physician had concealed in the hollow handle of the mallet permeated the languid royal blood of Persia, so some volatile balm of youth seemed to flow in upon her with the contact of that strange missive and transform her weary spirit.

“Jack!” she called, in a high clear voice. But Jack had already gone from the balcony when she reached it with an elastic step and a quick youthful swirl and rustling of her skirt. He was lighting his cigar in the garden.

“Jack,” she said, leaning half over the railing, “come back here in an hour and we'll talk over that matter of yours again.”

Jack looked up eagerly and as if he might even come up then, but she added quickly, “In about an hour--I must think it over,” and withdrew.

She re-entered the sitting-room, shut the door carefully and locked it, half pulled down the blind, walking once or twice around the table on which the parcel lay, with one eye on it like a graceful cat. Then she suddenly sat down, took it up with a grave practical face, examined the postmark curiously, and opened it with severe deliberation. It contained a manuscript and a letter of four closely written pages. She glanced at the manuscript with bright approving eyes, ran her fingers through its leaves and then laid it carefully and somewhat ostentatiously on the table beside her. Then, still holding the letter in her hand, she rose and glanced out of the window at her bored brother lounging towards the beach and at the heaving billows beyond, and returned to her seat. This apparently important preliminary concluded, she began to read.

There were, as already stated, four blessed pages of it! All vital, earnest, palpitating with youthful energy, preposterous in premises, precipitate in conclusions,--yet irresistible and convincing to every woman in their illogical sincerity. There was not a word of love in it, yet every page breathed a wholesome adoration; there was not an epithet or expression that a greater prude than Mrs. Ashwood would have objected to, yet every sentence seemed to end in a caress. There was not a line of poetry in it, and scarcely a figure or simile, and yet it was poetical. Boyishly egotistic as it was in attitude, it seemed to be written less OF himself than TO her; in its delicate because unconscious flattery, it made her at once the provocation and excuse. And yet so potent was its individuality that it required no signature. No one but John Milton Harcourt could have written it. His personality stood out of it so strongly that once or twice Mrs. Ashwood almost unconsciously put up her little hand before her face with a half mischievous, half-deprecating smile, as if the big honest eyes of its writer were upon her.

It began by an elaborate apology for declining the appointment offered him by one of her friends, which he was bold enough to think had been prompted by her kind heart. That was like her, but yet what she might do to any one; and he preferred to think of her as the sweet and gentle lady who had recognized his merit without knowing him, rather than the powerful and gracious benefactress who wanted to reward him when she did know him. The crown that she had all unconsciously placed upon his head that afternoon at the little hotel at Crystal Spring was more to him than the Senator's appointment; perhaps he was selfish, but he could not bear that she who had given so much should believe that he could accept a lesser gift. All this and much more! Some of it he had wanted to say to her in San Francisco at times when they had met, but he could not find the words. But she had given him the courage to go on and do the only thing he was fit for, and he had resolved to stick to that, and perhaps do something once more that might make him hear again her voice as he had heard it that day, and again see the light that had shone in her eyes as she sat there and read. And this was why he was sending her a manuscript. She might have forgotten that she had told him a strange story of her cousin who had disappeared--which she thought he might at some time work up. Here it was. Perhaps she might not recognize it again, in the way he had written it here; perhaps she did not really mean it when she had given him permission to use it, but he remembered her truthful eyes and believed her--and in any event it was hers to do with what she liked. It had been a great pleasure for him to write it and think that she would see it; it was like seeing her himself--that was in HIS BETTER SELF--more worthy the companionship of a beautiful and noble woman than the poor young man she would have helped. This was why he had not called the week before she went away. But for all that, she had made his life less lonely, and he should be ever grateful to her. He could never forget how she unconsciously sympathized with him that day over the loss that had blighted his life forever,--yet even then he did not know that she, herself, had passed through the same suffering. But just here the stricken widow of thirty, after a vain attempt to keep up the knitted gravity of her eyebrows, bowed her dimpling face over the letter of the blighted widower of twenty, and laughed so long and silently that the tears stood out like dew on her light-brown eyelashes.

