Chapter IV: Part 4

A big jug, an Apostel-Krug, of Kruessen, was solemnly dancing a minuet with a plump Faenza jar; a tall Dutch clock was going through a gavotte with a spindle-legged ancient chair; a very droll porcelain figure of Littenhausen was bowing to a very stiff soldier in _terre cuite_ of Ulm; an old violin of Cremona was playing itself, and a queer little shrill plaintive music that thought itself merry came from a painted spinnet covered with faded roses; some gilt Spanish leather had got up on the wall and laughed; a Dresden mirror was tripping about, crowned with flowers, and a Japanese bonze was riding along on a griffin; a slim Venetian rapier had come to blows with a stout Ferrara sabre, all about a little pale-faced chit of a damsel in white Nymphenburg china; and a portly Franconian pitcher in _grès gris_ was calling aloud, “Oh, these Italians! always at feud!” But nobody listened to him at all. A great number of little Dresden cups and saucers were all skipping and waltzing; the teapots, with their broad round faces, were spinning their own lids like teetotums; the high-backed gilded chairs were having a game of cards together; and a little Saxe poodle, with a blue ribbon at its throat, was running from one to another, whilst a yellow cat of Cornelis Lachtleven’s rode about on a Delft horse in blue pottery of 1489. Meanwhile the brilliant light shed on the scene came from three silver candelabra, though they had no candles set up in them; and, what is the greatest miracle of all, August looked on at these mad freaks and felt no sensation of wonder! He only, as he heard the violin and the spinnet playing, felt an irresistible desire to dance too.

No doubt his face said what he wished; for a lovely little lady, all in pink and gold and white, with powdered hair, and high-heeled shoes, and all made of the very finest and fairest Meissen china, tripped up to him, and smiled, and gave him her hand, and led him out to a minuet. And he danced it perfectly,—poor little August in his thick, clumsy shoes, and his thick, clumsy sheepskin jacket, and his rough home-spun linen, and his broad Tyrolean hat! He must have danced it perfectly, this dance of kings and queens in days when crowns were duly honored, for the lovely lady always smiled benignly and never scolded him at all, and danced so divinely herself to the stately measures the spinnet was playing that August could not take his eyes off her till, their minuet ended, she sat down on her own white-and-gold bracket.

“I am the Princess of Saxe-Royale,” she said to him, with a benignant smile; “and you have got through that minuet very fairly.”

Then he ventured to say to her,—

“Madame my princess, could you tell me kindly why some of the figures and furniture dance and speak, and some lie up in a corner like lumber? It does make me curious. Is it rude to ask?”

For it greatly puzzled him why, when some of the _bric-à-brac_ was all full of life and motion, some was quite still and had not a single thrill in it.

“My dear child,” said the powdered lady, “is it possible that you do not know the reason? Why, those silent, dull things are _imitation_!”

This she said with so much decision that she evidently considered it a condensed but complete answer.

“Imitation?” repeated August, timidly, not understanding.

“Of course! Lies, falsehoods, fabrications!” said the princess in pink shoes, very vivaciously. “They only _pretend_ to be what we _are_! They never wake up: how can they? No imitation ever had any soul in it yet.”

“Oh!” said August, humbly, not even sure that he understood entirely yet. He looked at Hirschvogel: surely it had a royal soul within it: would it not wake up and speak? Oh dear! how he longed to hear the voice of his fire-king! And he began to forget that he stood by a lady who sat upon a pedestal of gold-and-white china, with the year 1746 cut on it, and the Meissen mark.

“What will you be when you are a man?” said the little lady, sharply, for her black eyes were quick though her red lips were smiling. “Will you work for the _Königliche Porcellan-Manufactur_, like my great dead Kandler?”

“I have never thought,” said August, stammering; “at least—that is—I do wish—I do hope to be a painter, as was Master Augustin Hirschvogel at Nürnberg.”

“Bravo!” said all the real _bric-à-brac_ in one breath, and the two Italian rapiers left off fighting to cry, “_Benone_!” For there is not a bit of true _bric-à-brac_ in all Europe that does not know the names of the mighty masters.

August felt quite pleased to have won so much applause, and grew as red as the lady’s shoes with bashful contentment.

“I knew all the Hirschvögel, from old Veit downwards,” said a fat _grès de Flandre_ beer-jug: “I myself was made at Nürnberg.” And he bowed to the great stove very politely, taking off his own silver hat—I mean lid—with a courtly sweep that he could scarcely have learned from burgomasters. The stove, however, was silent, and a sickening suspicion (for what is such heart-break as a suspicion of what we love?) came through the mind of August: _Was Hirschvogel only imitation?_

“No, no, no, no!” he said to himself, stoutly: though Hirschvogel never stirred, never spoke, yet would he keep all faith in it. After all their happy years together, after all the nights of warmth and joy he owed it, should he doubt his own friend and hero, whose gilt lion’s feet he had kissed in his babyhood? “No, no, no, no!” he said, again, with so much emphasis that the Lady of Meissen looked sharply again at him.

“No,” she said, with pretty disdain; “no, believe me, they may ‘pretend’ forever. They can never look like us! They imitate even our marks, but never can they look like the real thing, never can they _chassent de race_.”

