Chapter I: SOMETIMES wonder how much these have changed since my boy's time. Of (5)

if the boy had not already been bereft of his senses by the melodrama preceding the burlesque, he must have been transported by her beauty, her grace, her genius. He, indeed, gave her and her sister his heart, but his mind was already gone, rapt from him by the adorable pirate who fought a losing fight with broadswords, two up and two down--click-click, click-click--and died all over the deck of the pirate ship in the opening piece. This was called the "Beacon of Death," and the scene represented the forecastle of the pirate ship with a lantern dangling from the rigging, to lure unsuspecting merchantmen to their doom. Afterwards, the boy remembered nothing of the story, but a scrap of the dialogue meaninglessly remained with him; and when the pirate captain appeared with his bloody crew and said, hoarsely, "Let us go below and get some brandy!" the boy would have bartered all his hopes of bliss to have been that abandoned ruffian. In fact, he always liked, and longed to be, the villain, rather than any other person in the play, and he so glutted himself with crime of every sort in his tender years at the theatre that he afterwards came to be very tired of it, and avoided the plays and novels that had very marked villains in them.

He was in an ecstasy as soon as the curtain rose that night, and he lived somewhere out of his body as long as the playing lasted, which was well on to midnight; for in those days the theatre did not meanly put the public off with one play, but gave it a heartful and its money's worth with three. On his first night my boy saw "The Beacon of Death," "Bombastes Furioso," and "Black-eyed Susan," and he never afterwards saw less than three plays each night, and he never missed a night, as long as the theatre languished in the unfriendly air of that mainly Calvinistic community, where the theatre was regarded by most good people as the eighth of the seven deadly sins. The whole day long he dwelt in a dream of it that blotted out, or rather consumed with more effulgent brightness, all the other day-dreams he had dreamed before, and his heart almost burst with longing to be a villain like those villains on the stage, to have a moustache--a black moustache--such as they wore at a time when every one off the stage was clean shaven, and somehow to end bloodily, murderously, as became a villain.

I dare say this was not quite a wholesome frame of mind for a boy of ten years; but I do not defend it; I only portray it. Being the boy he was, he was destined somehow to dwell half the time in a world of dreamery; and I have tried to express how, when he had once got enough of villainy, he reformed his ideals and rather liked virtue. At any rate, it was a phase of being that could not have been prevented without literally destroying him, and I feel pretty sure that his father did well to let him have his fill of the theatre at once. He could not have known of the riot of emotions behind the child's shy silence, or how continually he was employed in dealing death to all the good people in the pieces he saw or imagined. This the boy could no more have suffered to appear than his passion for those lovely little girls, for whose sake he somehow perpetrated these wicked deeds. The theatre bills, large and small, were printed in his father's office, and sometimes the amiable manager and his wife strolled in with the copy. The boy always wildly hoped and feared they would bring the little girls with them, but they never did, and he contented himself with secretly adoring the father and mother, doubly divine as their parents and as actors. They were on easy terms with the roller-boy, the wretch who shot turtle-doves with no regard for their symbolical character, and they joked with him, in a light give-and-take that smote my boy with an anguish of envy. It would have been richly enough for him to pass the least word with them; a look, a smile from them would have been bliss; but he shrank out of their way; and once when he met them in the street, and they seemed to be going to speak to him, he ran so that they could not.

XVI.

OTHER BOYS.