But she became presently severe again, and finished her reading of the letter gravely. Then she folded it carefully, deposited it in a box on her table, which she locked. After a few minutes, however, she unlocked the box again and transferred the letter to her pocket. The serenity of her features did not relax again, although her previous pretty prepossession of youthful spirit was still indicated in her movements. Going into her bedroom, she reappeared in a few minutes with a light cloak thrown over her shoulders and a white-trimmed broad-brimmed hat. Then she rolled up the manuscript in a paper, and called her French maid. As she stood there awaiting her with the roll in her hand, she might have been some young girl on her way to her music lesson.

“If my brother returns before I do, tell him to wait.”

“Madame is going”--

“Out,” said Mrs. Ashwood blithely, and tripped downstairs.

She made her way directly to the shore where she remembered there was a group of rocks affording a shelter from the northwest trade winds. It was reached at low water by a narrow ridge of sand, and here she had often basked in the sun with her book. It was here that she now unrolled John Milton's manuscript and read.

It was the story she had told him, but interpreted by his poetry and adorned by his fancy until the facts as she remembered them seemed to be no longer hers, or indeed truths at all. She had always believed her cousin's unhappy temperament to have been the result of a moral and physical idiosyncrasy,--she found it here to be the effect of a lifelong and hopeless passion for herself! The ingenious John Milton had given a poet's precocity to the youth whom she had only known as a suspicious, moody boy, had idealized him as a sensitive but songless Byron, had given him the added infirmity of pulmonary weakness, and a handkerchief that in moments of great excitement, after having been hurriedly pressed to his pale lips, was withdrawn “with a crimson stain.” Opposed to this interesting figure--the more striking to her as she had been hitherto haunted by the impression that her cousin during his boyhood had been subject to facial eruption and boils--was her own equally idealized self. Cruelly kind to her cousin and gentle with his weaknesses while calmly ignoring their cause, leading him unconsciously step by step in his fatal passion, he only became aware by accident that she nourished an ideal hero in the person of a hard, proud, middle-aged practical man of the world,--her future husband! At this picture of the late Mr. Ashwood, who had really been an indistinctive social bon vivant, his amiable relict grew somewhat hysterical. The discovery of her real feelings drove the consumptive cousin into a secret, self-imposed exile on the shores of the Pacific, where he hoped to find a grave. But the complete and sudden change of life and scene, the balm of the wild woods and the wholesome barbarism of nature, wrought a magical change in his physical health and a philosophical rest in his mind. He married the daughter of an Indian chief. Years passed, the heroine--a rich and still young and beautiful widow--unwittingly sought the same medicinal solitude. Here in the depth of the forest she encountered her former playmate; the passion which he had fondly supposed was dead revived in her presence, and for the first time she learned from his bearded lips the secret of his passion. Alas! not SHE alone! The contiguous forest could not be bolted out, and the Indian wife heard all. Recognizing the situation with aboriginal directness of purpose, she committed suicide in the fond belief that it would reunite the survivors. But in vain; the cousins parted on the spot to meet no more.

Even Mrs. Ashwood's predilection for the youthful writer could not overlook the fact that the denouement was by no means novel nor the situation human, but yet it was here that she was most interested and fascinated. The description of the forest was a description of the wood where she had first met Harcourt; the charm of it returned, until she almost seemed to again inhale its balsamic freshness in the pages before her. Now, as then, her youth came back with the same longing and regret. But more bewildering than all, it was herself that moved there, painted with the loving hand of the narrator. For the first time she experienced the delicious flattery of seeing herself as only a lover could see her. The smallest detail of her costume was suggested with an accuracy that pleasantly thrilled her feminine sense. The grace of her figure slowly moving through the shadow, the curves of her arm and the delicacy of her hand that held the bridle rein, the gentle glow of her softly rounded cheek, the sweet mystery of her veiled eyes and forehead, and the escaping gold of her lovely hair beneath her hat were all in turn masterfully touched or tenderly suggested. And when to this was added the faint perfume of her nearer presence--the scent she always used--the delicate revelations of her withdrawn gauntlet, the bracelet clasping her white wrist, and at last the thrilling contact of her soft hand on his arm,--she put down the manuscript and blushed like a very girl. Then she started.