“How should they?” said a bronze statuette of Vischer’s. “They daub themselves green with verdigris, or sit out in the rain to get rusted; but green and rust are not _patina_; only the ages can give that!”

“And _my_ imitations are all in primary colors, staring colors, hot as the colors of a hostelry’s sign-board!” said the Lady of Meissen, with a shiver.

“Well, there is a _grès de Flandre_ over there, who pretends to be a Hans Kraut, as I am,” said the jug with the silver hat, pointing with his handle to a jug that lay prone on its side in a corner. “He has copied me as exactly as it is given to moderns to copy us. Almost he might be mistaken for me. But yet what a difference there is! How crude are his blues! how evidently done over the glaze are his black letters! He has tried to give himself my very twist; but what a lamentable exaggeration of that playful deviation in my lines which in his becomes actual deformity!”

“And look at that,” said the gilt Cordovan leather, with a contemptuous glance at a broad piece of gilded leather spread out on a table. “They will sell him cheek by jowl with me, and give him my name; but look! _I_ am overlaid with pure gold beaten thin as a film and laid on me in absolute honesty by worthy Diego de las Gorgias, worker in leather of lovely Cordova in the blessed reign of Ferdinand the Most Christian. _His_ gilding is one part gold to eleven other parts of brass and rubbish, and it has been laid on him with a brush—_a brush!_—pah! of course he will be as black as a crock in a few years’ time, whilst I am as bright as when I first was made, and, unless I am burnt as my Cordova burnt its heretics, I shall shine on forever.”

“They carve pear-wood because it is so soft, and dye it brown, and call it _me_!” said an old oak cabinet, with a chuckle.

“That is not so painful; it does not vulgarize you so much as the cups they paint to-day and christen after _me_!” said a Carl Theodor cup subdued in hue, yet gorgeous as a jewel.

“Nothing can be so annoying as to see common gimcracks aping _me_!” interposed the princess in the pink shoes.

“They even steal my motto, though it is Scripture,” said a _Trauerkrug_ of Regensburg in black-and-white.

“And my own dots they put on plain English china creatures!” sighed the little white maid of Nymphenburg.

“And they sell hundreds and thousands of common china plates, calling them after me, and baking my saints and my legends in a muffle of to-day; it is blasphemy!” said a stout plate of Gubbio, which in its year of birth had seen the face of Maestro Giorgio.

“That is what is so terrible in these _bric-à-brac_ places,” said the princess of Meissen. “It brings one in contact with such low, imitative creatures; one really is safe nowhere nowadays unless under glass at the Louvre or South Kensington.”

“And they get even there,” sighed the _grès de Flandre_. “A terrible thing happened to a dear friend of mine, a _terre cuite_ of Blasius (you know the _terres cuites_ of Blasius date from 1560). Well, he was put under glass in a museum that shall be nameless, and he found himself set next to his own imitation born and baked yesterday at Frankfort, and what think you the miserable creature said to him, with a grin? ‘Old Pipe-clay,’—that is what he called my friend,—‘the fellow that bought _me_ got just as much commission on me as the fellow that bought _you_, and that was all that _he_ thought about. You know it is only the public money that goes!’ And the horrid creature grinned again till he actually cracked himself. There is a Providence above all things, even museums.”

“Providence might have interfered before, and saved the public money,” said the little Meissen lady with the pink shoes.

“After all, does it matter?” said a Dutch jar of Haarlem. “All the shamming in the world will not _make_ them us!”

“One does not like to be vulgarized,” said the Lady of Meissen, angrily.

“My maker, the Krabbetje,[A] did not trouble his head about that,” said the Haarlem jar, proudly. “The Krabbetje made me for the kitchen, the bright, clean, snow-white Dutch kitchen, wellnigh three centuries ago, and now I am thought worthy the palace; yet I wish I were at home; yes, I wish I could see the good Dutch vrouw, and the shining canals, and the great green meadows dotted with the kine.”

“Ah! if we could all go back to our makers!” sighed the Gubbio plate, thinking of Giorgio Andreoli and the glad and gracious days of the Renaissance: and somehow the words touched the frolicsome souls of the dancing jars, the spinning teapots, the chairs that were playing cards; and the violin stopped its merry music with a sob, and the spinnet sighed,—thinking of dead hands.

Even the little Saxe poodle howled for a master forever lost; and only the swords went on quarrelling, and made such a clattering noise that the Japanese bonze rode at them on his monster and knocked them both right over, and they lay straight and still, looking foolish, and the little Nymphenburg maid, though she was crying, smiled and almost laughed.

Then from where the great stove stood there came a solemn voice.

All eyes turned upon Hirschvogel, and the heart of its little human comrade gave a great jump of joy.