A shout!--HIS voice surely!--and the sound of oars in their rowlocks.

An instant revulsion of feeling overtook her. With a quick movement she instantly hid the manuscript beneath her cloak and stood up erect and indignant. Not twenty yards away, apparently advancing from the opposite shore of the bay, was a boat. It contained only John Milton, resting on his oars and scanning the group of rocks anxiously. His face, which was quite strained with anxiety, suddenly flushed when he saw her, and then recognizing the unmistakable significance of her look and attitude, paled once more. He bent over his oars again; a few strokes brought him close to the rock.

“I beg your pardon,” he said hesitatingly, as he turned towards her and laid aside his oars, “but--I thought--you were--in danger.”

She glanced quickly round her. She had forgotten the tide! The ledge between her and the shore was already a foot under brown sea-water. Yet if she had not thought that it would look ridiculous, she would have leaped down even then and waded ashore.

“It's nothing,” she said coldly, with the air of one to whom the situation was an everyday occurrence; “it's only a few steps and a slight wetting--and my brother would have been here in a moment more.”

John Milton's frank eyes made no secret of his mortification. “I ought not to have disturbed you, I know,” he said quickly, “I had no right. But I was on the other shore opposite and I saw you come down here--that is”--he blushed prodigiously--“I thought it MIGHT BE you--and I ventured--I mean--won't you let me row you ashore?”

There seemed to be no reasonable excuse for refusing. She slipped quickly into the boat without waiting for his helping hand, avoiding that contact which only a moment ago she was trying to recall.

A few strokes brought them ashore. He continued his explanation with the hopeless frankness and persistency of youth and inexperience. “I only came here the day before yesterday. I would not have come, but Mr. Fletcher, who has a cottage on the other shore, sent for me to offer me my old place on the 'Clarion.' I had no idea of intruding upon your privacy by calling here without permission.”

Mrs. Ashwood had resumed her conventional courtesy without however losing her feminine desire to make her companion pay for the agitation he had caused her. “We would have been always pleased to see you,” she said vaguely, “and I hope, as you are here now, you will come with me to the hotel. My brother”--

But he still retained his hold of the boat-rope without moving, and continued, “I saw you yesterday, through the telescope, sitting in your balcony; and later at night I think it was your shadow I saw near the blue shaded lamp in the sitting-room by the window,--I don't mean the RED LAMP that you have in your own room. I watched you until you put out the blue lamp and lit the red one. I tell you this--because--because--I thought you might be reading a manuscript I sent you. At least,” he smiled faintly, “I LIKED to think it so.”

In her present mood this struck her only as persistent and somewhat egotistical. But she felt herself now on ground where she could deal firmly with him.

“Oh, yes,” she said gravely. “I got it and thank you very much for it. I intended to write to you.”

“Don't,” he said, looking at her fixedly. “I can see you don't like it.”

“On the contrary,” she said promptly, “I think it beautifully written, and very ingenious in plot and situation. Of course it isn't the story I told you--I didn't expect that, for I'm not a genius. The man is not at all like my cousin, you know, and the woman--well really, to tell the truth, SHE is simply inconceivable!”

“You think so?” he said gravely. He had been gazing abstractedly at some shining brown seaweed in the water, and when he raised his eyes to hers they seemed to have caught its color.

“Think so? I'm positive! There's no such a woman; she isn't HUMAN. But let us walk to the hotel.”

“Thank you, but I must go back now.”

“But at least let my brother thank you for taking his place--in rescuing me. It was so thoughtful in you to put off at once when you saw I was surrounded. I might have been in great danger.”