“My friends,” said that clear voice from the turret of Nürnberg faïence, “I have listened to all you have said. There is too much talking among the Mortalities whom one of themselves has called the Windbags. Let not us be like them. I hear among men so much vain speech, so much precious breath and precious time wasted in empty boasts, foolish anger, useless reiteration, blatant argument ignoble mouthings, that I have learned to deem speech a curse, laid on man to weaken and envenom all his undertakings. For over two hundred years I have never spoken myself: you, I hear, are not so reticent. I only speak now because one of you said a beautiful thing that touched me. If we all might but go back to our makers! Ah, yes! if we might! We were made in days when even men were true creatures, and so we, the work of their hands, were true too. We, the begotten of ancient days, derive all the value in us from the fact that our makers wrought at us with zeal, with piety, with integrity, with faith,—not to win fortunes or to glut a market, but to do nobly an honest thing and create for the honor of the Arts and God. I see amidst you a little human thing who loves me, and in his own ignorant childish way loves Art. Now, I want him forever to remember this night and these words; to remember that we are what we are, and precious in the eyes of the world, because centuries ago those who were of single mind and of pure hand so created us, scorning sham and haste and counterfeit. Well do I recollect my master, Augustin Hirschvogel. He led a wise and blameless life, and wrought in loyalty and love, and made his time beautiful thereby, like one of his own rich, many-colored church casements, that told holy tales as the sun streamed through them. Ah, yes, my friends, to go back to our masters!—that would be the best that could befall us. But they are gone, and even the perishable labors of their lives outlive them. For many, many years I, once honored of emperors, dwelt in a humble house and warmed in successive winters three generations of little, cold, hungry children. When I warmed them they forgot that they were hungry; they laughed and told tales, and slept at last about my feet. Then I knew that humble as had become my lot it was one that my master would have wished for me, and I was content. Sometimes a tired woman would creep up to me, and smile because she was near me, and point out my golden crown or my ruddy fruit to a baby in her arms. That was better than to stand in a great hall of a great city, cold and empty, even though wise men came to gaze and throngs of fools gaped, passing with flattering words. Where I go now I know not; but since I go from that humble house where they loved me, I shall be sad and alone. They pass so soon,—those fleeting mortal lives! Only we endure,—we, the things that the human brain creates. We can but bless them a little as they glide by: if we have done that, we have done what our masters wished. So in us our masters, being dead, yet may speak and live.”

Then the voice sank away in silence, and a strange golden light that had shone on the great stove faded away; so also the light died down in the silver candelabra. A soft, pathetic melody stole gently through the room. It came from the old, old spinnet that was covered with the faded roses.

Then that sad, sighing music of a bygone day died too; the clocks of the city struck six of the morning; day was rising over the Bayerischenwald. August awoke with a great start, and found himself lying on the bare bricks of the floor of the chamber, and all the _bric-à-brac_ was lying quite still all around. The pretty Lady of Meissen was motionless on her porcelain bracket, and the little Saxe poodle was quiet at her side.

He rose slowly to his feet. He was very cold, but he was not sensible of it or of the hunger that was gnawing his little empty entrails. He was absorbed in the wondrous sight, in the wondrous sounds, that he had seen and heard.

All was dark around him. Was it still midnight or had morning come? Morning, surely; for against the barred shutters he heard the tiny song of the robin.

Tramp, tramp, too, came a heavy step up the stair. He had but a moment in which to scramble back into the interior of the great stove, when the door opened and the two dealers entered, bringing burning candles with them to see their way.

August was scarcely conscious of danger more than he was of cold or hunger. A marvellous sense of courage, of security, of happiness, was about him, like strong and gentle arms enfolding him and lifting him upwards—upwards—upwards! Hirschvogel would defend him.

The dealers undid the shutters, scaring the red-breast away, and then tramped about in their heavy boots and chattered in contented voices, and began to wrap up the stove once more in all its straw and hay and cordage.

It never once occurred to them to glance inside. Why should they look inside a stove that they had bought and were about to sell again for all its glorious beauty of exterior?

The child still did not feel afraid. A great exaltation had come to him: he was like one lifted up by his angels.

Presently the two traders called up their porters and the stove, heedfully swathed and wrapped and tended as though it were some sick prince going on a journey, was borne on the shoulders of six stout Bavarians down the stairs and out of the door into the Marienplatz. Even behind all those wrappings August felt the icy bite of the intense cold of the outer air at dawn of a winter’s day in Munich. The men moved the stove with exceeding gentleness and care, so that he had often been far more roughly shaken in his big brothers’ arms than he was in his journey now; and though both hunger and thirst made themselves felt, being foes that will take no denial, he was still in that state of nervous exaltation which deadens all physical suffering and is at once a cordial and an opiate. He had heard Hirschvogel speak; that was enough.

The stout carriers tramped through the city, six of them, with the Nürnberg fire-castle on their brawny shoulders, and went right across Munich to the railway-station, and August in the dark recognized all the ugly, jangling, pounding, roaring, hissing railway-noises, and thought, despite his courage and excitement, “Will it be a _very_ long journey?” For his stomach had at times an odd sinking sensation, and his head sadly often felt light and swimming. If it was a very, very long journey he felt half afraid that he would be dead or something bad before the end, and Hirschvogel would be so lonely: that was what he thought most about; not much about himself, and not much about Dorothea and the house at home. He was “high strung to high emprise,” and could not look behind him.