“Please don't make fun of me, Mrs. Ashwood,” he said with a faint return of his boyish smile. “You know there was no danger. I have only interrupted you in a nap or a reverie--and I can see now that you evidently came here to be alone.”

Holding the manuscript more closely hidden under the folds of her cloak, she smiled enigmatically. “I think I DID, and it seems that the tide thought so too, and acted upon it. But you will come up to the hotel with me, surely?”

“No, I am going back now.” There was a sudden firmness about the young fellow which she had never before noticed. This was evidently the creature who had married in spite of his family.

“Won't you come back long enough to take your manuscript? I will point out the part I refer to, and--we will talk it over.”

“There is no necessity. I wrote to you that you might keep it; it is yours; it was written for you and none other. It is quite enough for me to know that you were good enough to read it. But will you do one thing more for me? Read it again! If you find anything in it the second time to change your views--if you find”--

“I will let you know,” she said quickly. “I will write to you as I intended.”

“No, I didn't mean that. I meant that if you found the woman less inconceivable and more human, don't write to me, but put your red lamp in your window instead of the blue one. I will watch for it and see it.”

“I think I will be able to explain myself much better with simple pen and ink,” she said dryly, “and it will be much more useful to you.”

He lifted his hat gravely, shoved off the boat, leaped into it, and before she could hold out her hand was twenty feet away. She turned and ran quickly up the rocks. When she reached the hotel, she could see the boat already half across the bay.

Entering her sitting-room she found that her brother, tired of waiting for her, had driven out. Taking the hidden manuscript from her cloak she tossed it with a slight gesture of impatience on the table. Then she summoned the landlord.

“Is there a town across the bay?”

“No! the whole mountain-side belongs to Don Diego Fletcher. He lives away back in the coast range at Los Gatos, but he has a cottage and mill on the beach.”

“Don Diego Fletcher--Fletcher! Is he a Spaniard then?”

“Half and half, I reckon; he's from the lower country, I believe.”

“Is he here often?”

“Not much; he has mills at Los Gatos, wheat ranches at Santa Clara, and owns a newspaper in 'Frisco! But he's here now. There were lights in his house last night, and his cutter lies off the point.”

“Could you get a small package and note to him?”

“Certainly; it is only a row across the bay.”

“Thank you.”

Without removing her hat and cloak she sat down at the table and began a letter to Don Diego Fletcher. She begged to inclose to him a manuscript which she was satisfied, for the interests of its author, was better in his hands than hers. It had been given to her by the author, Mr. J. M. Harcourt, whom she understood was engaged on Mr. Fletcher's paper, the “Clarion.” In fact, it had been written at HER suggestion, and from an incident in real life of which she was cognizant. She was sorry to say that on account of some very foolish criticism of her own as to the FACTS, the talented young author had become so dissatisfied with it as to make it possible that, if left to himself, this very charming and beautifully written story would remain unpublished. As an admirer of Mr. Harcourt's genius, and a friend of his family, she felt that such an event would be deplorable, and she therefore begged to leave it to Mr. Fletcher's delicacy and tact to arrange with the author for its publication. She knew that Mr. Fletcher had only to read it to be convinced of its remarkable literary merit, and she again would impress upon him the fact that her playful and thoughtless criticism--which was personal and confidential--was only based upon the circumstances that the author had really made a more beautiful and touching story than the poor facts which she had furnished seemed to warrant. She had only just learned the fortunate circumstance that Mr. Fletcher was in the neighborhood of the hotel where she was staying with her brother.

With the same practical, business-like directness, but perhaps a certain unbusiness-like haste superadded, she rolled up the manuscript and dispatched it with the letter.