Whether for a long or a short journey, whether for weal or woe, the stove with August still within it was once more hoisted up into a great van; but this time it was not all alone, and the two dealers as well as the six porters were all with it.

He in his darkness knew that; for he heard their voices. The train glided away over the Bavarian plain southward; and he heard the men say something of Berg and the Wurm-See, but their German was strange to him, and he could not make out what these names meant.

The train rolled on, with all its fume and fuss, and roar of steam, and stench of oil and burning coal. It had to go quietly and slowly on account of the snow which was falling, and which had fallen all night.

“He might have waited till he came to the city,” grumbled one man to another. “What weather to stay on at Berg!”

But who he was that stayed on at Berg, August could not make out at all.

Though the men grumbled about the state of the roads and the season, they were hilarious and well content, for they laughed often, and, when they swore, did so good-humoredly, and promised their porters fine presents at New-Year; and August, like a shrewd little boy as he was, who even in the secluded Innthal had learned that money is the chief mover of men’s mirth, thought to himself, with a terrible pang,—

“They have sold Hirschvogel for some great sum! They have sold him already!”

Then his heart grew faint and sick within him, for he knew very well that he must soon die, shut up without food and water thus; and what new owner of the great fire-palace would ever permit him to dwell in it?

“Never mind; I _will_ die,” thought he; “and Hirschvogel will know it.”

Perhaps you think him a very foolish little fellow; but I do not.

It is always good to be loyal and ready to endure to the end.

It is but an hour and a quarter that the train usually takes to pass from Munich to the Wurm-See or Lake of Starnberg; but this morning the journey was much slower, because the way was encumbered by snow. When it did reach Possenhofen and stop, and the Nürnberg stove was lifted out once more, August could see through the fret-work of the brass door, as the stove stood upright facing the lake, that this Wurm-See was a calm and noble piece of water, of great width, with low wooded banks and distant mountains, a peaceful, serene place, full of rest.

It was now near ten o’clock. The sun had come forth; there was a clear gray sky hereabouts; the snow was not falling, though it lay white and smooth everywhere, down to the edge of the water, which before long would itself be ice.

Before he had time to get more than a glimpse of the green gliding surface, the stove was again lifted up and placed on a large boat that was in waiting,—one of those very long and huge boats which the women in these parts use as laundries, and the men as timber-rafts. The stove, with much labor and much expenditure of time and care, was hoisted into this, and August would have grown sick and giddy with the heaving and falling if his big brothers had not long used him to such tossing about, so that he was as much at ease head, as feet, downward. The stove once in it safely with its guardians, the big boat moved across the lake to Leoni. How a little hamlet on a Bavarian lake got that Tuscan-sounding name I cannot tell; but Leoni it is. The big boat was a long time crossing: the lake here is about three miles broad, and these heavy barges are unwieldy and heavy to move, even though they are towed and tugged at from the shore.

“If we should be too late!” the two dealers muttered to each other, in agitation and alarm. “He said eleven o’clock.”

“Who was he?” thought August; “the buyer, of course, of Hirschvogel.” The slow passage across the Wurm-See was accomplished at length: the lake was placid; there was a sweet calm in the air and on the water; there was a great deal of snow in the sky, though the sun was shining and gave a solemn hush to the atmosphere. Boats and one little steamer were going up and down; in the clear frosty light the distant mountains of Zillerthal and the Algau Alps were visible; market-people, cloaked and furred, went by on the water or on the banks; the deep woods of the shores were black and gray and brown. Poor August could see nothing of a scene that would have delighted him; as the stove was now set, he could only see the old worm eaten wood of the huge barge.

Presently they touched the pier at Leoni.

“Now men, for a stout mile and half! You shall drink your reward at Christmas-time,” said one of the dealers to his porters, who, stout, strong men as they were, showed a disposition to grumble at their task. Encouraged by large promises, they shouldered sullenly the Nürnberg stove, grumbling again at its preposterous weight, but little dreaming that they carried within it a small, panting, trembling boy; for August began to tremble now that he was about to see the future owner of Hirschvogel.

“If he look a good, kind man,” he thought, “I will beg him to let me stay with it.”

The porters began their toilsome journey, and moved off from the village pier. He could see nothing, for the brass door was over his head, and all that gleamed through it was the clear gray sky. He had been tilted on to his back, and if he had not been a little mountaineer, used to hanging head-downwards over crevasses, and, moreover, seasoned to rough treatment by the hunters and guides of the hills and the salt-workers in the town, he would have been made ill and sick by the bruising and shaking and many changes of position to which he had been subjected.

The way the men took was a mile and a half in length, but the road was heavy with snow, and the burden they bore was heavier still. The dealers cheered them on, swore at them and praised them in one breath; besought them and reiterated their splendid promises, for a clock was striking eleven, and they had been ordered to reach their destination at that hour, and, though the air was so cold, the heat-drops rolled off their foreheads as they walked, they were so frightened at being late. But the porters would not budge a foot quicker than they chose, and as they were not poor four-footed carriers their employers dared not thrash them, though most willingly would they have done so.

The road seemed terribly long to the anxious tradesmen, to the plodding porters, to the poor little man inside the stove, as he kept sinking and rising, sinking and rising, with each of their steps.

Where they were going he had no idea, only after a very long time he lost the sense of the fresh icy wind blowing on his face through the brass-work above, and felt by their movements beneath him that they were mounting steps or stairs. Then he heard a great many different voices, but he could not understand what was being said. He felt that his bearers paused some time, then moved on and on again. Their feet went so softly he thought they must be moving on carpet, and as he felt a warm air come to him he concluded that he was in some heated chambers, for he was a clever little fellow, and could put two and two together, though he was so hungry and so thirsty and his empty stomach felt so strangely. They must have gone, he thought, through some very great number of rooms, for they walked so long on and on, on and on. At last the stove was set down again, and, happily for him, set so that his feet were downward.

What he fancied was that he was in some museum, like that which he had seen in the city of Innspruck.

The voices he heard were very hushed, and the steps seemed to go away, far away, leaving him alone with Hirschvogel. He dared not look out, but he peeped through the brass-work, and all he could see was a big carved lion’s head in ivory, with a gold crown atop. It belonged to a velvet fauteuil, but he could not see the chair, only the ivory lion.

There was a delicious fragrance in the air,—a fragrance as of flowers. “Only how can it be flowers?” thought August. “It is November!”

From afar off, as it seemed, there came a dreamy, exquisite music, as sweet as the spinnet’s had been, but so much fuller, so much richer, seeming as though a chorus of angels were singing all together. August ceased to think of the museum: he thought of heaven. “Are we gone to the Master?” he thought, remembering the words of Hirschvogel.

All was so still around him; there was no sound anywhere except the sound of the far-off choral music.

He did not know it, but he was in the royal castle of Berg, and the music he heard was the music of Wagner, who was playing in a distant room some of the motives of “Parsival.”

Presently he heard a fresh step near him, and he heard a low voice say, close behind him, “So!” An exclamation no doubt, he thought, of admiration and wonder at the beauty of Hirschvogel.

Then the same voice said, after a long pause, during which no doubt, as August thought, this new-comer was examining all the details of the wondrous fire-tower, “It was well bought; it is exceedingly beautiful! It is most undoubtedly the work of Augustin Hirschvogel.”

Then the hand of the speaker turned the round handle of the brass door, and the fainting soul of the poor little prisoner within grew sick with fear.

The handle turned, the door was slowly drawn open, some one bent down and looked in, and the same voice that he had heard in praise of its beauty called aloud, in surprise, “What is this in it? A live child!”

Then August, terrified beyond all self-control, and dominated by one master-passion, sprang out of the body of the stove and fell at the feet of the speaker.

“Oh, let me stay! Pray, meinherr, let me stay!” he sobbed. “I have come all the way with Hirschvogel!”

Some gentlemen’s hands seized him, not gently by any means, and their lips angrily muttered in his ear, “Little knave, peace! be quiet! hold your tongue! It is the king!”

They were about to drag him out of the august atmosphere as if he had been some venomous, dangerous beast come there to slay, but the voice he had heard speak of the stove said, in kind accents, “Poor little child! he is very young. Let him go: let him speak to me.”

The word of a king is law to his courtiers: so, sorely against their wish, the angry and astonished chamberlains let August slide out of their grasp, and he stood there in his little rough sheepskin coat and his thick, mud-covered boots, with his curling hair all in a tangle, in the midst of the most beautiful chamber he had ever dreamed of, and in the presence of a young man with a beautiful dark face, and eyes full of dreams and fire; and the young man said to him,—

“My child, how came you here, hidden in this stove? Be not afraid: tell me the truth. I am the king.”

August in an instinct of homage cast his great battered black hat with the tarnished gold tassels down on the floor of the room, and folded his little brown hands in supplication. He was too intensely in earnest to be in any way abashed; he was too lifted out of himself by his love for Hirschvogel to be conscious of any awe before any earthly majesty. He was only so glad—so glad it was the king. Kings were always kind; so the Tyrolese think, who love their lords.

“Oh, dear king!” he said, with trembling entreaty in his faint little voice, “Hirschvogel was ours, and we have loved it all our lives; and father sold it. And when I saw that it did really go from us, then I said to myself I would go with it; and I have come all the way inside it. And last night it spoke and said beautiful things. And I do pray you to let me live with it, and I will go out every morning and cut wood for it and you, if only you will let me stay beside it. No one ever has fed it with fuel but me since I grew big enough, and it loves me;—it does indeed; it said so last night; and it said that it had been happier with us than if it were in any palace——”

And then his breath failed him, and, as he lifted his little, eager, pale face to the young king’s, great tears were falling down his cheeks.

Now, the king likes all poetic and uncommon things, and there was that in the child’s face which pleased and touched him. He motioned to his gentlemen to leave the little boy alone.

“What is your name?” he asked him.

“I am August Strehla. My father is Hans Strehla. We live in Hall in the Innthal; and Hirschvogel has been ours so long,—so long!”

His lips quivered with a broken sob.

“And have you truly travelled inside this stove all the way from Tyrol?”

“Yes,” said August; “no one thought to look inside till you did.”

The king laughed; then another view of the matter occurred to him.

“Who bought the stove of your father?” he inquired.