This done, however, a slight reaction set in, and having taken off her hat and shawl, she dropped listlessly on a chair by the window, but as suddenly rose and took a seat in the darker part of the room. She felt that she had done right, that highest but most depressing of human convictions! It was entirely for his good. There was no reason why his best interests should suffer for his folly. If anybody was to suffer it was she. But what nonsense was she thinking! She would write to him later when she was a little cooler,--as she had said. But then he had distinctly told her, and very rudely too, that he didn't want her to write. Wanted her to make SIGNALS to him,--the idiot! and probably was even now watching her with a telescope. It was really too preposterous!

The result was that her brother found her on his return in a somewhat uncertain mood, and, as a counselor, variable and conflicting in judgment. If this Clementina, who seemed to have the family qualities of obstinacy and audacity, really cared for him, she certainly wouldn't let delicacy stand in the way of letting him know it--and he was therefore safe to wait a little. A few moments later, she languidly declared that she was afraid that she was no counselor in such matters; really she was getting too old to take any interest in that sort of thing, and she never had been a matchmaker! By the way now, wasn't it odd that this neighbor, that rich capitalist across the bay, should be called Fletcher, and “James Fletcher” too, for Diego meant “James” in Spanish. Exactly the same name as poor “Cousin Jim” who disappeared. Did he remember her old playmate Jim? But her brother thought something else was a deuced sight more odd, namely, that this same Don Diego Fletcher was said to be very sweet on Clementina now, and was always in her company at the Ramirez. And that, with this “Clarion” apology on the top of it, looked infernally queer.

Mrs. Ashwood felt a sudden consternation. Here had she--Jack's sister--just been taking Jack's probable rival into confidential correspondence! She turned upon Jack sharply:--

“Why didn't you say that before?”

“I did tell you,” he said gloomily, “but you didn't listen. But what difference does it make to you now?”

“None whatever,” said Mrs. Ashwood calmly as she walked out of the room.

Nevertheless the afternoon passed wearily, and her usual ride into the upland canyon did not reanimate her. For reasons known best to herself she did not take her after-dinner stroll along the shore to watch the outlying fog. At a comparatively early hour, while there was still a roseate glow in the western sky, she appeared with grim deliberation, and the blue lamp-shade in her hand, and placed it over the lamp which she lit and stood on her table beside the window. This done she sat down and began to write with bright-eyed but vicious complacency.

“But you don't want that light AND the window, Constance,” said Jack wonderingly.

Mrs. Ashwood could not stand the dreadful twilight.

“But take away your lamp and you'll have light enough from the sunset,” responded Jack.

That was just what she didn't want! The light from the window was that horrid vulgar red glow which she hated. It might be very romantic and suit lovers like Jack, but as SHE had some work to do, she wanted the blue shade of the lamp to correct that dreadful glare.

CHAPER XII.

John Milton had rowed back without lifting his eyes to Mrs. Ashwood's receding figure. He believed that he was right in declining her invitation, although he had a miserable feeling that it entailed seeing her for the last time. With all that he believed was his previous experience of the affections, he was still so untutored as to be confused as to his reasons for declining, or his right to have been shocked and disappointed at her manner. It seemed to him sufficiently plain that he had offended the most perfect woman he had ever known without knowing more. The feeling he had for her was none the less powerful because, in his great simplicity, it was vague and unformulated. And it was a part of this strange simplicity that in his miserable loneliness his thoughts turned unconsciously to his dead wife for sympathy and consolation. Loo would have understood him!

Mr. Fletcher, who had received him on his arrival with singular effusiveness and cordiality, had put off their final arrangements until after dinner, on account of pressing business. It was therefore with some surprise that an hour before the time he was summoned to Fletcher's room. He was still more surprised to find him sitting at his desk, from which a number of business papers and letters had been hurriedly thrust aside to make way for a manuscript. A single glance at it was enough to show the unhappy John Milton that it was the one he had sent to Mrs. Ashwood. The color flashed to his cheek and he felt a mist before his eyes. His employer's face, on the contrary, was quite pale, and his eyes were fixed on Harcourt with a singular intensity. His voice too, although under great control, was hard and strange.

“Read that,” he said, handing the young man a letter.