“Traders of Munich,” said August, who did not know that he ought not to have spoken to the king as to a simple citizen, and whose little brain was whirling and spinning dizzily round its one central idea.

“What sum did they pay your father, do you know?” asked the sovereign.

“Two hundred florins,” said August, with a great sigh of shame. “It was so much money, and he is so poor, and there are so many of us.”

The king turned to his gentlemen-in-waiting. “Did these dealers of Munich come with the stove.”

He was answered in the affirmative. He desired them to be sought for and brought before him. As one of his chamberlains hastened on the errand, the monarch looked at August with compassion.

“You are very pale, little fellow: when did you eat last?”

“I had some bread and sausage with me; yesterday afternoon I finished it.”

“You would like to eat now?”

“If I might have a little water I would be glad; my throat is very dry.”

The king had water and wine brought for him, and cake also; but August, though he drank eagerly, could not swallow anything. His mind was in too great a tumult.

“May I stay with Hirschvogel?—may I stay?” he said, with feverish agitation.

“Wait a little,” said the king, and asked, abruptly, “What do you wish to be when you are a man?”

“A painter. I wish to be what Hirschvogel was,—I mean the master that made my Hirschvogel.”

“I understand,” said the king.

Then the two dealers were brought into their sovereign’s presence. They were so terribly alarmed, not being either so innocent or so ignorant as August was, that they were trembling as though they were being led to the slaughter, and they were so utterly astonished too at a child having come all the way from Tyrol in the stove, as a gentleman of the court had just told them this child had done, that they could not tell what to say or where to look, and presented a very foolish aspect indeed.

“Did you buy this Nürnberg stove of this little boy’s father for two hundred florins?” the king asked them; and his voice was no longer soft and kind as it had been when addressing the child, but very stern.

“Yes, your majesty,” murmured the trembling traders.

“And how much did the gentleman who purchased it for me give to you?”

“Two thousand ducats, your majesty,” muttered the dealers, frightened out of their wits, and telling the truth in their fright.

The gentleman was not present: he was a trusted counsellor in art matters of the king’s, and often made purchases for him.

The king smiled a little, and said nothing. The gentleman had made out the price to him as eleven thousand ducats.

“You will give at once to this boy’s father the two thousand gold ducats that you received, less the two hundred Austrian florins that you paid him,” said the king to his humiliated and abject subjects. “You are great rogues. Be thankful you are not more greatly punished.”

He dismissed them by a sign to his courtiers, and to one of these gave the mission of making the dealers of the Marienplatz disgorge their ill-gotten gains.

August heard, and felt dazzled yet miserable. Two thousand gold Bavarian ducats for his father! Why, his father would never need to go any more to the salt-baking! And yet, whether for ducats or for florins, Hirschvogel was sold just the same, and would the king let him stay with it?—would he?

“Oh, do! oh, please do!” he murmured, joining his little brown weather-stained hands, and kneeling down before the young monarch, who himself stood absorbed in painful thought, for the deception so basely practised for the greedy sake of gain on him by a trusted counsellor was bitter to him.

He looked down on the child, and as he did so smiled once more.

“Rise up, my little man,” he said, in a kind voice; “kneel only to your God. Will I let you stay with your Hirschvogel? Yes, I will; you shall stay at my court, and you shall be taught to be a painter,—in oils or on porcelain as you will,—and you must grow up worthily, and win all the laurels at our Schools of Art, and if when you are twenty-one years old you have done well and bravely, then I will give you your Nürnberg stove, or, if I am no more living, then those who reign after me shall do so. And now go away with this gentleman, and be not afraid, and you shall light a fire every morning in Hirschvogel, but you will not need to go out and cut the wood.”

Then he smiled and stretched out his hand; the courtiers tried to make August understand that he ought to bow and touch it with his lips, but August could not understand that anyhow; he was too happy. He threw his two arms about the king’s knees, and kissed his feet passionately; then he lost all sense of where he was, and fainted away from hunger, and tire, and emotion, and wondrous joy.

As the darkness of his swoon closed in on him, he heard in his fancy the voice from Hirschvogel saying,—

“Let us be worthy our maker!”

He is only a scholar yet, but he is a happy scholar, and promises to be a great man. Sometimes he goes back for a few days to Hall, where the gold ducats have made his father prosperous. In the old house-room there is a large white porcelain stove of Munich, the king’s gift to Dorothea and ’Gilda.

And August never goes home without going into the great church and saying his thanks to God, who blessed his strange winter’s journey in the Nürnberg stove. As for his dream in the dealers’ room that night, he will never admit that he did dream it; he still declares that he saw it all, and heard the voice of Hirschvogel. And who shall say that he did not? for what is the gift of the poet and the artist except to see the sights which others cannot see and to hear the sounds that others cannot hear?

FOOTNOTE:

[A] Jan Asselyn, called Krabbetje, the Little Crab, born 1610, master-potter of Delft and Haarlem.

IN THE APPLE-COUNTRY

IT was in one of the green lanes of South Devonshire that Gemma, being quite tired out, threw herself down on the daisied grass and said to her grandfather,—

“Nonno, let us rest a little and eat.” Her grandfather said to her,—

“_Carina mia_, I would eat gladly, but we have nothing to eat. The satchel is empty.”

Gemma, lying chest downward on the turf, sighed, and buried her hands in her abundant curls and cooled her forehead on the damp grass. She was just thirteen years old, and she was so pretty that she made the heart of the old grandfather ache often when he looked at her and thought that she would most likely soon be left alone in the world, for her little brother Bindo could not be said to count for anything, being only ten years old. Gemma was very lovely indeed, being tall and lithe and gay, and full of grace, and having a beautiful changeable face, all light and color. But she was only thirteen, and all she could do to get her livelihood was to dance the _saltarello_ and the _tarantella_. She and her brother danced, which they did very prettily, and the old man whom they called Nonno told fortunes and performed some simple conjuring tricks, and these were all bad trades as times went, for nowadays nobody amuses himself with simple things, and the rural folk have grown as sharp and as serious as the city people, which to my thinking is a very great loss to the world, for merry people are generally kind people, and contented people are easily governed, and have no appetites for politics and philosophies and the like indigestible things.

Nonno and Gemma and Bindo were merry enough even on empty stomachs. The old man was as simple as a duck, and as gentle as a rabbit, and was rather more of a child than either of the children. Bindo was a little, round, playful, gleeful thing, like a little field-mouse, and Gemma was as gay as a lark, though she had to bear the burden of the only brains that there were in the family.

They were little Neapolitans; they had been born in a little cabin on the sunny shore facing Ischia, and in their infancy had tumbled about naked and glad as young dolphins in the bright blue waters. Then their parents had died,—their father at sea, their mother of fever,—and left them to the care of Nonno; Nonno, who was very old, so old that they thought he must have been made almost before the world itself, and who, after having been a showman of puppets to divert the poorest classes all his life, was so very poor himself then that he could hardly scrape enough together to get a little drink of thin wine and an inch or two of polenta. Being so very poor, he was seduced into accepting an engagement for himself and the children with a wicked man whose business it was in life to decoy poor little Italians and make money out of them in foreign lands. Nonno was so good and simple himself that he thought everybody was as harmless as he was, and his grief and amazement were very great when on reaching the English shores with this wicked man he found that the wicked man meant to give him the slip altogether and go off with the two children. By a mere hazard, Nonno, whose name was Epifania Santo (a droll name, but he himself had been a foundling), was able to defeat the wicked man so far that he got out of his clutches and took his grandchildren with him. But there they all three were in England, with no money at all, and nothing on earth but a few puppets, and a conjurer’s box of playthings, and the stilts on which the wicked man had had the children taught to walk. And in England they had now been four years, remaining there chiefly because they had no notion how to get home again, and partly because Nonno had such a great terror of the sea. He had suffered so much on the long voyage into which he had been entrapped from Naples, round by the Bay of Biscay up the Bristol Channel, that he would sooner have died there and then than have set foot again on board a sea-going vessel. So in England they had stayed, wandering about and picking up a few pence in villages and towns, and clinging together tenderly, and being very often hungry, cold, tired, roofless, but yet being all the while happy.

Sometimes, too, they fared well: the children’s brilliant uncommon beauty and pretty foreign accent often touched country-people’s hearts, and sometimes they would get bed and board at homely farm-houses high on lonely hills, or be made welcome without payment in little wayside inns. They had kept to the southwest part of the kingdom, never being able to afford other means of locomotion than their own feet, and the farthest distance they had ever compassed had been this far-south country-side, where the green woods and pastures roll down to the broad estuaries of Exe and Dart. This green, wet, shadowy country always seemed strange to the children; for a long while they thought it was always evening in England. They could remember the long sunshiny years at home, and the radiant air, and the blue, clear sky, and the sea that seemed always laughing. They could never forget it indeed, and when they were together they never talked of anything else: only the cactus-fruit and the green and black figs, the red tomatoes and the rough pomegranates, and the big balls of gold to be had in the orange woods just for the plucking; the boats with the pretty striped sails, and the villas with the marbles and the palms, and the islands all aglow in the sunset, and the distance you could see looking away, away, away into the immeasurable azure of the air. Oh, yes, they remembered it all, and at night they would weep for it, the old man’s slow salt tears mingling with the passionate rain of the childish eyes. Here it was green and pretty in its own way, but all so dark, so wet, so misty!

“When I try to see, there is a white wall of shadow,—I think it is shadow; perhaps it is fog, but it is always there,” said Gemma. “At home one looks, and looks, and looks; there is no end to it.”

Gemma longed sorely to go home; she had not minded the sea at all. Bindo, like Nonno, had been very ill on the voyage and cried even now whenever he saw a ship, for fear he should be going in it. Bindo was sadly babyish for ten years old; to make amends, his sister was almost a woman at thirteen.

They ought now to have been all three serious and alarmed, for Nonno’s satchel had not a penny in it, nor a crust, and they were all hungry, for it was noonday. But instead of being miserable they joked, and laughed, and kissed each other, as thousands of their country-folks at home with equally empty stomachs were doing, lying on sunny moles, or marble-strewn benches, or thymy turf under ilex shadows. But then in our dear Italy there is always the sun, the light, the air that kisses and feeds and sends to soft sleep her children, and Gemma and her brother and grandfather were in a wet English lane, with the clouds hurrying up over the distant hills by Dartmoor, and the raindrops still hanging to the great elm-boughs overhead.

Yet they were merry, and sang snatches of Neapolitan songs, and took no thought for the morrow. They were not far off Dartmouth, and they meant to go into the quaint old town by market-day, and the Dart fisher- and boating-folk were always kind to them. If they were hungry now they would eat to-morrow.

Suddenly, however, Nonno grew thoughtful as he looked at Gemma, lying face downward on the wet grass, her sandalled feet in air, a dragon-fly fluttering above her head.

“What would you do if I were to die, my _piccicotta_?” said the poor old man, all at once remembering he was nigh eighty years old. Gemma raised herself, and said nothing. Her eyes, which were very beautiful eyes, grew sad and moist.

“I would take care of Bindo, Nonno,” she answered, at last. “Do not be afraid of that.”

“But how? It is easy to say. But how?”

“I suppose I could dance at theatres,” said Gemma after reflection. Nonno shook his head.

“For the theatres you would need to dance differently: it is all spinning, craning, drilling there; you dance, my child, as a flower in the wind. The theatres do not care for that.”

“Then I do not know,” said Gemma. “But something I would do. Bindo should not suffer.”

“You are a good child,” said the old man, tenderly. She sank down again on the grass.

“Do not think of dying, Nonno,” she said. “It is all so dark where death is.”

“Not when one gets to the saints,” said the simple old man. He always fancied Paradise just like Amalfi,—his own Amalfi, where long ago, so long ago, he had run and leaped, a merry naked boy, in the azure waves, and caught the glittering sea-mouse and the pink column of the gemmia in his hands. Paradise would be just like Amalfi; the promise of it consoled him as he trotted on tired limbs along the wet gravel of English market-roads, or meekly bore the noisy horse-play of English village crowds.

The rain had ceased, and the sun was shining a little in a drowsy half-hearted way, as if it were but half awake even at mid-day. There were big hedges on either side of the lane, and broad strips of turf. These lanes are almost all that is left of the rural and leafy old England of Seventeen Hundred; and they are beautiful in their own way when midsummer crowds them with flowers, and in spring when their palm-willows blossom, and in autumn when their hazel-coppices are brown with nuts, and in winter when their holly and ivy clamber high, and their fine trees make a tracery of bare boughs delicate as the net-work of lace against the gray skies.

On the other side of the hedge, to their right, there was a large corn-field; it was now the time when wheat is ripe in England, and the men and women who were reaping it were sitting, resting, drinking their cider and eating their noonday bread and bacon. Bindo watched them through a hole in the hedge, and began to cry.

“It makes me hungrier to see them eat!” he said, with a sob. Gemma sprang to her feet.

“Do not cry so, my Bindo,” she said, with a tender voice: “I will ask them to give you some.”

She thrust her lithe body through the gap, and walked boldly across the field,—a strange figure for an English corn-field, with her short white skirt, and her red bodice, and her striped sash of many colors, and her little coral ear-rings in her ears; she was bareheaded, and her dusky gold hair, the hair that the old painters loved, was coiled rope-like all around her small head.

“My little brother is hungry: will you be so very gentle and give us a little bread?” she said, in her pretty accent, which robbed the English tongue of all its gutturals and clothed it in a sweetness not its own. She was not fond of begging, being proud, and she colored very much as she said it.

The reapers stared, then grinned, gaped once or twice, and then stretched big brown hands out to her with goodly portions of food, and one added a mug of cider.

“I do thank you so much,” she said, with a smile that was like a sunbeam. “The drink I take not, for Nonno has no love of it; but for the bread I pray may San Martino bless you!”

Then she courtesied to them, as nature and nobody else had taught her to do, and ran away, fleet as a lapwing, with her treasure.

“’Tis that dancing-girl of the Popish country,” said the men one to another, and added that if the master caught her in his lane ’twould be the worse for her, for he couldna abide tramps and vagabon’s. But Gemma, who knew nothing of that, was sharing her spoils with glee, and breaking the small bit of bread she allowed to herself with teeth as white as a dog’s.

“The way to Dartmouth will not now seem so long,” she said, and Bindo nodded his head with a mouth quite full of good brown bread and fat bacon.

“How much do they love _carne secca_ here!” said Nonno, with a sigh, thinking of the long coils of macaroni, the lovely little fried fish, the oil, the garlic, the black beans, that he never saw now, alas, alas! “The land is fat, but the people they know not how to live,” he added, with a sigh. “A people without wine,—what should they know?”

“They make good bread,” said Gemma, with her ivory teeth in a crust.

Meantime, the person who owned the lane was coming out into the fields to see how his men got on with their work. His house stood near, hidden in trees on a bend of the Exe. He was rich, young, prosperous, and handsome; he was also generous and charitable; but he was a magistrate, and he hated strollers. By name he was known as Philip Carey; his people had been squires here for many generations; he called himself a yeoman, and was as proud as if he were a prince.